Caribbean Languages and Societies Commons^™

Nationless States And Stateless Beings: The Politics Of Identity And Citizenship In Claudio Mir’S Mondongo Scam And Cheech Marin’S Born In East L.A., Rebecca A. Barnes

Vernacular: New Connections in Language, Literature, & Culture

In the colloquial sense of the term, the word citizen refers to an individual who belongs to a nation, either by birthright or by naturalization. Therefore, citizenship denotes a political and a social belonging, an ideological home, and, in most cases, a strong foundation for the development of one’s personal identity. However, since nations are inherently artificial structures, made only tangible in the present day by a few centuries of recorded history, a philosophical approach to the term citizen complicates this definition. Based off critics including Hannah Arendt, Homi Bhabha, Fernando Ortiz, and Jacques Derrida, this essay seeks to explore …

La Contribución De La Ópera Bufa Manita En El Suelo De Carpentier Y García Caturla En El Debate Primitivista De Principios Del Siglo Xx, Anna M. Martija Perez

Vernacular: New Connections in Language, Literature, & Culture

The present work is an approach to Manita en el suelo, the only opera bufa that Alejo Carpentier created in collaboration with the Cuban musician Alejandro García Caturla. The genuine friendship that united Carpentier and Caturla was the result of their identification not only in their love for music, but also an accentuated interest in all things primitive, together with a deep sense of social justice. At the same time, they are also united by respect for the African heritage and the recognition that it should have in the history of Cuba. In Manita en el suelo, Carpentier …

María Teresa Ramírez Nieva: La Griot De Los Ancestros Y Las Ancestras, Catalina Rojas

Vernacular: New Connections in Language, Literature, & Culture

María Teresa Ramírez Nieva: La Griot de los Ancestros y las Ancestras

La poesía de María Teresa Ramírez es una poesía de resistencia y cimarronaje, de reafirmación de la vida y la libertad, de “recuperación y defensa de los territorios ancestrales” que han sido históricamente amenazados y usurpados en un Pacífico colombiano de abandono, guerra territorial, desplazamiento y muerte. Es a través de sus obras La noche de mi piel (1988), Flor de Palenque (2008), Abalenga (2008), Mabungú Triunfo (2013), Mabungú Triunfo: Cosmogonía Africana Tomo II (2016), como se eleva la voz poética de la ancestralidad Pacífica alrededor de la …