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Articles 61 - 90 of 129

Full-Text Articles in Latin American Languages and Societies

[Introduction To] Fogwill: Realismo Y Mala Conciencia, Karina Elizabeth Vázquez Jan 2009

[Introduction To] Fogwill: Realismo Y Mala Conciencia, Karina Elizabeth Vázquez

Bookshelf

Según Martín Hopenhayn, la mala conciencia es “…la confesión que el individuo se hace a sí mismo de su propia esterilidad “inherenté…” (16). Tal confesión no surge de ningún proceso individual de negación de la conciencia, sino del efecto que tiene en el individuo la internalización de las normas impuestas por la cultura hegemónica. De este modo, la mala conciencia es “…la sustitución de la represión por la autorrepresión de la concencia” (16). Cuando la autorrepresión de la conciencia toma voz a través del discurso literario, se transforma en una feroz crítica al systema que la ha gestado.


¿De Qué Cine Hablamos? Las Tareas De Los Estudios Del Cine Latinoamericano, Claudia Ferman Jan 2009

¿De Qué Cine Hablamos? Las Tareas De Los Estudios Del Cine Latinoamericano, Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

La introducción a este grupo de trabajos en los que se abordan los desarrollos recientes en los estudios del cine comienza con la pregunta acerca del objeto de ese estudio, es decir, de qué cine hablamos (o debemos hablar) cuando se piensa el cine latinoamericano. Los trabajos que siguen basan su discusión en el reconocimiento de que la expresión cinematográfica latinoamericana se ha multiplicado exponencialmente (Remedi) y que, gracias a nuevas tecnologías tanto de producción (digital) como de reproducción (DVD), así como a políticas más decididas por parte de algunos gobiernos nacionales del continente, el cine latinoamericano ha llegado en …


A Birth And A Death, Or Everything Important Happens On Monday, Daryl Cumber Dance Jan 2009

A Birth And A Death, Or Everything Important Happens On Monday, Daryl Cumber Dance

English Faculty Publications

I was going to be a grandmother. It had taken all too long. I gave birth to my first child, Warren Dance Jr., when I was only twenty-one, but Warren Jr. was going to be almost thirty-six when his first child was born. As excited as I was, I decided to wait until a week after the July 4, 1995, appearance of my new grand to visit him in Houston, Texas. Other members of the family were going to be there for the birth, and I wanted time to enjoy this baby all by myself, so I planned to arrive …


'Grung Tell Me Wud': An Introduction To Karl, Daryl Cumber Dance Jan 2008

'Grung Tell Me Wud': An Introduction To Karl, Daryl Cumber Dance

English Faculty Publications

Olive Senior informs us in 'The Poem as Gardening, the Story as Su-Su: Finding a Literary Voice' that Jamaican elders believe the ground is the place where ancestral wisdom is located and they will explain and validate their warning or advice by saying, 'Grung tell me wud' (36). Jamaican linguist/literary critic/poet/and novelist Velma Pollard has put her ear to the ground of Jamaica and shared many important words of ancestral wisdom with us. This was a natural development for the talented girlchild born into an artistic family in Woodside, Jamaica, a rural community rich in folk traditions: her father was …


Producción Audiovisual Y Patrimonio: Hacia Un Régimen De Creación De Archivos Y Políticas De Acceso, Claudia Ferman Jan 2008

Producción Audiovisual Y Patrimonio: Hacia Un Régimen De Creación De Archivos Y Políticas De Acceso, Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

Me gustaría comenzar con una aclaración: como en todo trabajo sobre las industrias culturales y la producción audiovisual, se presentarán una serie de datos y hechos, un conjunto abigarrado de información. Los datos e imágenes que aquí se exponen son representativos de otros que se desarrollan en la misma dirección. Ahora bien, estos datos aparecerán muchas veces claramente enfrentados con nociones que son de conocimiento general, y que han sido ampliamente señaladas y discutidas; nociones como la naturaleza monopólica de la industria cinematográfica y audiovisual, la dependencia tecnológica de América Latina, la polaridad unidireccional de la industria audiovisual en el …


Hacia Una Definición De Literatura: Espacios Mayores Y Contra-Mayores En La Práctica Crítica Latino/Centroamericana, Claudia Ferman Jan 2008

Hacia Una Definición De Literatura: Espacios Mayores Y Contra-Mayores En La Práctica Crítica Latino/Centroamericana, Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

Desde un punto de vista posterior al siglo XX pero que está críticamente involucrado con los debates del área latinoamericana que tuvieron lugar en ese siglo, identifico tres definiciones operacionales de literatura que se presuponen en el ejercicio crítico contemporáneo.


Deseos De Estados Queer En La Producción Crítica Latina De Los Estados Unidos, LáZaro Lima Jan 2008

Deseos De Estados Queer En La Producción Crítica Latina De Los Estados Unidos, LáZaro Lima

Latin American, Latino and Iberian Studies Faculty Publications

Identificarse como “latino” en los Estados Unidos es instaurar una diferencia política radical que intenta contrarrestar las nocivas asociaciones socio-raciales que conllevan los apelativos “illegal”, “spic”, “greaser”, u otros aún menos apetecibles, tanto como las vivencias marcadas por la subalternidad política de los sujetos que habitan estas designaciones en la esfera pública de la contemplación nacional. Cuando se trata de latinos que a su vez se identifi can como queer1 la aseveración es aún más complicada, ya que esta sobreidentidad califi cativa se articula privilegiando el hecho de que lo signifi cativo de …


Latino Louisiana, LáZaro Lima Jan 2008

Latino Louisiana, LáZaro Lima

Latin American, Latino and Iberian Studies Faculty Publications

When Louisiana became the 18th state of the Union in 1812, the territory was already seeped in the linguistic, historical, and cultural antecedents that had made New Orleans, its most important city at the time, one of the first multilingual, multiracial, and multiethnic cosmopolitan centers in the United States. The origins of Spanish-speaking Latino Louisiana can be traced to the arrival of Alonso Alvarez de Pineda (c. 1492-1520) in 1519. Alvarez de Pineda sailed from Cuba to explore the uncharted territories between the Florida peninsula -- modern-day Arkansas and Louisiana -- and the southern Gulf of Mexico region. The purpose …


Managua Salsa City: El Fugitivo Sujeto Literario En Franz Galich, Claudia Ferman Oct 2007

Managua Salsa City: El Fugitivo Sujeto Literario En Franz Galich, Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

El trabajo que sigue es comparativo, es decir parte de la lectura de varios textos latinoamericanos, no sólo por su representatividad en relación con muchos otros textos de la narrativa reciente, sino por su capacidad para formular imágenes, metáforas, que a mi modo de ver plasman cierto estado de la literatura latinoamericana y, especialmente, la subjetividad que me interesa describir. En primer lugar, voy a plantear las cuestiones teóricas generales, después voy a referirme a los textos de Franz Galich, y por último, voy a buscar contextualizar estos distintos textos en relación a los movimientos sociales y culturales de la …


"I Put The Tale Back Where I Found It": Feeling The Past Through "The Warmth Of The Human Voice", Daryl Cumber Dance Jan 2007

"I Put The Tale Back Where I Found It": Feeling The Past Through "The Warmth Of The Human Voice", Daryl Cumber Dance

English Faculty Publications

In this article, I examine my revelations and growth related to folk culture and literature connected to the African American community. I borrow from and play on the Sudanese formulaic ending for the folktale; it seemed to me appropriate - even obligatory- that "I put the tale back where I found it." This maxim is symbolic, reflecting what I find one of the most characteristic elements of Black folklore - that is, the focus on the group, the community, in terms of the source of the historical situation of the tale; the moral lesson; the content, style, and delivery; and …


Sucking Salt: Caribbean Women Writers, Migration, And Survival By Meredith M. Gadsby (Book Review), Daryl Cumber Dance Jan 2007

Sucking Salt: Caribbean Women Writers, Migration, And Survival By Meredith M. Gadsby (Book Review), Daryl Cumber Dance

English Faculty Publications

The folk will tell you that salt can either save you or destroy you. Toni Cade Bambara's Velma of The Salteaters realized that her survival depended on learning "the difference between eating salt as an antidote to snakebite and turning into salt, succumbing to the serpent." The lesson of similar folk wisdom is the subject of Meredith M. Gasby's Sucking Salt, where she propses as a new framework for the examination of Caribbean women's writing the survival techiniques implied in "sucking salt," techiniques suggested in her aunt's reflections on people she knew. Tantie expounded: "Little salt won't kill …


A Tale Of Two Priests And Two Struggles: Liberation Theology From Dictatorship To Democracy In The Brazilian Northeast, Jan Hoffman French Jan 2007

A Tale Of Two Priests And Two Struggles: Liberation Theology From Dictatorship To Democracy In The Brazilian Northeast, Jan Hoffman French

Sociology and Anthropology Faculty Publications

Land for the landless, food for the hungry, literacy for the uneducated— not through charitable works, but by forcing the state to take seriously its responsibilities to its poorest citizens. This was integral to the theology of liberation as it was practiced by bishops, priests, and nuns in Brazil beginning shortly after the close of the Second Vatican Council in 1965. Important sectors of the Brazilian Catholic Church were “opting for the poor” at a time when economic development, modernization, and democracy were not considered appropriate or meaningful partners in the repressive environment characterized by the Brazilian military dictatorship (1964-1985).


[Introduction To] The Latino Body: Crisis Identities In American Literary And Cultural Memory, LáZaro Lima Jan 2007

[Introduction To] The Latino Body: Crisis Identities In American Literary And Cultural Memory, LáZaro Lima

Bookshelf

The Latino Body tells the story of the United States Latino body politic and its relation to the state: how the state configures Latino subjects and how Latino subjects have in turn altered the state. Lázaro Lima charts the interrelated groups that define themselves as Latinos and examines how these groups have responded to calls for unity and nationally shared conceptions of American cultural identity. He contends that their responses, in times of cultural or political crisis, have given rise to profound cultural transformations, enabling the so-called “Latino subject“ to emerge.

Analyzing a variety of cultural, literary, artistic, and popular …


Crítica Cultural, Literatura Y Rock: La Novela Guatemalteca Y Las Culturas Juveniles En Latinoamérica, Claudia Ferman Jan 2007

Crítica Cultural, Literatura Y Rock: La Novela Guatemalteca Y Las Culturas Juveniles En Latinoamérica, Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

Si la literatura guatemalteca ha logrado ocupar un espacio importante en los debates críticos de los últimos años lo ha hecho desde una masa textual extremadamente acotada. El territorio total de su producción literaria ha permanecido como un motivo de reflexión sólo para especialistas, y a que contexto político, condiciones de la industria editorial y panorama educativo, han conspirado contra toda difusión más general de esa producción. Si esta literatura se lee y se analiza fragmentariamente, tampoco encuentra fuertes coherencias internas que aglutinen a sus productores y/o críticos. En ese contexto, es interesante que el escritor Mario Alberto Carrera haya …


Constructing Black Selves: Caribbean American Narratives And The Second Generation By Lisa D. Mcgill (Book Review), Daryl Cumber Dance Jan 2007

Constructing Black Selves: Caribbean American Narratives And The Second Generation By Lisa D. Mcgill (Book Review), Daryl Cumber Dance

English Faculty Publications

Using second generation Americans Harry Belafonte, Paule Marshall, Audre Lorde, Piri Thomas, and the meringue hip hop group Proyecto Uno, Lisa D. McGill considers in Constructing Black Selves: Caribbean American Narratives and the Second Generation the issues of identity formation of those whose heritage ultimately includes Africa, the Caribbean, and the United States, most often New York City. Though her subjects come from different national, racial, and language backgrounds; though they have made their names in different media; and though they have different views of race, identity, and culture, she convincingly makes the argument that "African America becomes powerful site …


Who Was Cock Robin? A New Reading Of Erna Brodber's Jane And Louisa Will Soon Come Home, Daryl Cumber Dance Sep 2006

Who Was Cock Robin? A New Reading Of Erna Brodber's Jane And Louisa Will Soon Come Home, Daryl Cumber Dance

English Faculty Publications

Much has been written about the quest of Brodber's protagonist Nellie for identity, for wholeness, for balance, for sanity, for finding her way back home into the community. Nellie's efforts to find herself and to integrate into the community will be easier, Brodber declared in a speech in 1988, "when Jane and Louisa come home, i.e., when the women find themselves" (Notes). Brodber also observed in that same speech, "'coming' rather than 'being' is the appropriate action word with which to address the issue of integration into the community," a fact suggested by the game that gives the title to …


The Archive And The Repertoire: Performing Cultural Memory In The Americas (Book Review), Claudia Ferman Mar 2006

The Archive And The Repertoire: Performing Cultural Memory In The Americas (Book Review), Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

El presente volumen vuelve sobre cuestiones muchas veces visitadas por Diana Taylor: las respuestas expresivo-políticas a la guerra sucia en Argentina; nuevas expresiones teatrales latinoamericanas, performáticas (Coco Fusco, Guillermo Gómez-Peña, Denise Stoklos) y no performáticas (Emilio Carballido); las recientes identidades de "lo latino" en los Estados Unidos; y las relaciones entre producción teatral, acción política, y género. La importante novedad de este volumen es su definitiva intención teórica: construir un instrumento crítico que, aunque inspirado en la tradición crítica teatral, supere ese espacio de aplicación para constituirse en medio idóneo para el análisis cultural (episteme y praxis); y la afirmación, …


Jasper, John, Daryl Cumber Dance Jan 2006

Jasper, John, Daryl Cumber Dance

English Faculty Publications

Perhaps the most famous of all the slave preachers, John Jasper was born in Fluvanna County, Virginia, on July 4, 1812, the youngest of twenty-four children born to Phillip and Tina Jasper. His father, also a slave preacher, died two months before John was born, but he prophesied that his son would become a famous preacher.


Ismith Khan (1925-2002), Daryl Cumber Dance Jan 2006

Ismith Khan (1925-2002), Daryl Cumber Dance

English Faculty Publications

Trinidadian novelist who explored the conflicts experienced by East Indians in the Caribbean as well as the racial diversity that characterizes the region. A brilliant storyteller, he created memorable characters through whom the sights and cadences of Trinidad will forever live.


Fiera, Guambra, Y Karichina!: Transgressing The Borders Of Community And Academy, Patricia Herrera Jan 2006

Fiera, Guambra, Y Karichina!: Transgressing The Borders Of Community And Academy, Patricia Herrera

Theatre and Dance Faculty Publications

As Latinas with diverse biographies in and out of the university,1 we share a commitment to actively engage with all of our communities. As students and teachers, we are expected to leave our personal lives out of our "intellectual" workspaces, causing feelings of isolation and fragmentation (hooks, 1994). We are concerned with the ways we can maintain a sense of connection and wholeness for our well-being and that of our communities. Our collaboration with the National Latina Health Organization's (NLH0)2 Intergenerational Latina Health Leadership Project has enabled us to work toward this goal. This project provides a revolutionary …


In Search Of Nella Larsen: A Biography Of The Color Line By George Hutchinson (Book Review), Daryl Cumber Dance Jan 2006

In Search Of Nella Larsen: A Biography Of The Color Line By George Hutchinson (Book Review), Daryl Cumber Dance

English Faculty Publications

With In Search of Nella Larsen, George Hutchinson makes the third major attempt to provide a biography of the elusive Harlem Renaissance author Nella Larsen (1891-1964), the mulatto daughter of immigrants from Denmark and the Danish West Indies whose life and fiction were shaped largely by her mixed emotions about her racial heritage and her feelings of abandonment by her white mother, stepfather, and sister. In his introduction, Hutchinson makes much of the errors of prior Larsen biographers Charles R. Larson (Invisible Darkness: Jean Toomer and Nella Larsen [1993]) and Thadious M. Davis (Nella Larsen, Novelist of …


Bennett, Louise, Daryl Cumber Dance Jan 2006

Bennett, Louise, Daryl Cumber Dance

English Faculty Publications

Louise Bennett, affectionately called Miss Lou, is Jamaica's most beloved folk poet, performer, and collector; she was born in Kingston, Jamaica, on September 7, 1919. Her father, a baker, died when she was seven years old, and her mother worked as a dressmaker to provide for her only child. She was educated in Jamaica at Calabar Elementary School, Excelsior High School, and St. Simon's College, after which she received a scholarship to study at the Royal Academy of Dramatic Art in England.


"The Republic Of Women": Notes Towards A Critical Assessment, Mariela Méndez Jan 2005

"The Republic Of Women": Notes Towards A Critical Assessment, Mariela Méndez

Latin American, Latino and Iberian Studies Faculty Publications

"The largest changefor us in a qualitative one, to learn how to think of power in feminine terms, without resorting to masculine codes,"1 concludes a participant in "The Republic of Women," a year-long project aimed at raising consciousness around gender issues among women engaged in political and unionist activities in contemporary Argentina. Comments of a similar nature abound in the discussion sessions following the screening of Salt of the Earth, a 1953 American film about the plight of Mexican workers that helped the project's organizers foster a critical dialogue around gender constraints within different Argentinean organizations (Catton Alvarez …


[Introduction To] Milonga Del Primer Tango: Traducción Y Lógicas De Escritura En La Abra De Jorge Luis Borges, Leonardo Bacarreza Jan 2005

[Introduction To] Milonga Del Primer Tango: Traducción Y Lógicas De Escritura En La Abra De Jorge Luis Borges, Leonardo Bacarreza

Bookshelf

English

This book is an attempt to understand Jorge Luis Borges’s ideas about tango by going beyond an opposition the author himself created in his writing. In spite of being Argentinean, Borges frequently complained about the excessive local color, the exaggerated emotions, and the histrionic performances associated with this musical form. At the same time, he declared he had witnessed, in his childhood, the execution of a different form of tango, more brave and epic, more sober and simple. The world of this primitive tango is a recurrence in Borges’s writing.

The particularities of this recurrence are the subject of …


Creación Y Resistencia: La Narrativa De Diamela Eltit (Book Review), Claudia Ferman Apr 2004

Creación Y Resistencia: La Narrativa De Diamela Eltit (Book Review), Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

El volumen se propone el análisis de la obra más reciente de la escritora chilena Diamela Eltit, obra ha alcanzado trascendencia internacional y que ya posee una importante materia crítica que la discute. La colecciín no incluye trabajo crítico sobre Mano de obra (2002), texto que es posterior a la publicación del volumen. Como Lagos indica en el prólogo, ese interés merecía una nueva colección de artículos después del volumen publicado también por Cuarto propio en colaboración con Para Textos en 1993, Una poética de literatura menor: la narrativa de Diamela Eltit, compilado por Juan Carlos Lértora, quien también contribuye …


A Conversation With Velma Pollard, Daryl Cumber Dance Mar 2004

A Conversation With Velma Pollard, Daryl Cumber Dance

English Faculty Publications

Noted poet, novelist, linguist, and educator, Velma Pollard was Visiting Professor of English at the University of Richmond in Richmond, Virginia, during the fall semester of 2001 when I conducted the following interview. John Martin, my graduate assistant at the time, assisted me in videotaping and transcribing our conversation, which took place in her cottage at the University on December 3, 2001.


Metáforas Poscoloniales: Restauración, Desarraigo Y Construcción Del Artefacto Del Cuarto Mundo En La Antigua Guatemala, Claudia Ferman Jan 2004

Metáforas Poscoloniales: Restauración, Desarraigo Y Construcción Del Artefacto Del Cuarto Mundo En La Antigua Guatemala, Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

¿Por qué preservamos "ruinas"? ¿Por qué restauramos, reactivamos, exhibimos edificios del pasado? El presupuesto que subyace a este trabajo es que toda restauración constituye siempre una activa apropiación del espacio tanto material como simbólico, y que siempre es intencional, aunque no necesariamente de intención simple o unívoca. Desde un depósito de basura hasta un monumento de orgullo nacional, toda utilización intencional del espacio es también complicada por los modos mediante los cuales una determinada comunidad interactúa con los vestigios de su pasado, restaurados o no. Cuando consideramos el espacio público como recurso, producto y práctica--sensual, social, politica y simbólica--(Remedi, p. …


Derek Walcott: A Caribbean Life By Bruce King (Book Review), Daryl Cumber Dance Jul 2002

Derek Walcott: A Caribbean Life By Bruce King (Book Review), Daryl Cumber Dance

English Faculty Publications

In Another Life Derek Walcott wrote, "I had entered the house of literature as a houseboy"; Jamaican poet Mervyn Morris signified on this image in his The Pond when he declared, "And these are my rooms now." The journey that Walcott makes from "houseboy" to master/ruler/owner of the house of literature (the Nobel Laureate is frequently acclaimed the greatest poet writing in the English language) is painstakingly detailed in Bruce King's tome Derek Walcott: A Caribbean Life.


Haunting The Corpus Delicti: Rafael Campo’S What The Body Told And Wallace Stevens’ (Modernist) Body, LáZaro Lima Jan 2001

Haunting The Corpus Delicti: Rafael Campo’S What The Body Told And Wallace Stevens’ (Modernist) Body, LáZaro Lima

Latin American, Latino and Iberian Studies Faculty Publications

What the Body Told You, a volume of poems by the Cuban-American poet Rafael Campo (b. 1964), addresses how formal poetry may give form to loss and memory in the age of AIDS by structuring an exchange between the literary institutions that privilege poetry as a representational medium and the inability of language adequately to account for and remember loss. Campo’s What the Body Told haunts modernism’s legacy by construing it as the corpus delicti, literally the body of the crime, where “crime” is conceived as the insufficiency of modernist aesthetic agencies to give evidence of the “truth” …


Secreta Palinodia: La 'Contrautopía' De José Antonio Maravall Como Descargo De Conciencia, Aurora Hermida-Ruiz Jan 2001

Secreta Palinodia: La 'Contrautopía' De José Antonio Maravall Como Descargo De Conciencia, Aurora Hermida-Ruiz

Latin American, Latino and Iberian Studies Faculty Publications

En un reciente ensayo panorámico sobre la historiografía española del Renacimiento, Ottavio Di Camillo afirma que no existió ninguna interpretación del Renacimiento español digna de mención en el período intermedio entre Marcelino Menéndez Pelayo y José Antonio Maravall, o sea, desde finales del siglo XIX hasta mediados de la década de los 50: ‘For over a half a century no new interpretations of the Renaissance were advanced, even though there was a slight increase in the number of studies on particular humanists and Renaissance authors’.1 En la segunda entrega de este ensayo, Ottavio Di Camillo vuelve a insistir en …