Feminist, Gender, and Sexuality Studies Commons^™

"Grand And Vague" Why Is Daniel Deronda About The Jews?, David Malcolm

The George Eliot Review Online, ISSN: 2831-5375

'I am sure you are right to leave everything grand and vague', George Eliot's publisher wrote bemusedly to her about Daniel Deronda's Zionism (Letters VI: 272). In his 'Conversation' on Daniel Deronda, Henry James too, like many contemporary and later readers, expresses his doubt and unease about the novel's Zionist subject matter.

Traditional interpretations of the Zionist subject matter in Daniel Deronda are not wholly satisfactory. It is often dismissed as vague and lacking in concreteness (Fisher 227; Bamber 421; Hochman 113-33; LiddellI82), or explained purely in biographical terms, which, while fascinating, do not reveal much about the function of …

Japanese Branch Report 1998, Yuriko Kani

The George Eliot Review Online, ISSN: 2831-5375

The second annual convention of the George Eliot Fellowship of Japan was held at Toyo University in Tokyo on Saturday, 31 October 1998. After a year of careful preparation, the convention was successful. The morning session began with a welcome speech by Yuzo Uzuhashi, Chair of the English Literature Department at Toyo University. After that, three papers were presented. The first paper, 'Representations of Mobs and Riots: Felix Halt as an Industrial Novel', was presented by Tadashi Wada, a graduate student at Tokyo University. He discussed how the author's ambivalent view of mobs and riots was reflected in the representations …

Review Of A Monument To The Memory Of George Eliot. Edith J. Simcox's Autobiography Of A Shirtmaker, Constance M. Fulmer, Margaret E. Barfield

The George Eliot Review Online, ISSN: 2831-5375

The intensity of Edith Jemima Simcox's passion for George Eliot has been known to a twentieth- century reading public since the publication of K. A. McKenzie's Edith Simcox and George Eliot in 1961. McKenzie's book is a combination of summary and quotation of a manuscript acquired by the Bodleian Library in 1958, This manuscript, entitled The Autobiography of a Shirtmaker, is a journal kept by Simcox from 10 May 1876 until 29 January 1900. Gordon Haight wrote the introduction to McKenzie's book, relied on the Simcox manuscript in his 1968 biography of Eliot, and printed lengthy passages from it in …

Review Silas Marner, Geoffrey Beevers

The George Eliot Review Online, ISSN: 2831-5375

Following on from his extremely successful stage adaptation of Adam Bede, which won a Time Out award in 1991, Geoffrey Beevers chose to bring another George Eliot masterpiece, Silas Mamer, to the stage at the Orange Tree theatre.

With four stage exit and entry points, this theatre-in-the-round offered a perfect opportunity to create the pace required to move through a tale spanning thirty years in the confines of a two and- a-half-hour play. The cast took full advantage, with actors narrating from all corners while the scene developed centre stage, giving the audience no time to lose the thread.

Narration …

Mathilde Blind, Graham Handley

The George Eliot Review Online, ISSN: 2831-5375

The first titles in the Eminent Women Series published in 1883 by W. H. Allen included studies of Emily Bronte and George Sand (Margaret Fuller, Maria Edgeworth, Elizabeth Fry, and Harriet Martineau would be in the next wave) as well as Mathilde Blind's pioneering, sensitive, uneven and sympathetically feminist exposition of George Eliot's life and art. Blind herself deserves a full-length study, and at particular points her own life and works touch those of George Eliot. Born Mathilde Cohen in Mannheim in 1841, she took her stepfather's name when her mother remarried. Dr. Karl Blind was an ardent republican in …

The Twenty-Sixth George Eliot Memorial Lecture: A Troubled Friendship, Gillian Beer

The George Eliot Review Online, ISSN: 2831-5375

Edith Simcox is now usually remembered, if at all, as the woman who recorded in a secret journal ('Autobiography of a Shirt Maker') her passionate and physically unrequited love for George Eliot. Yet to her contemporaries Simcox was well known as a philosopher, a distinguished translator of intellectual works from German, an incisive journalist reviewing important works written in French and German as well as English, an ethnographer, and a political activist. She was, under the pen-name 'H. Lawrenny' one of the founding contributors to the Academy in 1869 and appeared for the first time in her own person there …

'My Own Dear Heart's Ease': George Eliot's Coventry Friend, Caroline (Cara) Bray (1814-1905), Kathleen Adams

The George Eliot Review Online, ISSN: 2831-5375

In September 1842 Mary Ann Evans wrote a short but illuminating letter to her Coventry friend Cara Bray:

My own dear Heart's Ease [it was not unusual for her to give her closest friends the name of a flower as she had done this on several occasions before], ... your looks and words of love are so precious to me. I am together ashamed of myself - do not tell anyone that I am so silly as I appear to her whom I love best ... '

We don't know why Mary Ann was so ashamed but we do see …

Review Of George Eliot And Goethe: An Elective Affinity Sisters In Literature: Female Sexuality In 'Antigone', 'Middlemarch,' 'Howards End' And 'Women In Love', Gerlinde Roder-Bolton

The George Eliot Review Online, ISSN: 2831-5375

George Eliot's admiration for Goethe is well known but how exactly it impinges on her own fiction is less clear and hence Gerlinde Roder-Bolton's useful attempt to analyse her creative use of him. As the sub-title of this study is perhaps intended to suggest, however, it either combines, or slips between, two different arguments. It looks closely at three parallel texts: The Mill on the Floss and Elective Affinities; Daniel Deronda and Faust; Daniel Deronda and Wilhelm Meister's Apprenticeship. In the first case, evidence is adduced, along with an interpretative argument, to suggest that Goethe's novel significantly aided the composition …

Nación Y Masculinidad En La Narrativa Decimonónica: El Caso De Sab Y Aves Sin Nido, Cesar Valverde

Scholarship

No abstract provided.

Modelos Masculinos En El Cautiverio Feliz: El Ideal Medieval Y El Presente Degradado, Cesar Valverde

Scholarship

No abstract provided.

Freya Stark, John C. Hawley

English

Freya Madeline Stark lived for a century, and into that one hundred years she packed a life of extraordinary daring and ingenuity. "Personally I would rather feel wrong with everybody else than right all by myself," she wrote in Baghdad Sketches ( enlarged edition, 193 7); "I like people different, and agree with the man who said that the worst of the human race is the number of duplicates." Such a motto defines not only her approach to the world but also the character of the woman herself. She had no duplicate. The writings that resulted from her constant travels …

George Eliot Birthday Luncheon: The Toast To The Immortal Memory, Geoffrey Beevers

The George Eliot Review Online, ISSN: 2831-5375

I'm sure you all know more about George Eliot than I do, so I thought I'd talk for a few minutes about the difficulties and joys of adapting her work, and especially Adarn Bede for the stage.

I'd been asked to adapt Adarn Bede for the Orange Tree theatre in Richmond, Surrey, then a tiny room-theatre above a pub. I didn't know much about George Eliot then. I didn't know that just around the corner from the pub theatre was the beautiful house in Park Shot where she had begun to write Adarn Bede and where the sound of George …

Wreath-Laying In Poet's Corner, Westminster Abbey, Carol A. Martin

The George Eliot Review Online, ISSN: 2831-5375

The nineteenth century was an age of travellers, including many famous British women travellers. Lady Hester Stanhope lived for years in the Middle East, Mary Kingsley explored the jungles of Gabon and died while performing medical work in South Africa, Isabella Bird Bishop journeyed around the globe and wrote books on Malaysia, China, Japan, the Hawaiian Islands, the Sinai Peninsula, and the valleys and peaks above 10,000 feet in the Rocky Mountains of Colorado.

George Eliot was also a woman interested in travel, though in ways different from those of the women I have just named. Several of the earliest …

Wreath-Laying In The George Eliot Memorial Garden Nuneaton, Ruth Harris

The George Eliot Review Online, ISSN: 2831-5375

I am deeply grateful for the honour of being invited to lay a wreath in memory of George Eliot, and to lay it in a place that meant so much to her.... Nuneaton. Before the heavens opened, I pictured us all gathered outside surrounded by green grass, trees and flowers, and able to imagine the spirit of George Eliot not in her study surrounded by books but out-of-doors, enjoying the fresh air. Some imagination is needed to visualize a little girl gathering flowers in the sunshine, or running towards a Round Pool after her older brother, or leaping with delight …

Western Women’S Travel Writing About The Pacific Islands, Claudia Knapman

Pacific Studies

Although there has been a revival of interest in nineteenth-century women’s travel writing, this is a neglected area of Pacific scholarship. Though the work of Western women travelers who wrote about the Pacific Islands has been drawn upon by some researchers, this literature has not received attention as a genre, as a body of source material, or as the focus of academic research questions. This article, while neither a detailed analysis of particular writers and their works nor an attempt to delineate the field, uses three categorizations--the realist, the protofeminist, and the orientalist--derived from analyses of women’s travel writing elsewhere …

Vol. 20 No. 2 (1997): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Vol. 20 No. 2 (1997): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Contributors: Vol 20 No. 2, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Contributors list of Vol. 20 (1997): Pacific Studies Full Issue 2

Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Book Listing for the Vol 20, No 2 Edition of the Pacific Studies Journal

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

Battling The Dragons: The Heroic Journeys Of The Ladies Of Avalon In Marion Zimmer Bradley's The Mists Of Avalon, Dawn E. Owen

Theses & Honors Papers

This study uses Pearson’s theory of twelve archetypes and the heroic journeys of the ladies of Avalon in Marion Zimmer Bradley’s The Mists of Avalon to determine which archetypes are active in the lives of the ladies Avalon wrote about. In the book, women are seen as more than obstacles, aids, or rewards to males. They are the heroes who refuse to be defined by patriarchal terms. The female characters go on their own quests and seek to transform themselves and the world. Although culture and society affect each of the women, the success of each woman’s journey is determined …

Sex/Textual Conflicts In The Bell Jar: Sylvia Plath's Doubling Negatives, Renée C. Hoogland

English Faculty Research Publications

No abstract provided.

Ivy Leaves, 1996-1997, Ivy Leaves Editorial Staff

Ivy Leaves

The 1997 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Shawn Elliott, Misti Fuller, Kelli Holzer, Stephanie Nichols, April Price, Darren Rambo, Sherrell Crawford, Sharon Felder, Jason Manuel, Daryl McCard, John Woodson, Wayne Cox, and Susan Wooten.

Crossing Boundaries: Land And Sea In Jane Austen's 'Persuasion', Laura Vorachek

English Faculty Publications

Jane Austen suggests in Persuasion the pressures that the increased mobility of the middle class placed on the established aristocratic society in her time. Anne Elliot especially brings to light the inherited assumptions of her society. She can marry within her social rank (Mr. Elliot or Charles Musgrove) or marry below her (Wentworth at age 23), but either is a choice within the limits established by her society. One owns land or one does not. But when Wentworth returns a man of name and wealth, he is not a member of the landed gentry nor is he below Anne in …

Plotting The Mother: Caroline Norton, Helen Huntingdon, And Isabel Vane, Elisabeth Rose Gruner

English Faculty Publications

The proper Victorian heroine neither acts nor plots. Heroines as disparate as Fanny Price of Mansfield Park and Gwendolen Harleth of Daniel Deronda prove their virtue by failing as actresses. When Fanny protests, “Indeed, I cannot act,” we know that it is because she cannot be other than what she is: virtuous. Gwendolen Harleth’s aborted attempt to make a career as an actress seems, in Daniel Deronda, to signal her essential difference from the Princess Halm-Eberstein, the mother who has abandoned Daniel in order to pursue her acting career. Gwendolen is flawed, but at least she is not an …

The Ideolody Of Imagination: Subject And Society In The Discourse Of Romanticism, Forest Pyle

The George Eliot Review Online, ISSN: 2831-5375

A first reaction to the title of this book might be to wonder that it has apparently not been used before: ideology, imagination, subject, society, discourse, Romanticism - a compendium of weighty terms elegantly linked. Another might be to sigh at their familiarity and abstraction: are we in for a strenuously theoretical restatement of some well-worn themes? Readers of George Eliot might have a third reaction: is this a book about Romanticism with a chapter about Eliot tacked on at the end? To answer all these questions simply, let me say that this is a valuable book and recommend it …

Review Of Holt The Radical, A.G. Van Den Broek, Linda Mugglestone

The George Eliot Review Online, ISSN: 2831-5375

With Romola, Felix Halt, the Radical has generally proved to be George Eliot's least appreciated novel. Romola used to be safely categorized as 'smelling of the lamp', while Felix Halt was awkwardly 'political'. Despite a continuing critical unease about both novels, we cannot easily employ such easy categories at the end of the twentieth century. Indeed, the whole idea of what constitutes a 'political novel' has itself radically changed. Where unreconstructed Marxist and Marxisant critics used to see politics exclusively in terms of class struggle, and George Eliot as a muddied conservative whose intellectual grasp on political affairs would have …

Having The Whip-Hand In Middlemarch, Daniel Karlin

The George Eliot Review Online, ISSN: 2831-5375

In one of the first reviews of Proust's Du cote de chez Swann, appropriately published in the journal Le Temps, in 1913, the critic Paul Souday takes Proust to task for writing too much like an Englishman. 'His copious narratives have something of Ruskin and Dickens in them,' Souday remarks; and he might easily have added George Eliot, whom we know Proust to have read and admired. Souday goes on:

This superabundance of trivial events, this insistence on suggesting explanations of them, is frequently met with in English novels, where the sense of life is produced by a kind of …

The Twenty-Fifth George Eliot Memorial Lecture: The Larger Meaning Of Your Voice: Varieties Of Speech In George Eliot, Raymond Chapman

The George Eliot Review Online, ISSN: 2831-5375

When Ladislaw has watched and listened to Dorothea in the Vatican Museum, he says to the painter Naumann that language is superior to painting and 'gives a fuller image, which is all the better for being vague.[ ... ] This woman whom you have just seen, for example: how would you paint her voice, pray? But her voice is much diviner than anything you have seen of her.' The novelist does in a way paint the voice, using the visual signs of written language to convey an auditory experience.

Written dialogue may be naturalistic and idiomatic in its choice of …

Review Of Middlemarch's Three New Editions, Margaret Harris, Judith Johnston, David Carroll, Felicia Bonaparte, Rosemary Ashton

The George Eliot Review Online, ISSN: 2831-5375

Readers of Middlemarch, it is a pleasure to report, are now spoil for choice. Joining an already saturated market are three new paperback editions, attractively produced at a very reasonable price with full critical apparatus, including textual notes, explanatory notes, introductions, chronologies, recommendations for further reading and even, in the case of the Everyman Paperbacks edition, a synopsis of the plot chapter by chapter (although the editors are quick to point out that this is 'intended to serve as an index, not as analysis', nor presumably as a substitute for reading the novel itself). The Everyman edition claims on its …