Latin American Languages and Societies Commons^™

Rafael Lapesa Y La “Raíz Hispánica” De Garcilaso De La Vega Cincuenta Años Después, Aurora Hermida-Ruiz

Latin American, Latino and Iberian Studies Faculty Publications

RAFAEL LAPESA Y LA " RAIZ HISPANICA "DE GARCILASO DE LA VEGA CINCUENTA ANOS DESPUES Avirora Hermida-Ruiz University of Richmond Misas por mi alma se digan mill Garcilaso de la Vega Este verano llegue a Madrid, entre otras cosas, con la intention de conocer en persona a Rafael Lapesa y de hablar con el. En la Real Academia de la Lengua, una empleada, que se confesaba cercana al critico, me disuadio pronto de mi proyecto. "Lapesa —me dijo— esta muy mal. Acaba de pasar un arrechucho que nos ha hecho temer a todos lo pedr. Ademas, hablar con el no …

The Colored Girl In The Ring: A Guyanese Woman Remembers By Brenda Chester Doharris (Book Review), Daryl Cumber Dance

English Faculty Publications

Brenda Chester DoHarris's The Colored Girl in the Ring: A Guyanese Woman Remembers joins the company of some of the most memorable works of Caribbean literature, those classic accounts of coming-of-age, such as George Lamming's In the Castle of My Skin, V. S. Naipaul's A House for Mr. Biswas, Michael Anthony's The Year in San Fernando, Merle Hodge's Crick Crack, Monkey, Erna Brodber's Jane and Louisa Will Soon Come Home, Zea Edgell's Beka Lamb, Jamaica Kincaid's Annie John, and Beryl Gilroy's Sunlight on Sweet Water. Like most of the bildungsromans - and …

My Brother By Jamaica Kincaid (Book Review), Daryl Cumber Dance

English Faculty Publications

In Jamaica Kincaid's six previous autobiographical novels and essays (At the Bottom of the River, 1984; Annie John, 1985; A Small Place, 1988; Annie, Gwen, Lily, Pam and Julie, 1989; Lucy, 1990; and The Autobiography of My Mother, 1996), her readers have the feeling that she has told all about her troubled life in Antigua and her painful emotional conflicts with her family (especially her mother). We discover with her new memoir, My Brother, however, that some things have been just too painful to tell - until now. Clearly the most obvious …

[Introduction To] Nosotras Y La Piel: Seleccion De Ensayos De Alfonina Storni, Mariela Méndez, Graciela Queirolo, Alicia Salomone

Bookshelf

This edition collects articles published by Alfonsina Storni between 1919 and 1921, covering diverse feminine topics. This is an ironic biography portraying the controversial situations of being a woman.

Beryl Gilroy: A Bio-Literary Overview, Daryl Cumber Dance

English Faculty Publications

In 1992 when I joined the faculty at the University of Richmond, I taught a class in black women's literature to a group of mainly white students who had previously read little or nothing in this body of literature. One young senior--a white male--did a paper comparing the sympathetic portrayal of the white male character in Beryl Gilroy's Stedman and Joanna and Bebe Moore Campbell's Your Blues Ain't Like Mine. His enthusiasm for the rich body of literature to which I had introduced him continued after he graduated, and he often wrote to me about books he was reading …

African-American Proverbs In Context By Sw. Anand Prahlad (Book Review), Daryl Cumber Dance

English Faculty Publications

Growing up in Hanover, Virginia, "surrounded by people who cast the world in vibrant and poetic colors," Sw. Anand Prahlad "fell in love with proverbs at an early age" (ix). This lifelong love affair has resulted in a rich collection of African American proverbs that expanded as Prahlad went through college and graduate school, and did postgraduate research. All the while, he was sharpening his critical skills and developing the theoretical framework to establish a model for use in examining the varied components of proverbial speech in the African American community, proceeding on the assumption that in order to understand …

"Journey To An Expectation:" A Reflection And A Prayer, Daryl Cumber Dance

English Faculty Publications

From Francis Williams in the first quarter of the 18th century to Phillis Wheatley in 1773 to C. L. R. James in 1932, to Sam Selvon and George Lamming in 1950, they pack their manuscripts and head to the Mother Country seeking the approval of the Colonialist Publisher, carrying a dream that cannot come true for the Black Colonial on this side of the ocean, certainly not in a little island where all too often people think the only artists are calypsonians or reggae stars. I can envision those budding writers setting out on what Lamming called their "journey to …

Moore, Opal, Daryl Cumber Dance

English Faculty Publications

Moore, Opal (b. 1953), poet, short story writer, essayist, educator, and critic of children's literature. Born and raised in Chicago, Illinois, Opal Moore was influenced from childhood by the particular dynamics of the Pentecostal church; echoes of that institution reverberate in her plots, themes, characters, tone, and language. When Moore entered Illinois Wesleyan University's School of Art in 1970, she was so shocked by her first real encounter with racism and her sens~ of powerlessness in the face of it that she sought some control over what was happening to her by writing, thus initiating her first journals. She also …

Notice The Mistletoe, Daryl Cumber Dance

English Faculty Publications

Selection of African-American folklore on the winter holidays.

[Introduction To] The Postmodern In Latin And Latino American Cultural Narratives: Collected Essays And Interviews, Claudia Ferman

Bookshelf

In Latin America the postmodern debate contains two big areas of controversy, which are deeply rooted in history and which have profound cultural and political significance. First, the postmodern debate encompasses a series of aesthetico-cultural subjects, such as questions related to literary genre, the processes of literaturization and deliteraturization or the questions of gender associated with textual production. Secondly, the postmodern debate relates to considerations about the processes of the transnationalization of economic and cultural production, and their complex implications concerning questions of identity and cultural production in Latin America.

The Zea Mexican Dairy: 7 Sept 1926 - 7 Sept 1986. By Kamau Brathwaite (Book Review), Daryl Cumber Dance

English Faculty Publications

I may be hard put to classify the latest work of noted poet, historian, literary critic, linguist, and Africanist Kamau (Eddie) Brathwaite, but I have no problem describing it - compelling, riveting, unforgettable! Begun when Brathwaite received the devastating news that his wife Doris (his Zea Mexican) was dying of cancer, it is a paean to her, a record of his efforts to deal with her dying, death, and absence, an account of their relationship, and an autobiographical confessional. The Zea Mexican Diary includes diary entries, letters, memorates, an epigraph, expressions of sympathy, confessions, autobiographical narrative, poems - but whatever …

Various Black Virginians As Told To Daryl Cumber Dance, Daryl Cumber Dance

English Faculty Publications

Shuckin' and Jivin': Folklore from Contemporary Black Americans, published in 1978, derived from fieldwork done far a doctoral dissertation at Virginia Commonwealth University by Daryl Cumber Dance (the only woman named Daryl I have heard of aside from Daryl Hannah). She gathered stories and verses from black Virginians in colleges, senior citizens' centers, and a penitentiary. Though she doesn't bring to the party an editorial touch as enlivening as Zora Neale Hurston's, she has an ear and-unlike far, far too many assiduous collectors of folktales - knows how to capture vocal rhythms on a page.

Seeking Polly, Pretty Polly, Poor Polly, Or The Granddaughter Seeks To Remember What The Grandfathers Sought To Forget, Daryl Cumber Dance

English Faculty Publications

My great-great-great-grandmother is so special to me because I found her despite the fact that she was deliberately written out of my his-tory. And this is the story of our meeting.

Matriarchs, Doves, And Nymphos: Prevalent Images Of Black, Indian, And White Women In Caribbean Literature, Daryl Cumber Dance

English Faculty Publications

Universally, male writers have tended to create images of women which reveal the familiar male tendency to view women merely as functionaries whose role basically is determined by male needs, male motivations, male fears, and male fantasies. When woman is submissive, docile and pure, she is to be protected and revered; then, she is the virgin/goddess. When she is assertive and strong, she is to be avoided and despised; then, she is the bitch/shrew. When she is passionate and active, she is to be resisted and feared; she is the whore/temptress. While this genera] categorizing of women characters carries over …

[Introduction To] Politica Y Posmodernidad: Hacia Una Lectura De La Anti-Modernidad En Lationoamerica, Claudia Ferman

Bookshelf

Me propongo aquí bosquejar brevemente el recorrido argumental que dio sustancia al presente trabajo. Me gustaría empezar citando a Cortázar. La obra de Cortázar encarna de alguna manera un conjunto de debates que se produjeron en las décadas del 60 y 70 en gran parte del mundo, y de los que nosotros hemos querido dar cuenta desde la nueva perspectiva que abrieron los 80. Más adelante nos ocuparemos de eso, ahora vayamos a dar Ia vuelta a los mundos del 60.

An Interview Of Paule Marshall, Daryl Cumber Dance

English Faculty Publications

This Interview was conducted at the home of Paule Marshall in Richmond, Virginia, on June 14, 1991. Much of our discussion focused on Ms. Marshall's recently completed novel, Daughters, published this fall by Atheneum, which she characterizes here as "perhaps my most personal novel." There are, of course, frequent references to her earlier works, which include Brown Girl, Brownstones (1959), Soul Clap Hands and Sing (1961). The Chosen Place, the Timeless People (1969), Praisesong for the Widow (1983), and Reena and Other Stories (1983).

"He's Long Gone": The Theme Of Escape In Black Folklore And Literature, Daryl Cumber Dance

English Faculty Publications

Throughout their experiences in this country, certain segments of the Black population have viewed themselves as enslaved, whether they were chattel owned by slaveowners prior to emancipation, whether they were impressed into peonage and forced to work on white plantations and in chain gangs after slavery, whether they were victims of sharecropping systems that virtually reenslaved them during the twentieth century, whether they were the repressed and disfranchised and persecuted in Southern Jim Crow towns throughout the first half of the twentieth century, whether they are those trapped by unemployment and poverty today, or whether they are among the Blacks …

Teasing Tales And Tit(Bit)S, Daryl Cumber Dance

English Faculty Publications

Collection of African-American folklore from Shuckin' and Jivin' by Daryl Dance.

Go Eena Kumbla: A Comparison Of Erna Brodber's Jane And Louisa Will Soon Come Home And Toni Cade Bambara's The Salt Eaters, Daryl Cumber Dance

English Faculty Publications

When I returned to Jamaica in July 1982, I took as gifts for friends some recent novels by black American writers, including Toni Cade Bambara's The Salt Eaters. Upon my arrival, Erna Brodber gave me a copy of her new book, Jane and Louisa Will Soon Come Home. As I read it, I was struck by another instance of how similar experiences (in this case, being black and female in the Americas of the civil rights, black awareness, Rastafarian, and feminist movements) had inspired such strikingly similar expressions in books published the same year (1980) by an American …

Afro-American Studies, Daryl Cumber Dance

English Faculty Publications

Afro-American Studies: Reference Works

"Learn It To The Younguns": Passing On Folk Wisdom, Daryl Cumber Dance

English Faculty Publications

This is the book I had been planning to write for the past fifteen years, it was inevitable that if I kept procrastinating, someone would more expeditiously respond to the obvious void. Finally H. Nigel Thomas has provided the kind of exploration and explication of the use, influence, and impact of Black folklore on literature that I perceived was so much needed. Despite the numerous published commentaries on the influence of Afro-American folklore on individual works and specific authors, and the occasional consideration of its influence on a particular genre or a limited period (such as Keith Byerman's focus on …

You Can't Go Home Again: James Baldwin And The South, Daryl Cumber Dance

English Faculty Publications

James Baldwin, like innumerable other Black artists, has found that in his efforts to express the plight of the Black man in America, he has been forced to deal over and over again with that inescapable dilemma of the Black American - the lack of sense of a positive self-identity. Time after time in his writings he has shown an awareness of the fact that identity contains, as Erik Erikson so accurately indicates, "a complementarity of past and future both in the individual and in society." Baldwin wrote in "Many Thousands Gone," "We cannot escape our origins, however hard we …

Bosom Buddies And Lonely Hearts, Daryl Cumber Dance

English Faculty Publications

In Ossie Davis' Purlie Victorius, Ol' Cap'n nostalgically reminisces about the good old days when he enjoyed what he recollects as close loving relationships with Blacks. He recalls to Gitlow "how you and me growed up together. Had the same mammy - my mammy was your mother." And Gitlow responds, "Yessir! Bosom buddies." Despite the satire and irony with which Ossie Davis consciously invests this scene, it suggest to me another irony - one which Davis certainly did not intend - and that is that one of the images of the Black woman which has frequently been shared by …

Zora Neale Hurston, Daryl Cumber Dance

English Faculty Publications

Some new information is occasionally being ferreted out that may help to cast additional light on some of these issues, but quite clearly Zora Neale Hurston will remain something of an enigma - too complex a figure to reach any easy conclusions about, except perhaps that she defies simple characterization. People responded to her (and still do) very emotionally: her detractors despise her bitterly; her defenders love her passionately. All agree that she was eccentric, colorful, entertaining, humorous, and unforgettable.

Perhaps the most crucial question to pose about her is why one of the most important figures in the Harlem …

Jamaica Novel Has Ring Of Truth. The Harder They Come By Michael Thelwell (Book Review), Daryl Cumber Dance

English Faculty Publications

In a recent interview, Michael Thelwell told of being present at a Caribbean Day celebration in New York attended by countless people with "a nostalgia for their country" and of his resultant resolve to give Jamaicans and their children something to read about themselves. In "The Harder They Come," Thelwell has more than achieved his goal, for the novel does not merely offer a bit of nostalgia for homesick Jamaicans; it is also a thrilling introduction to a culture and a people for the outsider.

"Aunt Sue's Stories": The Use Of Folklore In The Teaching Of Literature, Daryl Cumber Dance

English Faculty Publications

This poem by Langston Hughes, one of America's most prolific poets, suggests the appeal of folklore to the young. Aunt Sue's stories inspire the response that every teacher of literature aspires to elicit from his students. I would like to suggest that the most natural thing in the world for the teacher is to capitalize on this appeal of folklore to help develop an interest in and an appreciation for recorded literature. Folklore can do much to help the student bridge the gap between his own world and what seems to many to be the alien world of Shakespeare. Our …

Following In Zora Neale Hurston's Dust Tracks: Autobiographical Notes By The Author Of Shuckin' And Jivin', Daryl Cumber Dance

English Faculty Publications

As I began to peruse collections and studies of black folklore, I found that although considerable work had been done from which I was l earning a great deal, there were some aspects of black folklore with which I was personally familiar (from my childhood in Charles City, Virginia, my college days in Petersburg, and my adult life in Richmond) that I had observed as influence in numerous literary works, particularly on temporary works, that were not included in the material was finding, or were not presented in anything even vaguely resembling the versions I knew and saw represented in …

Black Eve Or Madonna? A Study Of The Antithetical Views Of The Mother In Black American Literature, Daryl Cumber Dance

English Faculty Publications

Within these two extreme views of woman - the mother who brings death and destruction versus the mother who brings life and salvation - where does the Black American mother stand? It seems to me that it would not be inappropriate to look at the literature, not as mere fiction, but rather as an interpretation and compilation of history, anthropology, sociology, psychology, and a host of other areas. Thus the true literary artist reveals life more accurately and with more insight than any historical facts and statistical details, because he deals with the truth of the human heart, with the …

The Dynamics Of Self-Definition : An Approach To The Torquemada Tetrology, Vanessa Valldejuli Allen

Master's Theses

Benito Pérez Galdós has been classified generally as a traditional writer of the nineteenth century. Recent reevaluation ry critics such as Sánchez-Barbudo, Angel de los Ríos and Ricardo Gullón maintains that Galdós' concerns remove him from the frame- work of the nineteenth century traditional Spanish novel and rank him as a precursor of modern thought. This thesis will analyze the Torquemada tetrology which is an expression of these concerns and as such links Galdós to the novel of the twentieth century.

James Baldwin, Daryl Cumber Dance

English Faculty Publications

James Baldwin is one of America's best known and most controversial writers. If there is some figurative truth in his declarations "Nobody Knows My Name" and "No Name in the Street," on a realistic level practically everyone knows his name, from people on the street to scholars in the most prestigious universities-and they all respond to him. Those responses are as diverse and as antithetical as the respondents. Indeed, there is little unanimity in the criticism of James Baldwin: some view him as a prophet preaching love and salvation, others as a soothsayer forecasting death and destruction; some see him …