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Full-Text Articles in Asian Art and Architecture

Art Collecting In India Through The Ages, Muskaan Mehta Jan 2025

Art Collecting In India Through The Ages, Muskaan Mehta

MA Theses

This study examines the evolution of art collecting in India, from royal patronage to modern practices shaped by socio-political and economic changes. It highlights the ancient tradition of art– serving spiritual, cultural, and political purposes, evolving through colonial influences that introduced Western aesthetics and private collecting. Post-independence, collecting in India became a means of reclaiming cultural identity, marked by movements like that of the Progressive Artists' Group. Three collections illustrate the diversity of contemporary Indian collecting- the personal collection of Kiran Nadar and the Kiran Nadar Museum of Art focusing on public engagement and modern Indian art; Vinay Sheth’s private, …


Origins Of Art: Demystifying The Scheuring Icon Collection, Mikayla Klemp Dec 2024

Origins Of Art: Demystifying The Scheuring Icon Collection, Mikayla Klemp

The Journal of Purdue Undergraduate Research

No abstract provided.


Himalayan Murals, Himalayan Buddhist Murals: Styles, Symbolic Themes And Historical Evolution, Jiazhen Zhang Jan 2024

Himalayan Murals, Himalayan Buddhist Murals: Styles, Symbolic Themes And Historical Evolution, Jiazhen Zhang

MA Theses

Himalayan Buddhist murals are decorative elements and represent profound artistic expressions laden with relevant cultural and religious values. Disseminated through monasteries and temples of the Himalayan regions, such as Tibet, Bhutan, and Nepal, these murals represent a unique blend of religious art and cultural identity. According to Jackson, mural art was a longterm tradition in these areas, starting from the eleventh Century and being influenced by different schools of Buddhism throughout history. Jing further posits that the tradition of art reflects an active interaction between religious concepts and local art styles, influenced by socio-political transformations and cultural contacts between the …


Women In Post-War Japan: Bodies Of The Avant Garde, Cassidy P. Boulanger Jan 2022

Women In Post-War Japan: Bodies Of The Avant Garde, Cassidy P. Boulanger

Honors Undergraduate Theses

From 1945 onward, post-war artists in Japan encountered two interrelated challenges: to both adjust to the war’s aftermath, and also to create a new visual language which expressed new ideas and emotions. For women artists in Japan, this time of distinct culture change allowed for a re-defining of their role in the art community as well as society. However, there were strict boundaries surrounding the institutional and academic realm of art, one that was not inviting to women, or one that allowed opportunity or growth. Nevertheless, many women artists sought to explore gender roles, the idea of womanhood, sexuality, and …


Zero Textbook Cost Syllabus For Art 1011 (Art History Survey I), Janine Defeo Jan 2018

Zero Textbook Cost Syllabus For Art 1011 (Art History Survey I), Janine Defeo

Open Educational Resources

This introductory course presents a global view of art history through slide lectures and museum visits, with an emphasis on works of art found in New York City museums. It selectively surveys the visual arts of Europe from prehistory through the Middle Ages and concurrent historical periods in Egypt, the Near East, the Islamic world, Asia, Africa and the Americas.


Syncretic Souvenirs: An Investigation Of Two Modern Indian Manuscripts, Madeline Helland Jan 2018

Syncretic Souvenirs: An Investigation Of Two Modern Indian Manuscripts, Madeline Helland

Scripps Senior Theses

The objective of this project was to establish a provenance for two Indian manuscripts that were recently discovered in the collections at Scripps College. Based on their illuminations, script, and binding structure, I was able to conclude that these two manuscripts are Hindu religious texts created around the 19th or 20th century. To determine an approximate origin and the significance of these volumes, my research focused on the syncretism of religion, material history, and power dynamics in India. Their context was specifically framed within the history of manuscript construction and conservation.


Zero Textbook Cost Syllabus For Art 1012 (Art History Survey Ii), Karen Shelby Aug 2017

Zero Textbook Cost Syllabus For Art 1012 (Art History Survey Ii), Karen Shelby

Open Educational Resources

This introductory course presents a global view of art history through slide lectures and museum visits, with an emphasis on works of art found in New York City museums. It selectively surveys the visual arts of Europe from the Renaissance to the twentieth century and concurrent historical periods in Asia (India, China, Japan), Africa, Mesoamerica, South America, Native North America, and the United States.


Zero Textbook Cost Syllabus For Art 1011 (Art History Survey I), Agnieszka A. Ficek Aug 2017

Zero Textbook Cost Syllabus For Art 1011 (Art History Survey I), Agnieszka A. Ficek

Open Educational Resources

This introductory course presents a global view of art history through side lectures and museum visits, with an emphasis on works of art found in New York City museums. We will cover visual arts of Europe, the Near East, Islamic countries, Asia, Africa and the Ancient Americas from prehistory to the Middle Ages.


Zero Textbook Cost Syllabus For Art 1012 (Art History Survey Ii), Janine Defeo Aug 2017

Zero Textbook Cost Syllabus For Art 1012 (Art History Survey Ii), Janine Defeo

Open Educational Resources

This introductory course presents a global view of art history through slide lectures and museum visits, with an emphasis on works of art found in New York City museums. It selectively surveys the visual arts of Europe from the Renaissance to the twentieth century and concurrent historical periods in Asia (India, China, Japan), Africa, Mesoamerica, South America, Native North America, and the United States.


Imagination And Reality: Landscape And The Folk Culture Of Joseon Dynasty Korea, Matthew Finley Apr 2015

Imagination And Reality: Landscape And The Folk Culture Of Joseon Dynasty Korea, Matthew Finley

Seaver College Research And Scholarly Achievement Symposium

The Five Peaks Screen of Korea’s Joseon dynasty (1392-1910) is one of the most iconic works of its time. Nevertheless, the remarkable visual impact and cultural significance of the Five Peaks Screen evades systematic scholarly study, partly because of its generic classification as folk art. In this paper, I will resituate the Five Peaks Screen in the artistic tradition of East Asian landscape painting. When considered in the context of literati painting traditions and relevant popular landscapes, it becomes clear that the design of the Five Peaks Screen coheres to traditional aesthetics to emphasize the ability of artwork to inform …