Film and Media Studies Commons^™

When Predator Becomes Prey: The Gendered Jargon Of Popular Culture, Melissa R. Ames

Faculty Research & Creative Activity

Throughout the first decade of the twenty-first century the vernacular of popular culture has been bombarded by sexualized terminology. Although these terms are often formed with humorous intent, their staying power and use as cultural descriptive categories is both intriguing and disturbing. Also troubling is the fact that the majority of these new terms, such as puma (a thirty-something female “dating” a younger male), cougar (a forty-plus female “dating” a younger male), and MILF (“mother I’d like to fuck”), are restricted to the female gender alone. This article analyzes the etymology of these terms, their use in popular culture (ranging …

Frankenstein: Man Or Monster?, Leigh P. Mackintosh

Undergraduate Theses and Capstone Projects

Since its first publication in 1818, Mary Shelley’s novel Frankenstein has left a lasting impression upon the world speaking to a multitude of audiences including artists, scientists, philosophers, and society as a whole. Considering the impact of Frankenstein through its evolution as a cultural myth in various plays and films, this thesis will provide a way to gauge the relevance of Shelley’s story as an adaptation. Only by knowing what has been done in the past and how the materials have been used by other playwrights and screenwriters can one understand how to handle them as an original work. The …

Summer 1993, 90.9 Wmpg Fm

WMPG Program Guides

WMPG program guide for Summer 1993.

Spring 1993, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Spring 1993.

Occasional Papers: On Creativity In The Arts, Janice Rowan Poley

Hollybush Series

Volume 3 of The Hollybush Series contains thirteen essays on creativity, and three photographs of visual artwork, by Rowan College of New Jersey faculty.

The editor is Janice Rowan Poley and the authors of the works are Joseph Robinette, Antoinette Libro, Rodney Gates, William Morris, Kenneth Kaleta, William Travis, E. Michael Desilets, Donald Gephardt, Joseph Tishler, Bertram Greenspan, Daniel Chard, Richard Ambacher, Harold Oliver, N. Jeane Hartman, Richard Grupenhoff, and Joseph Bierman.

Winter 1992-1993, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide Winter 1992-1993

Brochure 1988, 90.9 Wmpg Fm

WMPG Program Guides

Promotional brochure, 1988.

Summer 1988, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Summer 1988.

Reel Blacks: The Good Old Days, Patricia A. Turner

Trotter Review

Like most of my colleagues engaged in film studies rather than film practice, I occasionally allow myself to fantasize about the kind of films I would produce if I were a film maker. Several commercial films popular in the last fifteen years have inspired in me a bare bones scenario. My movie would have an all black “ensemble” cast. The plot would contain flashbacks tracing the events in the characters’ adolescence that solidified their friendship. These flashbacks would be punctuated by rhythmless music performed by white artists, Although no hint of “soul” would be tolerated on my movie’s soundtrack, my …

Summer 1987, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Summer 1987

Winter/Spring 1986, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Winter/Spring 1986

Summer 1984, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Summer 1984,

Fall 1983, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Fall 1983.