Film and Media Studies Commons^™

To Print A Remake: An Analysis Of Hollywood Remakes And Their Cultural Value, Connor F. Seaton

Honors Undergraduate Theses

In recent years, audiences and movie critics have expressed concern that Hollywood’s growing reliance on remakes, sequels, franchises, and similar adaptations has led to a broader worry that originality is fading from modern cinema and that the industry is instead focused on using adaptations to maximize profits. Although adaptation is often seen as a commercially driven framework for reproducing existing intellectual property in a new media format, this thesis argues that it should be recognized as an autonomous cultural category with its own artistic, historical, and social significance and merit. By analyzing adaptation scholarship and reviewing its complex historical development, …

Transversal Storytelling Course Work, Patrick Buhr, Movement Lab

Course Materials

No abstract provided.

Under The Influence: New York’S Crisis Of Addiction, Exploitation, And Drug Policy Within Depression-Era Films, Simone White

Rushton Journal of Undergraduate Humanities Research

During the 1930s, New York City stood at the center of media innovation and cultural influence. It was also the center of the continuing opioid epidemic and a pivotal site for the reception and promotion of addiction films. This article argues that Depression-era films, The Struggle (1931), Narcotic (1933), and Assassin of Youth (1938), reflected economic, political, and moral anxieties surrounding drug abuse. Using National Board of Review records, studio pressbooks, and contemporary periodicals, this study examines how cinematic portrayals of addiction influenced ideologies, criminalized users, and deepened social stigma.

Opening The Door Of The Celluloid Closet, Melissa Hernandez

Student Scholar Symposium Abstracts and Posters

While watching the documentary, The Celluloid Closet, I was instantly intrigued by how queer people and cinema mixed. Going as far back to the black and white, silent films era, queer people have been used as comedic relief, but not in an appealing way. Constantly being the butt of the joke, disregard for queer people became so normalized that certain tropes started popping up in cinema. One trope that we can still see be used frequently in today’s films is the “bury your gays” trope (also known as the “dead lesbians syndrome”) where queer characters in cinema are not …

Understanding Film Tax Credits In Nevada And Nationally, Michael J. Brown, David F. Damore, William E. Brown Jr.

Policy Briefs and Reports

This policy primer provides an overview of Nevada’s transferable tax credit program for film and other productions and reviews articles, reports, audits, and studies of film tax credits as a tool for economic development in the United States. This review considers a significant body of work analyzing the use of film tax credits in support of economic development. Studies and state audits often show that because film tax credits do not create the number and quality of full-time jobs necessary to merit their costs and do little to stimulate other related industries, they are a poor financial choice for state …

Monstrous Girls And Celestial Lovers: Fantasy, Fear, And Female Adolescence In The Malayalam Films Ennu Swantham Janakikutty And Njan Gandharvan, Helena Reddington

Journal of Religion & Film

The Malayalam films Ennu Swantham Janakikutty and Njan Gandharvan reimagine figures from Kerala folklore, namely the Yakṣi and the Gandharva, within coming-of-age narratives. Both films position the characters of the Yakṣi and the Gandharva as fantastical figures who usher the young female protagonist into maturity. Rather than offering a pan-Hindu survey, this study focuses specifically on Kerala’s unique reimaginings of these celestial beings, where these figures carry distinct cultural meanings. This interpretive analysis is situated at the intersection of film studies, religious studies, as well as gender and sexuality studies, drawing particularly on feminist theory and critical approaches to vernacular …

Women’S Bonds And Chance Encounters: An Analogical Reading Of The Book Of Ruth And Joshua Marston’S Film Maria Full Of Grace, Luigi De Angelis Soriano

Journal of Religion & Film

This article offers an analogical reading of the biblical book of Ruth and Joshua Marston’s 2004 film Maria Full of Grace, examining how both narratives portray migrant women who form strategic social bonds to navigate precariousness within limiting power structures. While Ruth and María inhabit vastly different cultural and historical contexts, their stories meet in their emphasis on female solidarity and human agency. Focusing on key verses from Ruth and pivotal scenes from Maria Full of Grace, this study highlights how emotional and ethical relationships among women—whether covenantal or born of desperation—become sources of strength in the absence …

The Secular Eschatology Of Once Upon A Time...In Hollywood, Timothy Winterstein

Journal of Religion & Film

This article considers the ending of Quentin Tarantino's 2019 film Once Upon a Time...in Hollywood in light of Christian eschatology. I argue that Tarantino gives us an image of a temporal, partial eschatological moment, which relates to and interacts with a scriptural, Christian perspective on hope and the universal human longing for things to be other than what they are.

Greta Gerwig And Pina Bausch: A Comparative Analysis Of Creative Processes, Ashley N. Reisert

Senior Theses

This paper examines the creative processes of film director Greta Gerwig and dance choreographer Pina Bausch. More specifically, it compares the techniques both artists employ to inspire movement and produce a successful end product. Greta Gerwig’s background in theater provides the impetus behind many of her directorial choices. This paper explores three of her values that have contributed to her success: realistic dialogue, actor connection, and capturing reality. Pina Bausch’s process stems from the performers themselves; she often provides them with prompts, such as questions to inspire movement. Through the analysis of these two influential artists, I have found that …

Decomposition And Excavation Of War Memories And Massacres In Na Hong-Jin’S The Wailing, Grace Jung

BCES: Faculty Publications

This chapter examines Korean filmmaker Na Hong-jin’s The Wailing (2016) as an allegory of South Korea’s unresolved colonial and Cold War traumas, arguing that the film’s deliberate ambiguity, cacophony, and generic instability reflect the difficulty of recovering histories of violence that have been suppressed, erased, or inadequately mourned. While scholarship on South Korean zombie cinema has frequently interpreted the zombie through neoliberal capitalism, economic crisis, contagion, and social alienation, this chapter locates the Korean zombie within a longer history of civil war, massacres, sexual violence, and authoritarian state repression. Drawing on Heonik Kwon’s concept of Cold War “decomposition,” the zombie …

Public Housing Film Series, The Lender Center For Social Justice, Cornell University

The Lender Center for Social Justice

A poster for the three-part Public Housing Film Series

Cultural Representation In Global Film Discourse: A Bibliometric Analysis Of Dominant Themes And Western Hegemony, Nur Fajri Hijriyani, Hanun Dzikra Arienda, Firmansyah Firmansyah, Nur Wijaya Hariadi, Alem Febri Sonni

JURNAL KOMUNIKASI INDONESIA

This study investigates the dominant themes and discursive structures within global film scholarship through a bibliometric analysis of 404 Scopus-indexed articles published between 2019 and 2024. Using VOSviewer to map keyword co-occurrence, citation networks, and authorship patterns, the research identifies five major thematic clusters: Hollywood, feminism, representation, Bollywood, and popular culture. The findings reveal a persistent dominance of Western narratives positioning them at the centre of global film studies. In contrast, themes related to non-Western cinema, such as Bollywood, appear less central and more fragmented within the academic discourse. These results highlight how bibliometric patterns reflect broader ideological structures, reinforcing …

Reflections Of The Veil: Tracing Blurred Boundaries Of Politics And Desire In Vienna's Saturn-Films, Beth Withey

The Ozark Historical Review

This article considers the Saturn-Film Company founded in 1906 in Vienna. Their films often contained comic plot devices intermingled with erotic images which expressed the culture of Vienna at the turn of the twentieth century.

The Monstrous Other: Exploring Negative Representations Of Queerness In Genre Cinema, Mark Gambino

Imaginings: creative practice and inquiry

The following literature review is an extract from my SAE University College Masters thesis, Disrupting negative representations of queerness in genre cinema, conferred in September 2024. The project explored representations of the queer Other in film horror, through artefact-exegesis, with the creative artefact, horror film Shadows, interrogating the coding of trans / queer characters as the ‘monstrous Other’ in the horror film genre, and how this notion can be subverted and transcended.

Cinematic Empathy: Autistic Interpretation Of Social Cues In Narrative Film, Lux Gomez

University Honors Theses

From research and lived experience we can see a pattern of Autistic people engaging and forming connection with emotional narratives in media, despite stereotypes suggesting they lack empathy or theory of mind. This mixed-methods study sought to lay the groundwork and start preliminary investigation into how film’s structured formal elements may facilitate autistic viewers’ interpretation of social cues that typically challenge autistic-allistic (nonautistic) communication in real life. A sample of 22 participants (13 autistic, 9 allistic) viewed five film scenes depicting lying, flirting, sarcasm, exposition, and flat affect and completed a survey. Both quantitative and qualitative data were analyzed. While …

Minor League: The Journey To The Show, Collin Anderson

Graduate Theses and Dissertations

When thinking about the path an athlete takes to get to the major leagues, many think of the same process: High School, College, Professional. However, the professional level includes is more than just the MLB or NBA that people would assume. Almost all professional U.S. sports leagues have a minor league system associated with them that nearly all players pass through at one point or another. Through the lens of a documentary, this portion in an athlete’s journey will be spotlighted to show what these leagues do for them, how they help them improve, and how they prepare them to …

Peace Engagement And Non-Negotiable Commitment Through An In-Depth Lens [Pencil Theory]: A Film Perspective On Un’S Conflict Resolution, Edward Moses Sam Selvaraj

Graduate Program in International Studies Theses & Dissertations

The research addresses the effectiveness of the United Nations concerning conflict resolution and peacekeeping, seen from the perspective of film culture. Applying the "PENCIL Theory" (Peace Engagement through an in-depth lens), the UN study along with its structural dynamics would be considered herein: a pencil comprising the Security Council as its lead, world as the eraser, and filmmakers as the ferrule that is representative of that significant link between public awareness and policy impact, and the UN General Assembly and Secretariat as its body in support of the decision-making processes. It brings to the fore the critical impacts on the …

Identity Entanglement In Transnational Body Horror Cinema, Jessica Hughes

Staff Scholarship - Australia & Dubai

This paper will examine Coralie Fargeat’s The Substance (2024) within the context of transnational body horror films, arguing that its power lies in its ability to entangle audiences in themes of identity fragmentation. The Substance, echoing work by filmmakers including David Cronenberg, Pedro Almodóvar, and Takashi Miike, depicts the disturbing erosion of self through visceral transformations and psychological disintegration. By analysing Fargeat’s

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recent film alongside earlier films such as Videodrome (1983), The Skin I Live In (2011), and Audition (1999), this paper demonstrates how body horror, despite diverse origins, shares a preoccupation with blurring self/other boundaries. Drawing on Blasi’s …

Cinematic Abuse: A Critical Analysis Of Disney’S “Happily Ever After” In The Little Mermaid, Aladdin, And The Princess And The Frog, Erin Michelle Gough

USF Tampa Graduate Theses and Dissertations

This dissertation examines the manner in which three animated Disney princess films cultivate stereotypes and gendered behaviors consistent with domestic violence and thereby encourages viewers to accept and tolerate abuse against women. I argue that due to the dangerous, constricting, and sexist gender roles encouraged by the Walt Disney Corporation, films prime young girls and boys to react to social situations and encounters in a way that mirror the characters’ reactions. Because of the films’ entertainment value, most of the characters’ inappropriate, stereotypical, and often violent behaviors either go unnoticed or are passively accepted. The violence does not have to …

Medst 343w - Nonfiction Forms (8 Week Async Section), Ash Marinaccio

Open Educational Resources

In this course, we will explore how various forms of nonfiction storytelling represent reality and shape our understanding of the world. Over the semester, we will examine how “the real” is represented across different mediums, including theatre, film, photography, and literature. Through critical readings, case studies, creative exercises, and Brightspace discussions, we will examine the intricate interplay between truth, ethics, form, and authorship in documentary and nonfiction works.

The course is divided into five units. The first unit introduces foundational questions of ethics, authorship, and cultural responsibility in nonfiction storytelling. The following units focus on specific forms: documentary theatre, nonfiction …

Fancy Mice, Damian Aguilar

University Honors Theses

In this proof-of-concept screenplay, a family becomes the subject of an isolating experiment that observes their behavior changes after remaining in their home for an extended period of time with all their basic needs met. The first twenty-pages of this psychological horror lays the foundation for a larger work that explores existential themes related to purpose, competition, and play.

The Sauce To Meat Is Ceremony: Cannibalism And Hospitality Serve As Horror And Culture Tropes In Hannibal And Macbeth, Shay Williams

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

When examining Macbeth (1623) as a case study within Shakespeare’s canon, we see all the obvious horror tropes - murder, witches, a ghost, bodies, blood and gore. What is less pronounced is the horror that lies within eating, drinking, feasting, and the ceremony of banquets. On the other side of the spectrum, and unlike the character of Macbeth, we have a figure that epitomizes all things horror, and has been read about in novels, watched on film, and as of late (2013-2015) has been the subject of a Television show, aptly named: Hannibal. In both works, we encounter men/monsters/killers …

‘Amazigh Literary Space’: Intersection And Hybridity Across Languages And Media, Daniela Merolla

Journal of Amazigh Studies

My contribution will focus on multilingualism and multimedia in the ‘Amazigh literary and cinematographic space’ (Merolla De l’art, “Amazigh/Berber Literature”). Examining this notion coined in the 1990’s (Merolla “Gender and Community”) allows us to reflect on ongoing debates regarding North African literatures in postcolonial contexts. It also helps to see that Amazigh/Berber literature solely defined as Amazigh-language production tends to isolate works and performances that engage with multiple languages and literary traditions, cultural intersections, and hybridization in North Africa and its diasporas. The discussion is contextualized within the historical development of what is sometimes referred to as the “North …

"Just Keep Telling The Story": Wes Anderson's Carefully Crafted Vessels Of Loss, Claire Lewis

Honors College Theses

Wes Anderson’s 2023 feature film Asteroid City was met with a more polarized critical and audience response than any of his prior films. Evident in this response is an increasingly apparent distinction between the formal conventions of his films – encompassing elements such as visual aesthetic, filmmaking techniques, and storytelling structure – and the emotional and thematic content. In this paper, I examine the critical response to Asteroid City as well as the perceived dissonance between these two major aspects of his filmmaking in order to explore the relationship between the two, specifically as it pertains to the themes of …

Robotic Rhythm: A Contemporary Look At Ai-Driven Editing Tools’ Efficacy In Understanding And Replicating Creative Rhythm Editing Techniques., Alexander Selby-Lara, Charles Howard

Honors Thesis

It is undeniable that artificial intelligence (AI) has made its way into the film world. From AI-generated imagery and sound design in two 2025 Oscar nominees — The Brutalist and Emilia Pérez (Pulver) — to weekly updates and monthly beta releases of existing and new generative image and video models, AI-driven filmmaking tools are here to stay. But what does this mean for the post-production workflow? Much like camera development, editing technology has come a long way from flatbed film editors to Adobe Premiere Pro v. 25.0. Yet, despite each technological leap from system to system, the delicate task of …

Cinephiles, Connor J. Mclaughlin

University of New Orleans Thesis Films

“Cinephiles” is a graduate thesis film from the University of New Orleans that was shot on-location across the state of Louisiana in the towns of Robert, Zachary, and New Orleans. The film was written, directed, co-produced, and edited by Connor McLaughlin. They will presume the first-person singular in the subsequent reflection paper chronicling the development, pre-production, production, and post-production stages of the aforementioned fifteen-minute, mixed media short film.

Social Media Addiction Explained Through Film, Matthew Layton

Student Scholar Symposium Abstracts and Posters

“How much is too much?” The central frame of my creative work tackles this question through the lens of queerness, addiction, isolation, and self-identity, giving an unfiltered voice to today’s youth. Social Media’s negative effects go deeper than the usual anecdotes of decline in sleep quality, physical activity, and attention span. The ramifications of a negative mental headspace are often overshadowed by flashy promises and a false sense of belonging. The societal impact is especially influenced due to the malleability of the adolescent brain. In 2022, up to 95% of teenagers ages 13 to 17 claimed to use social media, …

Woe Be Gone, Yuhan Hu

Theses and Dissertations

In Woe be gone, Yuhan Hu explores the porous boundaries between image, memory, perception, and material through a deeply personal and reflective multimedia practice. Drawing on influences from film, literature, and game environments, Yuhan investigates how moments—fleeting or fixed—transform when mediated through photography, digital frames, and sculptural assemblage. Anchored by a series of installations and image-based works, the thesis unpacks the poetics of poor images, the failures and promises of translation, and the emotional residue of digital and physical touch. With a tactile sensitivity to materials like wood, wax, solder, and horsehair, Yuhan contemplates impermanence, miscommunication, and care, embracing …

Gendered Film Criticism And “Intolerable Images”: Representation Of Female Trauma In Brady Corbet’S Vox Lux (2018), Alison Kreul

Film and Media Studies (MA) Theses

This thesis explores Brady Corbet's 2018 film Vox Lux, focusing on its portrayal of female trauma and the subsequent gendered division in its critical reception. The film centers on Celeste, a survivor of a school shooting who rises to pop stardom, depicting an eighteen-year narrative that transforms her personal trauma into a public spectacle and a critique of American culture. Through theoretical frameworks from Judith Lewis Herman, E. Ann Kaplan, Jacques Rancière and Susan Sontag, this thesis examines how the film's fragmented narrative and stylistic shifts represent the long-term psychological aftermath of trauma, manifesting as emotional dysregulation, substance abuse, …

A “Little” Solution To A Big Problem: A Documentary About The Hattiesburg Pocket Museum, Savannah Humber

Honors Theses

A “Little” Solution to a Big Problem is a documentary film that revolves around the Hattiesburg Pocket Museum and how it positively impacted its community during the COVID-19 pandemic. The Pocket Museum is a small alleyway located in downtown Hattiesburg, Mississippi and is filled with small objects, scenes, and fun activities. The thesis includes interviews with Vicki Taylor, creator of the Pocket Museum, and Lissa Ortego, the first artist to paint in the alleyway. They explain the history behind the museum, the circumstances that led to its creation, and how they kept the museum relevant during and after the COVID-19 …