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Articles 1 - 5 of 5
Full-Text Articles in Italian Literature
Twitteratura: Digital Social Reading And Active Reception Of Literary Texts In The Context Of Italian Contemporary Literature, Iuri Moscardi
Twitteratura: Digital Social Reading And Active Reception Of Literary Texts In The Context Of Italian Contemporary Literature, Iuri Moscardi
Dissertations, Theses, and Capstone Projects
This dissertation explores Digital Social Reading (DSR) as a novel mode of literary engagement, focusing on the Italian project Twitteratura, a series of social reading experiments conducted on Twitter (2012–2016) and later on the Betwyll app. The research situates Twitteratura within the intersection of Reader-Response Theory, Digital Humanities, Reception Studies, and Sociology of Literature, demonstrating how digital environments reshape the act of reading and interpretation. Through detailed analyses of four DSR projects centered on major twentieth-century Italian authors—Cesare Pavese, Pier Paolo Pasolini, Italo Calvino, and Natalia Ginzburg—this dissertation argues that Twitteratura provides a concrete, data-rich demonstration of Wolfgang Iser’s reader-response …
Italian Culture Through Film, Monica Rossi-Miller
Italian Culture Through Film, Monica Rossi-Miller
Open Educational Resources
Introduction to important themes of Italian culture by viewing and analyzing
representative Italian films from the post-World War II era to the present. Topics examined include: the Italian family, how World War II has shaped contemporary Italian culture, Italy as a country of emigrants and immigrants, and an examination of religion and the Catholic Church.
This is a Writing Intensive course conducted in English, and all films have English subtitles.
A Writing Intensive Course Specifically is a designated course sections that—in addition to providing the established disciplinary-oriented student outcomes—incorporate approved instructional strategies and course assignments designed to enhance students’ writing …
The Surreal Voice In Milan's Itinerant Poetics: Delio Tessa To Franco Loi, Jason Collins
The Surreal Voice In Milan's Itinerant Poetics: Delio Tessa To Franco Loi, Jason Collins
Dissertations, Theses, and Capstone Projects
Over the course of Italy’s linguistic history, dialect literature has evolved a s a genre unto itself. The scope of research presented in this study examines the question of dialect literature as a valid genre which bears lines of demarcation that would assign it the distinction of genre. Research reveals that in fact the simple election of a language, or dialect, does not itself constitute a genre; moreover, most dialect literature bears characteristics that would neatly place it in another genre.
To examine this verity, this research compares two dialect poets who employ Milanese as a means of transmission …
Magic Performances: Rituals And Practice In Italian Theatre And Culture, 1520–1650, Erika Mazzer
Magic Performances: Rituals And Practice In Italian Theatre And Culture, 1520–1650, Erika Mazzer
Dissertations, Theses, and Capstone Projects
My dissertation investigates theatrical and historical sources that deal with early modern magic, in order to re-evaluate its role in Italian society between the 16th and the mid-17th century. During this period, many were the attempts carried out by the Catholic Church to avoid the spread of heretical beliefs among people. By the middle of the 16th century, the battle against heresy focused on magic, which was considered a dangerous practice. Despite the Inquisition’s prohibition of books of magic and the condemnation of magic rituals, magic still survived in literary works, especially theatrical. Many performances brought magic on the Italian …
Lyrical Mysticism: The Writing And Reception Of Catherine Of Siena, Lisa Tagliaferri
Lyrical Mysticism: The Writing And Reception Of Catherine Of Siena, Lisa Tagliaferri
Dissertations, Theses, and Capstone Projects
Lyrical Mysticism: The Writing and Reception of Catherine of Siena (https://caterina.io) affirms the 14th-century mystic Catherine of Siena as a writer through contextualizing her texts among the corpus of contemporary Italian literature, and studying her reception in the Renaissance period of Italy and England. Joining an increasing body of recent meaningful scholarship that has been making significant progress to recover many overlooked and peripheral female voices of the Middle Ages and the Renaissance, this work serves to fully assert Catherine as a writer of work that is literarily significant and worthy of textual analysis alongside contemporary male Italian …