Film and Media Studies Commons^™

Coda, John C. Lyden

Journal of Religion & Film

This is a film review of CODA (2021), directed by Siân Heder.

Kevin Macleod Documentary, Thomas E. Seymour

Theses and Dissertations

Kevin MacLeod is a film composer with over 2,000 songs that anyone can use for free in their films and projects as long as credit is provided to MacLeod. For over twenty years his music has been available to the public.

Efter Jobbet: En Inledande Diskussion Om Studiet Av Fritid, Leif Stenberg, Anders Ackfeldt

Faculty & Staff Publications

No abstract provided.

Murder Music: Horror Film Soundtracks Throughout History, Vincent G. Aragon

Capstone Projects and Master's Theses

Horror films often rely heavily on their music to create a tense and frightening experience for their audience, and it is the composer's job to write a score that satisfies that requirement. Throughout film history, the methods composers utilize to achieve that goal differ across time due to various factors including available technology, allotted budget, and the norms and expectations of films at the time. This capstone paper explores the different approaches composers employed in writing horror soundtracks from the early 20th century to the modern-day, noting any significant shifts and common themes found in the music of popular horror …

Brothers, Sing On: The Story Of Nuance, Kyle Reynolds

Williams Honors College, Honors Research Projects

For this project, I have elected to create a documentary detailing the chronological history of the University of Akron’s all-male contemporary pop a Cappella group, Nuance. The Documentary is titled: “Brothers, Sing On: the Story of Nuance” as a reference to the song “Brothers, Sing On!” by Edvard Grieg, and was named such because of the theme of brotherhood I have showcased in the documentary. I have been a member of Nuance since the Spring Semester of 2018 and have served as the president of the group since Spring Semester 2019. Nuance was founded in 2004, making it one of …

Whatever Happened To The Movie Theme Song?, Luka Vasic

Capstones

Film music is as important as it’s ever been and a good theme song can absorb you into the world of a movie. Despite this, our idea of the theme song has changed a lot, and the kinds of themes that have traditionally been memorable parts of classic cinema have now lost their importance and role in modern filmmaking.

http://lukavasic.com/capstone/

Do It Yourself: Women And Lgbtq+ Musicians And Promoters In The Diy Midwest Music Scene, Morgan W. Matzen

Honors Thesis

In certain parts of the Midwest “DIY,” or the underground/alternative music scene, there is not enough representation of women, people of color and LGBTQ+ individuals in music, whether onstage as a band or musician, or in venue ownership and leadership. This study looks at where these diverse people are, and the setbacks they’ve faced along the way of becoming a musician, promoter or venue owner. Three emerging themes through this journalistic research include all-ages venues and music scenes as integral to getting people involved in music; a “DIY” attitude or ethos as a push for these musicians and promoters to …

Sound And Emotion: The Use Of Music In The Cinematic Experience, Sarah Schulte

Mahurin Honors College Capstone Experience/Thesis Projects

To portray the radical importance of music in stimulating emotion within cinema, to appeal to an audience’s selective attention to sounds, and to detail the process of creating an original film score, I have scored WKU student Tori Mills’ short film Come Up for Air. Film music is traditionally defined as any music that accompanies a film, though today it more specifically refers to music intended to advance the film’s narrative. Music has played an increasingly important role in transmitting emotion to film audiences, feeding the psychological connection between spectator and on-screen action. To achieve this emotional connection, a film …

Uncovering Alice Bag: An Alternative Punk History, Emily Macune

Scripps Senior Theses

The intention of this thesis is to provide an alternative counter-narrative to the mainstream histories of punk that center white men. By focusing on the contributions of fem queer and POC punks, I aim to legitimize punk music as a form of resistance against systems of oppression that are oppositional to the commodified forms of mainstream punk. Using Alice Bag, as my central case study as a fem queer punk that is often left out of punk historical narratives, I contextualize her work through feminist, queer, and media studies lenses to bridge the gap between academia and forgotten personal experience.

In The Groove: A Documentary About Vinyl, Jared Endsley

Graduate Theses and Dissertations

The goal of this thesis project, ‘In the Groove’ is to tell the story of why vinyl records, a music format written off as a casualty to the digital age is experiencing a cultural resurgence. In the last several years vinyl records have been the only musical format to record positive sales growth.

For many musicians today, pressing their music to vinyl records yields the greatest return on investment. However, vinyl remains a niche market, supported by a devoted fan base.

This film focuses on a group of artists and vinyl enthusiasts as they navigate this new marketplace.

Party On, Derrida!: A Queer, Deconstructionist Look At Wayne's World, Glam, And The Losers Of Rock And Roll, Michelle A. Arp

Dissertations, Theses, and Capstone Projects

What do you get when you mix a girl from Long Island, critical theory, a movie based on a Saturday Night Live sketch, David Bowie, and alternative rock of the early 2000s? A lot of losers, a lot of queerness, and plenty of room for deconstruction.

Part performance studies, part queer studies, and part memoir, this study is a cross-genre and experimental analysis of postmodern ideologies, rock and roll, and comedy. More specifically, I use Jacques Derrida’s notion of “the slash” (Of Grammatology, 1967) in relation to high and low culture via comedies, such that of Wayne’s World …

Music & Media: A Senior Recital & Honors Project, Kayla Luteran

Honors Projects

Music & Media: A Senior Recital & Honors Project is a cross-media marketing strategy. The main purpose of this project was to develop visually appealing, informative graphic elements and branding to effectively promote a musical performance. This is interdisciplinary in nature and includes written and oral communication.

While many music students post about their senior recital on social media or place flyers, they do not develop a thorough methodology for generating buzz about their event. Although musical preparation is of utmost importance for a performance, I believe that time should be spent on all aspects of planning the recital. With …

The Effect Of Post-Production On Storytelling In Narrative And Documentary Filmmaking, Natalie Pace

Senior Honors Theses

Documentaries and narrative films both tell stories in different ways. A common saying states that narrative filmmakers write one movie, shoot another, and edit a third. In postproduction, timelines are rearranged, montages are created, new dialog and voiceovers are written, and the score can alter the mood and meaning entirely. Documentaries can change even more over the course of their creation. Usually, the script of the documentary is not written until the edit, after most of the interviews and B roll have been shot. This paper examines whether documentary post-production makes more or less use of storytelling techniques than does …

Electronic Rhapsody: Theremin And Matryomin, Kayoko Nakamura

Theses and Dissertations

Electronic Rhapsody: Theremin and Matryomin is a short documentary film, which explores two magical musical instruments: the Theremin and the Matryomin. Both instruments represent innovations in the history of electronic music. The film depicts the world of these unique musical instruments, their inventors and performers who make up the community.

For The Record: Bill Schurk, Katlyn Westhoven

Honors Projects

For the Record: Bill Schurk is a half hour long documentary about the life and work of William Schurk, also known as Bill. Bill has helped to create the country’s largest music collection and helped advance the study of popular culture within the academic community. The documentary will be told from a first person perspective by Bill with supplemental content coming from interviews with family, friends, and colleagues of Bill through the years. Bill Schurk founded the Bowling Green State University Music Library and Bill Schurk Sound Archives and worked as the head archivist for 50 years before his retirement …

Immigration Et Clips Musicaux : Vers La Construction D’Espaces Sans Frontières, Souleymane Ganou

Présence Francophone: Revue internationale de langue et de littérature

Immigration is a reality which touches primarily the young in most country. This phenomenon must be undressed of its blaming considerations, in view of its incommensurable contribution in the development of many countries. If the United States of America arrived at the legalization of immigration, by instituting a lottery called “lottery visa”, it is that they are conscious of the benefit that this phenomenon can bring to their nation. Moreover, the United States is a nation built on the bases of the immigration to which they owe their power today. They are numerous these young people who set off to …

Potter, Hugh Oliver, 1905-1986 (Mss 602), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 602. Correspondence, research notes, book manuscripts, promotional material, and editorials related to Hugh O. Potter’s career as a radio broadcaster and his interests in Kentucky history, specifically Owensboro and Daviess County, and Abraham Lincoln. Includes one box of original legal documents (1783-1953) related to the Massie family of Daviess County.

Relevant Versus Extraneous Music In Multimedia Instruction: A Study Of The Coherence Principle, Jonathan Gunnell

Electronic Theses and Dissertations

The purpose of this study was to examine whether the inclusion of nonessential music in an instructional multimedia presentation affected learners’ ability to recall information in retention, cued-retention, and transfer cognitive measures. This study tested the coherence principle of multimedia learning which holds that the addition of nonessential content that is not relevant to the instruction is detrimental to learning. This study tested this principle by analyzing differences across three groups; a control group which included no additional music, a group including bland music selected at random, and a group including music that has been intentionally designed to align with …

Law Library Blog (June 2016): Legal Beagle's Blog Archive, Roger Williams University School Of Law

Law Library Newsletters/Blog

No abstract provided.

Dehexing Postwar West Balkan Masculinities: The Case Of Bosnia, Croatia, And Serbia, 1998 To 2015, Marko Dumančić

History Faculty Publications

Focusing on Bosnia, Croatia, and Serbia, this article examines film and music that emerged in the region since the end of the Yugoslav Wars of Succession. We analyze how the uncertainties of the postwar era facilitated a dynamic field of cultural contestation in which the music and film industries simultaneously challenge and affirm normative masculine sociocultural roles. Although traditional norms have not lost their primacy in public life, we emphasize the fact that attitudes toward masculinity have, in general, become increasingly ambiguous and multivalent. While local sociological studies accurately observe that violence and intolerance constitute central traits for the majority …

"Pa'l Norte," "Sueño Americano" E "Ice El Hielo": Un Análisis Del Video Musical En El Desmontaje De La Retórica Anti-Inmigrante En Los Estados Unidos, Aida M. Villarreal-Licona

Scripps Senior Theses

This thesis is an analytical case study of three music videos, "Pa'l Norte" by Calle 13, "Sueño Americano" by Los Rakas, and "Ice El Hielo" by La Santa Cecilia. It explores the visual and lyric narratives of these works and their role in critiquing anti-immigration rhetoric towards Latino immigrants in the United States in a post-9/11 context. Through critical analysis, this thesis argues that their work is vital in dismantling the dehumanizing and criminalizing language prevalent in legal and popular discourse, as well as challenging the manifestations of everyday "illegality."

Musical Missteps: The Severity Of The Sophomore Slump In The Music Industry, Shane M. Zackery

Scripps Senior Theses

This study looks at alternative models of follow-up album success in order to determine if there is a relationship between the decrease in Metascore ratings (assigned by Metacritic.com) between the first and second album for a musician or band and the 1) music genre or 2) the number of years between the first and second album release. The results support the dominant thought, which suggests that neither belonging to a certain genre of music nor waiting more or less time to drop the second album makes an artist more susceptible to the Sophomore Slump. This finding is important because it …

Rave Culture- A Tale Of Two Scenes, Christopher Mohr

Faculty Curated Undergraduate Works

This article compares two iterations of rave culture through the perspective on scenes as outlined by Geoff Stahl in his essay "'It's Like Canada Reduced': Setting the Scene in Montreal." By applying both communication and sociopolitical theory to the comparison of the original rave scene to that of today's, a vivid understanding of how scenes and subcultures construct themselves- both within and around the cultural environments from which they are born- will become apparent.

Hearing The Cry In Black Diasporic And Latina/O Poetics, Rachel E. Ellis Neyra

CLCWeb: Comparative Literature and Culture

In her article "Hearing the Cry in Black Diasporic and Latina/o Poetics" Rachel Ellis Neyra expands upon Edouard Glissant's notion of "the cry of the Plantation" and shows how to listen for it in literary arrangement of Derek Walcott, Piri Thomas, Pedro Pietri, Ralph Ellison, Miguel Algarín, and James Baldwin. Ellis Neyra also reads musical lyrics by Oscar D'León and Billie Holiday and the melodic nuances of salsa, jazz, the blues, and bomba for how they sound out what she calls the New World Cry, a mnemonic figure of the Plantation of the Americas and a metaphor for how estrangement …

Bidi Bidi Bom Bom: The Audiotopias Of Selena Across The Americas, Janet Muniz

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

Using Josh Kun’s Audiotopia as a framework, this paper will explore the role of Selena’s music as audiotopias, the concept that music functions like a possible utopia for immigrant communities on both sides of the United States and Mexico border in imagining an ideal borderless America. Music serves as a disruption to the oppressive reality of immigrant communities and makes the struggles of marginalized communities audible for those who have been traditionally silenced. This paper will fill in gaps in existing literature of Selena's remembrance by applying Kun’s audiotopia theory for an understanding of the places her music takes …

A Study Of Music, Embodiment, And Meaning In The World Of Portal, Helen A. Rowe

Lawrence University Honors Projects

Interactive video game music is a relatively new and quickly expanding art form, incorporating elements of music history, cinema, and video game theory. This study explores how music functions, reveals meaning, and defines player experience within the interactive world of the video games Portal and Portal 2—and how the paradoxical, twisting essence of the Portal world is created and shaped musically. Ultimately, this is a study of the continued existence and relevance of classical music and traditional music history in the futuristic world of video games.

The Synthesizer: Modernist And Technological Transformations In Film Sound And Contemporary Music, Dusin J. Green

CMC Senior Theses

The invention of the synthesizer meant the possibility of achieving virtually any sound in one mechanism, a superbly convenient device for musical creativity. Perhaps the perfect space for this approval of sound creativity was in the modern electronic film score. The synthesizer also flourished in popular music immediately following its emergence, but a common form began to solidify itself among synthesizer music. Shortly after, improvements in electronic instrument technology led to the democratization of electronic music and equipment, ultimately leading to electronic music as the new mainstream.

Romantic Exoticism: The Music Of Elsewhere In The Nineteenth Century, Josiah Raiche

Senior Honors Theses

Western art music has drawn on many sources. One of these is non-western music, which can be integrated into European classical music tradition in the form of exoticism. This paper will highlight musical elements used by composers seeking to create exoticism, examine selected works, and note common elements of western music that have exotic roots. In the nineteenth century, there were three general trends in exoticism. The first, non-musical exoticism, utilizes conventional western music alongside extra-musical exotic elements. Romantic exoticism portrays distant lands using musical elements, drawing these from the audience’s perceptions of the music represented. Realistic exoticism attempts to …

"Someday We'll Find It." An Inside Look At The Music And Cultural Perspectives Of The Muppet Movie, Eric Dancy

The Hilltop Review

Tradition in any culture helps showcase a group of people's identity. Whether it is food, music, politics, college football, family rituals, you name it, people are looking to feel appreciated because they associate with a certain group of people. When people within a group break tradition, name-calling, bullying and even physical harming becomes more common, because they do not "fit the norm." Sadly, these kinds of negative behaviors can cause serious mental and physical damage to those who try to "think outside the box." Interestingly though, the ones who tend to think creatively are ultimately the ones who bring something …

Rebekah & Aliya, Mark Hirsch

Lawrence University Honors Projects

Rebekah & Aliya is a multimedia ballet for two dancers, ten musicians, and film based on a story of love, timelessness, and transcendence. Drawing inspiration from literary themes of Jorge Luis Borges as well as composers of the Renaissance and Avant-garde alike, this collaboration with choreographer Madeline Bunke is a four-scene work, alternating between film and live dance, with live music throughout.