Modern Literature Commons^™

Postmodern Fantasy & Its Twin Traditions, Skyler J. Alexander

Honors Thesis

Fantasy literature is diverse and difficult to categorize; nevertheless, throughout the twentieth century two main subgenres emerged: sword-and-sorcery and high fantasy. This thesis examines the differences and similarities between these two traditions, how contemporary examples of the genre fit into or diverge away from the traditions that influenced them, and proves in the negative what and how much of contemporary fantasy fiction is original to itself, with no prominent antecedent. The analysis was performed by comparatively reading two contemporary fantasy novels, The Eye of the World by Robert Jordan and A Game of Thrones by George R. R. Martin, with …

Getting Tolkien Right: Middle-Earth In The National Review, Craig Franson

Journal of Tolkien Research

J.R.R. Tolkien’s The Lord of the Rings entered Anglo-American popular consciousness as an emblem of 1960s, leftist youth culture, but the novel slowly gained currency across the political right. In the U.S., conservative intellectuals published book notes and articles on Tolkien’s writing in their movement’s leading journals, gradually habituating their readers to seeing the once-obscure English fantasist as a canonical writer for American conservatism. The most prominent of these journals was William F. Buckley’s National Review, which recurrently promoted Tolkien’s writing and offered a distinctly partisan interpretation of his texts. This paper offers a partial outline of the conservative …

Some Notes On A Tolkien’S Manuscript Linked To ‘Leaf By Niggle’, Claudio Antonio Testi

Journal of Tolkien Research

In these brief notes, I provide further information regarding a manuscript relating to 'Leaf by Niggle' that may lead to a more precise dating of the earliest version of this story.

Saunders Lewis, J.R.R. Tolkien, And The Place Of Magic In Fantasy, Alexander Retakh

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Welsh writer Saunders Lewis was, just as his almost exact contemporary J.R.R.Tolkien, a politically conservative Catholic with a deep interest in medieval myths. Both authors wrote fantasy based on Celtic tales, such as Lewis's play Blodeuwedd and Tolkien's poem The Lay of Aotrou and Itroun. While the latter follows the dicta of Tolkien's own "On Fairy-stories," Lewis created a more modernist work. Despite biographical and ideological similarities, the two approached their sources differently. Tolkien looked for unifying aesthetic principles that he called "unhazy unromantic momentariness," while Lewis used the traditional material to escape the constraints of romantic and realistic …

Beowulf And Théoden: Differing Teaching Methods Of Hrothgar And Gandalf, Ali Mirzabayati

Journal of Tolkien Research

Most studies on the character of Théoden in The Lord of the Rings center on Germanic heroic themes like courage and oath-keeping, often emphasizing his renewal by Gandalf at Meduseld and his death at the Battle of Pelennor Fields. This perspective overlooks Théoden's growth in wisdom and hope between these events. During this period, Théoden learns about the various forces in Middle-earth and contemplates his role in the broader world, leading to a profound sense of humility. Building on Tolkien's inspiration from Beowulf, this paper compares Théoden and Beowulf to explore their learning processes and heroic outcomes. This comparison …

The Holy Thorn Of Glastonbury And The Two Trees Of Valinor, Giovanni Carmine Costabile

Journal of Tolkien Research

An old wooden church in Glastonbury rose on the site of the Abbey church taking its place after a fire burnt it. This old church is traditionally considered to have been the eldest church in England, founded by Joseph of Arimathea after landing upon the British shore. Such a legend, probably spread after the Norman Conquests by the Abbey monks who needed to fund the monastery, also relates that Joseph planted his staff upon the highest hill in Glastonbury, and the staff grew branches and roots, transforming into a wonderful thorn tree which, unlike common thorns, bloomed twice a year, …

Negative Estrangement: Fantasy And Race In The Drow And Drizzt Do’Urden, Steven Holmes

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This essay introduces the concept of negative estrangement to help understand current cultural interventions into the norms of depicting fantasy races. First, this essay builds on Shklovsky’s concept of estrangement to describe the literary practice of negative estrangement, wherein artists craft “more evil” foes based on hybridized amalgamations of stereotypes to create antipathy toward a subject, be it monster or fantasy race. This practice is sometimes used in service of confronting the issue of race and racism, despite seeming to reify or rearticulate racist stereotypes.

This essay builds on Tolkien’s argument in favor of creating “more evil” foes to exemplify …

The Posttraumatic Stress Disorder Of Frodo Baggins, Bruce D. Leonard

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

J.R.R. Tolkien in The Lord of the Rings accurately portrayed the signs and symptoms of what is currently labeled Post Traumatic Stress Disorder. Frodo’s condition logically follows his experiences of less than a year in the War of the Ring. Tolkien did not have access to a diagnostic manual but apparently used his keen observations from both World Wars to inform his narrative. No fantasy is employed to describe Frodo condition after the Ring is destroyed. His condition is that of a vet with PTSD. Evidence from the History of Middle-earth demonstrates the deliberate steps taken to show Frodo as …

Second Age, Middle Age, Norbert Schürer

Journal of Tolkien Research

The recent releases of the volume The Fall of Númenor and the series The Lord of the Rings: The Rings of Power raise the question: What is the significance of the Second Age of Tolkien’s legendarium? This article suggests that Tolkien conceived of the Second Age as parallel to the Middle Ages in our world, which were the focus of his academic career in his studies of Old and Middle English language and literature. As various frameworks and overviews for the legendarium demonstrate, Tolkien thought of the Second Age, like the Middle Ages, as uniquely looking backwards and forwards …

The Enigma Of Goldberry: Tolkien’S Narrative Braiding Of Genre- And Symbol-Related Vocabularies In The Withywindle River-Daughter, Derek Simon

Journal of Tolkien Research

The enigma of Goldberry continues to stimulate diverse readings of her narrative in the Withywindle Cottage episode. The root contention of this article is that Goldberry’s enigma is textured through Tolkien’s complex narrative braiding of multiple genre- and symbol-specific vocabularies woven together throughout her episode. The effort to interpret the enigma of Goldberry needs to be grounded in the philological, lexical, and thematic signifiers circulating in her storyline. These mythopoeic signifiers are variously conveyed by the genre- and symbol-related vocabularies influencing her enigma in the narrative. Where much of the critical commentary has justifiably considered a single strand of source …

Hope And Wonder In The Wasteland: Post-Apocalyptic Fiction As Tolkienian Fairy Story, Alfredo J. Mac Laughlin

Journal of Tolkien Research

J. R. R. Tolkien’s four functions of fantasy stories, as developed in his Andrew Lang lecture “On Fairy Stories” (1939), have become a key conceptual tool for discussing human beings’ attraction to fantasy stories, particularly when attempting to push the analysis beyond the literary into the aesthetic, and beyond the aesthetic into the existential. Applying this interpretive key to an analysis of the expanding genre of post-apocalyptic fiction reveals that post-apocalyptic stories, despite superficial differences, are surprisingly close to fairy stories in their aesthetic core and orientation, and that post-apocalyptic stories are well-suited to fulfill—albeit with their own distinctive aesthetic …

Stigma And The Social Function Of Fate In The Story Of Túrin Turambar, Clare Moore

Journal of Tolkien Research

This paper applies Erving Goffman's theories of stigma to J.R.R. Tolkien’s The Children of Húrin in order to explore the social function of Túrin's fate throughout the narrative. Interpreting fate as a stigma reveals the role society plays in the tragedy of Túrin's story through the lens of a social model of disability.

Tolkien, Manuscripts, And Dialect, Edward Risden

Journal of Tolkien Research

Study of languages, names, and dialects may have been the greatest motivating factor in Tolkien's scholarship and his fiction: he found in every name (and even in every word) a story to unearth. Clear connections appear between the scholarly vector that connects his investigations into the Gawain-poet (his location and language), the Ancrene Riwle, and locating the linguistic variants in The Reeve's Tale, for instance, with the creation of the various speech patterns in The Lord of the Rings. Beyond the obvious examples of the Elvish languages Tolkien created, the Westron-Hobbiton dialect that Sam uses, variants among …

"A Mind Of Metal And Wheels": Agrarian Ruralism In Joss Whedon's Firefly And J.R.R Tolkien's The Lord Of The Rings, Christopher Hines

English (MA) Theses

Both Joss Whedon's Firefly and J.R.R Tolkien's The Lord of The Rings present settings that are just as much influenced by the environments in which they occur as they are by the characters who act within those environments. For J.R.R. Tolkien, it was his lived experience of having grown up in a changing England that influenced his depiction of the world, while Joss Whedon's Firefly revisits and readapts the American mythos of the Western and the cowboy and re-appropriates it to science fiction, placing the action in the far future and in space where humanity is once again exploring and …

"Slain Ye Shall Be": Eschatological Morality And The House Of Feanor In Tolkien's The Silmarillion, Ashley Anteau

Honors Projects

This thesis expands on existing research and analysis of the eschatology of J. R. R. Tolkien’s invented mythology, with a critical analysis of how it relates to morality and the overarching exploration of good and evil, primarily in The Silmarillion. By analyzing Tolkien’s medieval and spiritual influences, as well as Tolkien’s unfinished works published posthumously by Christopher Tolkien, it explores the effect of the relationship between morality and mortality on the emotional core of Tolkien’s work. It offers new insights into the text by engaging especially with the often overlooked story of the sons of Feanor, and how this story …

Translating Tolkien. The Thin Line Between Translation And Misrepresentation. An Italian Case-Study, Marcantonio Savelli

Journal of Tolkien Research

This article deals with the translation of the work of J.R.R. Tolkien. It investigates the possibility that translation may represent a potential weapon, in the hands of tolkien's patronizing critics, to transform "from the inside", id est through misrepresentation, what could not be incorporated or "normalized" “from the outside”, i.e. by traditional criticism. The basis for these considerations is a case-study related to the Italian context. Recently (2019), the previous Italian translation of The Lord of the Rings was withdrawn from the market by the publisher, in order to replace it with a different one. The way in which this …

The Tale Of The Old Forest: The Damaging Effects Of Forestry In J. R. R. Tolkien’S Written Works, Katrine L. A. Hjulstad

Journal of Tolkien Research

The Old Forest is more often than not considered a wholly villainous woodland, and yet in a letter to the Daily Telegraph (1972), J. R. R. Tolkien claimed that he ‘take[s] the part of trees’ in all his works. Verlyn Flieger takes issue with this claim in her essay ‘Taking the Part of Trees’, as it seems to suggest that Tolkien’s Hobbits in the Old Forest were no better than the Orcs in Fangorn. Here it is argued that Flieger’s interpretation forgets that Tolkien intended The Lord of the Rings to appear as the Hobbits’ writings and recollections, and shows …

Realistic Fantasy And Sub-Creation: A Narratological Approach To Evaluating Storyworld Construction By Using J.R.R. Tolkien's Middle-Earth, Dustin J. Ritchea

Augsburg Honors Review

This essay examines J.R.R. Tolkien's concept of "sub-creation' meaning both myth creation and the power to create artificial storyworlds, and how it predates contemporary narratology. The two approaches to narrative share similar thought processes. This essay examines how Tolkien's theory of fantasy was built on the same foundation as narratology and even helped create certain narrative dynamics before contemporary narratology defined the terms. Using elements of narrative dynamics and Tolkien's insights on art and imagination, as well as the creation of artificial worlds, I develop a set of criteria for story-world narrative to showcase Tolkien's techniques: 1) Space and temporality …

Enchantment: A Teleology, Nathanael S. Toth

Senior Honors Theses

Despite the highly developed nature of his fictional world, Middle-earth, Tolkien never formally laid out a tabulated magic system for his fantasy creation. Nevertheless, unlike many stories by others in the fantasy genre, the magic he does include is far from just a shallow, world-building mechanism. Instead, it encapsulates the core theme of his fiction and the purposes which Ilúvatar (the God of Middle-earth) has given to the story’s many characters.

This paper will examine the nature and function of this magic from many angles: the identification of good magic with art and evil magic with domination; the delineation between …

Of The Silmarils And The Ring: J. R. R. Tolkien's Fiction And The Importance Of Creation And Art, Michael Hartinger

Senior Honors Projects, 2010-2019

J. R. R. Tolkien embodies the opposing ideals of Enchantment and the Machine in the Silmarils and the One Ring respectively. These created objects oppose each other just as Tolkien’s ideals of art do. Enchantment is art’s ideal, it's purpose is to glorify and enrich the beauty of reality through subcreation. The Silmarils exhibit the delight of making and perceiving beauty. Whereas the Machine is art’s shadowy reflection that utilizes apparatuses or devices rather than personal talent in order to coerce others and reality itself. Overall Tolkien's aesthetic theories reflect many fears surrounding modern attitudes toward weaponizing art. Tolkien supplies …

Building Imaginary Worlds (2012) By Mark J.P. Wolf And Revisiting Imaginary World (2016) Edited By Mark J.P. Wolf, Andrew Higgins

Journal of Tolkien Research

Book review of Building Imaginary Worlds (2012) by Mark J.P. Wolf and Revisiting Imaginary Worlds (2016), edited by Mark J.P. Wolf, reviewed by Andrew Higgins

Tolkien's Intellectual Landscape (2015) By E.L. Risden, John Houghton

Journal of Tolkien Research

Tolkien's Intellectual Landscape (2015) by E.L. Risden, book review

"The Hobbit" And Tolkien's Mythology (2014), Ed. Bradford Lee Eden, Thomas Honegger

Journal of Tolkien Research

Book review of "The Hobbit" and Tolkien's Mythology (2014), ed. Bradford Lee Eden

Smith Of Wootton Major: Extended Edition (2015) By J.R.R. Tolkien, Edited By Verlyn Flieger, Douglas A. Anderson

Journal of Tolkien Research

Book review of Smith of Wootton Major: Extended Edition (2015) by J.R.R. Tolkien, edited by Verlyn Flieger

Samwise Gamgee: Beauty, Truth, And Heroism In J.R.R. Tolkien's The Lord Of The Rings, Christine Loraine Chichester

Masters Theses

The Lord of the Rings is a well-established part of fantasy's literary canon because of J.R.R. Tolkien's creative imaginary setting and his use of legendary characters. However, this story, and in particular, its use of the archetypal hero's journey deals not only in the Beauty of myth, but also in the universal Truth of Story. Tolkien combines aspects of well-established archetypes with unchanging Truth in order to create a fitting and ultimately Good depiction of heroism. This thesis seeks to examine how Samwise Gamgee, an unexpected hero, experiences or does not experience the stages of Joseph Campbell's Adventure of the …

"Just A Fool's Hope": J.R.R. Tolkien's Eucatastrophe As The Paradigm Of Christian Hope, Margaret A. Bush

Senior Honors Theses

In his essay titled “On Fairy-Stories,” J.R.R. Tolkien uses the term “eucatastrophe” to describe the unexpected, fortunate turn of events for the protagonist in a fantasy story. Tolkien applies the word beyond its literary context to signify the Christian’s experience of joy, especially resulting from the Incarnation and Resurrection. Such an explicit link between fiction and theology seems absent from his more well-known work, The Lord of the Rings. Yet both Tolkien himself and critics of his writing have labeled the novel a modern-day classic of Christian literature. This thesis will defend the Christian label of The Lord of …

Truth And Reality In Tolkien’S Middle Earth: The Role Of Fantasy In The Christian’S Life, Geoffrey A. Matthews

Senior Honors Theses

Fantasy literature can express truths found in the physical world and in the Christian faith. J.R.R. Tolkien’s trilogy, The Lord of the Rings is one example of fantasy that does so. In his essay, “On Fairy-Stories” Tolkien introduces four traits of fantasy: subcreation, recovery, escape, and consolation. Beginning with a defense of fantasy, this paper identifies the presence of these traits in the trilogy and how they correlate truth between the Primary and Secondary Worlds. A careful examination of how Tolkien’s worldview is evident in his works follows with a detailed analysis of the portrayal of human nature shown most …