Music Commons^™

The History Of The System Of Music Education In Jamaica: Emancipation In 1838 To The 21st Century, Randy Tillmutt

Electronic Theses and Dissertations

The rich and internationally respected Jamaican music culture has been influenced by the system of music education that exists in the country. Public school and college level music education programs in particular have provided the opportunity for students to have an early exposure to music and to pursue a career in music. However, the multitude of opportunities to study and pursue music did not always exist in Jamaica. The goal of this study is to examine the history of music education in Jamaica with particular focus on such influences as British colonialism, the African Diaspora, Jamaican folk music and Jamaican …

A Historical Study Of Irvin Cooper: Choral Music Educator And Founder Of The Cambiata Concept, Phillip Holland Stockton

Electronic Theses and Dissertations

Military officers and psychologists have argued that the human experience of killing in combat is directly related to physical proximity between combatants. With the advent of remote controlled weapons and advanced optics, that argument has proven untrue. This thesis, through analysis of contemporary war literature and film, proposes that a better paradigm for understanding and anticipating the human experience of killing in combat is the view the soldier maintains of him/herself and of the other as similarly human. The contemporary soldier may view both the enemy and him/herself as human, subhuman, or inhuman; this view is closely tied to constructed …

What Keeps Us Well? Professional Quality Of Life And Career Sustaining Behaviors Of Music Therapy Professionals, Shane C. Swezey

Theses and Dissertations--Music

Self-care can be seen as not only critical for individual professionals, but also for the growth of the helping professions and the quality of care which clients receive. The purpose of this study was to investigate use of career-sustaining behaviors and the levels of professional quality of life in music therapy professionals. This study investigated research questions regarding use of career sustaining behaviors and levels of professional quality of life, the relationship between these variables, the differences in the use of career sustaining behavior by demographics, and the use of music as a self-care strategy.

An online survey was sent …

0802: Kay Wildman Collection, 1900-2006, Marshall University Special Collections

Guides to Manuscript Collections

The Kay Wildman Collection explores the history of music in Huntington, WV. This collection consists of oral histories, photographs, newspaper clippings, and research materials. In most of the oral histories you will find a copy of the interview on a CD and a typed outline of the interview. A diary by Robert Grant, a member of numerous musical groups in Huntington, can also be found in this collection. This diary covers the period of time Grant was a student at Marshall University with some additional entries that go beyond that period of time.

Promoting Schema Formation Among Wind Musicians Of Varying Abilities, Laura A. Stambaugh

School of Music: Faculty Publications

Cognitive load theory identifies three types of cognitive load present during learning: intrinsic, extrinsic, and germane. To optimize learning, cognitive load theory recommends optimizing germane load. The purpose of this study was to examine the interactions among intrinsic and germane cognitive loads when practicing a wind instrument. The study will determine which of two practice strategies is most effective for three levels of learners on a woodwind instrument. Forty-five participants were university music majors and minors with either (1) no experience playing a woodwind instrument, (2) limited experience, or (3) a woodwind major or minor. In a repeated-measures design, students …

Music Industry Market Research - The Effect Of Cover Artwork On The Music Industry, Kendall Cook

Graphic Communication

The creation and use of the Internet has revolutionized the marketing and consumption of music in the late 20th and early 21st centuries. Past and current marketing tactics were researched to see why the music industry has declined in sales in recent years. Cover art has been apart of the traditional marketing of tangible goods such as vinyl records, CDs, cassettes, and other media. It grabs the attention of the consumer and is their first impression of the album. The Internet has utilized cover art, but not in the same manner. It exists but is not widespread. This theory to …

Muop 356/856: Intermediate/Advanced Opera Techniques—A Peer Review Of Teaching Project Benchmark Portfolio, Jamie M. Reimer

UNL Faculty Course Portfolios

I began the investigation of this course and subsequent course portfolio with the following objectives in mind:

1. To solidify and articulate the skills I intend students enrolled in this course to achieve by the end of the semester;
2. To think creatively about the presentation of course material to most effectively engage and empower students' success; and
3. To assess the effectiveness of the course activities in achieving course goals stated in the syllabus.

I am also excited to explore the options available for different methods of content delivery in this course, particularly the application of recorded performance for assessment. In the …

Mued 345: Instrumental Music Methods, Dale Bazan

UNL Faculty Course Portfolios

The course Instrumental Music Methods (MUED 345) is designed to provide a fundamental preparation for future music educators to teach instrumental music--both orchestral and band--to adolescents in schools. The description in the UNL Schedule of Classes describes this course as dealing with "administrative approaches, rehearsal techniques, and modern comprehensive teaching styles for the secondary instrumental teacher." I chose this course for my peer-review because preparing future instrumental music teachers is one of my primary responsibilities as the instrumental music education specialist at UNL, and this course is the primary course to prepare students for this outcome. It is therefore vital …

0810: The Huntington Symphony Orchestra Collection, 1974-2012, Marshall University Special Collections

Guides to Manuscript Collections

The Huntington Symphony Orchestra Collection focuses mainly on the EFFORT (Education For Future Orchestra Related Tradition) Program. The EFFORT Program went from school to school performing for students, and teaching them about the instruments. This collection consists of many EFFORT reports from various years which show the schools the orchestra traveled to. It also includes a variety of programs and flyers and a multitude of newspaper clippings and photographs ranging from residencies to EFFORT In-School performances.

New Mexico Musician Vol 60 No 2 (Winter 2012)

New Mexico Musician

No abstract provided.

Brown Study An Original Musical Recording, Alan Clark

HIM 1990-2015

For a year and a spring semester, I have been in the works of a school music project. I set out to make a record of ten self-penned songs. Along the length of the project, I would discover musicians and recording artists. I notated my songs on a staff and recorded demos to assist players of drums, electric bass, French horn, and violin. I play guitar, percussion, synthesized instruments, and do all of the singing on Brown Study, the record's title. The technology used to create the songs include a Tascam 2488 (home digital recording device), computers, printers, cell phones …

Examining Middle School String Students' Sight Reading Processes, Natalie J. Deen

Theses and Dissertations

The purpose of this study was to document, analyze the strategies and techniques being used, and explore the feelings and perceptions often sixth-grade string students while individually sight-reading over the course of 11 weeks. The students were presented with a five lesson unit on sight-reading that focused on different musical elements and presented the students with strategies and techniques to be used as a class and during individual tests. Each student took the Watkins-Famum Performance Test, form A as a pretest and posttest to the unit. Between lessons, each student took an individual sight-reading test which reflected the musical element …

Involve Me: Using The Orff Approach Within The Elementary Classroom, Amanda Long

Undergraduate Honors Theses

Musical independence, improvisation, and composition are important skills that teachers should include within an elementary music curriculum. The musical concepts that accompany these skills can be difficult for teachers to convey and for students to understand due to the difficulty and complexity of teaching musical independence. This study consists of a literature review pertaining to the history and development of the Orff Approach, application of Orff concepts to the creation of lesson plans and classroom activities, action research with elementary students, and conclusions. Three different lesson plans were created implementing Orff techniques specific to the following grade ranges: two-four, four-six, …

Music At Otterbein Fall 2012 Newsletter, Otterbein University

Music at Otterbein Newsletter

Otterbein University Department of Music Newsletter which includes performance schedules and updates about the Department, Faculty and Students.

Virtue Ethics, Care Ethics, And "The Good Life Of Teaching", Marissa Silverman

John J. Cali School of Music Scholarship and Creative Works

In "The Good Life of Teaching: An Ethics of Professional Practice," Chris Higgins (2011) reminds people that "self-interest and altruism, personal freedom and social roles, and practical wisdom and personhood" have been ancient philosophical topics that remain vitally important in the practice of contemporary teaching and learning. One of the most fundamental questions Higgins raises is this: "How do we reconcile self-regard and concern for others?" Higgins echoes John Dewey's concern for "balancing the distinctive capacity of an individual with his social service." In other words, and educationally speaking: What does it mean to live "the good life" as an …

New Mexico Musician Vol 60 No 1 (Fall 2012)

New Mexico Musician

No abstract provided.

Affective-Domain Occurrences Reported By Undergraduate Non-Music-Major Students In A Keyboard-Centered Course Incorporating The Nine National Standards For Music Education And A Methodology Based On Constructivist Principles: Patterns That Might Suggest Hypotheses About Cause-And-Effect Relationships, Gergana S. Argirova

Electronic Theses and Dissertations

In this study, data about occurrences in the affective domain of non-music-major subjects taking a keyboard-centered course that incorporates the nine National Standards for music education along with a methodology based on constructivist principles were collected. The problem of this study was to identify any patterns in those data that might suggest hypotheses about cause-and-effect relationships that might be tested later in quantitative studies with experimental design.

The instruction consisted of a keyboard-centered music education curriculum that encompassed the U.S. nine National Standards for music education along with a teaching methodology based on constructivist principles. This study was conducted in …

Attributional Beliefs In Music Learning: 'Talent' Or Hard Work?, Brian Joseph Harris

Masters Theses and Doctoral Dissertations

Attributional beliefs of three distinct groups regarding the sources of musical skill—hard work or innate/internal -- were explored through two separate studies. Subjects for the pilot study consisted of thirty-seven private university music majors compared with adult chancel choir members, while the thesis study compared the responses of thirty-four public university music majors with chancel choir members. All subjects responded to researcher-developed attributive questionnaires. The pilot study indicated that a majority had the same notion, that musical skill comes from hard work and innate ability, with no statistical difference between private university music majors and the adult non-majors, p < .9999, on the Freeman-Halton extension of Fisher’s. Differences were found in the thesis study, with the majority of public university music majors favoring hard work and the adult non-majors equally divided between the two choices, resulting in a statistically significant difference at p < .0016 on Freeman-Halton extension of Fisher’s.

Interpretations Of Student Engagement In The Context Of The Orff Schulwerk Music Classroom At The Dubard School For Language Disorders, Anna Rebecca Bondurant Halliday

Dissertations

The purpose of this multiple case study was to explore the lived experiences of four students with language disorders within the context of their Orff Schulwerk music class at the DuBard School for Language Disorders. In addition, the observational insights of their classroom teachers and the practitioner researcher were compared with the responses of the students in order to determine any discrepancies between the child’s awareness of his or her musical engagement and that of the observer. Using data collected from interviews, stimulated recall (Dempsey, 2010), and student generated artwork (Freeman & Mathison, 2009), I explored the lived experiences of …

An Exploratory Study To Determine If Marching Band Rehearsal Activities Could Satisfy National Physical Education Standard Three As Measured By The Heart Rates Of Collegiate Marching Band Members, Serena Weren

Student Theses and Dissertations

An increasing number of states allow high school curricular credits earned in marching band to substitute for required physical education credits. Legitimizing this substitution would required that marching band meet contemporary recommendations for frequency, duration, and intensity of physical activity as stated in the Third National Standard for Physical Education. The purpose of this exploratory descriptive study was to determine the intensity of physical activity occurring in a marching band rehearsal by measuring the heart rates of collegiate marching band members using pulse counts and heart rate monitors. Some marching band activities were found to raise the average heart rate …

Highlights In Jazz Concert 312- We Call It Jazz, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, May 10th, 2012 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Michael Wolff, Harvie S, Victor Jones, Baby Jane Dexter, Christian McBride BIG BAND, Melissa Walker, Ben Williams, Zavier Davis, Steve Davis, James Burton, Michael Dease, Doug Purviance, Nebate Isles, Frank Groove, Frank Green, Freddie Hendrix, Brandon Lee, Carl Rigoli, Ron Blake, Loren Schoenberg, Steve Wilson, Todd Bashore, and special guest Russ Patterson.

A Pedagogical Guide And Argument For Using The Harmonic Series In Teaching Beginning And Intermediate Level Horn Students, Patrick James Richards

Dissertations

An awareness of the harmonic series and its attributes is a crucial part of learning how to play the horn well, not to mention how the instrument works. Numerous undergraduates enter their career as music majors without understanding this important concept. This implies that students are not learning the harmonic series earlier in their development. Horn method books that instruct the student to use one harmonic series at a time often do not explicitly define the harmonic series, or the exercises are too difficult for developing horn students. Collecting existing and developing original exercises and other teaching tools will provide …

A Model Of An Effective Approach To Studio Voice At The Undergraduate Level: The Vocal Method Of Dr. Raquel Cortina, Kathleen Gorman Westfall

Dissertations

In her forty years of teaching voice at the college level at the University of New Orleans, Dr. Raquel Cortina has developed a method and process of teaching that yields exemplary results in her students. This study will provide a detailed description of her methods, her process of teaching, and the way she communicates information to her students. It will also provide a model for teachers of classical voice at the undergraduate level. The aspects of her method included in this study are limited to breath and support, resonance, issues with register, articulation, and musicality. A context of Cortina’s methods …

Metrical Transition And Resolution In The Music Of Blindside, Patrick Sallings

Graduate Theses and Dissertations

Meter in rock cannot always be determined by the backbeat. I have adapted metrical analysis models developed by Harald Krebs and others to the music of the rock band Blindside to address the issue of identifying logical metrical schemes in a particular repertoire of rock music. Blindside's use of metrical dissonance necessitates expansion of the existing analytical models in that the meter in some of their songs is ambiguous at times, allowing for a period of transition from one metrical scheme to another. The ambiguity of the meter in songs such as "The Endings," combined with the message of the …

Johannes Brahms, Vierzehn Deutsche Volkslieder, Woo 34, Nos. 1-14, An Arrangement, Transcription And Pedagogical Rationale For Wind Band, Robert Logan Biles

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document illustrates how specific educational objectives can be met in the wind band rehearsal through the selection, transcription, and arrangement of the Vierzehn Deutsche Volkslieder, WoO 34, Nos. 1-14 by Johannes Brahms. It further defines the pedagogical appropriateness of these works and their transcriptions by outlining the educational goals that they accomplish.

The resulting wind band transcriptions and arrangements, for use at the secondary and post-secondary levels, are presented in two formats. The first is a convertible transcription where each instrumental part contains transpositions of all of the original vocal parts making it adaptable for various combinations of instruments. …

Highlights In Jazz Concert 311- Salute To Sonny Fortune, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, April 12th, 2012 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Sonny Fortune, Buster Williams, George Cables, Billy Hart, Eddie Henderson, Tessa Souter, and Gene Bertoncini.

Music At Otterbein Spring 2012 Newsletter, Otterbein University

Music at Otterbein Newsletter

Otterbein University Department of Music Newsletter which includes performance schedules and updates about the Department, Faculty and Students.

Musical Linguistics: How Music And Artistic Creativity When Delivered As A Linguistic Practice, Help Students Master Academic Skills In English Language Arts, Cynthyny Ann Lebo

Theses Digitization Project

This Masters project consists of two elements: 1) an integrated after-school program to improve student English language reading and academic outcomes for third graders' vocabulary development by incorporating music, artistic creativity and linguistics; 2) a pilot sample curriculum that demonstrates the approach for building student comprehension through musical theater and Science, Technology, Engineering, and Mathematics (STEM) content experiences. Called "Water Buddy", this is an after-school program uses singing, dancing, writing, and play to build reading and vocabulary skills. The goal is to improve learner academic outcomes by mastering the elemental building blocks of words, letters, symbols by making memorable the …

New Mexico Musician Vol 59 No 3 (Spring 2012)

New Mexico Musician

No abstract provided.

Highlights In Jazz Concert 310- Cabaret Jazz, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, March 8th, 2012 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Barbara Carroll, Jay Leonhart, Paula West, George Mesterhazy, Aaron Weinstein, Barak Mori, and surprise guest Tedd Firth.