Italian Literature Commons^™

Beyond The Veil Of Modernity: René Guénon, Prophet Of The Metapolitical Imaginary, Frederic Colier

Dissertations, Theses, and Capstone Projects

Heralded by some as one of the greatest intellectuals of the 20th century, French metaphysician René Guénon (1886-1951) is also the controversial father of Primordial Tradition, a metaphysics designed to remedy the decline of Western civilization. Guénon viewed the West in the grip of a prolonged cycle of degeneration. He sought to implement a pseudo-authoritarian spiritual reset that required a total rejection of its Western intellectual heritage and an embrace of Eastern doctrines.

Focusing on his landmark book The Crisis of the Modern World (1927), the dissertation examines how Guénon implemented his controversial reset. After outlining the religious, cultural, and …

Twitteratura: Digital Social Reading And Active Reception Of Literary Texts In The Context Of Italian Contemporary Literature, Iuri Moscardi

Dissertations, Theses, and Capstone Projects

This dissertation explores Digital Social Reading (DSR) as a novel mode of literary engagement, focusing on the Italian project Twitteratura, a series of social reading experiments conducted on Twitter (2012–2016) and later on the Betwyll app. The research situates Twitteratura within the intersection of Reader-Response Theory, Digital Humanities, Reception Studies, and Sociology of Literature, demonstrating how digital environments reshape the act of reading and interpretation. Through detailed analyses of four DSR projects centered on major twentieth-century Italian authors—Cesare Pavese, Pier Paolo Pasolini, Italo Calvino, and Natalia Ginzburg—this dissertation argues that Twitteratura provides a concrete, data-rich demonstration of Wolfgang Iser’s reader-response …

The Desire Of Strict Souls: The Poetry, Criticism, And Letters Of Paul Valéry And Wallace Stevens, Michael Healy

Dissertations, Theses, and Capstone Projects

This dissertation compares the poetic, critical, and epistolary oeuvres of Paul Valéry and Wallace Stevens and the influence of the former on the latter. Valéry famously advocated for the pursuit of “poésie pure” (“pure poetry”) and influenced Stevens especially in this way, though both of them concluded it was not achievable. I establish an approximation of a critical framework based on the work of the following critics and scholars: Wendy Lesser, Wendy Steiner, Anthony Cuda, Michael Clune, Paul Bové, and Liesl Olson. Harold Bloom’s passionate advocacy and deep, sustained engagement with Stevens and his work strongly influenced my choice to …

Why Read The Classics (Of Mathematical Proofs)?, Cosimo Perini Brogi

Journal of Humanistic Mathematics

Inspired by Italo Calvino’s (almost) homonymous writing, this short essay suggests a formal perspective to complement the typical categorisation of classical results in mathematics on aesthetic bases. The traditional proof that √2 is not a rational number provides a simple example of proof mining. When studied through the tools of logic, that proof has also led to designing new systems for formal proving based on cyclic proofs. This example thus supports the central thesis of this essay that reading the classics of mathematical proofs enables us to acquire a taste for mathematical beauty and can open new directions in mathematics …

Elena Ferrante: A Borderless Identity, Alexander James Hankins

Honors Theses and Capstones

This thesis examines the concept of identity in the works of Elena Ferrante, arguing that her fiction presents identity not as an isolated, self-contained construct, but as something relational, fluid, and deeply shaped by environment. Focusing primarily on The Neapolitan Quartet, the project introduces “boundaries” as a central framework, drawing on relational-cultural theory to explore how identities are formed through connection as much as separation. In Ferrante’s Naples, the setting functions as a microcosm of broader social forces — class disparity, gender inequality, generational tension, and political ideologies — that collectively shape individual experience.

At the core of this analysis …

Italian Culture Through Film, Monica Rossi-Miller

Open Educational Resources

Introduction to important themes of Italian culture by viewing and analyzing
representative Italian films from the post-World War II era to the present. Topics examined include: the Italian family, how World War II has shaped contemporary Italian culture, Italy as a country of emigrants and immigrants, and an examination of religion and the Catholic Church.
This is a Writing Intensive course conducted in English, and all films have English subtitles.

A Writing Intensive Course Specifically is a designated course sections that—in addition to providing the established disciplinary-oriented student outcomes—incorporate approved instructional strategies and course assignments designed to enhance students’ writing …

Singing Petrarch In The Cinquecento: Embodied Reading And The Italian Madrigal, Thomas A. Hedrick Iii

Dissertations, Theses, and Capstone Projects

This dissertation examines how composers of sixteenth-century Italian madrigals highlighted poetic line rhythm, repeated vowel sounds (or assonance), and word repetition in figures of speech—all elements of the verse that have been previously overlooked by scholars, who have traditionally focused on musical depictions of the text’s semantics. The analysis in chapters 2, 3, and 4 shows that composers used a consistent set of techniques from the madrigals of Arcadelt to those of Monteverdi, and musical examples draw from large collection of madrigals on Petrarch sonnets. The analytical methodology is built on the premise that Cinquecento encounters with poetry can be …

Genere E L’Identità Femminile In Ariosto E Castiglione, Patricia Stumpp

Theses and Dissertations

A discussion of the attitude toward women expressed in Orlando Furioso and The Book of the Courtier seen through an historical and cultural lens. Included is an English translation of portions of Cantos 9 and 10 of Orlando Furioso important in the development of the character of Olimpia.

The Redemption Of History: Poetics And Politics In The Modern Epic, Giacomo R. Bianchino

Dissertations, Theses, and Capstone Projects

This dissertation, “The Redemption of History: Poetics and Politics in the Modern Epic.” provides a materialist theory of the modern epic, focusing on the way that the poets deployed this form towards political ends. Building on theories of the epic going back to the German Romantics, it argues that the modern form is predicated on the idea that it has departed from the conditions that made the ancient form possible. It examines the way that writers in the late nineteenth and early twentieth century developed the idea that the immediacy of the social “totality” expressed by the ancient epopee was …

Failure To Mourn: Challenges To The Work Of Mourning In Twentieth-Century Italian Literature, Mattia Mossali

Dissertations, Theses, and Capstone Projects

This project brings together, in a novel combination and through a comparative and transnational perspective, three Italian authors from the Twentieth century who around the same years have produced texts in an effort to verbalize the pain caused by the loss of a loved one: Gina Lagorio (1922-2005), Lalla Romano (1906-2001), and Pier Vittorio Tondelli (1955-1991). Through a variety of literary forms, from fictional self-representations in “autobiographical” novels to the desire for authenticity that characterizes so-called grief memoirs, each of them confronts the challenge of how to write about the deeply painful experience of mourning. After witnessing death, they look …

Studies Of Identity In Modernity: Literary, Phenomenological, And Psychoanalytic Approaches, Roarke K. Mcdonald, Angelo Castagnino

DU Undergraduate Research Journal Archive

This paper analyzes challenges to conventional notions of identity in Pirandello’s novel One, No One, and One Hundred Thousand, towards understanding new conceptions of meaning and identity in the early 20th century. The aim is to provide a multi-plural study in the Italian modernist tradition (1890-1945),with the goal of understanding how technological, industrial, and socio-geographical changes of the period were felt across a range of fields, and centered on new ideas of the self in society. A study of how Pirandello’s literary style addresses the complex socio-geographical climate of Italy and Europe in the early 20th century is put …

Mythos And Meaning: Medieval Appropriations Of Mythological Types In The Consolation Of Philosophy And Later Western Literatures, Francis J. Hunter

Seton Hall University Dissertations and Theses (ETDs)

Often referred to as the last Roman and first medieval, Boethius, author of The Consolation of Philosophy, has been widely received as an unoriginal philosopher who sought to preserve Platonic thought as the Western Roman Empire fell. However, this essay features an investigation into the literary originality of Boethius who initiates a line of Christian and Platonic literatures to follow in the medieval European tradition. Boethius demonstrates himself to be a poet who makes great use of philosophy rather than as a philosopher writing poetry. Boethius’ poetic influence is felt most strongly in major aspects of Dante’s Divine Comedy and …

The Divine Comedy: A Work Of Medieval Mythology, Jamie Alexander

Undergraduate Honors Theses

Prior to The Divine Comedy (1308-1321), ideas about Purgatory were in the early stages of development. Purgatory had loose rituals surrounding its existence and it lacked depiction in written works. Yet in the following centuries, the fear of Purgatory and the practices of penance and indulgences reached a fever pitch, ultimately leading to the Protestant Reformation. Purgatory as a celestial location, and not just the “purgatorial fires” of the Bible, only began to develop in the twelfth century, but its fearful description and imagery in The Divine Comedy not only solidified previously nebulous understandings of Purgatory, but also increased anxiety …

Recognizing Traps And Frightening Wolves: Foxes And Lions As A Representative Of Machiavellian Political Ideology In Shakespeare’S Comedies, Grace A. Powell

Student Scholar Showcase

While William Shakespeare’s plays and sonnets have been discussed time and time again over the past few centuries, one topic that has been less traversed is the connection between his Comedies and Niccolò Machiavelli’s political ideologies. This project will explore references of lions and foxes in Shakespeare’s Comedies and the leaders and monarchs within them to determine how beliefs about Machiavelli’s political ideology influenced Shakespeare’s literature and became symbols for leadership and power. This project will be important for gaining historical context on Machiavellian political discourse and how it was represented in the contemporary dramatic literature of William Shakespeare. I …

Understanding Dictators' Violent Repression And How It's Remembered, Juliet Welk

Scripps Senior Theses

This thesis examines the use of violent repression by dictators and the ways in which that violence is remembered, particularly through the lenses of literature and film. The first chapter will deal with the questions of when dictators choose to use violence as opposed to other forms of repression and against whom the violence is used. To do so, it will employ select cases to test a number of possible answers. The second chapter, written in Spanish, will analyze the memory of Francisco Franco’s dictatorship in Spain, focusing on the empowerment of previously-silenced voices. The third chapter, written in Italian, …

The Middle Of The Middle: Purgatory, Pilgrimage, And Human And Plant Mobility In A Time Of Climate Crisis, Stephen S. Collis

The Goose

This paper, adapted from a talk given for the Institute of the Humanities at Simon Fraser University on April 26 2023, explores intersecting issues taken up by an in-progress long poem I am currently writing. That long poem, “The Middle,” explores questions of climate displacement, migration, and refuge via a writing-though of Dante’s Purgatorio—itself a poem of pilgrimage. A further context for both the poem and the paper about the poem is an ongoing project of walking in solidarity with refugees, asylum seekers, and immigration detainees that the author has been involved with since 2015. In seeking to “override …

Smarginatura: The Art And Politics Of Elena Ferrante, Ryan A. Lillestrand

Claremont-UC Undergraduate Research Conference on the European Union

In the Neapolitan Quartet, a sprawling epic following the lives of two women in post-war Italy, the author, Elena Ferrante, explores the intimate relationship between politics and art, pushing at the borders we often construct between the two. At a particularly critical moment in the novels, the central character, Elena Greco, a poor girl from Naples who rises to the position of a successful novelist, is told by her more politically radical friends that she is not doing enough, that “this, objectively, is not the moment for writing novels.” But then, when is? The current political climate in Italy is …

Creatività Diasporiche Dialoghi Transnazionali Tra Teoria E Arti, Simone Brioni Dr., Loredana Polezzi Dr., Franca Sinopoli

Department of English Faculty Publications

Creatività diasporiche è un volume bilingue costituito da tredici conversazioni tra studiosi/studiose di materie umanistiche e artisti/artiste il cui lavoro si concentra sul tema della migrazione e dell’identità. I contributi nella raccolta abbracciano forme di produzione che vanno dalla letteratura alle arti visive, dal cinema alla performance teatrale, dai podcast alla musica rap, mentre tra le tematiche ricorrenti emergono dibattiti su identità, lingua, migrazione, memoria e cittadinanza. Questo volume è anche un invito a ripensare il lavoro creativo e quello accademico, in area umanistica, come intrinsecamente legati al dialogo e alla collaborazione. Ciascuna conversazione si concentra sull’Italia intesa come un …

What Our Hearts Crave For: An Examination Of The Paradoxical Attraction To Dante’S Inferno, Ketzalt E. Marquez

Honors Projects

This paper serves to analyze and explain why audiences are attracted to stories with elements of Horror in them, using Dante’s Inferno as the vehicle for this conversation, as the Inferno’s setting is in the worse possible place imaginable. Horror narratives arise feelings of fear and disgust in its audiences through the use of monsters, as audiences relate to the fear and disgust the positive characters in the narratives are feeling because of the monster’s presence. Since these emotions arise in a safe space, such as in literature or film, where the source of the emotions is not endangering the …

L’Espresso: Uno Stimolante, Una Bevanda, E Un Pilastro Dell'italianità, Salvatore Joseph Lupo

French and Italian Undergraduate Senior Theses

No abstract provided.

I Mondi Incrociati Di Machiavelli: Il Principe E La Mandragola, Carrie Tighe Cristiano

Theses and Dissertations

This thesis explores Machiavelli’s ideas of virtù and fortuna and how, through an exploration of these terms, we can better understand the writer and theorist. By examining his works, principally Principe and Mandragola, we see many consistent ideas as well as gain a clearer understanding of Machiavelli’s character.

Amorous Poems And Passionate Letters: An Analysis Of The Contributions Of Two Female Authors To The Literary Scene Of 16th Century Italy, Ava Buchanan

History Undergraduate Honors Theses

Vittoria Colonna and Chiara Matraini were well known women in intellectual and public Italian society during the 16^th century. However, the history surrounding their individual impacts has often been limited due to the common practice of grouping these two women together or focusing more intently on their male connections. This thesis aims to advance women’s history on the Early Modern period by providing holistic accounts of Vittoria Colonna and Chiara Matraini’s careers that provide a better understanding of the unique contributions that these women made to distinctly female literature in the Early Modern period in Italy. This thesis utilizes …

The Structure Of Human Redemption As Demonstrated In Dante's The Divine Comedy, Erick S. Flores

Student Research

Dante Alighieri's The Divine Comedy is renowned all around the globe for its impact on literary history as a whole. This research paper delves into the structure of human redemption as portrayed in Dante's epic masterpiece. Through a comprehensive analysis of the narrative structure, allegory, and symbolism, employed by Dante, this study illuminates the underlying framework that guides the protagonist and readers on a transformative journey through the afterlife. By examining the divisions of Inferno, Purgatorio, and Paradiso, this paper reveals the hierarchical nature of sin, the ever-progressive path of spiritual growth, and the ultimate attaining of salvation and understanding …

"Perché Il Mondo È Cambiato": Second Generation Italian Hip Hop And The Authorization Of Postcolonial Italian Identities, Anthony Sargenti

Graduate Theses and Dissertations

Second generation Italian hip hop artists negotiate, contest, and decolonize italianità through their lyrics, music, and activism. Italian Postcolonialism, Cultural Theory, and Musicology inform my approach to understanding the struggle over contemporary Italian politics of identity and belonging. I utilize Discourse Analysis to contextualize lyrics, music, and music videos that resist hegemonic notions of italianità and champion inclusive citizenship. Artists analyzed include Amir Issaa, Karima DueG, Ghali, Tommy Kuti, Cécile, Chadia Rodriguez, and Alessandro Mahmoud. Centralizing hip hop as a collective site of resistance demonstrates the movement towards recognition as well as equal representation. Second generation artistry and lyricism starts …

Women's Work With Wool In Fairy Tales: From Baroque Text To Textile Craft, Sophia Frye

Scripps Senior Theses

Fiber art has a complex, long-standing history; the relationship between the craft and the craftsman is intimate and goes beyond the commodification of the product. Business records from Florentine guilds give insight into the wool industry, but are unable to capture the social history of wool crafts in Renaissance-Baroque era Italy. In response, this project turns to Italian Baroque fairy tales: Giambattista Basile’s The Pentamerone (1634-36) and Giovanni Francesco Straparola’s Le Piacevoli Notti (1555). These fairy tales depict scenes of women engaging in fiber crafts, which reveal the poverty of the women textile laborers, the women’s relationship to textile work, …

From Nihilation To Redemption: Profanations And Overlaps In Claudio Magris’ Danube, Nicola Mazzotti

Comparative Literature M.A. Essays

This essay analyzes the novel Danube by the Italian writer and scholar Claudio Magris and focuses on its depiction of the political potential inscribed in the Danubian territory. With his journey along the river, the narrator of the novel attempts to unveil the materiality of this territory and the agency of the river, thus deconstructing cultural and political claims aimed at their appropriation. First, the essay investigates the use and representation of 'sources' made by the narrator, both as origin of the river and cultural artifacts. It is shown how the narrator performatively traces the origin of the river back …

Review Of The Life And Legend Of Catterina Vizzani: Sexual Identity, Science And Sensationalism In Eighteenth-Century Italy And England, By Clorinda Donato, Ula E. Lukszo Klein

ABO: Interactive Journal for Women in the Arts, 1640–1830

Review of The Life and Legend of Catterina Vizzani: Sexual Identity, Science and Sensationalism in Eighteenth-Century Italy and England, by Clorinda Donato, written by Ula Lukszo Klein. Oxford University Studies in the Enlightenment, Liverpool University Press, 2020, 347 pp., 3 b/w images. ISBN: 978-1-789-62221-8

Scarico: It’S Only A Movie, Most Of The Time, Thomas Nelson

Graduate Theses and Dissertations

Exploitation cinema is a domain of motion picture content catering to a viewership interested in imagery that is more provocative than what mainstream audiences desire to see. These types of films are typically considered lowbrow entertainment and have been made in every era, albeit in a limited capacity proportional to the niche audience demand for them. Some time periods see a rise in exploitation film productions in response to a growing demand for such content from a larger share of the broader cinematic audience. This relationship indicates that period-specific cultural factors can cause mainstream audience members to seek out more …

Exploring Dante’S Sources Online: Interactive Reading, Visualizations, And The Study Of Dantean Intertextuality In The Digital Age, Julie Van Peteghem

Publications and Research

Dante’s Commedia is a highly allusive text, and readers throughout time have noted the many parallels between Dante’s verses and those of others. Now that the text of the Commedia and various scholarly and artistic interpretations of the poem (commentaries, translations, illuminated manuscripts) have become accessible online, also the concordance, the lists of parallel passages in Dante’s poem and other works, has become a digital resource. In this essay I explore the study of Dante’s sources in a digital environment mainly through the Intertextual Dante project and its Dante-Ovid edition, published on Digital Dante. Intertextual Dante visualizes moments of …

Beatrice: A Representation Of Christ, Michelle Wincell

Augsburg Honors Review

Everyone is subject, at some time in life, to an astonishment of the mind resulting from an awareness of something wonderful. Such an awareness creates awe and curiosity and makes one want to know more. In Dante's life, it was simply the sight of the Italian girl Beatrice that moved him to such a state. Beatrice was the image that inspired all of his work and increased his worship and knowledge of God. She was an image of many things, in particular, virtue, redemption, new life, light and God are symbolized. But her representation as a Christ figure is most …