Music Commons^™

City Music Center's New Technology Program

TEMPO

No abstract provided.

Andrey Nemzer Wins At The Met

TEMPO

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Jazz Goes To The Movies/The Music Of The Beatles

TEMPO

No abstract provided.

Interview With Dean Edward Kocher

TEMPO

No abstract provided.

A Holiday Postcard

TEMPO

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A Recital To Remember

TEMPO

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Curricular Innovations In Music Education

TEMPO

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Alumni Notes

TEMPO

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Anthony Divittorio Retires

TEMPO

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Our Graduates Succeed

TEMPO

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Table Of Contents

TEMPO

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Tempo Magazine 2012-2013 (Spreads)

TEMPO

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Guitar And Bass Celebration

TEMPO

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Notes From The Editor, Bruce Gleason

Research & Issues in Music Education

In this grouping of articles, a variety of music education topics are addressed: Thomas Kloss writes about teacher turnover among high school band directors; Jihae Shin investigates the idea of how a community of peer interactions functions as a resource to prepare music teacher educators; Patricia E. Riley reports on a case study of curriculum reform in rural China; Sarah McQuarrie and Ronald Sherwin investigate the connections between classroom practice and professional publication topics; and Natalie Steele Royston writes about the connections between collegiate band members’ preferences of teacher interpersonal behavior and perceived self-efficacy.

Call For Papers, Bruce Gleason

Research & Issues in Music Education

St. Augustine Symposium on the History of Music Education

Flagler College, St. Augustine, Florida

May 28 – 31, 2014

CALL FOR PAPERS, PANEL DISCUSSIONS, AND PERFORMANCES

The Relationship Between Collegiate Band Members’ Preferences Of Teacher Interpersonal Behavior And Perceived Self-Efficacy, Natalie Steele Royston

Research & Issues in Music Education

The purposes of this study were to describe collegiate band members’ preferred teacher interpersonal behaviors and perceptions of self-efficacy based on the gender, year in college, instrument, and major and to measure the relationship between preferences of interpersonal teacher behavior and self-efficacy scores. The sample (N = 1,020) was composed of band members at 12 universities from different regions of the United States. Participants completed the Teacher Interaction Preference Questionnaire (TIPQ) and the Self-Efficacy Questionnaire (SEQ). Descriptive statistics were calculated for each of the questionnaires. Results for the TIPQ showed that all sub-groups most preferred the dominant-cooperative behaviors, followed …

Do You Have The Personality For Teaching Music?, David W. Snyder

Faculty Publications - Music

Six different classes of music education majors enrolled in a large Midwestern university were asked to take an online personality survey and then were tracked through graduation. Personality types, as determined by the Myers- Briggs Personality Type test, were then examined for how they related to choice of major and attrition within the music education degree program. The hope was to combine these findings with other research done on personality and get a snap shot of what personality types are drawn to teaching choir and further what types persist through graduation.

The Perfect Pitch 2013, Wmu School Of Music

School of Music News

The Perfect Pitch 2013:

• Director's Note
• Student Centered
• Discovery Driven
• Globally Engaged
• Celebrating 100
• Alumni Activities
• Student Achievements
• Faculty Activities
• Welcome New Faculty & Staff
• Retirement
• Honor Roll
• Guest Artists

Exploring The Essence Of Trust Through The Lived Experiences Of Jazz Educators, John Newell Canfield

Theses Digitization Project

The purpose of this phenomenological study is to contribute to the body of knowledge on trust, educational leadership, and jazz by exploring the lived experiences of jazz educators with regard to the phenomenon of trust in the educational environment.

A Community Of Peer Interactions As A Resource To Prepare Music Teacher Educators, Jihae Shin

Research & Issues in Music Education

The purpose of this study was to investigate interactions between two doctoral students and their colleagues in a graduate music education program and determine how a community of peer interactions functions as a resource to prepare music teacher educators. Results of this study showed that peer interactions between two participants and other students in graduate classes demonstrated characteristics of communities of practice (Wenger, 1998). The domain was the commonality of working as full-time music educators at the college-level and wanting to be better music teacher educators. While reflecting on this common goal, they developed a shared repertoire including their own …

Curriculum Reform In Rural China: An Exploratory Case Study, Patricia E. Riley

Research & Issues in Music Education

This case study consisted of an examination of the perspectives of students, teachers, and administrators at the Shuangling Primary School, a rural Chinese school in Shaanxi Province, as they relate to themes of China’s most recent curricular reform efforts. The intent was to understand these perspectives and determine how to best assist teachers in rural primary schools in Shaanxi Province, and perhaps more broadly in other rural Chinese primary schools, in implementing the themes outlined in the reform document (Ministry of Education of the Peoples’ Republic of China, 2010). Researcher narrative describes this exploration, and data include student, teacher, and …

High School Band Students’ Perspectives Of Teacher Turnover, Thomas E. Kloss

Research & Issues in Music Education

Teacher turnover remains an important issue in education. The least researched perspectives, though, are those of the students who experience teacher turnover. The purpose of this study was to examine how high school band students experience teacher turnover. A total of twelve students were interviewed, representing three schools that experienced a teacher turnover that year. Students were asked to give advice to teachers leaving a program, teachers coming to a new program, and for students who learn that their teacher is leaving. The study shows that reactions to teacher change vary, and that there is more to the turnover process …

Assessment In Music Education: Relationships Between Classroom Practice And Professional Publication Topics, Sarah H. Mcquarrie, Ronald G. Sherwin

Research & Issues in Music Education

The purpose of this study was to investigate the relationship between actual current assessment practices of elementary music teachers and the assessment topics as published in the literature aimed at those teachers. Specifically, this study sought to: 1) identify the current assessment techniques utilized by elementary music teachers; 2) identify the types of assessment techniques included in the current music teacher literature, and 3) identify any relationships between the assessment techniques that are most frequently utilized by teachers and those that are most frequently included in teacher-focused music education publications.

The researchers first examined data collected from the 100 elementary …

A Comparison Of Bluegrass Bands: 2013 Bands Versus The 1940s-1960s Bands, Elizabeth Rosanne Butler

Electronic Theses and Dissertations

The present study investigated the bluegrass music genre of 2013 and compared it with bluegrass found in the 1940s and 1960s. To date, only one similar study has been identified. In 1963, L.M. Smith completed a study entitled, Bluegrass Music and Musicians: An Introductory Study of a Musical Style in Its Cultural Context. In the conclusion to his study, Smith listed five major characteristics found in the bluegrass genre: 1. "Bluegrass is hillbilly music, played by white Southern musicians for a Southern audience." 2. "Bluegrass is not dance music and is seldom used for this purpose." 3. "Bands are made …

A Description Of The Musical Concepts Artist-Level Jazz Musicians Employ While Improvising, Jonathan Whitmire

Electronic Theses and Dissertations

The purpose of this study is to analyze musical concepts employed by artist-level jazz performers (professional jazz musicians) playing an improvised solo. These concepts are then compared to the participant's pedagogical background in improvisation. Subjects were videorecorded performing an improvised solo with an accompaniment track of "Take the ‘A' Train". They then participated in an observational research method referred to as stimulated recall where each performer watched the video directly following the performance and attempted to classify the musical concepts they used in their improvised solo. Categories of musical concepts included: scales/modes, chords/arpeggios, memorized licks, melodic variation, rhythmic variation, range/intensity, …

Cooperating Teacher Perceptions Of Music Student Teacher Preparedness For The Elementary Music Classroom, Charlotte Varner Hester

Electronic Theses and Dissertations

The present study investigated the strengths and areas of improvement for elementary music teacher preparation from the perspective of multiple members of a single body of music teachers. Subjects for the study were elementary music teachers from an urban school district in the southern United States. All elementary music teachers in the school district have at least Level I Kodaly certification. Thus, they teach from the same perspective. An online survey instrument utilizing open-ended and free response questions was designed based on the research questions. Cooperating teachers commented regarding elementary music student teacher preparation across three broad categories: teaching skills …

A Comparison Of Practice On A Midi Wind Controller To Practice On Single-Reed Instruments, Laura A. Stambaugh

School of Music: Faculty Publications

In the study of piano performance, the use of MIDI keyboards and computer software has improved measurement efficiency and accuracy of data analysis. MIDI wind controllers have existed for over 20 years, but their feasibility as a tool in wind instrument research has received little attention. The purpose of this investigation was to determine the validity and practicality of using a MIDI wind controller in instrumental performance research. Specifically, this study examined performances of the same passages, played by the same performers on a wind controller and played on a saxophone or clarinet, for pitch and rhythmic accuracy. The final …

Adjudicated Adolescents, Susan Gardstrom

Department of Music Faculty Publications

This chapter highlights music therapy practice with adjudicated adolescents, also referred to as juvenile offenders or delinquents.

In 2008 alone (the most recent year for which statistics are available), juvenile courts in the U.S. took action on more than 1.6 million petitions of delinquency. Some of these cases were dismissed; some were waived to adult, or criminal, court; still others resulted in adjudication (a determination of guilt) with subsequent dispositions of community service, restitution, fines, probation, and/or mandatory placement in treatment programs of varying levels of security (National Center for Juvenile Justice, 2009).

The Impact Of Group Music Therapy On Negative Affect Of People With Co-Occurring Substance Use Disorders And Mental Illnesses, Susan Gardstrom, Jacklyn Bartkowski, Joy Willenbrink, Wiebke S. Diestelkamp

Department of Music Faculty Publications

The purpose of this study was to explore the impact of group music therapy on levels of self-reported negative affect (NA) among men and women on a residential unit of an integrated dual diagnosis treatment program.

More specifically, we sought to determine if and to what degree engagement in composition, receptive (listening), re-creation (performing), and improvisation experiences would result in a shift—namely, a decrease—in the intensity of self-reported NA.

Participants were adults in residential treatment who had been diagnosed with co-occurring substance use disorders (SUDs) and mental illnesses (MIs), predominantly mood and anxiety disorders. Twenty group-music-therapy sessions were held on …

Women With Addictions: Music Therapy Clinical Postures And Interventions, Susan Gardstrom, Maria Carlini, Jessica Josefczyk, Amy Love

Department of Music Faculty Publications

Like men, women have been using alcohol and drugs since ancient times; yet we are just beginning to uncover important information about women's unique trajectory to and through addiction. Straussner and Brown (2002) write, “There is little or no denial left today: Women can be and are addicts at alarming rates” (p. 34). Close to 15% of the members of the American Music Therapy Association (AMTA) report working with clients who have addictions (AMTA, 2011). It is likely that some of these members work with women who struggle with addictions, and it seems feasible that some would work predominantly or …