Literature in English, North America Commons^™

“Between That Earth And That Sky”: The Idealized Horizon Of Willa Cather’S My Ántonia, Miriam A. Gonzales

Anthós

Since its 1918 publication, Willa Cather’s My Ántonia has been lauded for Cather’s masterful description of the Nebraska prairie landscape; since the mid-1980s, this text has also been the subject of countless queer theoretical analyses, many of which focus on what their authors perceive as an obstructed romantic connection between the novel’s two main characters, Jim Burden and Ántonia Shimerda. While these two subjects may not initially seem correlative, a more recent—and unrelated—critical essay illuminates a new way of examining Cather’s attention to setting. When we view My Ántonia in conjunction with José Esteban Muñoz’s “Queerness as Horizon: Utopian Hermeneutics …

Living Oil: Petroleum Culture In The American Century By Stephanie Lemenager, Bart H. Welling

The Goose

Bart H. Welling reviews Living Oil: Petroleum Culture in the American Cenutry by Stephanie LeMenager.

Mary Hallock Foote: Reconfiguring The Scarlet Letter, Redrawing Hester Prynne, Adam Sonstegard

English Faculty Publications

It took 28 years after Nathaniel Hawthorne published The Scarlet Letter in 1850 for Mary Hallock Foote to render drawings for one of the novel’s first illustrated editions, which was probably the first ever to be illustrated by a woman.(1) It took 130 years after the publication of Foote’s illustrated edition in 1878 for Project Gutenberg to digitize and disseminate Hawthorne’s novel with Foote’s illustrations.(2) It has taken seven years for Hawthorne scholarship to commence addressing and examining Foote’s edition, and theorize what her drawings suggest about the act of seeing, for the heroine’s audiences in the book, and for …

A Fire Stronger Than God: Myth-Making And The Novella Form In Denis Johnson's Train Dreams, Chinh Ngo

LSU New Orleans Theses and Dissertations

Using concepts of cognitive evolutionary theory, the author explores how narrative storytelling manifests itself in Denis Johnson's novella Train Dreams. The novella form is also discussed, focusing on its manipulation of linear time, its naturalization of supernatural elements, and its deconstruction of dichotomous relationships. Utilizing the novella's distinct structural and thematic elements, Johnson's text shows the myth of American expansionism and industrial progress and that of Kootenai holism in collision, resulting in a narrative renegotiation that seeks to affirm coexistence and complexity.

Writing The Nation: A Concise Introduction To American Literature 1865 To Present, Amy Berke, Robert Bleil, Jordan Cofer, Doug Davis

English Open Textbooks

Writing the Nation: A Concise Guide to American Literature 1865 to Present is a text that surveys key literary movements and the American authors associated with the movement. Topics include late romanticism, realism, naturalism, modernism, and modern literature.

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The American Aspasia: The Woman Lecturer In American Women's Rights Fiction, 1839-1915, Angela Ridinger-Dotterman

Dissertations, Theses, and Capstone Projects

This dissertation is the first comprehensive study of the figure of the woman lecturer/speaker that appeared in American women's rights fiction in the period between 1839 and 1915. I argue that examining the figure of the woman lecturer/ speaker in a wide variety of texts and over an extended period of history reveals that the figure served as a dynamic vehicle for women writers to advance a broad range of social and political interests; writing in a social and historical context that discouraged women's participation in public speech, women authors used fiction as a rhetorical space to articulate different visions …

Shannon Ravenel Editorial Papers, 1977-1990., Beth S. Harris

Finding Aids: Guides to the Collections

This is a collection of editorial papers for Best American Short Stories, published by Houghton Mifflin. The collection includes reading records, letters of notification, permissions, contracts, reviews and clippings related to BASS, manuscripts, drafts of introductions to the annual volumes, editorial correspondence to authors, Houghton Mifflin staff, and between the series editor and the guest editor.

Vergilian Allusions In The Novels Of Willa Cather, Nathaniel Wagner

All Graduate Theses, Dissertations, and Other Capstone Projects

This work aims to explore the nature of Vergilian allusion in the novels of Willa Cather - how the author implicated classical language in her own texts as well as the purpose and efficacy of such allusions. By surveying traces of Vergilian passages and rhetorical techniques such as ecphrasis and anacolouthon across three of the writer's major novels, My Antonia, The Professor's House and Shadows on the Rock, this study reveals an important and persistent aspect of Cather's artistic program. The author intentionally and regularly uses Vergilian language and figures to lend a sense of grandeur to the small, individual …

Seen, Not Heard: William Faulkner’S Narrative Style In The Creation Of African American Characters, Dixon Speaker

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Harvesting The Seeds Of Early American Human And Nonhuman Animal Relationships In William Bartram's Travels, The Travel Diary Of Elizabeth House Trist, And Sarah Trimmer's Fabulous Histories, Leslie Blake Vives

Electronic Theses and Dissertations

This thesis uses ecofeminist and human-animal studies lenses to explore human animal and nonhuman animal relations in early America. Most ecocritical studies of American literature begin with nineteenth-century writers. This project, however, suggests that drawing on ecofeminist theories with a human-animal studies approach sheds light on eighteenth-century texts as well. Early American naturalist travel writing offers a site replete with human and nonhuman encounters. Specifically, naturalist William Bartram's travel journal features interactions with animals in the southern colonial American frontier. Amateur naturalist Elizabeth House Trist's travel diary includes interactions with frontier and domestic animals. Sarah Trimmer's Fabulous Histories, a conduct …

"I Had Never Before ... Heard Of Him At All": William Gilmore Simms, The Elusive William North, And A Lost Simms Novel About American Authorship, Patrick G. Scott

Faculty Publications

Examines a review by the antebellum Southern novelist William Gilmore Simms of a new book by the English writer William North (1825-1854), North's posthumous novel The Slave of the Lamp (1855), discusses possible reasons for Simms's hostility to North such as North's links to the New York Bohemians and his anti-professionalism, and explores what the review reveals about a now-lost Simms novel, with the same title, that gave a different perspective on mid-19th century changes in the conditions and profession of authorship in America.

Infectious Agents: Race And Environment In Nineteenth-Century America, Kristen Renee Egan

Dissertations

This dissertation critically examines the relationship between race and nature in nineteenth-century America by analyzing texts that attempt to discover, create, or preserve a pure national identity. Historical events in the nineteenth-century U.S. - such as mass immigration, Native American displacement, industrialization, westward expansion, and the rise of science - frustrated the quest for a unified American identity. While these events seem various, each one exacerbated a nation already bewildered by one central question. What is the traffic between body and space? Nineteenth-century American literature frequently portrays the American environment as an ideal space in need of preservation and at …

Discreetly Depicting "An Outrage": Graphic Illustration And "Daisy Miller"'S Reputation, Adam Sonstegard

English Faculty Publications

Rendering the first illustrated edition of "Daisy Miller" in 1892, Harry Whitney McVickar had to reconcile the novella's scandalous reputation with the polite medium of graphic illustration. McVickar highlights insignificant scenery, shows solitary figures instead of social interaction or playful flirtation, and nearly omits the heroine. His depictions and omissions contain the characters' indiscretions, and ensure that aspiring flirts and would-be Winterbournes who view his images do not "get the wrong idea." Cinematic adaptations amplify Daisy's public displays and encourage Winterbourne's voyeurism, but "Daisy Miller"'s first graphic illustrations strove instead to redeem the reputation of James's "outrage on American girlhood."

Sex, Drugs, And Mingling Spirits: Teaching Nineteenth-Century Women Poets, Cheryl Walker

Scripps Faculty Publications and Research

Book abstract:

Twentieth-century modernism reduced the list of nineteenth-century American poets to Walt Whitman, Emily Dickinson, and (less often) Edgar Allan Poe. The rest were virtually forgotten. This volume in the MLA series Options for Teaching marks a milestone in the resurgence of the study of the rest. It features poets, like Henry Wadsworth Longfellow and Lydia Huntley Sigourney, who were famous in their day, as well as poets who were marginalized on the basis of their race (Paul Laurence Dunbar, Alexander Posey) or their sociopolitical agenda (Emma Lazarus, John Greenleaf Whittier). It also takes a fresh look at poets …

Daring Deeds: Independent Moral Thought And Action In Hope Leslie, Amanda Viana

Undergraduate Review

No abstract provided.

Inverting The Cave: Edgar Huntly And The Enlightenment, Abby Sherwood

Undergraduate Review

No abstract provided.

The Scientific Aspect Of Melodrama: The Mind/Body Connection In The Late Eighteenth Century Seduction Novel, Nichole Wilson

Undergraduate Review

No abstract provided.

Painters Of A Changing New World: James Fenimore Cooper And Thomas Cole, Corie Dias

Undergraduate Review

No abstract provided.

Merely A Pictorial Subject: The Turn Of The Screw, Adam Sonstegard

English Faculty Publications

No abstract provided.

Shaping A Body Of One’S Own: Rebecca Harding Davis’S Life In The Iron Mills And Waiting For The Verdict, Adam Sonstegard

English Faculty Publications

No abstract provided.

Shaping A Body Of One’S Own: Rebecca Harding Davis’S Life In The Iron Mills And Waiting For The Verdict, Adam Sonstegard

English Faculty Publications

No abstract provided.

Sins Of The Father: Patriarchy And The Old South In The Early Works Of William Faulkner, John Easterbrook

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Painting, Photography And Fidelity In The Tragic Muse, Adam Sonstegard

English Faculty Publications

Photographs can approach the elegance of paintings, but reproductions can show the distortion of photographs - so The Tragic Muse (1890) suggests, complicating critical understandings of James and visual art. Dramatizing artists' fidelity, James resists assuming that families, races, and genders provide similar options. Fidelity in art can mean 'infidelity' in life, lead to 'adulterated' reproductions, and impugn understandings of inherited and performed identities - concerns which resurface in The American Scene (1907) when James contemplates immigrant populations and in A Small Boy and Others (1913) when a family daguerreotype becomes evidence of his own fidelity.

Verbal Vermeer: Updike's Middle-Class Portraiture, James Plath

Scholarship

Of all the artists Updike mentions in his writing, none is cited more often than seventeenth-century Dutch painter Jan Vermeer, whose near-photographic depictions of household scenes from everyday bourgeois life are recalled in Updike's own fictional portraits of upper-middle-dass domesticity-particularly those set in his native Pennsylvania, where the Dutch historically settled.

The Psychology Of Uncertainty: (Re)Inscribing Indeterminacy In Rudolph Fisher's The Conjure-Man Dies, Adrienne Gosselin

English Faculty Publications

No abstract provided.

Reading Elizabeth Bishop As A Religious Poet, Cheryl Walker

Scripps Faculty Publications and Research

Elizabeth Bishop is usually described as a modernist poet with a skeptical mind. This essay contests the critical tendency to dismiss religion as a serious concern in her poetry, by first challenging the widespread dismissal in the United States of all religious approaches to modern poetry and then challenging the tendency to disclaim attempts to read Elizabeth Bishop in religious terms. The essay includes a close reading of “The End of March” as a text which invites intertextual commentary from a Christian perspective.

Antimodern, Modern, And Postmodern Millay: Contexts Of Revaluation, Cheryl Walker

Scripps Faculty Publications and Research

In this chapter, Walker examines questions concerning renewed scholarly interest in Edna St. Vincent Millay toward the end of the twentieth century. Specifically, these questions center on whether to rethink the principles of establishing the canon of American literature--indeed, whether the poet changes literary fashions or literary fashions change the poet. Walker's answer is the latter, and her essay examines how Millay is different received through three different periods: antimodern, modern, and postmodern. She argues that whether a poet becomes central to literary study has less to do with the "quality" of the poetry than with complex cultural factors that …

The Female Body As Icon: Edna Millay Wears A Plaid Dress, Cheryl Walker

Scripps Faculty Publications and Research

The female body has never been so prominently displayed or so critically examined as it is today under the dominance of late capitalism. The results of this display, we can now see, have been mostly negative: women regard themselves at best self-consciously, at worst with disgust. Given this emphasis on self-scrutiny, it comes as no surprise that middle-aged women experience a reduction of self-confidence regarding their physical presences and a concomitant increase in self-dissatisfaction. It is also worth noting that a querulous tone often afflicts them as they grow older, suggesting that they are at odds not only with others …

Teaching Dickinson As A Gen(I)Us: Emily Among The Women, Cheryl Walker

Scripps Faculty Publications and Research

In this article, Walker argues that those who teach the poetry of Emily Dickinson should not only compare her to other recognized and lauded American poets, such as Walt Whitman, Robert Frost, T. S. Eliot, Ezra Pound, Hart Crane, Wallace Stevens, and Marianne Moore. This method offers no cultural context to provide ligature. It views high art as to be only about language and, on the score of tropological discourse, any two poets could be connected, even across vast expanses of time and distance. While it's useful for students to see how elements of her work connect her not only …

H. D. And Time, Cheryl Walker

Scripps Faculty Publications and Research

From the introduction to the volume:

"Cheryl Walker presents the work of poet H.D. as a paradigm for the changed relationship to history women have undergone during the modern period: H.D.'s early period is characterized by an avoidance of chronological time..."