Feminist, Gender, and Sexuality Studies Commons^™

'Heard But Not Seen': An Anthology Of Victorian Childhood Devised And Presented, Gabriel Woolf, Rosalind Shanks

The George Eliot Review Online, ISSN: 2831-5375

This year's performance of readings was subtitled A Victorian Edition of Children's Hour, and was intended for adults. The programme was constructed round the framework of the childhood of Tom and Maggie from The Mill on the Floss and included insights into the lives of other children in both fact and fiction.

Actors are usually advised that it is unwise to act with children, but to play the part of a child is another matter, and certainly not child's play. We suspended disbelief, however, and enjoyed the guilelessness of Ruthless Rhymes by Harry Graham as well as Tom and Maggie's …

Review Of The Power Of Knowledge: George Eliot And Education, Linda K. Roberston

The George Eliot Review Online, ISSN: 2831-5375

This book, volume 61 of the University of Kansas Humanistic Studies series, purports to do one thing but delivers another. According to the blurb on the back cover, Robertson demonstrates that George Eliot had much to say on a number of educational issues that plagued her contemporaries. In fiction, essays, and letters, we are told, she commented on various Victorian educational debates about illiteracy, the desirability of a classical education and higher education for women. In her introduction, Robertson briefly reminds us of some nineteenth- century writers on education: Newman, Mill, Huxley, Ruskin, Arnold, Spencer and Whewell, the Master of …

A Forgotten Critic: Abba Goold Woolson's George Eliot And Her Heroines: A Study, Graham Handley

The George Eliot Review Online, ISSN: 2831-5375

I feel that one should draw attention to the fact that in 1886 an American woman established certain emphases which succeeding critics followed, developed and extended in the twentieth century. This small book (published by Harper Brothers, New York) is a serious investigation of George Eliot's art, even employing the kind of language (Data Necessary for an Estimate of her Mind and Works') which links the scientific and the literary as a kind of consonance with George Eliot's own practice. As early as the second page there is an unequivocal assertion of the nature of her greatness - 'the name …

Review Of George Eliot And Europe, John Rignall

The George Eliot Review Online, ISSN: 2831-5375

George Eliot and Europe arrives at a timely moment, when the nature of the relationship between Britain and the Continent is at best ambiguous, and when the parameters of 'Europe' are anxiously contested. In some ways, things have not altered much since the middle and late nineteenth century: nationalism, immigration, militancy, cultural isolationism - all of these were as important to nineteenth-century ways of thinking as they are today. This collection of essays, based on a conference and part of a series which seeks to understand Europe in relation to the rest of the world, insists that in order to …

Review Of The Mill On The Floss

The George Eliot Review Online, ISSN: 2831-5375

In this lamentably impoverished adaptation by Hugh Stoddart (directed by Graham Theakston), a character identified as Sophy Deane (played by Joanna David) masqueraded as one of three Dodson sisters. That George Eliot created a unit of four sisters is of minor consequence, since their individuality apparently merited so little concern that it was deemed fitting to amalgamate the lachrymose Sophy Pullet with Lucy Deane's mother, Susan - an expedient that, instead of giving us two for the price of one, merely effaced them both. In effect, every opportunity to avoid the danger of distinguishing one sister from another appeared to …

The Quest Of Anonymity: The Novels Of George Eliot, Henry Alley

The George Eliot Review Online, ISSN: 2831-5375

This book derives from half a lifetime's teaching and the author's obvious affinity for George Eliot. It is earnest, sometimes engaging, often off centre. It also exists in a kind of time-warp, somewhere in the 1960s in terms of tone and stance, though there is an impressive range of criticism and background reading cited and occasionally milked. In fact, this back-up seems to be an attempt to establish critical credentials, and the constant references in which Alley says 'And I would add ... " or merely summarizes arguments reflect this. At his best he has no need of this, since …

Review Of Perspectives On Self And Comunity In George Eliot: Dorothea's Window, Patricia Gately, Dennis Leavens, D. Cole Woodcox

The George Eliot Review Online, ISSN: 2831-5375

This is a modest book, edited by three people who are so modest that they reveal nothing at all about their identities. It is possible to discover from a footnote on p.159 that it is a product of a conference on George Eliot although further details of that event remain undisclosed. Two of its contributors, however, are well known in George Eliot circles: Barbara Hardy and Felicia Bonaparte. Their essays are certainly worth reading while all the other contributions have something new to say about Eliot's work even if they are by today's standards under-theorized. One looks in vain in …

Review Of Realism, Representation, And The Arts In Nineteenth-Century Literature, Alison Byerly

The George Eliot Review Online, ISSN: 2831-5375

Dr. Alison Byerly's concern is with the use in their fiction by four Victorian novelists of art works, performative as well as representational, experienced by the characters as well as metaphors within the larger narrative frame, works both real and invented - the Vatican's antique Cleopatra/Ariadne in Middlemarch, for example, as well as the Agamemnon charade of Vanity Fair. Byerly sees this process as intimately bound up with 'realism' (the term is commonly offered to us in inverted commas) and with the self-consciousness of her chosen novelists: Thackeray, Charlotte Bronte, George Eliot, and Thomas Hardy. This process, in turn, points …

Review Of George Eliot, Josephine Mcdonagh

The George Eliot Review Online, ISSN: 2831-5375

While the old 'Writers and their Work' pamphlets were very useful in their staid, often belles-lettristic, way, since the series was relaunched in 1994 under the General Editorship of Isobel Armstrong it has made its mark in a more forthright and compelling manner. These monographs are longer than their predecessors, at around 40,000 words, and while they are uniform in format, in a livery of nationalist red, white and blue, they respond distinctively to their brief: 'Drawing upon the most recent thinking in English studies, each book considers biographical material, examines modem criticism, includes a detailed bibliography, and offers a …

'Tied To My Heart By A Cord Which Can Never Be Broken': George Eliot And Her Sister Chrissey, Kathleen Adams

The George Eliot Review Online, ISSN: 2831-5375

Christiana Evans, always known as Chrissey, was the first child of Robert Evans's marriage to Christiana Pearson of Astley, near Nuneaton, and she was born, as were Isaac and Mary Ann, at Arbury (now South) Farm on the Arbury estate in 1814. When the family moved to Griff House in 1820 Chrissey was old enough to go to boarding school and she went in advance of her small sister to Miss Lathom's School in nearby Attleborough. This removed her from Griff to the closer vicinity of her Aunt Evarard, later to appear as one of the Dodson sisters in The …

Annual Report 1997, Kathleen Adams

The George Eliot Review Online, ISSN: 2831-5375

1997 was, as always, a busy year for the Fellowship, beginning with the Annual General Meeting on 14 March. Mrs. Kathleen Porter retired from the Fellowship Council and was thanked for many supportive years. The Chairman had just completed twenty-five years in office and was presented with a gift token to show the Fellowship's appreciation for all those years in office. Mr. David Adams was elected to take the place of Mrs. Porter and Mrs. Vivienne Wood of King Edward Sixth Form College, Nuneaton was co-opted for one year. A George Eliot version of 'Call my Bluff' concluded the meeting. …

Anne Hutchinson And The Economics Of Antinomian Selfhood In Colonial New England, Michelle Burnham

English

If American literary histories so often begin with the New England Puritans, it is because histories with such a starting point are able to tell an appealing national story of coherent community and religious freedom. So, at any rate, suggests T. H. Breen when he notes that beginning the national narrative instead with John Smith and the Virginia colony would require telling a far less pleasing tale of American greed, domination, and exploitation. Philip Gura has likewise wondered how Sacvan Bercovitch's model of an "American self," formulated from exclusively Puritan New England materials, might be complicated by John Smith's mercantilism. …

Ruby Bayou, Autumn 1996, Ruby Bayou Staff

Ruby Bayou

3.....Purple Lover's Scene ...... S.B.
4.....These jeans cost me $50 ..... M.V.
5.....Feminism and Hegemony .....J.R.
10...Clothesline ..... M.D.
12...Kumari Devi ..... W.H.
14...Free Association .....A.J.C.
15..you were so close today ..... S.S.
- Peach knit sweater ..... M.V.
16..Untitled by anonymous (a woman)

(*There is no official Table of Contents for this issue. Article titles included for ease of search.)

James Baldwin's Search For A Homosexual Identity In His Novels, Nadia Abdel Fattah

Dissertations and Theses

James Arthur Baldwin (1924-1987) is one of the two major writers who have dared write about black gay men and from a black gay perspective. However, his fame as a racial spokesman and his insightful analyses of race relations in America tend to distract attention from the fact that he has been one of the most important homosexual writers of the twentieth century. Intolerance and homophobia among black and white Americans often led to a misinterpretation or misevaluation of James Baldwin's novels.

James Baldwin was very courageous to come out as a black homosexual writer during the period of the …

Address At The Unveiling Of John Letts's Statue Of George Eliot At The George Eliot Hospital, Kathleen Adams

The George Eliot Review Online, ISSN: 2831-5375

This is, of course, the second time many of us have attended the unveiling of a statue of George Eliot. The last time was in 1986 and John, I know, will remember what an exciting time that was. Even before the unveiling we had met in Newdegate Square to await her arrival from the foundry. She arrived on the back of a lorry, almost as though she had thumbed a lift up from High Wycombe. When she was unveiled by our President she shone like a new penny.

From that day on I have wished that the George Eliot Hospital …

Strength Within--Love: The Story Within The Story, Wanda T. Talbott

Theses & Honors Papers

No abstract provided.

From Belle To Whore: Southern Stereotypes In John Pendleton Kennedy's Swallow Barn And William Faulkner's The Sound And The Fury, Sandra Compton Simmons

Theses & Honors Papers

No abstract provided.

A Good Country Gentlewoman: Catherine Clive's Epistolary Autobiography, Joallen Bradham

Faculty Articles

Unable to play the gentlewoman on stage, Catherine Clive lived the part in retirement. Her letters document the days and ways of the gentlewoman, Clive's need to assume the role, and the actress's awareness that she performs. In all details, Clive's gentlewoman conforms to contemporary expectations of that figure.

Wreath-Laying In Poet's Corner, Westminster Abbey, Graham Handley

The George Eliot Review Online, ISSN: 2831-5375

It has always seemed to me, and doubtless to many others, that some of the most moving and evocative words ever written by George Eliot occur near the beginning of the third chapter of her last novel, Daniel Deronda:

A human life, I think, should be well rooted in some spot of native land, where it may get the love of tender kinship for the face of earth, for the labours men go forth to, for the sounds and accents that haunt it, for whatever will give that early home a familiar unmistakable difference amidst the future widening of knowledge; …

Wreath-Laying In The George Eliot Memorial Garden, Nuneaton, Marjorie Bruce

The George Eliot Review Online, ISSN: 2831-5375

Yesterday evening Pat Williams and I much enjoyed performing our recital based on George Eliot's words and on her concert-going and home musical entertainment experiences. Usually a recital programme of this kind is given once and never heard again (as is the case with most concerts). Performers in opera, and even more in musicals, will have the pleasure, which may eventually turn into the pain, of reproducing the same performance over and over again. Can they, like Browning's wise thrush, repeat their first fine careless rapture? The cry of encore at the end of a recital often elicits one other …

The Princess Wenonah Legends, Monica Drealan Degrazia

Student Capstones, Theses, & Dissertations

This thesis explores the Princess Wenonah legend and its permutations. From 1805 to the present, the published versions of the legend-dependent on the imaginations, literary tastes, individual whims, and beliefs of their authors-vary in detail and purpose. The more than thirty versions of the legend share some common denominators, but their variations add color to local history and reflect some of the important cultural changes that have occurred over the course of almost two centuries.

James Joyce And His Other Language: The "Abnihilization Of The Etym", Lisa J. Fluet '96

Fenwick Scholar Program

This thesis proposes to say something new about Joyce's female characters that would in a sense redeem Joyce from the sharp criticism his texts encounter from feminist theorists. To achieve this, I have worked to dismantle the notion of literal, primary-word meanings to expose the etymon's origin from nothing. By tracing points in various works of Joyce where the word, the basis for most patriarchal literary representation, is not revered, but instead is dismantled, proven inadequate, and ultimately "abnihilizated," I attempt to demonstrate that female characters kept outside active participation with the word warrant serious consideration, as harbingers of a …

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

Ruby Bayou, Spring 1996, Ruby Bayou Staff

Ruby Bayou

2.....Pledge of Environmental and Social Responsibility
3.....a love ballad [in the key of ee]..........keith Adam Nottonson
4....."Relatively Tacky, But Undefined" ..... Denise McRedmond
7.....Feminism Without Apology .....Leslie Jansen
10.....Weathervane .....Rita Ferrandino
11.....The Neu Journalism And The Internet Party ..... Doctress Neutopia
14.....windows of suburbia .....Julie Rivchin
17.....Split Decision ..... Eric Charlesworth
20.....The Incredibly True Adventure of One Womyn in WAC ..... Leslie Jansen
22.....A Beginning ..... Nancy Ellwood
24.....CHANGE AND MOTION .....Shana Lydon
28.....The Perpetuation of the American Dream Myth ..... Julie Rivchin
34.....Twiddle ..... Mark LaGasse
35.....The Palace On the Hill ..... Brian Murray
37.....EXCLUSION REMOVED from S.A. Insurance …

Antimodern, Modern, And Postmodern Millay: Contexts Of Revaluation, Cheryl Walker

Scripps Faculty Publications and Research

In this chapter, Walker examines questions concerning renewed scholarly interest in Edna St. Vincent Millay toward the end of the twentieth century. Specifically, these questions center on whether to rethink the principles of establishing the canon of American literature--indeed, whether the poet changes literary fashions or literary fashions change the poet. Walker's answer is the latter, and her essay examines how Millay is different received through three different periods: antimodern, modern, and postmodern. She argues that whether a poet becomes central to literary study has less to do with the "quality" of the poetry than with complex cultural factors that …

Ua35/11 Student Honors Research Bulletin, Wku Honors Program

WKU Administration Documents

The WKU Student Honors Research Bulletin is dedicated to scholarly involvement and student research. These papers are representative of work done by students from throughout the university.

• Brooks, Lynnette and Cindy Calisi. The Effect of Selenium Supplementation on the Immune Response of Mice with Experimental Chagas' Disease
• Hildreth, John. Teasing the Muse
• Jenkins, Rhonda. Steinbeck's Portraits of Prostitutes: Progression of an Author's Vision
• Kirkham, Michelle. The Prenatal Use of Crack Cocaine: How It Affects Children and How Schools Can Respond
• Gibson, Jeanette and Juli McCay. Circadian Rhythm of Brain GABA Levels in the Cockroach, Leucophaea Maderae
• Patterson, Dana. Home Schooling …

Medicine & Literature (Spring 1996) (Whitman College), Robert D. Tobin

Syllabi

This course was taught by Robert Tobin at Whitman College. Professor Tobin worked at Whitman for 18 years as associate dean of the faculty and chair of the humanities, and was named Cushing Eells Professor of the Humanities.

"In World Literature 390, I want to examine from a literary perspective medicine and medical discourse. How do authors use metaphors of sickness and health, illness and cure, disease and well-being in their literature? How in turn do these literary and rhetorical metaphors affect everyday understandings of these basic concepts?"

Ivy Leaves, 1995-1996, Ivy Leaves Editorial Staff

Ivy Leaves

The 1996 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Mary Nell Tysinger, Sharon Feldor, Daryl McCard, Julie Banker, Kim Elmore, Misty Taylor, Armeal Thompson, Wayne Cox, and Susan Wooten. Cover art by Misty Taylor.

The George Eliot Review: Journal Of The George Eliot Fellowship- 1996 No.27, Beryl Gray, John Rignall

The George Eliot Review Online, ISSN: 2831-5375

Notes on Contributors ........................................................... 5

REPORTS Kathleen Adams: Annual Report 1995 .................................... 7

Ruth Barris: University of Warwick, Second George Eliot Conference Report: 'George Eliot and Europe' ............................................................... 12

Rosalind De Sailly: University of Adelaide, Australian Victorian Studies Association Seventeenth Conference Report: 'The Victorians and Science'..................... 16

Elizabeth Gundrey: Report on the lecture delivered by John Cooper at the National Portrait Gallery, December 1995: 'George Eliot at the National Portrait Gallery'................... 18

Linda K. Robertson: American Branch Report 1995 ..............................19

ADDRESSES Richard Thompson: Wreath-laying in the George Eliot Memorial Garden, 11 June 1995 .....................................................................20

John Rignall: The Twenty-Fourth George Eliot …

Music As A Sign In Daniel Deronda, Phyllis Weliver

The George Eliot Review Online, ISSN: 2831-5375

The language of music communicates and contributes to spiritual transformation in Daniel Deronda. It expresses non-verbal truths about humanity's connection to the world, and unifies the novel with a continuous vocabulary since sound and silence are frequently described in musical terms. George Eliot specifies meaning in non-verbal mediums. For instance, since the narrator says that Gwendolen blushes as a result of surprise, the reader can decipher an encoded meaning in situations where she blushes, although the characters must still interpret via deduction: 'A blush is no language: only a dubious flag-signal which may mean either of two contradictories. In order …