Modern Literature Commons^™

Cuatro Sonetos De Guido Cavalcanti (Versiones Y Libertades), Juan Gelman

INTI: Revista de literatura hispánica

No abstract provided.

Base Tres: Llegada/Despedida; En La Tibieza Del Día, Edgar O'Hara

INTI: Revista de literatura hispánica

No abstract provided.

John Garganigo, Carlos Germán Belli: Antología Crítica, Marta Bermudez-Gallegos

INTI: Revista de literatura hispánica

No abstract provided.

Pasaporte De Otoño; Lo Nuestro; Tiempo Transfigurado, Eugenio Montejo

INTI: Revista de literatura hispánica

No abstract provided.

José Promis, La Identidad De Hispanoamérica: Ensayo Sobre Literatura Colonial, Cynthia Duncan

INTI: Revista de literatura hispánica

No abstract provided.

Soledad Cruz: La Otredad Militante, Alessandra Riccio

INTI: Revista de literatura hispánica

No abstract provided.

Ironía De La Lectura En "Versos Para Ilustrar Unas Fotografías De San Antonio De Atitlán" De Enrique Lihn, Oscar D. Sarmiento

INTI: Revista de literatura hispánica

No abstract provided.

Aspectos Del Deseo En La Obra De Carlos Fuentes, Bernal Herrera

INTI: Revista de literatura hispánica

No abstract provided.

Life As Theater In Aloisi's Nada De Pirandello, Por Favor, James Troiano

INTI: Revista de literatura hispánica

No abstract provided.

De Sub Terra Al Exilio: El Cuento Chileno, Ruben Gonzalez

INTI: Revista de literatura hispánica

No abstract provided.

Two New British Studies On Jules Verne. [Review Of William Butcher's Verne's Journey To The Centre Of The Self, Macmillan, 1991, And Andrew Martin's The Mask Of The Prophet: The Extraordinary Fictions Of Jules Verne, Oxford Up, 1991], Arthur B. Evans

Global Language Studies Faculty publications

No abstract provided.

A Record Of The Present Moment: A Comparison Of The Early And Later Narrative Work Of Gertrude Stein, Elisa Stuber Cohen

English Theses & Dissertations

Gertrude Stein began and ended her literary career with the narrative, a mode of discourse which she reworked and altered to fit her vision of twentieth-century reality. In her early work with the narrative (Three Lives and The Making of Americans), she reevaluated traditional techniques of plot, theme, and character and began to emphasize the textual surface over referential meaning. But feeling restricted by the narrative, Stein left it behind in search of the value of the individual word, which she thought was lost in nineteenth-century rhetoric. For the next twenty-five years, she concentrated on poetry, plays, and …

Petunias In The Crabgrass. [Review Of Contours Of The Fantastic, Ed. Michele K. Langford, And The Shape Of The Fantastic, Ed. Olena H. Sacuik. Greenwood Press, 1990], Arthur B. Evans

Global Language Studies Faculty publications

No abstract provided.

Nouvelle Anthologie Of Old Science Fiction. [Review Of La Science-Fiction Avant La Sf, Ed. Monique Lebailly. Ed. De L'Instant, 1989], Arthur B. Evans

Global Language Studies Faculty publications

No abstract provided.

The Unknown And Awakening Europe, Agnieszka Taborska, Borys Pugacz-Muraszkiewicz, Daniel Kraft, James O. Barnhill, Paul Andrejco, Bo Joseph, Christopher Kazlauskas, Ralph Kelliher, Timothy Mcelreath, Sol Armada, Carrie Bloomston, Alice Gould, Courtney Herman-Taylor, Renée Venditti, Treva Offutt, Mylene Santos, Dawn Caulfield, Joshua Wood, Carrie Caldfield, Gabriella Norton, Adriana Spurr, Hunter Marshall

Programs

Program for the fourth annual RISD Cabaret held in the Cellar at the top of the Waterman Building. Design by Daniel Kraft. View the Performance Recording.

Introduction To The "Rake", Kathryn M. Plank

Faculty Scholarship

No abstract provided.

The Last Harmattan Of Alusine Dunbar By Syl Cheney-Coker, Pamela J. Olúbùnmi Smith

Goodrich Scholarship Faculty Publications

A reenactment of the Edenic plunder. The setting? Anglophone Anywhere, West Africa. The time? Pre- colonial, colonial, and postcolonial period. The action? The brigandage and plunder of Africa, the old yet new drama of the psychological and political effects of duplicity, and the near-genocidal tendency inherent in the lack of communal cohesiveness. What follows is all too familiar.

D. 0. Fagunwa: The Art Of Fabulation And Writing Orality, Pamela J. Olúbùnmi Smith

Goodrich Scholarship Faculty Publications

Many non-Yoruba critics of African literature have often cited Yoruba writer D. 0. Fagunwa as a valuable contributor to African orature. However, these citations have tended to be allusions, passing references, in the critics' analyses of other African texts.1 There is still a great need for a purposeful analysis of the exact nature of Fagunwa's acclaimed literary contribution, particularly as it relates to the discussion of an afrocentric esthetic of African-language texts and the extent of his direct influence on African literature in English. Fagunwa is no stranger to Yorubas, young and old, literate and illiterate alike; but because of …

Horizons, Volume 14/15, 1990/1991, Sacred Heart University

Vistas (Horizons)

No abstract provided.

Book Review: Subversive Pleasures: Bakhtin, Cultural Criticism, And Film, James Morrison

CMC Faculty Publications and Research

...Subversive Pleasures implicitly critiques the dominant parochialism of contemporary film study with the bracing electicism of its method. Both for its basic enterprise of installing Bakhtin as a touchstone fro film scholars and for its rangy, intellectually restless methodological alternative to the constricting specializing of current film theory, Stam's book is among the most important recent contributions to film study.

Fafa By Ebou Dibba, Pamela J. Olúbùnmi Smith

Goodrich Scholarship Faculty Publications

With the "coming if age" of African literature, a new generation of African writers are accessing publishing avenues such as the Macmillan Publishing Company's "M" series.

Women And Revolution In Dystopian Fiction: Nadine Gordimer's July's People And Margaret Atwood's The Handmaid's Tale, Nancy Topping Bazin

English Faculty Publications

Nadine Gordimer's July's People (1981) and Margaret Atwood's The Handmaid's Tale (1985) are both dystopias, nightmare visions of the future. Both of the worlds depicted come into being because of revolutionary coups. However, in both cases, the revolutions were in progress long before the actual takeovers, and there were opportunities for citizens to have prevented these dystopian situations from coming to pass. Yet, because changing the direction of political events requires energy, solidarity, bravery or at least some self-sacrifice, most citizens are reluctant to become involved. Nadine Gordimer and Margaret Atwood understand this attitude because they have felt that way …

Trans. Of Jean Baudrillard's "Two Essays", Arthur B. Evans

Global Language Studies Faculty publications

No abstract provided.

Virginia Woolf & Postmodernism: Literature In Quest & Question Of Itself, Pamela L. Caughie

English: Faculty Publications and Other Works

Virginia Woolf and Postmodernism argues not that Virginia Woolf is a postmodernist but that postmodern assumptions about art can account for her narrative innovations and feminist politics better than conventional modernist and feminist approaches to her works. In rethinking many of the prominent aesthetic and critical positions of her day, Woolf anticipated many postmodernist tenets. This book helps us to understand how and why she came to hold such views, and how we might change our reading of Woolf and narrative literature in turn.

Pamela Caughie brings together pragmatism and postmodern theory to move critical inquiry, particularly feminist criticism and …

Donde Estuvieron Sentadas La Dama Y Su Piedra; Entonces Algo Vuelve A Suceder; Julio Es Un Mes Oscuro; Poema Para Paul Klee; Carta A; La Orilla; Melodía Imposible Para Seguir A Un Caballo, Dolores Etchecopar

INTI: Revista de literatura hispánica

No abstract provided.

La Piedra En El Fondo; Ciudad De México Soñada; Concierto De Cítara; Revelación I; Revelación Ii, Manuel Ulacia

INTI: Revista de literatura hispánica

No abstract provided.

From Domitila To "Los Relocalizados": Testimony And Marginality In Bolivia, Javier Sanjines C.

INTI: Revista de literatura hispánica

No abstract provided.

Stolen Kisses Are The Sweetest, Louveciennes, 1932; Ii Faut Faire La Fête; Zoccoli, Esos Zapatos Tan Altos, Tan Altos...; Carta De Una Aclla A Su Amante; Castidad Maya; War Ich Ure Du. Warst Du Wie Ich (Si Yo Fuera Como Tú, Si Tú Fueras Como Yo);, Carlota Caulfield

INTI: Revista de literatura hispánica

No abstract provided.

La Crónica Del Niño Jesús De Chilca: Cisneros Y La Épica De Los Marginados, Marta Bermudez-Gallegos

INTI: Revista de literatura hispánica

No abstract provided.

Propileo; Totalidades; Recurrencias; Abanico; Identidades; Naturaleza; Poiesis; Disoluciones; Arena; Cristal; Espejo, Jaime Siles

INTI: Revista de literatura hispánica

No abstract provided.