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Full-Text Articles in Italian Literature

Beyond The Veil Of Modernity: René Guénon, Prophet Of The Metapolitical Imaginary, Frederic Colier Jun 2026

Beyond The Veil Of Modernity: René Guénon, Prophet Of The Metapolitical Imaginary, Frederic Colier

Dissertations, Theses, and Capstone Projects

Heralded by some as one of the greatest intellectuals of the 20th century, French metaphysician René Guénon (1886-1951) is also the controversial father of Primordial Tradition, a metaphysics designed to remedy the decline of Western civilization. Guénon viewed the West in the grip of a prolonged cycle of degeneration. He sought to implement a pseudo-authoritarian spiritual reset that required a total rejection of its Western intellectual heritage and an embrace of Eastern doctrines.

Focusing on his landmark book The Crisis of the Modern World (1927), the dissertation examines how Guénon implemented his controversial reset. After outlining the religious, cultural, and …


Mythos And Meaning: Medieval Appropriations Of Mythological Types In The Consolation Of Philosophy And Later Western Literatures, Francis J. Hunter May 2024

Mythos And Meaning: Medieval Appropriations Of Mythological Types In The Consolation Of Philosophy And Later Western Literatures, Francis J. Hunter

Seton Hall University Dissertations and Theses (ETDs)

Often referred to as the last Roman and first medieval, Boethius, author of The Consolation of Philosophy, has been widely received as an unoriginal philosopher who sought to preserve Platonic thought as the Western Roman Empire fell. However, this essay features an investigation into the literary originality of Boethius who initiates a line of Christian and Platonic literatures to follow in the medieval European tradition. Boethius demonstrates himself to be a poet who makes great use of philosophy rather than as a philosopher writing poetry. Boethius’ poetic influence is felt most strongly in major aspects of Dante’s Divine Comedy and …


The Divine Comedy: A Work Of Medieval Mythology, Jamie Alexander May 2024

The Divine Comedy: A Work Of Medieval Mythology, Jamie Alexander

Undergraduate Honors Theses

Prior to The Divine Comedy (1308-1321), ideas about Purgatory were in the early stages of development. Purgatory had loose rituals surrounding its existence and it lacked depiction in written works. Yet in the following centuries, the fear of Purgatory and the practices of penance and indulgences reached a fever pitch, ultimately leading to the Protestant Reformation. Purgatory as a celestial location, and not just the “purgatorial fires” of the Bible, only began to develop in the twelfth century, but its fearful description and imagery in The Divine Comedy not only solidified previously nebulous understandings of Purgatory, but also increased anxiety …


Dante’S Understanding Of The Two Ends Of Human Desire And The Relationship Between Philosophy And Theology, Jason Aleksander Apr 2011

Dante’S Understanding Of The Two Ends Of Human Desire And The Relationship Between Philosophy And Theology, Jason Aleksander

Faculty Publications

I discuss Dante’s understanding that human existence is “ordered by two final goals” and how this understanding defines philosophy’s and theology’s respective scopes of authority in guiding human conduct. I show that, while Dante devalues the philosophical authority associated with the traditional Aristotelian emphasis on the significance of contemplative activity, he does so in order to highlight philosophy’s ethico-political authority to guide human conduct toward its “earthly beatitude.” Moreover, I argue that, although Dante subordinates earthly beatitude to spiritual beatitude, he nonetheless maintains that philosophy’s authority to reveal a path to spiritual beatitude requires its fundamental independence from theology.


Language, The Other And God: On Italo Calvino's Last Novels, Richard Grigg Oct 1987

Language, The Other And God: On Italo Calvino's Last Novels, Richard Grigg

Philosophy, Theology and Religious Studies Faculty Publications

To the extent that Italo Calvino's novels point us toward a God beyond the God who died with the advent of modern nihilism, they are an important resource for constructing just that kind of notion of the divine that is required by the contemporary cultural situation: a notion that is an alternative to both theism and atheism. While theism cannot withstand the corrosive forces integral to the modern world view, atheism makes the fatal mistake of supposing that there is no longer any dimension of ultimacy available to contemporary persons. The God we have been led to by Calvino's last …