Film and Media Studies Commons^™

A Labor Of Love: Wall-E'S Redemption, Rosamund M. Gammie

Journal of Religion & Film

Inaugurated into the Criterion Collection in 2022 this paper re-examines some of the initial responses to the 2008 Disney-Pixar animated film, WALL-E. The movie received a mixed reception, largely celebrated (but occasionally viewed as “too leftist” by others) for its environmental, anti-capitalist message by many public critics, yet disparaged or dismissed as being superficially empty, shallow, and hollow in academic circles. Labor has been the focus of some academic criticism of the film, particularly as it relates to commoditisation, but this paper recontextualises labor not with capitalism, but with love. By viewing the film through the dynamic of labor and …

A Hidden Life On The Way Of The Cross: Terrence Malick And The Cultivation Of Character, William S. Skiles

Journal of Religion & Film

Terrence Malick’s film A Hidden Life depicts the resistance of the Austrian farmer Franz Jägerstätter against the Nazi regime and its demands that he serve Nazi war aims and swear an oath of loyalty to Adolf Hitler. Unlike other resistance films set in Nazi Germany or the Greater German Reich, which depict resistors conspiring to overthrow the regime or actively working toward its downfall, A Hidden Life presents a man’s simple and emphatic “No” to the Nazi regime and its ideology. The film does not simply show how Jägerstätter said “No,” but reveals how he was able to say “No” …

The Shrouds, Elijah Siegler

Journal of Religion & Film

This is a film review of The Shrouds (2024), directed by David Cronenberg.

Conclave, William L. Blizek

Journal of Religion & Film

This is a film review of Conclave (2024), directed by Edward Berger.

Inside Out 2, Bertha A. Manninen Ph.D.

Journal of Religion & Film

This is a film review of Inside Out 2 (2024), directed by Kelsey Mann.

The Wicker Man, Laurel Zwissler

Journal of Religion & Film

This is a book review of Steve A. Wiggins, The Wicker Man (Liverpool: Auteur, 2023)

Painting Stories And Filming Change, Coralynn V. Davis

Faculty Contributions to Books

Mithila Art has helped illuminate various aspects of the relationship between gendered Maithil social roles and Maithil women’s narratives in connection with a feminist participatory action research project conducted primarily in 2016-2017 in and around the northern Bihari town of Madhubani. While participatory action research philosophically and methodologically attends to process as much as product, Mithila Art played a role in the process and product of making a documentary film and in our capacity to understand and communicate with varied audiences about shifting Maithil gender norms. The research and filmic project provided insight into the complex relationship among the stories …

Review Of Sudan, Remember Us, Esther Sprague

The Journal of Social Encounters

No abstract provided.

Touch Me, Dereck Daschke

Journal of Religion & Film

This is a film review of Touch Me (2025), directed by Addison Heimann.

Mola: A Tibetan Tale Of Love And Loss, Dereck Daschke

Journal of Religion & Film

This is a film review of Mola: A Tibetan Tale of Love and Loss (2025), dir. Martin and Yangzom Brauen.

Your Higher Self (Le Plein Potentiel), Dereck Daschke

Journal of Religion & Film

This is a film review of Your Higher Self (Le Plein Potentiel) (2025) directed by Annie St-Pierre.

My Omaha, John C. Lyden

Journal of Religion & Film

This is a film review of My Omaha (2025), directed by Nick Beaulieu.

Portal To Hell, William L. Blizek, Monica Blizek

Journal of Religion & Film

This is a film review of Portal to Hell (2025), directed by Woody Bess.

The Valley Of The Wind And Buddhism, Grace Aulicino

CAFE Symposium 2025

Hayao Miyazaki’s Nausicaä of the Valley of the Wind is a philosophical exploration of fulfillment, rooted in Buddhist and Taoist principles. The film contrasts the destructive forces of greed and individualism, embodied by Kushana and the Tolmekians, with the harmonious collectivism of the People of the Valley of the Wind. Nausicaä, the film’s heroine, challenges traditional gender norms by being a strong, selfless leader who seeks peace and balance rather than power. Her journey reflects the Taoist ideal of surrender as a path to enlightenment, ultimately sacrificing herself to unite humanity and nature. Through stunning visuals and rich storytelling, Miyazaki …

Death Education, William L. Blizek, Monica Blizek

Journal of Religion & Film

This is a review of the short film, Death Education (2025), directed by Yuxon Ethan Wu.

Last Days, Sheila Nayar

Journal of Religion & Film

This is a film review of Last Days (2024) directed by Justin Lin.

Coexistence, My Ass!, John C. Lyden

Journal of Religion & Film

This is a film review of Coexistence, My Ass! (2025), directed by Amber Fares.

“You Shall Be As Gods”: Xenogears, Gnosticism, And Gaming On The Mystical Marketplace At The Turn Of The Millennium, Alexander Sutton

Masters Theses & Specialist Projects

This thesis explores the role of Christian Gnosticism in the Japanese role-playing video game (JRPG) Xenogears, developed by Square Co. Ltd. and released in Japan and the United States in 1998. In tracing its historical context, development, and localization I argue that Xenogears is an important text in the history of mediated religion in global popular culture. In comparing the game’s narrative against ancient Christian Gnostic texts such as The Apocryphon of John, The Reality of the Rulers, and the Gospel of Judas, I show how the game harmonized, mediated, and reproduced ancient Gnostic mysticism for its players to emulate. …

Disorienting "Western" Viewers With Nacer Khemir's Desert Trilogy, Kristian Peterson

Philosophy Faculty Publications

In this essay, I explore tensions that arise when creating alternative cinematic visions of Muslim life, specifically frictions emerging from the goal of shifting public perception of the community and patterns of self-orientalization. Here, I complicate assumptions about the representation of Islam by looking at a self-articulated presentation of Muslims through the narrative feature series the Desert Trilogy, by Tunisian director Nacer Khemir (born 1948). I argue that Khemir is ensnared by ahistorical Islamic nostalgia and largely reinforces romantic orientalist aesthetics in his films. While his portrait of Muslims is much more “positive” than those in the broader archive, it …

Post Opera, Suzy Lykins

Theses and Dissertations

Post Opera is a spell and work of embodied research which explores medicalization, desire, labor, and belief. Through methods of performance, sound, text and installation, I facilitate encounters of trans-femininity, spiritual power and connectivity. An opening wound, a set of psychic scalpels, sutures and bandages prepare this text for your consumption, take care to digest her well.

'God Loves The World' Documentary, Ilona Kitchen

Williams Honors College, Honors Research Projects

The internet is a powerful place. People feel that they can share how they feel with no consequences. Hedviga Tkáčová (2021) argues that negative media portrayals of Christianity contribute to prejudice against Christian university students in Slovakia, which undermines social cohesion and highlights the need for greater support of religious diversity. From memes to viral videos, these digital interactions can feel like a personal attack, exposing how online spaces can betray the trust and faith of the Roman Catholic Church. As a Roman Catholic, I frequently encounter such issues when engaging with content in the media. In public settings, it …

40 Years Passing By In (A) “Heartbeat”, Christopher Janney

Monsoon: South Asian Studies Association Journal

This article outlines the forty-year history go Christopher Janney’s iconic performance work “HeartBeat.” Trained as an architect and jazz musician, Janney combines these two disciplines to create large interactive light/sound installations and performances. On the one hand, he attempts to make architecture more like music, more “alive” using real-time sensing devices as on his “Harmonic Convergence” installation on the Miami International Airport. On the other hand, he attempts to make music more like architecture, more physical more visual. In his “HeartBeat” performance, a dancer wears a heartbeat device that amplifies his/her heartbeat in “real time.” Over this pulse, live musicians …

Yoga Sūtra Book Four And The Yogabindu, Christopher Key Chapple

Monsoon: South Asian Studies Association Journal

Four themes from the fourth pāda of Patañjali’s Yoga Sūtra are examined here: karma (IV:2-13), individuality (IV:16), humility (IV:20-22), and freedom (IV:29-34). Affirmations and variant interpretations of these four are provided from Haribhadra Virahāṅka’s Yogabindu, most likely composed a century or two later.

Collective Karma: From The Yogasūtra To Taylor Swift, Zoë Slatoff

Monsoon: South Asian Studies Association Journal

The Indian knowledge traditions speak at length about karma, which is divided into three categories—accumulated (saṃcita), ripe (prārabdha), and future (kriyamāṇa). While much is said about our individual karma and how it affects our repeated reincarnation in cyclic existence, how does this affect others and how do others affect us? In other words, as this paper explores, what is our reciprocal and collective karma?

Painting Liberation: A Visual Ontology Of The Interplay Of Mind And Consciousness In Book Four Of The Yoga Sūtras, Melissa Townsend

Monsoon: South Asian Studies Association Journal

This presentation explores how artistic practice can illuminate philosophical questions about the nature of mind, consciousness, and liberation as articulated in Book Four of the Yoga Sūtras of Patañjali. Through a series of paintings that visually translate these sūtras, I propose that art offers a unique, experiential means of engaging with the complex relationship between citta (mind) and puruṣa (consciousness).

The paintings function as a form of “visual ontology,” inviting viewers to engage with abstract philosophical concepts in a sensory, tangible way. By depicting the interplay between the mutable processes of the mind and the unchanging awareness of consciousness, these …

Spatial Trajectories, Theories, And Topoi In The Study Of Religion And Film, Teng-Kuan Ng

Research Collection College of Integrative Studies

This chapter explores the correlations between religion and film studies and the geographies of religion. Using perspectives from the latter to foreground overlooked aspects of the former, I argue that investigations of the religious problematic via film are productively enriched when refocused on the question: what kind of space does religious cinema constitute? Rather than offering a single answer, I highlight the various phenomenological, ritual, and ethical spaces that cinema—comprising production, text, and reception—can construct. In the first section, I briefly trace the “spatial turns” that religion and film scholarship has taken since its inception, observing the field’s evolving geographical …

Revisiting Paradise Lost Through K-Pop: A Global Approach To Teaching Writing, Nayoung Bishoff

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

The short film series Wings (2016) by the Korean musical group BTS (Beyond the Scene) revisits John Milton’s Paradise Lost. BTS reinterprets Adam and Eve’s leaving of Eden as youths’ self-discovery process, overcoming a binary mindset. BTS emphasizes how experiences—trials, pains, and the struggle of youths to walk out of black-and-white perspectives—turn out to be “all so beautiful” as resources to grow. Wings demonstrates how the themes and elements in Paradise Lost can be used as a tool not only to explore Biblical concepts, but also to understand what pedagogical environments youths need to fully express themselves as writers. …

Human Sacrifice And Propaganda In Popular Media: More Than Morbid Curiosity, Jason Tatlock

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

Representations of human sacrifice, whether based upon real or fictitious events, powerfully demonstrate societal norms and fascinations related to the acceptability of slaying humans for religious or national interests, particularly given the divisive and bloody nature of the topic. Readers of eye-witness accounts, newspaper reports, and historical narratives, and viewers of cinematic productions, war posters, and political cartoons come face to face with the beliefs and agendas of the creators of popular media. Such sources represent the slaying of victims in sacred rituals, as individuals attempt to demarcate societal boundaries along the etic/ emic spectrum, be they commentaries on their …

The Forbidden Body: Sex, Horror, And The Religious Imagination, Tara Baldrick-Morrone

Journal of Religion & Film

This is a book review of Douglas E. Cowan, The Forbidden Body: Sex, Horror, and the Religious Imagination (New York: New York University Press, 2023).

Life Above The Clouds: Philosophy In The Films Of Terrence Malick, Pablo Alzola

Journal of Religion & Film

This is a book review of Steven DeLay, ed., Life Above the Clouds: Philosophy in the Films of Terrence Malick. (Albany, NY: SUNY Press, 2023).