Literature in English, North America Commons^™

Paper: Investigating The Work Of William Styron: The Perpetuation Of The Fantastic Hegemonic Imagination, William Sikich

Womanist Ethics

William Styron's Confessions of Nat Turner depicts a fictitious characterization of the historical Nat Turner. Styron, a white southerner, assumes Turner's perspective in order to tell a speculative story about his slave rebellion of 1831. Similarly, he tells the story of a fictional holocaust survivor in his novel, Sophie's Choice. The decision to take on these perspective evinces some arrogance on Styron's part, and the way in which he executes the narrative of each novel delivers their stories with varying levels of respect to their subjects: Styron's indirect telling of Sophie's story allows Styron some freedom to speculate, while …

“Flowing Along The Wall”: Anarcha-Feminist Bioethics And Resistance In Octavia E. Butler’S Dawn 2019., Theresa Mendez

Master's Theses

Science fiction (sf) texts conversant with the temporal play between past, present, and future push readers to imagine the extremes of human and environmental existence, interaction, and potential. Simultaneously, despite the sf genre’s tendency to traffic in extremes, these texts provoke readers to consider the ways in which these imagined worlds are grounded in history as well as in the contemporary social moment. As Donna Haraway has argued, “the boundary between science fiction and social reality is an optical illusion” (306). This illusory boundary must continue to be traversed in order to consider how sf literatures, particularly those which imagine …

Posthuman And Alien Breeding: The Implications Of Cybersex In Octavia Butler’S Dawn 2019., Elizabeth Rutkowski

Master's Theses

Speculative science fiction affords new ways for authors to represent social problems of the modern day in an apocalyptic manner. Authors such as Octavia Butler use science fiction to analyze social injustices revolving around race, gender, and sexuality. Throughout her novel Dawn, Butler uses the posthuman to represent minority groups in the late twentieth century. The posthuman represents those who have moved from humanity towards a new opportunity that is mixed with the potential for struggle. 1 As demonstrated through Butler’s work posthumanism blurs the lines between binaries such as male / female, straight / gay, and consensual / nonconsensual …

The Woman We Don’T Want To Be: The Anti-Heroine In American Women’S Modernisms, Madison Priest

Dissertations, Theses, and Capstone Projects

Anita Loos’ Lorelei has a baby because “a kid that looks like any rich father is as good as money in the bank.” Edith Wharton’s Undine uses hers as a pawn in divorce negotiations with the child’s father. Jessie Redmon Fauset’s Angela abandons her sister so her boyfriend won’t guess she’s black, and Nella Larsen’s Helga frustrates and alienates everyone she loves. Yet these protagonists were subject not just to gleeful mockery and sanction, but to furtive pity, uncomfortable recognition, even envy. Each age calls for its own bogeys; and the anti-heroine was, I contend, the perfect instantiation of American …

In A Child's Place: Centering Black Girlhood In Black Feminisms Through The Bildungsroman, Taylor L. Bailey

Senior Honors Papers / Undergraduate Theses

This thesis examines the effects of misogynoir— a specific form of oppression Black women experience due to the intersection of being deemed inferior in both race and gender— on the development of Black girlhood. In Black feminist theory and criticism, though, the language used often subordinates Black girls and does not ascribe adequate import to their experiences. Using the Black girl bildungsroman, specifically The Bluest Eye by Toni Morrison and Another Brooklyn by Jacqueline Woodson, as a way to survey the effects of misogynoir and the significance of homosocial, intraracial bonding, I argue that Black feminisms should center Black girlhood …

Sylvia Plath And "The Bigger Things": War, History, And Modernism At Midcentury, Reagan Lothes

Dissertations, Theses, and Capstone Projects

Sylvia Plath and “the bigger things” explores the ways in which Plath’s “confessionalism”—so often read as antithetical to T. S. Eliot’s notion of “impersonality”—constituted not a break from modernism but rather a negotiation of its transatlantic legacy. In doing so, it works against a long-standing critical tradition that has defined Plath, who was living in England as she composed her Ariel poems, as nonetheless a distinctly American poet and one focused uniquely—and, as some have claimed, even pathologically—on the self. An examination of Plath’s published work, including interviews, statements of poetics, journal entries, and letters, in the context of a …

Human Monsters: Examining The Relationship Between The Posthuman Gothic And Gender In American Gothic Fiction, Alexandra Rivera

Scripps Senior Theses

According to Michael Sean Bolton, the posthuman Gothic involves a fear of internal monsters that won't destroy humanity apocalyptically, but will instead redefine what it means to be human overall. These internal monsters reflect societal anxieties about the "other" gaining power and overtaking the current groups in power. The posthuman Gothic shows psychological horrors and transformations. Traditionally this genre has been used to theorize postmodern media and literary work by focusing on cyborgs and transhumanist medical advancements. However, the internal and psychological nature of posthumanism is fascinating and can more clearly manifest in a different Gothic setting, 1800s American Gothic …

"'[A] Wholly New And Original Poetic Genius': Thomas Wentworth Higginson, Emily Dickinson, And Literary Immortality", Harrison Dietzman

Faculty Publications - Department of English

Beyond Higginson's personal friendship with Dickinson, his literary criticism—much of which Dickinson may have read in The Atlantic Monthly—and his editing of her poems weave a narrative about the United States' poetry to which Dickinson is the logical conclusion. Higginson relentlessly attacked Whitman, (who he perceived to be a degenerate, self-promoting charlatan), and used his literary criticism to extol characteristics, personal and poetic, that carved out a place for Dickinson, or a poet like her, in the American literary tradition. Higginson's criticism persistently seeks to answer one question: in America, what is a poetic genius? Judging by Higginson's decades-long …

Bad Gurley Feminism: The Myth Of Post-War Domesticity, Erin Amann Holliday-Karre

Journal of Feminist Scholarship

According to feminist history, the 1950s constitute a lapse in feminist literature as women in the post-war era were ushered into the realm of domesticity. In this article I argue that this perceived literary “gap” was both created and perpetuated by feminist historians and scholars who insist that Betty Friedan’s The Feminine Mystique (1963) was the defining feminist text of the time. I offer an alternative discourse to that of Friedan by presenting feminist writers who challenge, rather than adopt, masculine ideology as the means to women’s empowerment. I end by encouraging feminists to allow commonly dismissed feminists from the …

Patriarchal Ecocide: An Ecofeminist Reading Of Rahul Varma's Bhopal And Henrik Ibsen's An Enemy Of The People, Rania M Rafik Khalil

English Language and Literature

Ecofeminism is a movement that sees a connection between the exploitation of the natural world and the subordination of women. This concept of ecology and feminism conceptualized by Simone de Beauvoir (1952) and later refined by Francoise d’Eaubonne in 1974 has greened artistic values across disciplines, it is however perceived to be found only sparsely in drama. Una Chaudhuri (1994) and Theresa J. May (2005) argue that theatre is both “immediate and communal” (May 85) with a wealth of productions that “awaken ecological sensibilities” (85) and contest “industrialisation’s animus against nature” (24). Within this context, Henrik Ibsen’s An Enemy of …

Refusing To Be Made Whole: Disability In Contemporary Black Women's Writing, Anna Hinton

English Theses and Dissertations

My dissertation argues that disability profoundly shapes the thematic and aesthetic choices of black women writing in the post-Brown era, despite arguments that suggest the contrary. For instance, Gayl Jone’s Corregidora is told from the first-person perspective of a black woman diagnosed as insane and incarcerated in a psychiatric prison for murder. The use of the first-person results in what I argue, building on Michael Berube’s work, is a disabled text. Moreover, a through the protagonist’s story, a stark critique of misogynoir and ableism emerges. Thus, while taking seriously disability studies scholars’ arguments that African American writers and activists …

Ephemera: Copy Of Friends Of Cross Creek Pamphlet.

Saffy Collection - All Textual Materials

Found in a book titled "Color Purple." Circa 1965-1985. Box 4, Folder 11

Where Woman Is Her Center: Interrogating Morality And Spatiality In The Works Of Joan Didion, Hannah Nicole Martin

Honors Projects

This project outlines new and expansive critical categories for discussing Joan Didion’s work through an interrogation of Didion’s The Year of Magical Thinking and earlier personal essays using an interplay of close reading and affect theory. This paper seeks to help move the critical conversation in new directions by shifting the focus towards an analysis of Didion’s unique spatialization of memory, articulated through her use of particular details. Divided in two parts, the first section of this paper discusses The Year of Magical Thinking while the second engages in a dialogue with the critical voices surrounding Didion, as well as …

To Be Everything: Sylvia Plath And The Problem That Has No Name, Alanna P. Mcauliffe

Student Theses and Dissertations

This thesis explores, in depth, how the poetry of Sylvia Plath operates as an expression of female discontent in the decade directly preceding the sexual revolution. This analysis incorporates both sociohistorical context and theory introduced in Betty Friedan’s 1963 work The Feminine Mystique. In particular, Plath’s work is put in conversation with Friedan’s notion of the “problem that has no name,” an all-consuming sense of malaise and dissatisfaction that plagued American women in the postwar era. This notion is furthered by close-readings of poems written throughout various stages of Plath’s career (namely “Spinster,” “Two Sisters of Persephone,” “Elm,” “Ariel,” “Daddy,” …

The Lost Artist: Biographical Fiction And The Identity Of Zelda Sayre Fitzgerald, Alexandra Fradelizio

Dissertations, Masters Theses, Capstones, and Culminating Projects

Zelda Sayre Fitzgerald (1900-1948) is widely regarded as the first flapper of the Roaring 20s and is often recognized for her tumultuous marriage to acclaimed American writer F. Scott Fitzgerald. As a female icon whose life was filled with salacious incidences and mental struggles, the image of Zelda continues to be reinterpreted in various movies, television series, and novels. However, very few center on her artistic pursuits of writing, painting, or dancing and how her desires to contribute to the art world were overshadowed and disrupted by her successful husband. Therese Anne Fowler’s Z: A Novel of Zelda Fitzgerald (2013), …

There Is Water In The World For Us : The Environmental Theories Of Alice Walker., Janae Lewis Hall

Electronic Theses and Dissertations

The emergence of African-American Environmental thought responds to the ongoing erasure of Black experiences and their perspectives on nature. Mainstream environmentalism maintains a legacy of perceived innocence and incorruptibility towards the land, while Black Environmentalism demonstrates the limitations of that ideology. Limitations include the erasure of history in regards to stealing land from Indigenous people, the brutality of slavery, legalized lynching, forced removal from the land, exploitation in sharecropping, destruction of sacred lands, heavy pollution in urban centers, and harmful environmental policies. For Black and Indigenous peoples, it is impossible to view American soil as innocent. This project surveyed the …

Insurgent Knowledge: The Poetics And Pedagogy Of Toni Cade Bambara, June Jordan, Audre Lorde, And Adrienne Rich In The Era Of Open Admissions, Danica B. Savonick

Dissertations, Theses, and Capstone Projects

Insurgent Knowledge analyzes the reciprocal relations between teaching and literature in the work of Audre Lorde, June Jordan, Toni Cade Bambara, and Adrienne Rich, all of whom taught in the Search for Education, Elevation, and Knowledge (SEEK) educational opportunity program at the City University of New York in the late 1960s and early 1970s. Drawing on archival research and analysis of their published work, I show how feminist aesthetics have shaped U.S. education (especially student-centered pedagogical practices) and how classroom encounters with students had a lasting impact on our postwar literary landscape and theories of difference. My project demonstrates how, …

Bertha Harris' Confessions Of Cherubino: From L'Ecriture Feminine To The Gothic South, Kara Russell

Electronic Theses and Dissertations

Inspired by her obsession with the South and informed by the liberating socio-political changes born from the 1970s lesbian feminist movement, North Carolinian author Bertha Harris (1937-2005) provides a poetic exploration of Southern Gothic Sapphism in her complex and tormented novel Confessions of Cherubino (1972). Despite fleeting second-wave era recognition as “one of the most stylistically innovative American fiction writers to emerge since Stonewall,” Harris’s innovation remains largely neglected by readers and cultural theorists alike. Nearly all academic engagements with her work, of which there are few, address her 1976 novel Lover. Instead, this thesis focuses on Confessions of Cherubino …

The Best Story: Zelda Sayre Fitzgerald's Return To The South Revealed Through The Analysis Of Her Articles And Fiction Published Between 1920 And 1932, Kemry H. Farthing

Theses and Dissertations

This thesis examines Zelda Sayre Fitzgerald’s writing published between 1920 and 1932. To date, biographers and scholars have largely failed to carefully examine and understand Zelda’s publications. During this period Zelda critiques the materialism and generational lack of respect she finds in the North in her articles, while using her imagination to discuss the possibilities of the South in her short stories. All of her works during these years culminate in her novel, Save Me the Waltz, in which much of her life and return to the South is mirrored by her heroine, Alabama Knight. This thesis examines Zelda’s …

Moving Experiences: Women And Mobility In Late Nineteenth And Early Twentieth-Century American Literature, Amy Simpson Birk

Theses and Dissertations--English

This project recovers and revises late nineteenth and early twentieth-century narratives of mobility which invoke female protagonists who move from stifling, patriarchal domestic settings in the rural and suburban United States to the more symbolically emancipated settings of New York City and even Europe to reveal both the limitations and possibilities for women’s lives in the United States at the turn of the twentieth century. By challenging popular American fiction’s preoccupation with urban white slavery myths and the lingering proscriptive standards for women’s behavior of the Victorian era, the Introduction argues the selected works of this dissertation mark a significant, …

Crafting Oppression Of Women In Novels By Writers Of Color, Jacqueline Annette Phillips

Dissertations and Theses

CRAFTING OPPRESSION OF WOMEN

IN NOVELS BY WRITERS OF COLOR

Abstract:

This thesis explores methods used by the writers of five realist novels, to create oppressive situations for female characters in their work. In writing about these novels, the aim is to see how authors use fictional characters to illustrate actual female oppression. The novels drawn from different cultures, share the depiction of female oppression.

Specific situation: INCIDENTS IN THE LIFE OF A SLAVE GIRL Harriet Jacobs

Domestic / Social: THE JOYS OF MOTHERHOOD Bucchi Emecheta

COMING TO BIRTH Marjory O. Macgoya,

Violent Oppression: THE COLOR PURPLE Alice Walker

PURPLE …

A Refuge For Jae-In Doe: Fugues In The Key Of English Major, Seo-Young J. Chu

Publications and Research

"A Refuge for Jae-in Doe: Fugues in the Key of English Major"

Author(s):

Seo-Young Chu (see profile)

Date:

2017

Subject(s):

Feminism, Creative nonfiction, Asian American literature, Sonnets, Social justice, Trauma

Item Type:

Essay

Tag(s):

#MeToo, Stanford, women in academia, early american

Permanent URL:

http://dx.doi.org/10.17613/cp82-8f39

Not So Revisionary: The Regressive Treatment Of Gender In Alan Moore's Watchmen, Anna C. Marshall

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

While Alan Moore’s comic book Watchmen is often hailed as a revisionary text for introducing flawed superheroes and political anxiety to the genre, it is also remarkably regressive in its treatment of gender. Some critics do argue that women are given a newfound voice in Watchmen, but this interpretation neglects to examine character Laurie Jupiter adequately, or the ways in which other female characters' appearance and dialogue are limited and/or based on their sexuality and relationships with male characters. Watchmen's main female characters, mother and daughter Sally and Laurie Jupiter, lack autonomy and their identities are completely intertwined …

Flesh In Line With The Mind : Gender In Caitlin Kiernan’S The Drowning Girl., Sarah Buckley

College of Arts & Sciences Senior Theses

This paper analyzes how Caitlyn R. Kiernan in her novel The Drowning Girl characterizes gender identity, particularly in regards to women, both transgender and cisgender. The book's characterization of gender roles for cisgender men, cisgender women, and transgender women, while seeming on the surface to subvert sexist stereotypes, reproduces the pitfalls of feminist literary criticism popularized in the 1970s and 1980s. Notably, such themes include viewing women's madness as a method of transcending masculine rationality, a dichotomized essentialism of masculinity and femininity, and universalizing women's experience without regards to race, class, and nationality. Transgender autobiographical and literary archetypes employed in …

Breaking The Cycle Of Silence : The Significance Of Anya Seton's Historical Fiction., Lindsey Marie Okoroafo (Jesnek)

Electronic Theses and Dissertations

This dissertation examines the feminist significance of Anya Seton’s historical novels, My Theodosia (1941), Katherine (1954), and The Winthrop Woman (1958). The two main goals of this project are to 1.) identify and explain the reasons why Seton’s historical novels have not received the scholarly attention they are due, and 2.) to call attention to the ways in which My Theodosia, Katherine, and The Winthrop Woman offer important feminist interventions to patriarchal social order. Ultimately, I argue that My Theodosia, Katherine, and The Winthrop Woman deserve more scholarly attention because they are significant contributions to women’s …

Ethics Of Care On The Narrative Margins Of Willa Cather’S The Professor’S House And Death Comes For The Archbishop, Jeannette E. Schollaert

Department of English: Dissertations, Theses, and Student Research

Willa Cather’s Southwestern novels feature cultured male protagonists as the driving sources of action. The male characters explore the natural world and advance the plot, but Cather positions female figures, particularly spinster figures, on the sidelines of the protagonists’ plots to offer support and connection with the natural world. Using an ethic of care framework and ecofeminist Val Plumwood’s master model, this thesis examines the ways in which Cather marginalizes female figures even as they serve crucial roles in the male protagonists’ development. While the male protagonists link spinster figures and sexualized feminine bodies with the natural world, they imbue …

A City Room Of One's Own: Elizabeth Jordan, Henry James, And The New Woman Journalist, James Hunter Plummer

Department of English: Dissertations, Theses, and Student Research

This thesis considers the portrayal of the female journalist in the works of Elizabeth Jordan and Henry James. In 1898, Jordan, a journalist and editor herself, published Tales of the City Room, a collection of interconnected short stories that depict a close and supportive community of female journalists. It is, overall, a positive portrayal of female journalists by a female journalist. James, on the other hand, uses the female journalists in The Portrait of a Lady, “Flickerbridge,” and “The Papers” to show his discomfort toward New Journalism and the New Woman of the late-nineteenth and early-twentieth centuries. These …

The Madwoman Persists: Expression As Resistance In Emily Holmes Coleman's The Shutter Of Snow And H.D.'S Hermione, Spring Healy

Honors Projects

Emily Holmes Coleman’s The Shutter of Snow and H.D.’s HERmione each feature a female narrator struggling to survive in a patriarchal society that confines them and polices the movement of their bodies through space in attempt to gain control. The characters Marthe Gail and Hermione Gart experience bouts of insanity in response to their confinement by the patriarchy. I explore the various ways these two women push against their confinement, and argue that despite their places in society, Marthe and Hermione are able to use expression—writing, language, voice, movement, sexuality—to successfully resist the patriarchy and create legitimate identities.

The Unkindness Of Strangers: Exploring Success And Isolation In The Dramatic Works Of Tennessee Williams, Chelsea Nicole Gilbert

Electronic Theses and Dissertations

This thesis aims to explore the theme of isolation in the dramatic works of Tennessee Williams using his essay “The Catastrophe of Success” as the base theory text. The essay attacks the American idea of success though an in-depth examination of the “Cinderella myth” that Williams claims is so prevalent in both Hollywood and American Democracy. Williams’ deconstruction of this myth reveals that America’s love for stories like it results the isolation of three groups: homosexuals, women and the physically disabled and terminally ill. Williams passes no judgment on his characters, instead showing their lives as they truly are. Through …

Victorian Dogs, Victorian Men: Affect And Animals In Nineteenth-Century Literature And Culture, Keridiana Chez

Publications and Research

Victorian Dogs, Victorian Men: Affect and Animals in Nineteenth-Century Literature and Culture by Keridiana W. Chez is the first monograph located at the intersection of animal and affect studies to examine how gender is produced via the regulation of interspecies relationships. Looking specifically at the development of the human-dog relationship, Chez argues that the bourgeoisie fostered connections with canine companions in order to mediate and regulate gender dynamics in the family. As Chez shows, the aim of these new practices was not to use animals as surrogates to fill emotional vacancies but rather to incorporate them as “emotional prostheses.”

Chez …