History of Art, Architecture, and Archaeology Commons^™

Method And Meaning: Selections From The Gettysburg College Collection, Yan Sun, Shannon Callahan, Ashlie M. Cantele, Maura E. D'Amico, Xiyang Duan, Devin N. Garnick, Allison J. Gross, Emily A. Zbehlik

Schmucker Art Catalogs

What is art historical study and how it should be carried out are fundamental questions the exhibition Method and Meaning: Selections from the Gettysburg College Collection intends to answer. This student-curated exhibition is an exciting academic endeavor of seven students of art history majors and minors in the Art History Methods course. The seven student curators are Shannon Callahan, Ashlie Cantele, Maura D’Amico, Xiyang Duan, Devin Garnick, Allison Gross and Emily Zbehlik. As part of the class assignment, this exhibition allows the students to explore various art history methods on individual case studies. The selection of the works in the …

Expanding Art's Audience, Tony Connors

Journal of Undergraduate Research at Minnesota State University, Mankato

This paper investigates the need for contemporary art museums to expand their audience to fit their role as educational institutions. It is based on research that looks at ways museums have typically been operated in the past and then focuses on newer modes of operation, using the Brooklyn Museum as an example of a museum that educates and reaches a greater audience. Lastly, the paper looks at how particular artists have broken the mold of presenting art in order to interact with and relate to audiences in new ways. This research explains ways that art can be made accessible to …

Reflections On Canvas: Caravaggio And The Development Of Optical Stype, Eleanor Rae Harper

Journal of Undergraduate Research at Minnesota State University, Mankato

At the height of his career, Baroque painter Michaelangelo de Mersi Caravaggio was revered for his ability to foster a heightened sense of realism never before seen upon the canvas. However as recent scholarship and a renewed interest in the history of artistic methodology reveal, the artist may have utilized optical devices such as a single lens to project reflections of his subjects upon the canvas. Due to the limitations of such devices, spatial discontinuity and unnatural proportion are just two of the discrepancies which have affected the realism and overall unity of his artwork. Caravaggio worked with naturalism in …

Capstone 2014 Art And Art History Senior Projects, Art And Art History Department

Student Publications

It gives us great pleasure to introduce the Gettysburg College Art and Art History senior Capstone projects for 2014. These projects serve as the culmination of the Studio Art and Art History majors. They are as rich and varied as the students themselves and exemplify the commitment the Department of Art and Art History places on creativity and scholarship in a liberal arts education. [excerpt]

This booklet profiles Art Senior Projects by Bailey K. Beardsley, Lisa R. Del Padre, Tobi C. Goss, Rebecca A. Grill, Anna B. Heck, Japh-O'Mar A. Hickson, Danielle T. Janela, Lauren E. Kauffman, Megan P. Quigg, …

Visual Forms, Visceral Themes: Understanding Bodies, Pain, And Torture In Renaissance Art, Helena Guzik Fcrh '12

The Fordham Undergraduate Research Journal

Despite its relevance to modern discussions, the scholarly treatment of torture in art is relatively infrequent. This project explores, through the visual evidence of artistic works, the implications of Renaissance philosophies surrounding the human body in the context of pain and particularly the physical suffering endured during torture. By examining varying techniques of representing the human form across an array of artistic media, this article strives to illuminate the struggle between the rise of scientific naturalism and prevailing currents of spiritual dualism when considering the question of the body in torment. In highlighting the artist as narrator of Renaissance society’s …

All Things In All Ways, Amanda Nicole Crary

All Graduate Theses, Dissertations, and Other Capstone Projects

This thesis highlights our obliviousness to nonhuman nature and how this ignorance severs a great connection to the earth and our senses. My work explores this important connectedness. The natural world is filled with fleeting revelations that shatter habitual ways of seeing and experiencing; my paintings act as record of such moments. The exhibition was held at the Conkling Gallery in Nelson Hall from February 24th to March 5th, 2014. It consisted of twenty-two works including paintings, drawings, and prints. All works were produced during my time within the M.A. program, 2012-2014. Postcards and a brochure advertised the exhibition. The …

Garry Winogrand: The Art Of Street Photography, Micayla Beuley

Honors Projects

This exhibition proposal, designed for the Dorothy Uber Bryan Gallery located in the Fine Arts Center at Bowling Green State University, is designed to enhance gallery patrons’ understanding of and appreciation for street photography through a biographical analysis of the works of Garry Winogrand. In addition to presenting 30 photographs by this esteemed photographer, patrons are invited to actively participate in the creation of street photographs and provides a unique opportunity to display them alongside that of a professional in a gallery setting. This exhibition proposal includes a curator’s statement, formal exhibition catalog essay, list of works proposed, detailed floor …

Religious Iconography In "Twilight": Veneration And Fandom, Jacqueline E. Swaidan

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

The mysterious and dark atmosphere, the overwhelming focus on the main characters, and the constant contrast of dark and light in Twilight (2009) recall traditional Christian religious imagery. But more that that, this paper will argue that Twilight, the first of the romantic fantasy films adapted from the successful book series by Stephenie Meyer, draws explicitly on traditional Catholic religious imagery and ceremony to engender religious devotion in its fans. Images from the first Twilight film suggest that the creators of Twilight used religious imagery to captivate their audience. Christian constructs such as Eden’s eternity, Edward’s Christ-like abstinence, and …

George Barbier And The Art Deco Era: A Love Story, Elly Vander Kolk

Academic Symposium of Undergraduate Scholarship

No abstract provided.

Power And Nostalgia In Eras Of Cultural Rebirth: The Timeless Allure Of The Farnese Antinous, Kathleen Lamanna

Scripps Senior Theses

Little did Hadrian know in 130 A.D. that when he deified his beloved departed Antinous, in order to provide a unifying symbol of worship for his diverse empire, that he was instead creating a lasting symbol of the antique world. This thesis examines the power of nostalgia and its successful use by two formidable men from different eras in Rome: The Emperor Hadrian and the extravagantly wealthy Renaissance merchant Agostino Chigi. Though separated by centuries, each man used the nostalgic allure of the beautiful youthful male figure of Antinous to gain power and influence in his own time and to …

Challenging The Ideal: A Comparative Study Of Suzanne Valadon And William Bouguereau, Mary Sheehy

Honors Theses

The female nude has been represented in art for millennia. From the Paleolithic Woman of Willendorf fertility symbol (22,000 to 24,000 BCE, Fig. 1), to Titian's Venus of Urbino (1538 Fig. 2), women have frequently been depicted as sexualized creatures. Standard ideal body types have been established for each era through the thousands of pieces of art picturing nude women. Archaic women were expected to have large breasts and hips in order to show their fertility. Medieval representations of Mary Magdalene were usually nude and provocative. Women were supposed to see these images of Mary Magdalene and remember to keep …

Elke Krystufek And The Obessive Production Of Person, Melanie E. Emerson

Mid-America College Art Association Conference 2012 Digital Publications

Elke Krystufek’s artistic practice has centered almost wholly on duplicate and substitute images of herself, specifically emphasizing the female body and its position within the discourses of art history and gendered identity. While an earlier generation of feminist artists used their bodies as subject and object of their work in order to critique stereotypes and forcefully dismantle barriers that excluded women from the public sphere or labeled them objects of desire, Krystufek uses similar tactics to point to the fact there is no longer a private space. Identity is not solely the property of an individual, but rather an open …

The Gods Come For Play: Visualizing The Divine In Balinese Theatre, Chandler Payne, John Park

Featured Research

Playwrights, practitioners, and art historians have been shocked and inspired by Balinese theatre time and time again because it reveals the extent of devotion the Balinese have for their religion. Although many researchers have investigated the functionality through the performance aspect of the play, there is a lack of published research devoted how the functionality of the ritual and play are influenced by the physical aesthetic properties of the Barong and Rangda mask. The theatrical aspects are to be considered through investigating these masks in relation to the temple space of the Taman Aran. By investigating the aesthetic properties of …

Mapping Shikoku: Picturing Buddhist Pilgrimage In Contemporary Japan, Anna Maria Ortiz, Chloe Walton, Cody Mcmanus

Featured Research

In this research, we will address this question: Do the modern methods of practicing the Shikoku Pilgrimage stay true to the ancient intent of the pilgrimage? People who embark on the journey to each of the 88 Shikoku temple sites do so to escape to another world of peace and tranquility that they cannot obtain in their regular daily lives. Unfortunately, there is a large gap in scholarship on the topic of the Shikoku Buddhist Pilgrimage: little is written about how the shift from ancient to modern practices of the pilgrimage has changed pilgrims’ experiences. Little is known by Westerners …

Haniwa: Constructing A Sacred Place For The Afterlife, Ashlyn Rawls, Clarissa Aliberti, Rylee Baisden

Featured Research

Haniwa are small, hollow terracotta statues that were placed on aristocratic graves during the Kofun period of Japan, which translates as “old tomb.” These unique figures were rather simple at the beginning of their creation, but over time they became increasingly complex taking the forms of people, animals, and other objects. These fascinating funerary objects serve a greater purpose than just ordinary tomb decorations. The haniwa tie into the Confucianist tradition of being made to be used and to protect the spirits of the dead. Influenced by Confucian tradition, in which “filial piety” is recognized as a high level of …

Ganesha: A Study Of Personal Worship To A Personal God, Madeline Taylor, Katherine Garner, Naomi Purnell

Featured Research

Hindu devotees worship Ganesha when they are beginning a new phase or faces obstacles in their lives. In investigating the personal devotion of Hindu gods in India, we have found that there is a difference between the ways a Hindu worships the god Ganesha at a public shrine than in their own home. The main difference in worship style is that in the home, the worshiper acts as his or her own priest. There is room for greater interpretation in worship style and offerings made to the deity. Since our topic is personal devotion, we were drawn to the private …

Jayavarmin Vii: Achieving Kingship, Ross Seeman, Mckay Whitacre, David Oppenheim

Featured Research

Jayavarmin VII (r. 1181-1218) exemplifies the nature of achieving divine kingship through his life achievements modeled after the life of Buddha. He was viewed by many as a divine-like figure, through his acts of philanthropy and good deeds for the city. Through this philosophy, Jayavarmin VII facilitated the construction of hospitals, several roads and rest houses. The height of Jayavarmin’s reign was during the construction of the Bayon Temple. By this time, Jayavarmin VII believed he had completed his journey to kingship. This is shown through the massive faces carved in the temple representing either Jayavarmin or Buddha himself. From …

Torii And Water: A Gateway To Shinto, Hannah Imson, Amy Kahng, Victoria Lekson

Featured Research

Water symbolizes purity in the Shinto religion and thus holds utmost importance as a method of religious purification. Additionally, scholars and worshippers recognize the role of torii as gateways to the kami, or deities of nature. However, there has not been a documented survey of the relationship between torii and their placement in water, a relationship we feel is significant in understanding Shintoism. We intend to bridge this gap in scholarship by displaying the prevalence of torii placed in or right next to water. We will explore torii from various parts of the world as well as different time periods …

Stone In The Center, Amy Lubke

All Student Theses and Dissertations

Before the rise of the Incan Empire, there was an ancient civilization living throughout the Andes that thrived for several years. This civilization inhabited the region near the basin of Lake Titicaca known as the city of Tiahuanaco, presently in modern day Bolivia. Located at the site are many remnants of architectural structures and artwork made of stone. Little definitive knowledge is known about the peoples that created these enigmatic works.

This study is an examination of the stonework at the site of Tiahuanaco. These structures display the exquisite masonry skills and artistic capabilities that the ancient civilization attained. Each …

Three Rivers As Transitional Zone: Considering A Collective Metanarrative In Pueblo Prehistory, Heather Kline

Art & Art History ETDs

The Three Rivers petroglyph site in what is presently south central New Mexico represents important concepts for the study of southwestern prehistory. This site has been studied to a limited degree from the perspective of archaeological site surveys that have categorically classified the motifs represented on the petroglyphs, but at this point very little is known about the cultures that lived and created art in the Three Rivers area. The iconography of these images is remarkably similar to that represented on ceramics at both Mimbres during the Classic period (ca. AD 1000-1150), as well as Casas Grandes during the Medio …

Judy Chicago: Visions For Feminist Art, Francesca Debiaso

Student Publications

Controversy, awe, and revelation distinguish Judy Chicago's now 40 year career in the art world. Chicago's large body of work is inseparable from her ideologies pertaining to women's crippling exclusion from male dominated disciplines within art, history, and society overall. Her work is characterized by a desire to establish feminine iconography ("central-core imagery") and create a feminist lexicon applicable to the arts as to validate and celebrate women's experience. Viewing her artwork as a tool for social change and dialogue, Chicago has incorporated collaboration and consciousness-raising into her art making process. Thus, her collaborators gain not only the participation of …

The Cult Of The Monstrous: Caricature, Physiognomy, And Monsters In Early Modern Italy, Sandra Cheng

Publications and Research

Caricature emerged as a pictorial genre in early modern Italy and became a potent form of social satire practiced by the period’s foremost draftsmen, including the Carracci and Guercino. The deformed and misshapen subjects of caricature drawings coincided with a fascination with monstrosity. Monsters, aberrations, and anomalies reflected a cultural appreciation for the curious. The monster that slowly took shape in scientific literature was first alluded to in comparative physiognomic texts that related man to beast, then made brief appearances in the discourse on medical conditions, and finally became the primary focus of specialty publications. The attention given to physical …

An Abridged Visual History Of Graphic Design, Tierney Cunningham

Art and Design

This is a documentation of the research, design methods, and production of “An Abridged Visual History of Graphic Design.” First the documentation explains the choice to create an illustrated design history book. Then, it describes the research methods and findings of the process, as well as a detailed description of the design decisions made for each graphic movement covered. It provides in-progress illustrations and covers the production methods for the two final books.

Art Is Dead?: A Criticial Analysis Of Arthur Danto's End Of Art Theory, Laura M. Ginn

Honors Theses

The idea of art as a reductive process is not new within the art world. In 1953, Robert Rauschenberg created the piece "Erased DeKooning" for which he erased a painting by DeKooning and displayed the end product (a blank canvas). The author found herself considering the way in which art has changed over the course of the twentieth century. The 20th century could be viewed as a time in which the main purpose of art was to destroy all artistic conventions and redefine art. Some would say art has come out unfocused and without a purpose. The author explores the …

Review Of 1900: Art At The Crossroads, Antoni Pizà

Publications and Research

There is probably little doubt that the fissure between "high" and "low" culture is more conspicuous nowadays than it ever was. Clement Greenberg, that dashing arbiter of contemporary art, had already sensed it in 1939 when he wrote the seminal essay quoted above, as Adorno also perceived it decades before him. Their foreboding premonitions, however, could not hinder the relentless success of popular culture and the retreat of so-called high art into the safe harbors of the university campus, the museum, and the private sphere.

Adorn The Halls: History Of The Art Collection At Thomas Jefferson University, Julie S. Berkowitz

Jefferson History Books

On March 11, 1871 Samuel D. Gross, M.D., the internationally celebrated surgeon and author, entreated fellow Jefferson alumni to "adorn the halls" with portraits of those who had "devoted their lives to the service of the school," and thus "inspire the pupil with ambition to excel in great and noble works." This clarion call to emulate European medical and scientific institutions by memorializing their great men was taken up almost immediately.

One hundred and twenty-five years later, Thomas Jefferson university is still securing portraits, accepting art donations and bequests, and exhibiting art works effectively. By manifesting an appreciation for the …

Book Review: Barbara Maria Stafford: Good Looking: Essays On The Virtue Of Images, David Keck

Publications

This is Rev. Keck's review of the book, Good Looking: Essays on the Virtue of Images, written by Barbara Stafford, and published by MIT Press, 1996. 259 p.

Entropy And Dialectic: The Signatures Of Robert Smithson, Gary Shapiro

Philosophy Faculty Publications

It has been the fate of a number of twentieth-century artists that the stronger their attacks on the history and traditions of art, the more joy is taken by the guardians of that history and tradition in demonstrating that their work and thought can be incorporated within it. This can be illustrated briefly by juxtaposing Robert Smithson's apparently radical rejections of art history, humanism, biologism and formalism, with some recent attempts to recuperate his work for a tradition. Smithson, you will recall, sought alternatives to museum culture in a series of actual and projected works that aim at effecting a …

Virginia Woolf, I Understand, Nancy S. Follis

Theses

Unavailable.

Culminating Project, Judy A. Crockett

Theses

No abstract provided.