Open Access. Powered by Scholars. Published by Universities.®
History of Art, Architecture, and Archaeology Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Art and Design (59)
- Ancient, Medieval, Renaissance and Baroque Art and Architecture (30)
- Other History of Art, Architecture, and Archaeology (27)
- Contemporary Art (26)
- History (25)
-
- American Art and Architecture (22)
- Theory and Criticism (20)
- Modern Art and Architecture (19)
- Feminist, Gender, and Sexuality Studies (16)
- Fine Arts (16)
- Social and Behavioral Sciences (14)
- Painting (13)
- Asian Art and Architecture (12)
- Art Practice (11)
- European History (10)
- Women's Studies (10)
- Classics (8)
- Cultural History (8)
- Education (8)
- American Studies (6)
- Illustration (6)
- Art Education (5)
- Ceramic Arts (5)
- Classical Archaeology and Art History (5)
- Latin American Languages and Societies (5)
- Museum Studies (5)
- Sculpture (5)
- Sociology (5)
- Institution
-
- City University of New York (CUNY) (27)
- East Tennessee State University (26)
- Lindenwood University (10)
- Gettysburg College (8)
- Pepperdine University (6)
-
- Chapman University (4)
- Claremont Colleges (4)
- Purdue University (4)
- University of Arkansas, Fayetteville (4)
- Minnesota State University, Mankato (3)
- University of Kentucky (3)
- University of Mississippi (3)
- University of Nebraska - Lincoln (3)
- University of South Carolina (3)
- Wilfrid Laurier University (3)
- Brigham Young University (2)
- Butler University (2)
- California Polytechnic State University, San Luis Obispo (2)
- Fort Hays State University (2)
- Portland State University (2)
- Rhode Island School of Design (2)
- Rollins College (2)
- University of Denver (2)
- University of Louisiana at Lafayette (2)
- University of Louisville (2)
- University of Mary Washington (2)
- University of New Mexico (2)
- University of Richmond (2)
- Ursinus College (2)
- Virginia Commonwealth University (2)
- Publication Year
- Publication
-
- Art Appreciation Open Educational Resource (25)
- Art History Pedagogy & Practice (7)
- Theses and Dissertations (7)
- Featured Research (6)
- Publications and Research (6)
-
- Theses (6)
- Honors Theses (5)
- Student Publications (5)
- Artl@s Bulletin (4)
- Open Educational Resources (4)
- Senior Theses (4)
- All Syllabi (3)
- Dissertations and Theses (3)
- Electronic Theses and Dissertations (3)
- School of Art, Art History, and Design: Theses and Student Creative Work (3)
- Scripps Senior Theses (3)
- Student Scholar Symposium Abstracts and Posters (3)
- The Confluence (3)
- The Goose (3)
- Anthós (2)
- Art & Art History ETDs (2)
- Department of Visual Arts (2)
- Departmental Honors & Graduate Capstone Projects (2)
- Honors Program Theses (2)
- Journal of Undergraduate Research at Minnesota State University, Mankato (2)
- Master of Liberal Studies Projects (2)
- Masters Theses (2)
- Schmucker Art Catalogs (2)
- Undergraduate Honors Theses (2)
- 'Atiqot (1)
- Publication Type
- File Type
Articles 31 - 60 of 180
Full-Text Articles in History of Art, Architecture, and Archaeology
Negotiating Liberty: Fine Ceramics For The U.S. American Market Before 1860, Presley Rodriguez
Negotiating Liberty: Fine Ceramics For The U.S. American Market Before 1860, Presley Rodriguez
Theses and Dissertations
This thesis argues that the rise of the consumer market toward the end of the eighteenth century led to the production of decorated fine ceramics that became powerful modes of popularizing new ideas in the United States regarding independence, national symbols, and abolitionism.
The “Trans-Historical Community Of Women” And The Paintings Of Artemisia Gentileschi, Grace T. O. Ray
The “Trans-Historical Community Of Women” And The Paintings Of Artemisia Gentileschi, Grace T. O. Ray
The Confluence
Though the term feminism did not yet exist, Artemisia Gentileschi’s embrace of the vital force of feminine strength is a distinctive component to her paintings. The woman painter’s life and art were affected by her sex, in a time when women were not only considered property but had to deal with the repercussions of an oppressive patriarchal society. From her youth onwards, Gentileschi witnessed women unjustly convicted and punished for crimes that had men committed, the law would have allowed them to walk free. Sadly, Artemisia was later privy to the misogynistic laws herself with the famous rape trial. It …
Leonardo’S Ancient Inspiration, Willem N. Roelandts
Leonardo’S Ancient Inspiration, Willem N. Roelandts
CAFE Symposium 2023
Investigating the hidden ancient inspiration in Leonardo de Vinci’s 'Battle of Anghiari' and it’s significance to the city of Florence. How and why Leonardo chose to incorporate Greco-Roman aesthetics into his art.
Artist-Scholar: Tradition And Modernity In The Work Of Tseng Yuho, Jennie Tang
Artist-Scholar: Tradition And Modernity In The Work Of Tseng Yuho, Jennie Tang
Theses and Dissertations
Chinese American artist-scholar Tseng-Yuho (1925-2017) developed an original, modern style called dsui hua based on her extensive knowledge of traditional Chinese ink art and scroll mounting techniques, Chinese and Western art history, and experiences living in or travelling to mainland China, Taiwan, Hong Kong, Paris, Hawai‘i, and New York.
Arhs 5973 Seminar In Art History, Ana Pulido Rull
Arhs 4573 Artists Of New Spain, Ana Pulido Rull
Arhs 5573 Artists Of New Spain, Ana Pulido Rull
Hieronymus Bosch's Dismantled Triptych And The 'Devotio Moderna', Mary E. Tippett
Hieronymus Bosch's Dismantled Triptych And The 'Devotio Moderna', Mary E. Tippett
Institute for the Humanities Theses
Flemish painter Jeroen van Aken, better known as Hieronymus Bosch, created a triptych depicting the folly of humanity. This dismantled triptych includes the Ship of Fools, the Allegory of Intemperance, the Death of the Miser, and the Rotterdam Wayfarer, completed between 1500 and 1510. Throughout his career, Bosch explored a peculiar take on the traditional forms of wellknown religious motifs throughout Renaissance Europe by populating his scenes with fantastical creatures and monsters. Scholars have long since suggested that these forms were inspired by illuminated manuscripts. However, scholars provided no explanation as to why these texts drew …
Michelangelo Buonarroti And Homophobia In The Renaissance, Grace T. O. Ray
Michelangelo Buonarroti And Homophobia In The Renaissance, Grace T. O. Ray
The Confluence
Tommaso de’ Cavalieri was a young man with an aristocratic background when he first met famous artist Michelangelo Buonarroti in Rome. Tommaso was known to be an incomparable physical beauty, with intelligence and elegant manners, as well as being a member of one of the most illustrious families of Rome—the Orsini. Some have said this is what drew the artist to Cavalieri from the start. Though not much is known about their encounter, it is confirmed that Cavalieri remained a close and loyal companion to Michelangelo for thirty-two years until the artist’s death in 1564. Furthermore, throughout their years together …
Architecture As Memory: Gothic Ruins In The Work Of Lyonel Feininger, 1928-1953, Daria Rose Evdokimova
Architecture As Memory: Gothic Ruins In The Work Of Lyonel Feininger, 1928-1953, Daria Rose Evdokimova
Armstrong Undergraduate Journal of History
In the summer of 1928 Lyonel Feininger made his first drawings of the ruins of a local church in the German village of Hoff. Through a series of happenstance episodes these Gothic ruins grew to haunt the artist’s entire body of work: across various media (pencil, watercolor, ink, oil), across space (in person from the Baltic coast, and later in New York from memory), and time (the motif spans three crucial decades of the artist’s career). While everything else in Feininger’s life was sent into a chaotic flurry – the banning of his works by the Weimar government, shutdown of …
Disinheritance As Critique: The Paintings Of Lynette Yiadom-Boakye, Sabo Kpade
Disinheritance As Critique: The Paintings Of Lynette Yiadom-Boakye, Sabo Kpade
Masters Theses
Artistic influence can either be overbearing or liberating for the impressionable artist who is determined to arrive at an individualized artistic identity. One key strategy deployed by the artist is disinheritance as a means by which identity and meaning are created. In her paintings and etchings, British-Ghanaian painter Lynette Yiadom-Boakye has demonstrated several modalities of disinheritance by which she has arrived at a distinct approach to portraiture. Broadly, they come under two categories of major and minor disinheritance, each of which is conditioned by a variety of factors that range from aesthetic to philosophical, personal to political. They signify points …
Un-Done: The Historiographical Dialogue Between Past And Present, Rachel Cobler Wollert
Un-Done: The Historiographical Dialogue Between Past And Present, Rachel Cobler Wollert
Masters Theses
Art critic for The Nation and professor of at Columbia, Arthur C. Danto led the charge with his essay “The End of Art” in 1984 to declare the end of art. Thirty-eight years later, the awareness of colonial problematics in the elite institutionalism of art history today warrants a reanalysis of art historical ontologies of progress (and their ties to colonialism), which have seemingly disbanded in the discipline’s current rhetoric. Because Danto’s historical framework to end art focuses on progress through artistic means, does it fall short or even negate itself by missing the deconstruction of colonial afterlives still present …
Using Color To Identify Neotropical Parrots In Early Modern European Art: Recognizing Limitations And Avoiding Pitfalls Through Integration Of Scientific And Artistic Knowledge, Deniz Martinez
The Confluence
Colorful Neotropical parrots were amongst the first and most frequent exotic animals to be imported by Europeans from the “New World” of the Americas, becoming key figures in what would become known as the Columbian exchange. There has been an ongoing effort to locate and identify images of Neotropical parrots in the visual record of early modern Europe, with the classification of many remaining unsettled in the scholarship. Proper identification of these images can be valuable data for reconstructing historical biogeography and transatlantic trade; especially compelling is the potential of certain “mystery parrots” in the visual record to support the …
The Portrait And The Pedagogical Object: Art, Advertising, And Commerce In The Works Of Marcel Broodthaers, 1968-1971, D'Arcy Blake
The Portrait And The Pedagogical Object: Art, Advertising, And Commerce In The Works Of Marcel Broodthaers, 1968-1971, D'Arcy Blake
Theses and Dissertations
This thesis examines the opposition of language and object and the roles of art, poetry, advertising, and commodity in Marcel Broodthaers’s van Laack ad (1971). Through a theoretical analysis of Broodthaers’s works from 1968-1971, this study situates the enigmatic van Laack ad as one of the Belgian artist’s most significant, yet overlooked artworks.
Gamification Of Education And Learning: Heuristic Elements, Player Types, And Learning Outcomes For Art History Games, James L. Hutson Jr.
Gamification Of Education And Learning: Heuristic Elements, Player Types, And Learning Outcomes For Art History Games, James L. Hutson Jr.
Theses
The technology of virtual reality (VR) and the gamification of education and learning has had proven educational benefits, especially in secondary education. However, there remains little to no research on the heuristic elements and mechanics that contribute to learning at the postsecondary level of education. Most research conducted has been refined to science programs, but even in these instances, a study of the effects and interests of different demographics has yet to be considered. Given the visual nature of how the discipline of art history has traditionally been taught, there are a number of virtual reality (VR) applications to assist …
Mythology In Art History: Course Curriculum, Marianna Martino
Mythology In Art History: Course Curriculum, Marianna Martino
Theses
The course entitled Mythology in Art History contains a scaffolded curriculum that introduces students to mythology throughout art history by learning how to analyze fine artwork. With each unit, students will demonstrate an increased control of art criticism, analysis, and knowledge as they develop stronger understanding of content. Students will be able to distinguish the elements of art and principles of design through various 2-dimensional and 3-dimensional art pieces from various time periods and cultures. Upon completion of this year-long program, students will demonstrate a sophisticated understanding of art analysis, allegory, and storytelling throughout art history, showing knowledge of the …
Choppy Forgeries: A Vr Sculpting Game, Jonah Warren
Choppy Forgeries: A Vr Sculpting Game, Jonah Warren
Frameless
Choppy Forgeries is a fast-paced sculpting game made for virtual reality headsets. The game is intended to give players the opportunity to practice and appreciate the skills associated with artmaking and sculpture (Seeley and Kozbelt, 2008, 163–166) in a fun, light- hearted, competitive context. The game also requires players to closely examine and engage with famous classical sculpture from art history through its gameplay.
Fashion Changes: How Advertisers In East Asia Used The Image Of The Modern Girl To Promote Cosumerism, Madelyn Foster
Fashion Changes: How Advertisers In East Asia Used The Image Of The Modern Girl To Promote Cosumerism, Madelyn Foster
Senior Theses
The modern girl is one of the most visually memorable female archetypes of the 20th century. She emerged at the beginning of the century in countries across the world and represented the merging of modernity and consumerism, as well as the increasingly visible role of women in the public sphere. She can be seen in the art and media of many different nations around the world, and while her basic essence is the same across countries- a young, cosmopolitan woman who dresses in modern fashions- her specific traits and clothing choices depend heavily on the nation in which she is …
Virtual Reality And Art History: A Case Study Of Digital Humanities And Immersive Learning Environments, James Hutson, Trent Olsen
Virtual Reality And Art History: A Case Study Of Digital Humanities And Immersive Learning Environments, James Hutson, Trent Olsen
Faculty Scholarship
The potential benefits of integrating immersive realities into traditional humanities curricula have been touted over the last two decades, but budgetary and technical constraints of implementation have limited its adoption. However, recent advances in technology, along with more affordable hardware coupled with more user-friendly interfaces, have seen widespread adoption beyond that of the military and healthcare. In fact, higher education institutions are poised to adopt VR on a broader scale to enhance learning with virtual environments. This study seeks to determine the expectations and results of integrating virtual reality into coursework with students and faculty in Art History. The study …
Worcester Public Art For Esl Students, Eleanor Rueffer
Worcester Public Art For Esl Students, Eleanor Rueffer
Visual and Performing Arts
Funded by the Steinbrecher Fellowship, "Worcester Public Art for ESL Students" are original teaching materials (a 28-page booklet and worksheets) that utilize simple English to introduce some of Worcester's iconic public artworks. While the intended audience is English learners, the focus is on the content and is encouraged for use by anyone looking to enjoy and learn about Worcester history and art.
The booklet includes descriptions and histories of six Worcester artworks (Burnside Fountain, Soldiers' Monument, Major Taylor Statue, Mechanics Hall Mural, Rogers-Kennedy Memorial, and Chamberlain Fountain) with technical terms or difficult words bolded and explained in a glossary.
Eleanor …
Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe
Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe
Honors Program Theses
Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …
Satirical Dissent: The Subversive Messaging Of Ad Reinhardt’S 1946 And 1961 Art Comics How To Look At Modern Art In America, Julie A. Schumacher
Satirical Dissent: The Subversive Messaging Of Ad Reinhardt’S 1946 And 1961 Art Comics How To Look At Modern Art In America, Julie A. Schumacher
Dissertations and Theses
Through a close analysis of Ad Reinhard's 1946 and 1961 art comics "How to Look at Modern Art in America,” examined in the context of their times, this paper will argue that Reinhardt’s idealist view and involvement with abstraction, as he saw it in its “purest” form, was intrinsically formed and shaped by his Marxist anticapitalistic perspectives in response to his concurrent time. When these works are examined through the lens of Reinhard’s socialist politics, a parallel narrative surfaces where “pictures artists” also signifies capitalism and its capacity to harmonize and contaminate.
The Aesthetic Legacy Of Evolution: The History Of The Arts As A Window Into Human Nature, Aaron Kozbelt
The Aesthetic Legacy Of Evolution: The History Of The Arts As A Window Into Human Nature, Aaron Kozbelt
Publications and Research
No abstract provided.
The Pervasive Nature Of Colonialism And Our Disciplinary Attachment To It, Natalia Vargas Márquez
The Pervasive Nature Of Colonialism And Our Disciplinary Attachment To It, Natalia Vargas Márquez
Art and Art History Faculty Publications
No abstract provided.
Letting The Days Go By: An Investigation Into The Artistic And Functional Nature Of Calendars., Elise Alexandra Blankenship
Letting The Days Go By: An Investigation Into The Artistic And Functional Nature Of Calendars., Elise Alexandra Blankenship
Electronic Theses and Dissertations
Calendars have been widely ignored as cultural objects in a contemporary context. Because of this lack of consideration, analyzing a calendar as a work of art is theoretically interesting. This thesis uses the theory of Kitsch, philosophies concerning art in the home, and the theory of relational aesthetics to express the impact that calendars can have when considered works of art. This thesis also discovers the forgotten provenance of block print calendars from the University of Louisville’s extensive print collection. This thesis attempts to coerce the viewer to consider the calendars in their homes as works of art.
The Literary Controversies Of Michelangelo's Sistine Ceiling, Victoria Duehring
The Literary Controversies Of Michelangelo's Sistine Ceiling, Victoria Duehring
The Forum: Journal of History
This literary review will focus on Michelangelo’s most significant work of color: the Sistine ceiling. Michelangelo’s work has spawned a plethora of literature, but this paper will focus on three main controversial topics: assistants (or lack thereof), the ignudi’s purpose, and restoration. I will also apply a psycho-historical approach to these controversies and identify potential avenues for future research.
Of Homespun Opulence: An Analysis Of Jane Freilicher's Pastoral Abstraction In Parts Of A World, Grace Wolfe
Of Homespun Opulence: An Analysis Of Jane Freilicher's Pastoral Abstraction In Parts Of A World, Grace Wolfe
Anthós
During a period of bold abstraction and American individuality, Jane Freilicher’s landscape and still-life paintings stand out for their figurative nature. Her use of color and tone to conjure the simple pleasure of life at home enrapture the viewer in a simultaneously universal yet personal experience. Upon closer inspection of her work, it becomes clear that although figurative in nature, Freilicher’s paintings abstract the pastoral to express identity in an urban environment. This essay examines Freilicher’s 1987 work, Parts of a World, in context with pastoral works throughout art history to understand the ways in which Freilicher both reflected …
Greco-Roman Paganism And Women Leaders: The Foundation Of Early Christian Art, Rowan Murry
Greco-Roman Paganism And Women Leaders: The Foundation Of Early Christian Art, Rowan Murry
Honors Theses
In this thesis, I explore the impact of Greco-Roman pagan motifs as well as women leaders and officials on the development of Early Christian art by analyzing catacomb paintings, sarcophagi, and minor arts such as finger rings and carved gemstones. I also discuss surviving primary sources written by Tertullian, Eusebius, St. Jerome, and Clement of Alexandria, to gain a better understanding of anti-art views in the first few centuries of the Church’s rise to power. These anti-art sentiments were often rooted in attempts to disassociate themselves from pagan practices while Early Christian art was emerging amongst the lower classes who …
Art And Aids: Viral Strategies For Visibility, Stephen Baylor Pillow
Art And Aids: Viral Strategies For Visibility, Stephen Baylor Pillow
Honors Theses
“Art & AIDS: Viral Strategies for Visibility” examines the complex relationships between social stigma, healthcare, homophobia, and mortality, and how these impacted the lives of Western artists and manifested in their works. Most of the art discussed in this thesis was produced during the height of the AIDS crisis (late-1980s to mid-1990s). During this period, gay artists and their allies employed new strategies in their work to inspire activism, and convey intense emotions –– predominantly frustration, grief, and anxiety –– associated with HIV/AIDS. In the U.S., the inaction of the Reagan administration was largely due to widespread homophobia kindled by …
A Psychoanalytic Reading Of Heironymus Bosch's Tondals Vision, Katelyn Doherty
A Psychoanalytic Reading Of Heironymus Bosch's Tondals Vision, Katelyn Doherty
Art and Art History Presentations
An artist is often impossible to separate from their work. Hieronymus Bosch is no exception. His unique immersion in religion, alchemy, and art influenced and are portrayed in his paintings. By looking at his painting Tondal’s Vision under the scope of both religion and psychoanalysis, it reveals new discoveries and perspectives. The theoretical framework of psychoanalysis from author, Anne D’Alleva, aids in uncovering Bosch’s obsession with religious symbolism. This suggests that he is dealing with an underlying quarrel. By discovering the 1475 manuscript of Les Visions du Chevalier Tondal (The Visions of Tondal) it reveals who “Tondal” is through the …