Film and Media Studies Commons^™

Together Forever, William L. Blizek, Monica Blizek

Journal of Religion & Film

This is a review of the short film, Together Forever (2026), directed by Gregory Barnes.

Humanity Is Evolving Its Consciousness: The Role Of Archetypal Energies As Guides During An Unfolding Weeding Out And Alignment Process, Carroy U. Ferguson

Psychology Faculty Publication Series

Humanity is evolving its consciousness at individual and collective levels.  Given these seemingly tumultuous times, as of this writing (January 2026), to make such a statement may sound like a strange thing to say.  However, I suggest that if you are alive today and if you are reading these words, these are the very times for which you were born—to assist Humanity as it evolves its consciousness with your unique gifts, whatever they may be.  That is, this period of our individual and collective human being-ness may be characterized as an unfolding period of weeding out and alignment with the …

Frank & Louis, John C. Lyden

Journal of Religion & Film

This is a film review of Frank & Louis (2025), directed by Petra Biondina Volpe.

The Mundo I Imagine, Angeliky Castrellon

Theses and Dissertations

My work investigates the human experience of belonging and how the force of displacement alters the perception of one's present and enables dissociation. After leaving my home and starting a new life overseas, coming back never felt the same; I couldn’t find peace and comfort anywhere. This made me create an imaginary world called “Mundo.” Shelters for the souls of the displaced, looking for comfort. As I became a graduate student in the Craft/Materials Studies department, my perspective widened, and my work itself answered a question for me: I want to be comfortable everywhere; how can my home be everywhere …

Hollywood, Ai, And The Moral Universe: An Analysis Of The Terminator And Battlestar Galactica, Lara Sumera Samms

Masters Theses

This thesis defends the argument that depictions of artificial intelligence in Hollywood film and television point to a moral universe. Films The Terminator (1984) and Terminator 2: Judgment Day (1991), as well as the television series Battlestar Galactica (2004-2009) are analyzed to find clues of moral facts. This research paper submits that these stories add weight to the moral argument and provide evidence that humans implicitly recognize a moral universe. Such acknowledgment of moral structures cannot be adequately explained within a secular framework such as utilitarianism or evolutionary ethics. However, the Christian worldview frames reality around the existence of God, …

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

Vatican Kiseki Chousakan As Philosophy Of Religion: The Intersections Of Faith, Science, And Philosophy In An Anime Adaptation, Carl Jayson D. Hernandez

Philosophy Department Faculty Publications

Ideas concerning religion are often communicated through popular media, such as anime. One of the anime adaptations that explicitly engages the intersections of religion, science, and philosophy is Vatican Kiseki Chousakan. This anime adaptation centers on a special unit from the Vatican that verifies miraculous phenomena worldwide. In this study, I reflect on how the anime representation communicates religious ideas about miracles, prophecies, and other spiritual matters to its viewers. This critical reflection reveals how anime promotes a philosophical view centered on the complementary relationship between religion and science. With these in mind, this study proceeds as follows. The first …

The Testament Of Ann Lee, Sherry Coman

Journal of Religion & Film

This is a film review of The Testament of Ann Lee (2025), directed by Mona Fastvold.

Sinners, John C. Lyden

Journal of Religion & Film

This is a film review of Sinners (2025), directed by Ryan Coogler.

Iranian Culture In Bahram Beyzaie’S Cinema And Theatre: Paradigms Of Being And Belonging (1959-79), Hessam Abedini

Journal of Religion & Film

This is a book review of Saeed Talajooy, Iranian Culture in Bahram Beyzaie’s Cinema and Theatre: Paradigms of Being and Belonging (1959-79) (London: I.B. Tauris, 2023)

Subjectivity And Decolonisation In The Post-Independence Novel And Film, Heather Bigley

Journal of Religion & Film

This is a book review of Sarah Jilani, Subjectivity and Decolonisation in the Post-Independence Novel and Film (Edinburgh University Press, 2024).

Cinema Illuminating Reality: Media Philosophy Through Buddhism, Teng-Kuan Ng

Journal of Religion & Film

This is a book review of Victor Fan, Cinema Illuminating Reality: Media Philosophy through Buddhism (Minneapolis: University of Minnesota Press, 2022)

Transnational Horror: Folklore, Genre, And Cultural Politics, Damon T. Berry

Journal of Religion & Film

This is a book review of Cüneyt Çakırlar, ed. Transnational Horror: Folklore, Genre, and Cultural Politics (Liverpool, 2025)

Mapping Muslimness In Hindi Cinema, Syed Haider

Journal of Religion & Film

This essay reviews two books: Nadira Khatun, Postcolonial Bollywood and Muslim Identity: Production, Representation, and Reception (Oxford: Oxford University Press, 2024), and Mohammed Asim Siddiqui, Muslim Identity in Hindi Cinema (New York: Routledge, 2025).

Lived Islam In Films: Faith-Based Resilient Responses Of Syrian Refugees, Jumana S. Al-Ahmad

Journal of Religion & Film

This article provides educators in fields such as Middle Eastern studies, refugee studies, cultural and Islamic studies with a framework from documentaries to challenge stereotypes about Muslim refugees and migrants. Using the framework of lived Islam, the article explores how Syrian Muslim migrants, as seen in documentaries, draw on their faith to build resilience that enables them to continue striving for better lives. Resilience is defined as the ability to overcome challenges and catastrophes, envision solutions, and lead a purposeful life. This article conceptualizes resilience not only as a personal trait but also as a collective tool for survival and …

Monstrous Girls And Celestial Lovers: Fantasy, Fear, And Female Adolescence In The Malayalam Films Ennu Swantham Janakikutty And Njan Gandharvan, Helena Reddington

Journal of Religion & Film

The Malayalam films Ennu Swantham Janakikutty and Njan Gandharvan reimagine figures from Kerala folklore, namely the Yakṣi and the Gandharva, within coming-of-age narratives. Both films position the characters of the Yakṣi and the Gandharva as fantastical figures who usher the young female protagonist into maturity. Rather than offering a pan-Hindu survey, this study focuses specifically on Kerala’s unique reimaginings of these celestial beings, where these figures carry distinct cultural meanings. This interpretive analysis is situated at the intersection of film studies, religious studies, as well as gender and sexuality studies, drawing particularly on feminist theory and critical approaches to vernacular …

Women’S Bonds And Chance Encounters: An Analogical Reading Of The Book Of Ruth And Joshua Marston’S Film Maria Full Of Grace, Luigi De Angelis Soriano

Journal of Religion & Film

This article offers an analogical reading of the biblical book of Ruth and Joshua Marston’s 2004 film Maria Full of Grace, examining how both narratives portray migrant women who form strategic social bonds to navigate precariousness within limiting power structures. While Ruth and María inhabit vastly different cultural and historical contexts, their stories meet in their emphasis on female solidarity and human agency. Focusing on key verses from Ruth and pivotal scenes from Maria Full of Grace, this study highlights how emotional and ethical relationships among women—whether covenantal or born of desperation—become sources of strength in the absence …

The Secular Eschatology Of Once Upon A Time...In Hollywood, Timothy Winterstein

Journal of Religion & Film

This article considers the ending of Quentin Tarantino's 2019 film Once Upon a Time...in Hollywood in light of Christian eschatology. I argue that Tarantino gives us an image of a temporal, partial eschatological moment, which relates to and interacts with a scriptural, Christian perspective on hope and the universal human longing for things to be other than what they are.

Hermeneutical Priming And Linguistic Hijacking In The God’S Not Dead Series, Brant Entrekin

Journal of Religion & Film

In this paper, I analyze the evangelical Christian film series God's Not Dead. I argue that the film series functions as Christian Nationalist propaganda through its rhetoric and aesthetic choices. I then develop two forms of epistemic manipulation that the film uses to fulfill its propagandistic function: hermeneutical priming and linguistic hijacking. I suggest that the film series' use of these rhetorical strategies highlights some of the ways that evangelical Christian cinema is engaging with rising right-wing political movements and developing unique evangelical imaginations.

100 Years Of Sergei Eisenstein: Iconographic Language And Revolution, Milja Radovic

Journal of Religion & Film

As we commemorate the 100th anniversary of Sergei Eisenstein’s masterpiece Броненосец Потёмкин / Battleship Potemkin (1925), it is essential to re-examine the film that has had enduring influence on film theory, history, and scholarship. Voted one of the greatest films of all time, Eisenstein’s cinematic genius has been crucial to understanding the power of film language. This paper focuses on the underexplored relationship between Eisenstein’s film language and iconography, examining the ways in which Orthodox Christian iconography shaped the story of revolution. The paper delves into the ways in which Eisenstein conveyed complex ideas, demonstrating the technical developments of film …

Sermons And/In/As Literature, Robert Ellison

English Faculty Research

Five of the nineteen contributors to Preaching and the Sermon in the Twentieth Century are members of English departments, so it is somewhat ironic that none of their chapters could be categorized as “literary studies” (they are instead in the sections for history, book history, media studies, and digital humanities). This presentation is intended to offer a perspective that is not represented in that collection.

In about five minutes each, I will survey the three elements mentioned in my title:

1. Sermons and literature. This section will address how sermons can be influenced by other forms of literature, and influence …

The Uses Of Dramaturgical Research In Cinematic Storytelling, Asset Design, And Adaptation In Animation, Delaney L. Walker

All Theses

“The Black Hair” is a creative project that explores the convergence of cinematic adaptation, dramaturgical research, and animation design in retelling a traditional Japanese short folktale from the Heian Era. Rooted in the practice of theatrical dramaturgy, this thesis advocates for a research-driven creative pipeline by developing a culturally respectful and historically grounded approach to developing cinematic storyboards. By thoroughly examining the chronicles of history and the sociocultural context, the project seeks to foster deeper cultural appreciation while reintroducing a lesser-known narrative to modern audiences through a visual medium. The project draws stylistic and narrative inspiration from iconic Japanese filmmakers …

Chasing The Sacred: A Personal Archive, Yiko Yang

Masters Theses

The relationship between humans and nature is like that of a child to a mother, or consciousness to the unconscious. The former arises from the latter, which always holds and shapes it. As human consciousness evolves, the desire to return to the unconscious remains—we are always looking back, searching for that first glimpse of the world.

Thinking back to my childhood, certain fundamental images—archetypes—come to mind. Rooted in the research of Carl Jung and Erich Neumann, this concept also stems from my family’s cultural heritage and my deep, lasting connection with nature as a child. These archetypes reflect the natural …

Ib-Adat, Anum Naseer

Masters Theses

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Imágenes De Silencio, Compromiso, Persecución Y Tortura: La Teología De La Liberación Y Su Encrucijada Con Las Dictaduras Del Cono Sur Desde Una Representación Cinematográfica, Marcial Martínez

Spanish and Portuguese ETDs

This dissertation examines the interaction between liberation theology and the

dictatorships of the Southern Cone from the 1960s to the 1980s through cinematic

representation. Filmmakers from Argentina, Brazil, Chile, Paraguay, and Uruguay

depict the political upheavals of the time, including the rise of leftist movements,

military regimes, and the influence of liberation theology, a progressive religious

ideology advocating for the oppressed. The study focuses on what is defined here

as the "cinematic canon of liberation theology," a body of films and documentaries

that legitimize, contest, or obscure ideologies tied to this movement vis-à-vis the

dictatorships. These films contest the silence …

Pedro Aceves Mfa Thesis, Pedro M. Aceves

Electronic Theses, Projects, and Dissertations

My Work is about looking at Cruising through a queer decolonial lens. Using multiple mediums such as photo, glass, Augmented reality, and film, I explore these queer histories and aesthetics through not just an anthropological approach but also an artistic epistemological approach weaving together narratives of prehispanic and modern queer Latinidad.

A Sacramental Model For Digital Ecclesiology: Theological Retrieval For A Mediated Church, Caleb J. Atha

Senior Honors Theses

The widespread proliferation of digital technologies has opened the door to new ecclesiological questions and challenges for the Christian denominations that have integrated these technologies into their community life and liturgical practices. American evangelicalism is proposed to be especially susceptible to the aforementioned challenges due to its ecclesiological emphases and general posture towards digital media. Using Marshall McLuhan’s seminal insights in media theory, this work argues that the role of digital media in the church shows a significant congruence with Christian sacramental theology. The concept of the digital church is analyzed through McLuhan’s tetrad framework and its weaknesses are highlighted. …

Forever Tree, Alyse A. Petersen

Healy Poetry Prize

No abstract provided.

Saintly Cinema: Modelling The Icon In The Flowers Of St. Francis And Andrei Rublev, Alexander Hart

Journal of Religion & Film

Throughout the history of the cinema, filmmakers have turned to the visual arts for inspiration in creating spiritual styles on film. In this essay, it is argued that Roberto Rossellini’s The Flowers of St. Francis (1950) and Andrei Tarkovsky’s Andrei Rublev (1966) were influenced by Giotto di Bondone’s frescos and Andrei Rublev’s Eastern Orthodox icons, respectively. Committed to realism, Rossellini adopts Giotto’s proto-Renaissance, humanist art as a model for a spiritual style in which the Transcendent is manifested through the natural world. Subverting terrestrial reality, Tarkovsky adopts the aesthetic principles of the Eastern Orthodox icon, translating Pavel Florensky’s concepts of …

The Theological Power Of Film, Irena Sever Globan

Journal of Religion & Film

This is a book review of James Lorenz, The Theological Power of Film (New York: Routledge, 2024).