Italian Literature Commons^™

Dante’S Volgare And The Pastoral Presence: An Analysis Of The Concept Of Language In The Divina Commedia, Paola M. Rodriguez

Dissertations, Theses, and Capstone Projects

Dante’s conception of the Italian vernacular, the “volgare illustre”, is a central concern of his work and one which catalyses and nurtures, both overtly and covertly, his creation of the Commedia. Although Dante positions himself in his writings as the continual defender and most prolific poet of the vernacular, isolating a specific linguistic use and structure, a coherent definition of what vernacular Dante privileges or what appropriate usage he adheres to, is a difficult and often confusing task. The existence of two eclogues, the only works by Dante to have been written after the majority of the Commedia had been …

Mythos And Meaning: Medieval Appropriations Of Mythological Types In The Consolation Of Philosophy And Later Western Literatures, Francis J. Hunter

Seton Hall University Dissertations and Theses (ETDs)

Often referred to as the last Roman and first medieval, Boethius, author of The Consolation of Philosophy, has been widely received as an unoriginal philosopher who sought to preserve Platonic thought as the Western Roman Empire fell. However, this essay features an investigation into the literary originality of Boethius who initiates a line of Christian and Platonic literatures to follow in the medieval European tradition. Boethius demonstrates himself to be a poet who makes great use of philosophy rather than as a philosopher writing poetry. Boethius’ poetic influence is felt most strongly in major aspects of Dante’s Divine Comedy and …

Recognizing Traps And Frightening Wolves: Foxes And Lions As A Representative Of Machiavellian Political Ideology In Shakespeare’S Comedies, Grace A. Powell

Student Scholar Showcase

While William Shakespeare’s plays and sonnets have been discussed time and time again over the past few centuries, one topic that has been less traversed is the connection between his Comedies and Niccolò Machiavelli’s political ideologies. This project will explore references of lions and foxes in Shakespeare’s Comedies and the leaders and monarchs within them to determine how beliefs about Machiavelli’s political ideology influenced Shakespeare’s literature and became symbols for leadership and power. This project will be important for gaining historical context on Machiavellian political discourse and how it was represented in the contemporary dramatic literature of William Shakespeare. I …

What Our Hearts Crave For: An Examination Of The Paradoxical Attraction To Dante’S Inferno, Ketzalt E. Marquez

Honors Projects

This paper serves to analyze and explain why audiences are attracted to stories with elements of Horror in them, using Dante’s Inferno as the vehicle for this conversation, as the Inferno’s setting is in the worse possible place imaginable. Horror narratives arise feelings of fear and disgust in its audiences through the use of monsters, as audiences relate to the fear and disgust the positive characters in the narratives are feeling because of the monster’s presence. Since these emotions arise in a safe space, such as in literature or film, where the source of the emotions is not endangering the …

Literature, Pandemic, And The Insufficiency Of Survival: Boccaccio’S Decameron And Emily St. John Mandel’S Station Eleven, Anthony P. Russell

Interdisciplinary Journal of Leadership Studies

The question of literature’s utility in relation to the “real world” has been asked since at least the time of Plato. This essay examines an extreme instance of this problem by investigating two works, Giovanni Boccaccio’s Decameron (1349-1353) and Emily St. John Mandel’s Station Eleven (2016), that argue for the value of art in the midst of catastrophe. Boccaccio’s collection of 100 tales, written in the context of the Black Plague, and Mandel’s post-apocalyptic novel about a world devastated by a killer flu, overlap and diverge in instructive ways in making their cases for the important role of literature in …

Dante's Dream: A Jungian Psychoanalytical Approach, Gwenyth E. Hood

Research in Medieval and Early Modern Culture

An artist or mystic can refresh and revive a culture’s imagination by exploring his personal dream-images and connecting them to the past. Dante Alighieri presents his Divine Comedy as a dream-vision, investing considerable energy in establishing and alluding to its dates (starting Good Friday, 1300). Modern readers will therefore welcome a Jungian psychoanalytical approach, which can trace both instinctual and spiritual impulses in the human psyche.

Literary Response To Plague, Mark Host

Developing Pedagogy Graduate Student Showcase

This is a unit with a series of assignments that has been conceptualized as a drop-in that can be included in a variety of classes such as History/Western Civilization, English, Humanities, etc. and uses The Decameron to illustrate how react to the trials of disease through artistic expression. The target students would be advanced high school students or freshman-level college students. The assignments progress to higher levels of Bloom’s Taxonomy, starting from asking the students to simply answer reading comprehension questions about the introduction to asking students to develop their own imitative stories in the vein of The Decameron and …

The Manuscript Copy Of Sfera In The Morgan Library, Dana Hart

Theses and Dissertations

This thesis explores the literary origins of the fifteenth century text Sfera, a rhyming Italian treatise by Gregorio Dati, and considers the patronage, creation, and function of the manuscript copy in the Morgan Library and Museum, focusing on the illustrated maps and cities.

The Body And Its Signifiers: Bodily Depictions In Niccolò De’ Conti And Odorico Da Pordenone, Antonella Dalla Torre

Dissertations, Theses, and Capstone Projects

This dissertation examines textual, bodily depictions in two western European, medieval and late-medieval travel accounts, which describe the eastern travels of the Venetian merchant Niccolò de’ Conti and those of the Franciscan friar Odorico da Pordenone. My analysis show how a connection between the characterizations of the body and the process of identity definition is forged and sustained in these texts.

Through a cultural-studies perspective, my work focuses specifically on depictions of the body in Poggio Bracciolini’s account of the travels of Niccolò de’ Conti and in the text of a vernacular rendition of Odorico da Pordenone’s Relatio, the …

The Disperata, From Medieval Italy To Renaissance France, Gabriella Scarlatta

Research in Medieval and Early Modern Culture

Rich with morose invectives, the Italian lyric genre of the disperata builds toward a crescendo of despair, with the speakers damning and condemning their beloved, their enemy, their destiny, Fortune, Love, and often themselves. Although Petrarch and Petrarchism have been amply analyzed as fertile sources for late Renaissance poets in France, the influence of the Italian disperata in this context has yet to receive proper scholarly attention. This study explores how the language and themes of the disperata - including hopelessness, death, suicide, doomed love, collective trauma, and damnations - are creatively adopted by several generations of poets from its …

Lyrical Mysticism: The Writing And Reception Of Catherine Of Siena, Lisa Tagliaferri

Dissertations, Theses, and Capstone Projects

Lyrical Mysticism: The Writing and Reception of Catherine of Siena (https://caterina.io) affirms the 14th-century mystic Catherine of Siena as a writer through contextualizing her texts among the corpus of contemporary Italian literature, and studying her reception in the Renaissance period of Italy and England. Joining an increasing body of recent meaningful scholarship that has been making significant progress to recover many overlooked and peripheral female voices of the Middle Ages and the Renaissance, this work serves to fully assert Catherine as a writer of work that is literarily significant and worthy of textual analysis alongside contemporary male Italian …

Strangely Dark, Unbearably Bright: From The Volto Santo To The Veronica And Beyond In The Divine Comedy, Alexa Sand

Art and Design Faculty Publications

No abstract provided.

Brunetto Latini, "La Rettorica", Stefani D'Agata D'Ottavi

TEAMS Secular Commentary Series

Brunetto Latini's La rettorica is the first Italian translation of Cicero's early and widely influential De inventione, and this volume is a translation of Latini's translation, including both Cicero's work and Brunetto's commentary.

Pasolini's Laugh: Joyful Ignorance In The Decameron, Andrea Privitera

Modern Languages and Literatures Annual Graduate Conference

In this paper, I discuss Giovanni Boccaccio's The Decameron and its 1971 film adaptation by Pier Paolo Pasolini. To be more precise, I focus on the fifth novella of the sixth day, the one about Giotto and Forese, and its audiovisual re-elaboration, which can be seen as a very brief and at the same time very vivid example of Pasolini’s ideas on society, language and communication.

Dante’S Understanding Of The Two Ends Of Human Desire And The Relationship Between Philosophy And Theology, Jason Aleksander

Faculty Publications

I discuss Dante’s understanding that human existence is “ordered by two final goals” and how this understanding defines philosophy’s and theology’s respective scopes of authority in guiding human conduct. I show that, while Dante devalues the philosophical authority associated with the traditional Aristotelian emphasis on the significance of contemplative activity, he does so in order to highlight philosophy’s ethico-political authority to guide human conduct toward its “earthly beatitude.” Moreover, I argue that, although Dante subordinates earthly beatitude to spiritual beatitude, he nonetheless maintains that philosophy’s authority to reveal a path to spiritual beatitude requires its fundamental independence from theology.

Literary Influences On Dante's Use Of Fear In The Commedia, Andrew Pearson

Presentations

This presentation explores the literary influences that may have guided Dante's use and development of fear reflected and directed by his use of the word paura. These influences include Aristotle, Cicero, St. Augustine, St. Benedict, and St. Thomas Aquinas. The presenter also suggests a distant echo of fear finding its way into John Milton's Paradise Lost.