History of Art, Architecture, and Archaeology | Open Access Articles

(Review) Indelible Ink: Native Women, Printmaking, Collaboration, Presented At The University Of New Mexico Art Museum, David Saiz, Paloma Barraza

Hemisphere: Visual Cultures of the Americas

No abstract provided.

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(Review) A Memorial To Those Who Mourn: Marie Watt’S Untitled (Mother, Mother) And Correlating Sewing Circle, Angie Rizzo

Hemisphere: Visual Cultures of the Americas

No abstract provided.

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The Zimmerman Library Mural In The National Register Of Historic Places: A Working Paper And Timeline, Samuel E. Sisneros

University Libraries & Learning Sciences Faculty and Staff Publications

Working paper and timeline about the nomination and listing process of the UNM Zimmerman Library “Three Peoples” paintings to the National Register of Historic Places.

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Imperial Myths, Abject Devotion: Mapping Affect In New Mexican Visual Culture And Discourse, N. C. Lira-Pérez

American Studies ETDs

New Mexican visual art and culture, as molded by state-sanctioned endeavors, is often casted in order to conceal the tension, conflict, and violence of settler colonialism and imperialism. Widely known myths of empire, such as the Tricultural myth, create a visualizing enterprise through which settler colonial logics transit and create political material reality. This thesis explores the following questions: How do New Mexican Hispanos and queer Chicanxs position themselves in relation to the logics of settler colonialism and empire? How are they positioned in relation to settler colonialism and empire? On the one hand, I argue that the state of …

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The Origins And Development Of Textile Writing In Peru, William Mead Cheek

Art & Art History ETDs

Scholars once considered Inka khipus (14^th-16^th CE) to be a technological development unique to the Inka Empire. We now know that the earlier central Andean Wari (6^th-11^th CE) also made use of khipus, calling into question the Inka primacy of the technology. Understanding the origins and transformation of khipu notation in the Andes sheds light on the ways that information technologies figured into Andean state formation and administration, and impacts larger understandings of how tactile notational systems develop into writing and information storage. This study articulates how, just as the Inka inherited khipu technology …

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"Maa-Multh-Nii" People Who Came Floating In: Analogues Between Nuu-Chah-Nulth And Tlingit With Spanish Colonial Expeditions In The Eighteenth Century, Suzanne Rita Mcleod

Art & Art History ETDs

Spanish explorers first navigated the 2,400-kilometer stretch of the Pacific Northwest Coast in the latter part of the eighteenth-century, largely in response to rumors that Russian traders had established a presence in lands north of Alta California (then considered Spanish territory). Spain launched a series of expeditions to the region, the first in 1774 under Juan Josef Pérez Hernández, and the final, in 1792, under Alejandro Malaspina. The Spanish remained in the area until 1794 when political and territorial tensions with the incoming British forced a negotiation known historically as the Nootka Convention. By 1795, the empire abandoned its aspirations …

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Pilgrimage To The Virgin Of Juquila: The Negotiation Of Catholic Institutional Power In Colonial Oaxaca, Paloma Barraza

Art & Art History ETDs

Despite the contemporary popularity of the pilgrimage site of the Sanctuary of Santa Catarina of Juquila, the statuette of Oaxaca’s Virgin of Juquila is often eclipsed by the more well-known tilma image of the Virgin of Guadalupe in Mexico City. The limited art historical scholarship has failed to address the statuette of the Virgin of Juquila as an icon that signifies both Indigenous and Catholic power dating back to the seventeenth century. Dominican missionaries used the statuette as a mediator for religious conversion practices in the local Chatino community. Furthermore, the moment the Virgin of Juquila gained significant Indigenous popularity …

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Contemporary Alaska Native Identities: Creation And Curation By Sonya Kelliher-Combs, Tess Mccoy

Art & Art History ETDs

I focus on contemporary Alaska Native artist, Sonya Kelliher-Combs (Iñupiaq, Athbaskan, Irish, German), her works of art, exhibitions, and her curatorial practices to explain the presentation history of Native American people and how this affects present-day exhibitions. Through her work, I explore the importance of agency of Native people through identity, depictions of themselves, and their people in museum spaces. I examine the history of museum culture as the way in which indigenous agency is removed and reconstructed to fit the needs of interest groups. In contrast, Kelliher-Combs and other advocates attempt to intervene and interrogate the persistence of archaic …

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Shawn Hunt's Transformation Mask: The Intersection Of Contemporary And Traditional Heiltsuk Art, Terese R. Lukey

Art & Art History ETDs

Shawn Hunt is an artist of Heiltsuk (Bella Bella), French, and Scottish Canadian ancestry who is at the forefront of contemporary Northwest Coast art in the Vancouver area. Historic artworks of his community have been often overlooked in scholarly literature due to the seeming willingness of the people to adapt to colonization. Viewed as a “tainted” culture, the Heiltsuk have been noticeably ignored in the art historical realm. However, their masks are some of the best examples of traditional regalia that are found in museums across Canada and the United States. Contemporary native artists of the Northwest Coast continue to …

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The Tsin Bee Hooghan: Cross-Cultural Discourse And The Emergence Of A New Icon Of Diné Cultural Identity, Lillian Makeda

Art & Art History ETDs

The Navajo hogan is one of a small number of traditional Native American dwellings still in use during the 21^st century. Part of the reason for the hogan’s persistence has been the widespread adoption of a particular form, the tsin bee hooghan, that can accommodate Euro-American building technologies while also serving as a distinctive symbol for tribal identity. This dissertation surveys the emergence of the tsin bee hooghan as a Navajo icon during the period between 1890 and 1950 and suggests that Euro-American representations of Navajo culture played a role in popularizing the form. These representations could be found …

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Paper Presented At The National Council Of Preservation Education Conference, Samuel E. Sisneros

University Libraries & Learning Sciences Faculty and Staff Publications

Historic preservation’s principles and practices directly correlate and support the charge of librarians and archivists to provide resources for the public and contribute to scholarship and community building. This paper, presented at the National Council of Preservation Education conference in Denver, Colorado (Oct. 10-12, 2019), will discuss the research methodologies, historical context and preservation issues of a recovery project of an historic site in New Mexico.

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Arts Of Resistance: Ecologic History And Contemporary Interventions In The Valley Of Mexico, Chloë L. Courtney

Art & Art History ETDs

This thesis analyzes two contemporary artworks concerning Mexico City’s complex socio-ecologic history: the installation The Return of a Lake (2012), by Maria Thereza Alves, and the performance Plan Acalote (2015) by the collective Plan Acalli (Carlos Huitzil and Ehecatl Morales). Mexico City faces land subsidence, flooding, and water shortages. Systemic power imbalances and ongoing efforts to transform a wetland landscape to a city conforming to Eurocentric ideals concentrate these problems in marginal communities. Using strategies of eco-criticism, decolonial thought, and performance studies, I argue that The Return of a Lake and Plan Acalote link broad social and ecologic problems with …

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Compositional Analysis And Cross-Cultural Examination Of Blue And Blue-Green Post-Fire Colorants On Tolita-Tumaco Ceramics, Breanna Fae Reiss

Art & Art History ETDs

Blue and blue-green ceramic colorants are an uncommon occurrence in the ancient Americas. This paper explores blue and blue-green post-fire colorants used by the coastal Tolita-Tumaco culture of ancient coastal Ecuador and Colombia through compositional testing and cross-cultural comparison. Using X-ray diffraction and scanning electron microscopy coupled with energy dispersive spectroscopy, one sample each of blue and blue-green colorants were tested to identify the mineral composition present. Though the colorants were thought to likely originate from copper carbonates like azurite or malachite, or perhaps even similar to other Mesoamerican pigments like Maya Blue, the blue-green pigment, collected at La Tolita, …

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The Indigenous Sovereign Body: Gender, Sexuality And Performance, Michelle S. A. Mcgeough

Art & Art History ETDs

Gender variance and artist production are not topics that are often discussed within the discipline of art history. In fact gender variance and in particular its relationship to sexual orientation was not a topic studied, much less discussed outside of the medical community until the mid-twentieth century. It was generally thought that sexuality and gender were “biologically determined” and deviation from the heterosexual norm was considered pathological. In contrast, Indigenous nations in Canada and the United States had a very different understanding regarding the relationship between gender, biology, and sexual object of choice. One area that provides us with a …

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Porous Time And Space In Contemporary Photography: How Social Constructions Of Space And Reenactment Produce Alternative Histories, Emma Brooke Lehrer Stein

Art & Art History ETDs

This dissertation examines how the photograph can exceed the long-rooted debate around medium specific notions of photographic truth, since all realisms are historical and constantly changing. Applying theories of socially constructed space and porous time to analysis of these case studies presents alternative photographic histories that show past and present together. Boris Mikhailov, as a dissident artist and post-Soviet documentarian of new Russian capitalism, presents histories of visual culture that compete and overlap during the Soviet era and afterward. Mikhailov refers to the multiplicity of voices found in his photographic practice as a state of “coexistence.” Looking at photographs of …

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Cultural Imprint: A History Of Northwest Coast Native And First Nations Prints, India Rael Young

Art & Art History ETDs

Cultural imPRINT provides the first substantive art historical investigation into Northwest Coast Indigenous prints. Since the 1960s, Northwest Coast artists have employed the print medium to share their histories, heritage, and culture amongst each other and with the larger world. Because print artists number in the hundreds, and print editions in the thousands, this dissertation takes a socio-cultural approach to understanding the purposes for the medium’s production and circulation. First, it analyzes the deep histories of reproduction in the North American art world and in Northwest Coast Indigenous communities, asserting that reproduction within coastal communities serves to perpetuate history from …

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Testimonies Of Violence: Images Of Franciscan Martyrs In The Provinces Of New Spain, Emmanuel Ortega Rodríguez

Art & Art History ETDs

In the middle of the eighteenth century, Franciscan martyr portraits became popular in monastic spaces of the Spanish viceroyalties of central Mexico. To visually construct the meritorious life of these martyrs, artists drew inspiration from hagiographic chronicles that described various Native rebellions, which featured the graphic depiction of the gruesome deaths of friars. The prospect of martyrdom enticed novices to follow in their footsteps in service to God, but also to the Crown, whose presence in the northern territories of New Spain intensified during the period of the Bourbon reforms. In my dissertation I explore this propagandistic approach to martyr …

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Folk, The Naïve And Indigeneity: Defining Strategies In Violeta Parra's Visual Art, Serda Yalkin

Art & Art History ETDs

Since the decades following Violeta Parra’s death in 1967, the life and legacy of the folklorist, singer, poet, and visual artist has been mythologized in Chilean popular consciousness. Throughout her career, which spanned the 1940s to the 1960s, Parra launched a widespread folkloric project for the purpose of the recovery, compilation, transcription, performance, and study of the music, poetry, rituals, proverbs, folktales, and material objects of the diverse regions of Chile. She recorded and performed original music utilizing traditional rural instruments with socially critical lyrics that denounced the injustices suffered by the oppressed sectors of Chilean society, a demographic with …

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Yinka Shonibare Mbe's Critiques Of Empire And His Reception In Four Transnational Case Studies, Johanna Wild

Art & Art History ETDs

In the wake of art history’s “global turn”, the installation art of Yinka Shonibare MBE has obtained vast visibility in the established centers of contemporary cultural practice in Europe and beyond. Shonibare is best known for his installations of mannequins that reenact canonized paintings and historical events culled from European modernity. Dressed in deceptively “African” Dutch Wax fabrics, Shonibare’s phenotypically ambiguous and headless mannequins ensnare audiences with a semblance of “exotic” difference, but ultimately resist the fixity of national, cultural, racial and, in some cases, gendered categorization through an incessant semiotic slippage. In his book, The Culture Game (2001), Olu …

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Belén’S Plaza Vieja And Colonial Church Site: Memory, Continuity And Recovery, Samuel E. Sisneros

University Libraries & Learning Sciences Faculty and Staff Publications

This is my capstone project for completion of a Post MA certificate in Historic Preservation and Regionalism. I received the degree in Spring, 2019. The project involves recovering the legacy of a historic colonial church site in Belén, New Mexico. The work involves the descendant community’s sense of place and the continuity of memory and sacredness of Belen’s first church and original plaza.

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Refocusing The Frontier: Recalling The Photography Of Robert Adams And Mark Klett, Christian W. Olsson

Art & Art History ETDs

This thesis argues that the American West is a melting pot unprecedented by anything else in the North American continent. The natural beauty observed by the nineteenth-century photographers still prevails. The land is shaped not only by new peoples and cultures, and by those already inhabiting the land, but also by political ideas about how the land should be used. The works of Robert Adams and Mark Klett examine these agendas through their respective works. They illustrate ideas of how the land should be used--from national parks, to cities, to energy and environmental projects. Both photographers focus on different areas …

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Rauschenberg, Roci, And Cuba's Young Lions, Brett E. Beatty

Art & Art History ETDs

During the 1980s Robert Rauschenberg conceived of an art exhibition for which he would travel to different countries and collaboratively create work about the nations he visited. He called the project Rauschenberg Overseas Culture Interchange, or ROCI. He proposed the project as an endeavor to promote peace and understanding by communicating worldly' through art. This research is a case-study of the impact of ROCI at its seventh stop, Havana, Cuba. Following an introduction and a discussion on the mechanics of ROCI, the dissertation moves on to a critical analysis of the ROCI art. The purpose of such an analysis here …

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Festivals Of Art, Carnivals Of Representation: On Contemporary Art And Neoliberalism, Tijen Tunali

Art & Art History ETDs

In this dissertation, I look at the changing praxes of contemporary art and culture vis-á-vis neoliberalism. With examples from the Americas, the Middle East, and Eastern Europe, I acknowledge, but trespass the visible effects and outcomes of globalization with regard to art and culture. In current literature they often are interpreted as straightforward and homogeneous developments, but in this dissertation, I show the complexity, heterogeneity and inequality of new social, political, and cultural relationships wrought by and against the neoliberal ideology and processes that affect all corners of the world. My main focus is on the dialectics of contemporary art …

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Neal Ambrose-Smith: The Artistic Modernity Of Indianness, Erik Parker

Art & Art History ETDs

Neal Ambrose-Smith is an artist of Cree, Metis, and Salish heritage who is at the forefront of contemporary Native American art. A thorough examination of Ambrose-Smiths body of work will reveal that the majority of his art can be viewed as having overwhelming intentions toward a dissolution of boundaries separating the ideas of 'Native,' 'contemporary,' and 'Western art.' It also will show that through the utilization of popular culture and its icons, Ambrose-Smith is able to build a rapport with audiences, while also using images and themes in his art to help break down barriers that contemporary Native artists face …

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Narratives Of Violence And Tales Of Power: The Work Of Jorge González Camarena, The History Of The Castillo De Chapultepec, And The Establishment Of The National Museums In The Project Of Mexican Nationalism, Rebekah Carmen Bellum

Art & Art History ETDs

In the project of nationalism in Mexico, the governing bodies acted out a deliberate process of reclamation of the histories and mythologies of Mexico for the purpose of state programming, and for the development of an official narrative of nationality. In my thesis, I trace the effects of nationalism by first looking into a history of power in Mexico as articulated through the adaptive reuse, over centuries, of the Castillo de Chapultepec building. This building has housed the National Museum of History (Museo Nacional de Historia) since the early 1940s, and has played a prominent role in the construction and …

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Designing For Immersive Technology: Integrating Art And Stem Learning, Jane Elizabeth Crayton

Art & Art History ETDs

Students struggle to learn STEM concepts. The arts have been proposed as a means to engage students in STEM education, resulting in the idea of STEAM. However, STEAM approaches do not always result in learning. A collaboration between a major research university and a small Native arts college in the southwestern United States provided an opportunity for studying the potential for arts to engage students in STEM learning. This study investigates how participating art students (N = 4) solved technological and design production problems when working with immersive technologies in a paid summer internship program. The internship program lasted six …

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"The Four Horseman Of The Late Capitalist Apocalypse": U.S. Comic Books, Ideology, And Trauma In Post-9/11 Society, Kathryn Manis

Art & Art History ETDs

In the contemporary United States apocalypse, dystopia, and catastrophe are commonplace. Indeed, both the increasing presence of fictional apocalypse in art and popular culture and the tone of apocalypticism in U.S. political, environmental, and social rhetorics, have been noted by writers and thinkers from a wide range of fields. Scholars of neoliberalism in particular have traced this popularity to the economic and political realities of late-capitalism and the ideological contradictions embedded in the evolution of capitalism to its current, immersive iteration. What has gone undiscussed, however, is the relationship of this anxious preoccupation to a prevailing, national condition; a condition …

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Posh And Tawdry: Rethinking E.J. Bellocqs' Storyville Portraits, Christian Waguespack

Art & Art History ETDs

In this thesis I examine the contextual framework in which New Orleans photographer E.J. Bellocqs Storyville Portraits have been placed, and resituate Bellcoq's oeuvre in a vernacular context. Bellocq was a commercial photographer working in the nineteen-teens who photographed the prostitutes of New Orleans red light district, Storyville. After his death, Lee Friedlander purchased these now damaged negatives and reprinted the full plates, and in 1970 MOMA exhibited Friedlander's new prints in a formulaic, modernist fashion. The Storyville Portrait's recontexualization by MOMA, converted them from commercial erotic advertisements for prostitution in Storyville to fine art photographs, raises issues of how …

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Discursive Capabilities Of Contemporary Artistic Practices In Honduras, Gustavo Larach

Art & Art History ETDs

My dissertation constitutes a descriptive and interpretative analysis of modern and contemporary artistic practices in Honduras. This analysis is carried out comparatively, contrasting mainly the formative decades of Honduran modernism' (1920s-40s) against the last 15 years of artistic production. Along this diachronic strategy, my interpretation of these processes is anchored in detailed accounts of the socio-historical durations that bear upon them. For each case, at least one case study is developed thoroughly, elucidating thus the dialectic entwinement of art and history. For such purpose, the modes of production and reception entailed by the practices of Arturo López Rodezno (active 1940s-1960s) …

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The Ideal Citoyenne: Women, Class, & The French Revolution In Philibert Louis Debucourt's Fine-Art Prints, Kelsey Martin

Art & Art History ETDs

Philibert Louis Debucourt's (1755 - 1832) fête galante and domestic genre prints treated women, their social positions, and their experiences of love and relationships as a primary subject, and participated in the rapidly shifting political, economical, and social structure of the years surrounding the 1789 Revolution. These prints aided in the construction of appropriate and inappropriate female behavior of the ideal citoyenne through the representation of eighteenth-century beliefs regarding female sexuality and its class associations. It is in Debucourt's domestic genre scenes that the virtue and serenity of women are clear, validating women's prominence as wives and mothers within the …

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Full-Text Articles in History of Art, Architecture, and Archaeology

(Review) Indelible Ink: Native Women, Printmaking, Collaboration, Presented At The University Of New Mexico Art Museum, David Saiz, Paloma Barraza

Hemisphere: Visual Cultures of the Americas

(Review) A Memorial To Those Who Mourn: Marie Watt’S Untitled (Mother, Mother) And Correlating Sewing Circle, Angie Rizzo

Hemisphere: Visual Cultures of the Americas

The Zimmerman Library Mural In The National Register Of Historic Places: A Working Paper And Timeline, Samuel E. Sisneros

University Libraries & Learning Sciences Faculty and Staff Publications

Imperial Myths, Abject Devotion: Mapping Affect In New Mexican Visual Culture And Discourse, N. C. Lira-Pérez

American Studies ETDs

The Origins And Development Of Textile Writing In Peru, William Mead Cheek

Art & Art History ETDs

"Maa-Multh-Nii" People Who Came Floating In: Analogues Between Nuu-Chah-Nulth And Tlingit With Spanish Colonial Expeditions In The Eighteenth Century, Suzanne Rita Mcleod

Art & Art History ETDs

Pilgrimage To The Virgin Of Juquila: The Negotiation Of Catholic Institutional Power In Colonial Oaxaca, Paloma Barraza

Art & Art History ETDs

Contemporary Alaska Native Identities: Creation And Curation By Sonya Kelliher-Combs, Tess Mccoy

Art & Art History ETDs

Shawn Hunt's Transformation Mask: The Intersection Of Contemporary And Traditional Heiltsuk Art, Terese R. Lukey

Art & Art History ETDs

The Tsin Bee Hooghan: Cross-Cultural Discourse And The Emergence Of A New Icon Of Diné Cultural Identity, Lillian Makeda

Art & Art History ETDs

Paper Presented At The National Council Of Preservation Education Conference, Samuel E. Sisneros

University Libraries & Learning Sciences Faculty and Staff Publications

Arts Of Resistance: Ecologic History And Contemporary Interventions In The Valley Of Mexico, Chloë L. Courtney

Art & Art History ETDs

Compositional Analysis And Cross-Cultural Examination Of Blue And Blue-Green Post-Fire Colorants On Tolita-Tumaco Ceramics, Breanna Fae Reiss

Art & Art History ETDs

The Indigenous Sovereign Body: Gender, Sexuality And Performance, Michelle S. A. Mcgeough

Art & Art History ETDs

Porous Time And Space In Contemporary Photography: How Social Constructions Of Space And Reenactment Produce Alternative Histories, Emma Brooke Lehrer Stein

Art & Art History ETDs

Cultural Imprint: A History Of Northwest Coast Native And First Nations Prints, India Rael Young

Art & Art History ETDs

Testimonies Of Violence: Images Of Franciscan Martyrs In The Provinces Of New Spain, Emmanuel Ortega Rodríguez

Art & Art History ETDs

Folk, The Naïve And Indigeneity: Defining Strategies In Violeta Parra's Visual Art, Serda Yalkin

Art & Art History ETDs

Yinka Shonibare Mbe's Critiques Of Empire And His Reception In Four Transnational Case Studies, Johanna Wild

Art & Art History ETDs

Belén’S Plaza Vieja And Colonial Church Site: Memory, Continuity And Recovery, Samuel E. Sisneros

University Libraries & Learning Sciences Faculty and Staff Publications

Refocusing The Frontier: Recalling The Photography Of Robert Adams And Mark Klett, Christian W. Olsson

Art & Art History ETDs

Rauschenberg, Roci, And Cuba's Young Lions, Brett E. Beatty

Art & Art History ETDs

Festivals Of Art, Carnivals Of Representation: On Contemporary Art And Neoliberalism, Tijen Tunali

Art & Art History ETDs

Neal Ambrose-Smith: The Artistic Modernity Of Indianness, Erik Parker

Art & Art History ETDs

Narratives Of Violence And Tales Of Power: The Work Of Jorge González Camarena, The History Of The Castillo De Chapultepec, And The Establishment Of The National Museums In The Project Of Mexican Nationalism, Rebekah Carmen Bellum

Art & Art History ETDs

Designing For Immersive Technology: Integrating Art And Stem Learning, Jane Elizabeth Crayton

Art & Art History ETDs

"The Four Horseman Of The Late Capitalist Apocalypse": U.S. Comic Books, Ideology, And Trauma In Post-9/11 Society, Kathryn Manis

Art & Art History ETDs

Posh And Tawdry: Rethinking E.J. Bellocqs' Storyville Portraits, Christian Waguespack

Art & Art History ETDs

Discursive Capabilities Of Contemporary Artistic Practices In Honduras, Gustavo Larach

Art & Art History ETDs

The Ideal Citoyenne: Women, Class, & The French Revolution In Philibert Louis Debucourt's Fine-Art Prints, Kelsey Martin

Art & Art History ETDs