Literature in English, North America Commons^™

Providential Capitalism: Heavenly Intervention And The Atlantic’S Divine Economist, Ian F.P. Green

Dissertations, Theses, and Capstone Projects

Providential capitalism names the marriage of providential Christian values and market-oriented capitalist ideology in the post-revolutionary Atlantic through the mid nineteenth century. This is a process by which individuals permitted themselves to be used by a so-called “divine economist” at work in the Atlantic market economy. Backed by a slave market, capital transactions were rendered as often violent ecstatic individual and cultural experiences. Those experiences also formed the bases for national, racial, and classed identification and negotiation among the constellated communities of the Atlantic. With this in mind, writers like Benjamin Franklin, Olaudah Equiano, and Ukawsaw Gronniosaw presented market success …

Between The Cloud And The Page: Repetition And Textuality In Post-Conceptual Poetics, Michael Kirby

Dissertations, Theses, and Capstone Projects

These three chapters take as their focus the emergent movement of post-conceptual poetry. The first chapter, “What is Post-conceptual Poetry?,” attempts to delineate the varying definitions of post-conceptualism offered by four critics (Felix Bernstein, Diana Hamilton, Vanessa Place, and Robert Fitterman). Finding none of these to be satisfactory, I turn towards the delineation of my own definition of post-conceptualism in the second chapter, “Beckett contra Sade: Two Kinds of Repetition,” which asserts that post-conceptualism may derive a sort of cohesive political agenda from its rejection of both Sadean and Beckettian repetition. “Between the Cloud and the Page,” the third chapter, …

Collaboration Revisited: The Performative Art Of Claude Cahun And Hannah Weiner, Phillip L. Griffith

Dissertations, Theses, and Capstone Projects

In its most common usage in the artistic context, collaboration refers to a practice of creation in which two artists work together to produce a single artwork or object. Collaboration Revisited: The Performative Art of Claude Cahun and Hannah Weiner focuses on the nexus of photography, writing, and performance in the work of six female avant-garde artists from the transatlantic twentieth century, informed by the important place of surrealism in that history, to reconsider this understanding of collaboration. Instead of the notion of collaboration as founded in the experience of two artists working together in each others’ presence, I examine …

Literary Theories Of Circumcision, A. W. Strouse

Dissertations, Theses, and Capstone Projects

“Literary Theories of Circumcision” investigates a school of thought in which the prepuce, as a conceptual metaphor, organizes literary experience. In every period of English literature, major authors have employed the penis’s hood as a figure for thinking about reading and writing. These authors belong to a tradition that defines textuality as a foreskin and interpretation as circumcision. In “Literary Theories of Circumcision,” I investigate the origins of this literary-theoretical formulation in the writings of Saint Paul, and then I trace this formulation’s formal applications among medieval, early modern, and modernist writers. My study lays the groundwork for an ambitious …

"The Engine Of Free Expression": The Political Economy Of Copyright In The Colonial British Atlantic And Early National United States, Nora Slonimsky

Dissertations, Theses, and Capstone Projects

In 1985, the Supreme Court of the United States concluded that copyright was included in the Constitution in order to serve as the “engine of free expression.” By providing economic incentive to drive artistic and scientific innovation, the nation received essential information and other tools of learning necessary to make sound political decisions. However, transnational copyright disputes, then and now, frequently resulted in complex and often contradictory understandings of free expression. The formation of copyright in America was thus a far more complex story, and it is that story that forms the basis of this project.

Amidst the many moving …

“Without Stopping To Write A Long Apology”: Spectacle, Anecdote, And Curated Identity In Running A Thousand Miles For Freedom, Anjelica La Furno

Theses and Dissertations

Running a Thousand Miles for Freedom unapologetically challenges traditional nineteenth-century notions of race and gender by way of its treatment of spectacle, anecdotal use, and assertion of authorial choices that contradict the expectations of a white abolitionist audience. Its most challenging feature is what I will call Ellen’s “curated identity.”

Arnold Whitridge: Scholar And Veteran Of Two Armies And Two Wars, Keith J. Muchowski

Publications and Research

This is an invited blog post written for Roads to the Great War, a site dedicated to the study of the First World War edited by historian Mike Hanlon. The article discusses the life and career of Arnold Whitridge, a soldier, scholar and grandson of British poet Matthew Arnold.

This is the url:

http://roadstothegreatwar-ww1.blogspot.com/2017/01/arnold-whitridge-scholar-and-veteran-of.html

Victorian Dogs, Victorian Men: Affect And Animals In Nineteenth-Century Literature And Culture, Keridiana Chez

Publications and Research

Victorian Dogs, Victorian Men: Affect and Animals in Nineteenth-Century Literature and Culture by Keridiana W. Chez is the first monograph located at the intersection of animal and affect studies to examine how gender is produced via the regulation of interspecies relationships. Looking specifically at the development of the human-dog relationship, Chez argues that the bourgeoisie fostered connections with canine companions in order to mediate and regulate gender dynamics in the family. As Chez shows, the aim of these new practices was not to use animals as surrogates to fill emotional vacancies but rather to incorporate them as “emotional prostheses.”

Chez …

The Noble Art Of Lying, James E. Mahon

Publications and Research

In this chapter I examine the writings of Mark Twain on lying, especially his essays "On the decay of the Art of Lying" and "My First Lie, and How I Got Out of It." I show that Twain held that there were two kinds of lies: the spoken lie and the silent lie. The silent lie is the lie of not saying what one is thinking, and is far more common than the spoken lie. The greatest silent lies, according to Twain, were the national silent lies that there was nothing wrong with slavery (the U.S.), that there was nothing …

Lyric X-Marks: Genre And Self-Determination In The Harp Poems Of John Rollin Ridge, R. Arvo Carr

Publications and Research

No abstract provided.

Shaping The Body Of Grief: Converging The Personal, Academic, And Visual In Memoir To Create A Broader Way Of Mourning, Hilarie Ashton

Publications and Research

I have been writing a memoir of my mother’s death since before she died. It began with a piece I started after she moved to hospice care, on the cusp of 2013. I began at my grief’s beginning: writing about the spring of her diagnosis the previous year. I currently have over 100,000 words that trace her life, her illness, her death, my grief, and my (ongoing) healing; the first chapter begins with that first piece, which I will excerpt later on. As I edit, I’m shaping the body of the text, as though it’s a person, as though it’s …

The Struggle To Re-Establish Anglo Superiority In American Modernism And Its Collapse Into American Tragedy, Jeff Brelvi

Dissertations and Theses

A study of the impact Anglo race assertion had on American Modernism through the work of Fitzgerald, Hemingway, and T.S. Eliot shaping the discourse on American cultural identity. Arthur Miller and his "Tragedy and the Common Man" put an end to Modernism's Anglo stronghold and brought about the next period of American literature, ushering it into the era of American tragedy.

The Poet And The Polemist: Demystifying The Natural Law Theory Of John Milton, John J. Mazola

Theses and Dissertations

A summation of the influences behind Milton's Natural Law theory as found in the works of Aristotle, Grotius, Hobbes, and Thomas Aquinas. The essay's intent is to uncover this important thread that runs through both Milton's Poetic Verse as well as his Polemic tracts.

Genres Of Feminist Lives: Autobiography, Archives, And Community, 1970-1983, Meredith A. Benjamin

Dissertations, Theses, and Capstone Projects

The desire to record lives and the conviction that such recordings would serve an important purpose for other women were the motivations behind much of the autobiographical writing in U.S. feminist writing of the 1970s and 80s. In Genres of Feminist Lives: Autobiography, Archives, and Community, 1970-1983, I argue that feminist writers in this period used autobiographical writing to create a sense of community among their readers: a new feminist public. Realizing the inadequacy of a sense of identification, these writers encouraged their audiences, in the words of Audre Lorde, to transform silence into language and action. While scholars …

Between Life And Literature: The Influence Of Don Quixote And Madame Bovary On Twentieth-Century Women's Fiction, Victoria Tomasulo

Dissertations, Theses, and Capstone Projects

This project demonstrates the influence of two foundational novels in the Western canon, Don Quixote and Madame Bovary, on twentieth-century British, Italian, and Anglo-American women’s fiction. Both novels illustrate the dangers and pleasures of literary influence. Stylistically innovative, they anticipated concerns that were of import to feminist literary critics in the seventies and beyond: the transformative power of the reading encounter, its normative and subversive effects on gendered identities, and the need of individual writers to liberate themselves from the shackles of literary convention. Drawing upon textual and paratextual evidence such as interviews, journal entries, and essays, I argue …

The Strains Of Confessional Poetry: The Burdens, Blunders, And Blights Of Self-Disclosure, Lara Rossana Rodriguez

Dissertations, Theses, and Capstone Projects

When a provocative style of autobiographical verse had emerged in postwar America, literary critics christened the new genre “confessional poetry.” Confessional poets of the 1960s and ’70s are often characterized by scholars of contemporary poetry as a cohort of writers who, unlike previous generations before them, dared to explore in their work the personal and inherited traumas of mental illness, family suicides, failed marriages, and crushing addictions. As a result, the body of work these writers produced is often experienced as a collection of stylized, literary self-portraits. What can these self-portraits reveal to us about the connection between confessional poetry …

A Dark Record: Criminal Discourse And The African American Literary Project, 1721-1864, Brian Baaki

Dissertations, Theses, and Capstone Projects

A Dark Record charts the emergence and traces the evolution of a central figure in American culture, the myth of the black criminal. It does so both to explore the ideological effects of print, and to present an alternative history of African American literature. Historians have long maintained that the association of African Americans with crime solidified in our national culture during the post-Reconstruction period, the nadir for African American civil rights, with a corresponding rise in the over-policing of black individuals and communities. For its part, my study looks back from the post-Reconstruction period, and examines the role earlier …

City Poems And Urban Crisis, 1945 - Present, Jeffrey Nathan Mickelson

Dissertations, Theses, and Capstone Projects

City Poems proposes that twentieth-century American city poets hold important concerns, commitments, and strategies in common with urban theorists and city planners. The study situates canonical and lesser-read city poetry, including work by William Carlos Williams, Charles Olson, Allen Ginsberg, George Oppen, Gwendolyn Brooks, and Wanda Coleman, among others, in relation to discourses of urban crisis. Following Raymond Williams, Henri Lefebvre, and James Scully, it approaches city poetry as a form of social action that holds particular value for practitioners of progressive city planning. Because poetic representations of cities influence public perceptions, City Poems suggests, they have the potential to …

A Passage From Brooklyn To Ithaca: The Sea, The City And The Body In The Poetics Of Walt Whitman And C. P. Cavafy, Michael P. Skafidas

Dissertations, Theses, and Capstone Projects

This treatise is the first extensive comparative study of Walt Whitman and C. P. Cavafy. Despite the abundant scholarship dealing with the work and life of each, until now no critic has put the two poets together. Whitman’s poetry celebrates birth, youth, the self and the world as seen for the first time, while Cavafy’s diverts from the active present to resurrect a world whose key, in Eliot’s terms, is memory. Yet, I see the two poets conversing in the crossroads of the fin de siècle; the American Whitman and the Greek Cavafy embody the antithesis of hope and dislocation …

Imagining A "Poethical" Classroom, Erica Kaufman

Dissertations, Theses, and Capstone Projects

This dissertation begins at the crossroads of three fields—creative writing, contemporary poetics, and composition studies—and attempts to unite what is normally kept separate: the teaching of freshman composition and contemporary poetry. It is rooted, then, in the following anomalies: few students (unless they are English majors) encounter contemporary poetry; and few living poets (who often earn their livings as adjuncts, teaching composition) ever engage in a conversation about composition pedagogy. Fewer still teach the kind of poetry they write. Through a qualitative study of student writing in composition courses, this project investigates how encouraging students to engage with this form …

Wandering In Contemporary Literature: A Narrative Theory Of Cognition, Hillel E. Broder

Dissertations, Theses, and Capstone Projects

This study offers a theory of wandering cognition as an animating feature of western literature, in general, and of contemporary literature, in particular. Unlike existing theories of peripatetic bodies and minds in fiction that focus primarily on political critiques, cultural practices, or pleasures of digression, this theory of wandering offers an aesthetic philosophy and ethical critique of representing cognition, memory, and narrative identity that finds affinities in the political, phenomenological, and ethical thought of Walter Benjamin, Emmanuel Levinas, and Giorgio Agamben.

Unlike existing cognitive theories of literature that apply cognitive theory to literary study (or vice versa), this study develops …

Ceasing To Run Underground: 20th-Century Women Writers And Hydro-Logical Thought, Annie M. Cranstoun

Dissertations, Theses, and Capstone Projects

Starting from two central ecopoetic convictions—the constitutive role of environment in human experience (and vice versa), and text’s ability to connect with the world—this dissertation then moves in a different direction from most ecocritical projects. Instead of looking at the ways literary representation flows back into nature in the forms of attitude, praxis, and policy, this study focuses on the earlier part of the loop: the emergence of text from environment, particularly its aquatic parts, via the faculty of the imagination. In its scrutiny of images that spring directly from matter and its faith in the concept of a personal …

The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith

Dissertations, Theses, and Capstone Projects

“The New Reflexivity” tracks two narrative styles of contemporary Hollywood production that have yet to be studied in tandem: the puzzle film and the found footage horror film. In early August 1999, near the end of what D.N. Rodowick refers to as “the summer of digital paranoia,” two films entered the wide-release U.S. theatrical marketplace and enjoyed surprisingly massive financial success, just as news of the “death of film” circulated widely. Though each might typically be classified as belonging to the horror genre, both the unreliable “puzzle film” The Sixth Sense and the fake-documentary “found footage film” The Blair Witch …

The Invisible Hand Of The Lyric: Emily Dickinson’S Hypermediated Manuscripts And The Debate Over Genre, Dominique Zino

Publications and Research

Between the mid-1990s and the present, a poetics of digitization emerged around Emily Dickinson’s manuscripts, performed primarily by the members of the Emily Dickinson Editorial Collective. Translating Dickinson’s work across archival sources, scanned images, typographic transcripts, and coding languages has offered Dickinson’s editors an escape from the determinism that accompanied the age of print and an opportunity to highlight the continuum along which the poet composed her body of work. Through multimodal, interactive exhibits, electronic editors of the Dickinson corpus often seek to demonstrate that no one medium is sufficient to represent the range of meaning implied in Dickinson’s body …

Science Fiction, Lisa Yaszek, Jason W. Ellis

Publications and Research

Literary and cultural critics call science fiction the premiere story form of modernity because it relates the adventures of educated men and women who use science and technology to reshape the material world and build new, hopefully better societies. As such, it is no surprise that many authors working in this popular genre explore how educated men and women might use science and technology to reshape the physical body and build new, hopefully better versions of humanity itself. Yet, lingering even in the most optimistic imaginings of a posthuman future is the doubt that these transformations will be evenly distributed …

The Self Is A Moving Target: The Neuroscience Of Siri Hustvedt's Artists, Jason Tougaw

Publications and Research

No abstract provided.

Theater Matters: Female Theatricality In Hawthorne, Alcott, Brontë, And James, Keiko Miyajima

Dissertations, Theses, and Capstone Projects

This dissertation examines the ways the novelists on both sides of the Atlantic use the figure of the theatrical woman to advance claims about the nature and role of women. Theater is a deeply paradoxical art form: Seen at once as socially constitutive and promoting mass conformity, it is also criticized as denaturalizing, decentering, etiolating, queering, feminizing. These anxieties coalesce around the image of the actress. In nineteenth century fiction, the image of a woman performing on stage is a powerful one, suggestive of ideal femininity, but also of negative traits including deception, artificiality and an unfeminine appetite for public …

The Heterotopia Of Flight: Resisting The Domestic, Sarah Elizabeth Davis

Dissertations, Theses, and Capstone Projects

The familiar image of a woman fleeing danger is a well-worn convention of heroine-centered fiction, a plot device inevitably resolved when the heroine returns safely to her home and family. This dissertation proposes a new reading of that narrative by asserting that rather than serving as a space of protection, the home poses the greatest threat to an individual's autonomy. If we understand the domestic as a space in which bodies are ordered and, more specifically, gendered, classed, and raced, the trope of flight from the domestic can be read as an act of resistance to subjugation. This act is …

On The Threshold: Breadwinning, Capitalism And The Absent/Present Father In The Works Of Three Late 20th-Century U.S. Novelists, Nancy J. Hoch

Dissertations, Theses, and Capstone Projects

As society industrialized in the nineteenth century and jobs moved outside the home, a figure which I call the absent/present father began to make his appearance in American literature. This figure, hovering physically or emotionally on the threshold of family life, never completely present but never completely absent either, has filled the pages of fiction from that time until recently when, as the U.S. becomes postindustrial, depictions of the absent/present father decline.

Bringing a socio-economic as opposed to the usual psychological perspective to my close readings of the fictional family, I explore the cultural work the absent/present father does in …

Touching Brains, Jason Tougaw

Publications and Research

No abstract provided.