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Articles 181 - 195 of 195
Full-Text Articles in Literature in English, North America
Purloined Voices: Edgar Allan Poe Reading Samuel Taylor Coleridge, Alexander M. Schlutz
Purloined Voices: Edgar Allan Poe Reading Samuel Taylor Coleridge, Alexander M. Schlutz
Publications and Research
This essay unfolds the complex intertextual relationship between the work of Samuel Taylor Coleridge and that of Edgar Allan Poe. References to and extended borrowings from Coleridge’s poetry and philosophical texts mark Poe’s œuvre throughout, but – as is only fitting for borrowings from the great borrower Coleridge – they are never anything as simple as plagiarisms or acts of intellectual theft. As this piece demonstrates through readings of Poe’s early poetological text “Letter to B–,” the Dupin story “The Purloined Letter,” and the late tour-de-force prose-poem Eureka, tracing the recurrence of Coleridgean poetry and prose in the work …
The Lgbtq Short Story, Matt Brim
The Lgbtq Short Story, Matt Brim
Publications and Research
“The LGBTQ Short Story” is a lengthy entry in the three-volume encyclopedia LGBTQ America Today, edited by queer scholar John Hawley. The entry explores the characteristics of the genre and synthesizes the work of the top 25 living queer short story writers.
Science Fiction And Postmemory Han In Contemporary Korean American Literature, Seo-Young J. Chu
Science Fiction And Postmemory Han In Contemporary Korean American Literature, Seo-Young J. Chu
Publications and Research
In this essay, Seo-Young Chu explores representations of a specifically Korean American type of postmemory that she calls "postmemory han."
Engaging The Eighties: Ethics, Objects, Periods, Kevin L. Ferguson
Engaging The Eighties: Ethics, Objects, Periods, Kevin L. Ferguson
Dissertations, Theses, and Capstone Projects
This dissertation examines a recent decade in American history whose unique notion of self-periodization generated important questions of ethical engagement and withdrawal. Situated during a time of an increasingly complex relationship between literature and theory, thinkers in the 80s self-consciously shifted towards making claims about their present moment which were based on the logic of rupture, and which thus created an either-or logic of pessimism or optimism in response to this rupture. These kinds of self-periodizing notions generally are collected under the rubric "postmodernism" and the first chapter deals with a transatlantic movement between theorists such as Fredric Jameson and …
Papas' Baby: Impossible Paternity In Going To Meet The Man, Matt Brim
Papas' Baby: Impossible Paternity In Going To Meet The Man, Matt Brim
Publications and Research
"Papas' Baby: Impossible Paternity in Going to Meet the Man" employs the conceit of “impossible” fatherhood to critique mutually reinforcing racist and heteronormative constructions of reproduction. It argues, first, that the white paternal fantasy of creating “pure” white sons is undermined by the homoerotic necessity of bring the phantasmatic black eunuch, castrated yet powerfully potent, into the procreative white bed. The “fact” of the “white” child produced in that marital bed, however, not only cloaks the failure of racial reproduction in the living proof of success but also occludes the male/male union that subtends the heteronormative fantasy of reproduction. …
How Much Does Chaos Scare You?: Politics, Religion, And Philosophy In The Fiction Of Philip K. Dick, Aaron Barlow
How Much Does Chaos Scare You?: Politics, Religion, And Philosophy In The Fiction Of Philip K. Dick, Aaron Barlow
Publications and Research
"Certain themes appear with surprising consistency in Dick’s fiction. They crop up in the early short stories, called by some critics, including Kim Stanley Robinson, Dick’s “apprentice” fiction. They appear in the novels of Dick’s most productive period, the 1960s. And they are a part of the last novels, the VALIS trilogy and The Transmigration of Timothy Archer—written when Dick was, according to Eric Rabkin and others, insane. These themes fall into three inter-related categories: metaphysics, religion, and politics. The first concerns perception and the world, and the individual’s interaction with both. The second, the moralities of creator/creation relationships. The …
Sacco And Vanzetti: The Italian American Legacy, Fred L. Gardaphé
Sacco And Vanzetti: The Italian American Legacy, Fred L. Gardaphé
Publications and Research
No abstract provided.
Writing As A Reader: The Deserted Village Of Jay Parini, Fred L. Gardaphé
Writing As A Reader: The Deserted Village Of Jay Parini, Fred L. Gardaphé
Publications and Research
No abstract provided.
Re-Inventing Sicily In Italian-American Writing And Film, Fred L. Gardaphé
Re-Inventing Sicily In Italian-American Writing And Film, Fred L. Gardaphé
Publications and Research
No abstract provided.
We Weren’T Always White: Race And Ethnicity In Italian/American Literature, Fred L. Gardaphé
We Weren’T Always White: Race And Ethnicity In Italian/American Literature, Fred L. Gardaphé
Publications and Research
No abstract provided.
The Invisible Can Or, Gendering Corporate Globalization Trouble: Technological Utopianism And The Language Of Erasure, Marleen S. Barr
The Invisible Can Or, Gendering Corporate Globalization Trouble: Technological Utopianism And The Language Of Erasure, Marleen S. Barr
Publications and Research
In the following, noted science fiction scholar Marleen S. Barr argues for an increased attention to science fiction as a literature of the potentials of globalization, a genre that has largely been marginalized in discussions of the future of a globalized techno-culture. Further, Barr argues for greater attention being paid to feminist utopian fiction which helps to reimagine women's roles in the increasingly complex, and increasingly capitalistic, globalized techno-culture that has continued to marginalize the female body (and consciousness) in much the same way that scholars have denied the possibilities of utopian science fiction.
The Pitchman In Print: Oral Performance Art In Text And Context, Joseph Ugoretz
The Pitchman In Print: Oral Performance Art In Text And Context, Joseph Ugoretz
Publications and Research
Oral performance art, patterned performative speech for an audience, is perhaps the oldest and most ubiquitous human art form. Specific instances of this art include the performances of griots and guslars, troubadors and shamans, as well as rappers and riddlers, preachers and politicians. While this art form is by definition oral, it is also the case that, frequently, literary art has represented oral performance art. There is written art which depicts oral art, which describes it, appropriates it, criticizes and co‑opts it.
In this dissertation, I define oral performance art as constituting a separate and unique artistic genre, one which …
Disseminating Heterotopia, Robert F. Reid-Pharr
Disseminating Heterotopia, Robert F. Reid-Pharr
Publications and Research
Focuses on the motion picture The Passion of Remembrance by Isaac Julien and Maureen Blackwood, and the book Tales of Neveryon by Samuel Delany. Highlights of the motion picture and the book; Author's argument that the tendency to ossify myths only leads to further confusion; Understanding of the mythic process.
Sin And Guilt In The Fiction Of John Gregory Dunne, Michael Adams
Sin And Guilt In The Fiction Of John Gregory Dunne, Michael Adams
Publications and Research
John Gregory Dunne depicts his characters' obsession with guilt in his first two novels: True Confessions (1977) and Dutch Shea, Jr. (1982).
"How Come Everybody Down Here Has Three Names?": Martin Ritt's Southern Films, Michael Adams
"How Come Everybody Down Here Has Three Names?": Martin Ritt's Southern Films, Michael Adams
Publications and Research
The treatment of the American South in six films by director Martin Ritt (1914-1990) from 1958 to 1979 reveals an emphasis on outsiders, family dynamics, and race relations.