Literature in English, North America Commons^™

I Need A Prince To Watch Over Me. Really?! Re-Visioning "Happily Ever After" In Gloria Naylor's Women Of Brewster Place, Anita August

English Faculty Publications

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I Need a Prince to Watch Over Me. Really?! Re-Visioning ‘Happily Ever After’ in Gloria Naylor’s The Women of Brewster Place

Female Art And Artisans In Edith Wharton’S The House Of Mirth, The Custom Of The Country, And “Roman Fever”, Julia B. Welch

College of Graduate Studies: Theses & Dissertations

In early twentieth century old and new New York social circles, the marriage market’s commodification of women acted as the controlling factor for relationships, female power, and personal identity. When considering Wharton’s works for the first-hand viewpoint that she provided of the marriage market, it becomes clear that her interest in art plays heavily into the way women comport themselves within her novels. In order to discuss this relationship in Edith Wharton’s works, I’ve created terms that delineate the various ways female characters respond to the pressures of the marriage market. The best way to analyze Wharton’s women is by …

The Geographic Center Of Nowhere, Sharon Mauldin Reynolds

Murray State Theses and Dissertations

The Geographic Center of Nowhere. A collection of short stories exploring the perseverance of several women in varied situations.

American Culture Of Servitude: The Problem Of Domestic Service In Antebellum Literature And Culture, Andrea Holliger

Theses and Dissertations--English

My dissertation argues that domestic service alters a culture’s relationship to the laboring body. I theorize this relationship via popular literary and cultural antebellum texts to explore the effects of servitude as a trope. Methodologically, each chapter reads a literary text in context with social and legal paradigms to 1) demonstrate that servitude undergirds myriad articulations of antebellum power and difference; 2) show how servitude inflects the construction of these paradigms; and 3) trace Americans’ changing relationship to the concept of servitude from the Early Republic through the Civil War.

I begin with James Fenimore Cooper’s The Pioneers (1823), exploring …

Performativity And Domestic Fiction In Antebellum America: The Power Dynamics Of Class And Gender Performance, Blair Hedigan

Scripps Senior Theses

This thesis analyzes the role of performativity within the domestic novel during antebellum America; specifically, the ways in which E.D.E.N. Southworth’s The Hidden Hand and Louisa May Alcott’s Behind a Mask subverted cultural and societal norms by exploring the performative nature of class and gender. Through their respective protagonists, the two authors sought to question the power dynamics of an overwhelmingly patriarchal society. By granting their protagonists agency through performance, Southworth and Alcott explored the ways in which women might alter existing power structures to reject the restrictions gender essentialism placed upon antebellum women, and to advocate for women’s rights, …

Narrative Pleasures And Feminist Politics: Popular Women’S Historical Fiction, 1990-2015, Victoria Kennedy

Theses and Dissertations (Comprehensive)

This dissertation contributes to a developing body of work on women’s historical fiction and its significance to feminist discourse. Building from Diana Wallace’s 2005 study The Woman’s Historical Novel: British Women Writers, 1900-2000, I offer a modified definition of “the woman’s historical novel” and a transatlantic consideration of several of the most popular titles in the contemporary period, including The Other Boleyn Girl (2001), Outlander (1991), A Great and Terrible Beauty (2003), and Scarlett (1991). Several studies have followed Wallace’s, notably Ann Heilmann and Mark Llewellyn’s Metafiction and Metahistory in Contemporary Women’s Writing (2007) and Katherine Cooper and Emma …

Exploring Psychological Territoriality Through The Domestic Gothic In Beloved And Mama Day, Lori L. Cook

English Department Theses

The novels, Beloved, by Toni Morrison, and Mama Day, by Gloria Naylor, contain narratives of families with a history of slavery that explore how their female protagonists claim their identities within the new boundaries of freedom. Using a framework of the Domestic Gothic, this paper explores how formerly enslaved female characters claim new psychological territory in bounded domestic spaces by using the chores they were forced to perform during their times of slavery as a means to independence. Domestic duties such as cooking and gardening along with magical and religious ceremonies and acts of violence are passed down through the …

Genres Of Feminist Lives: Autobiography, Archives, And Community, 1970-1983, Meredith A. Benjamin

Dissertations, Theses, and Capstone Projects

The desire to record lives and the conviction that such recordings would serve an important purpose for other women were the motivations behind much of the autobiographical writing in U.S. feminist writing of the 1970s and 80s. In Genres of Feminist Lives: Autobiography, Archives, and Community, 1970-1983, I argue that feminist writers in this period used autobiographical writing to create a sense of community among their readers: a new feminist public. Realizing the inadequacy of a sense of identification, these writers encouraged their audiences, in the words of Audre Lorde, to transform silence into language and action. While scholars …

Between Life And Literature: The Influence Of Don Quixote And Madame Bovary On Twentieth-Century Women's Fiction, Victoria Tomasulo

Dissertations, Theses, and Capstone Projects

This project demonstrates the influence of two foundational novels in the Western canon, Don Quixote and Madame Bovary, on twentieth-century British, Italian, and Anglo-American women’s fiction. Both novels illustrate the dangers and pleasures of literary influence. Stylistically innovative, they anticipated concerns that were of import to feminist literary critics in the seventies and beyond: the transformative power of the reading encounter, its normative and subversive effects on gendered identities, and the need of individual writers to liberate themselves from the shackles of literary convention. Drawing upon textual and paratextual evidence such as interviews, journal entries, and essays, I argue …

The Strains Of Confessional Poetry: The Burdens, Blunders, And Blights Of Self-Disclosure, Lara Rossana Rodriguez

Dissertations, Theses, and Capstone Projects

When a provocative style of autobiographical verse had emerged in postwar America, literary critics christened the new genre “confessional poetry.” Confessional poets of the 1960s and ’70s are often characterized by scholars of contemporary poetry as a cohort of writers who, unlike previous generations before them, dared to explore in their work the personal and inherited traumas of mental illness, family suicides, failed marriages, and crushing addictions. As a result, the body of work these writers produced is often experienced as a collection of stylized, literary self-portraits. What can these self-portraits reveal to us about the connection between confessional poetry …

Animals In Irish Literature And Culture Edited By Kathryn Kirkpatrick And Borbála Faragó, Geneviève Pigeon

The Goose

Review of Kathryn Kirkpatrick and Borbála Faragó's Animals in Irish Literature and Culture.

Text And Paratext: Analyzing Edith Wharton's Hudson River Bracketed In Its Periodical Context, Paige Szmodis

English and Creative Writing Summer Fellows

Studying a novel in the context of its paratexts — including the illustrations, advertisements, and captions surrounding the fiction — reveals how the publication context can shape a literary work. This project examines Edith Wharton’s Hudson River Bracketed (1929) and its paratexts by comparing the final version of the novel with textual changes made in its monthly periodical publication in the magazine The Delineator (1928-1930). As mass-consumerism and advertising increasingly targeted women during the 1920s, examining Wharton’s work in a popular middle-class women’s magazine like The Delineator illuminates how paratexts affect audience perceptions of the novel’s characters, conflicts, and themes. …

Penelope’S Daughters, Barbara Dell`Abate-Çelebi

Zea E-Books Collection

A feminist perspective of the myth of Penelope in Annie Leclerc’s Toi, Pénélope, Margaret Atwood’s The Penelopiad and Silvana La Spina’s Penelope.

At the origin of Western literature stands Queen Penelope—faithfully waiting for her husband to come home: keeping house, holding on to the throne, keeping the suitors at arm’s length, preserving Odysseus’ place and memory, deserted for the pursuit of war and adventures, and bringing up a son alone, but always keeping the marriage intact. Yet recently the character of Penelope, long the archetype of abandoned, faithful, submissive, passive wife, has been reinterpreted by feminist criticism and re-envisioned by …

The Weight Of “Glory”: Emily Dickinson, George Eliot, And Women’S Issues In Middlemarch, Megan Armknecht

Criterion: A Journal of Literary Criticism

No abstract provided.

Discarding Dreams And Legends: The Short Fiction Of Elizabeth Madox Roberts, Flannery O’Connor, Katherine Anne Porter, And Eudora Welty, Katy L. Leedy

Dissertations (1934 -)

This project examines four Southern women writers—Elizabeth Madox Roberts, Flannery O’Connor, Katherine Anne Porter, and Eudora Welty—who use the genre of the short story and the setting of the farm or insular living space to critique Southern regional identity. I argue that the social critiques of these southern female short story writers have been overlooked because stereotypes rooted in the fantasy of the idealized southern woman has limited critical perceptions of these authors’ engagements with cultural or political issues, when in reality their short fiction helped to influence the shifting expectations of the mid-twentieth century South. This study provides a …

Ceasing To Run Underground: 20th-Century Women Writers And Hydro-Logical Thought, Annie M. Cranstoun

Dissertations, Theses, and Capstone Projects

Starting from two central ecopoetic convictions—the constitutive role of environment in human experience (and vice versa), and text’s ability to connect with the world—this dissertation then moves in a different direction from most ecocritical projects. Instead of looking at the ways literary representation flows back into nature in the forms of attitude, praxis, and policy, this study focuses on the earlier part of the loop: the emergence of text from environment, particularly its aquatic parts, via the faculty of the imagination. In its scrutiny of images that spring directly from matter and its faith in the concept of a personal …

An Awakened Woman With A Room Of Her Own, Erica Garcia

Nebraska College Preparatory Academy: Senior Capstone Projects

In the early 1900’s, women were obviously being oppressed considering they lacked the right to vote, to an education, and to freedom. Through bold women who spoke out against the said oppression, women were able to work together to fight for equality. By digging deeper into the literature of the time period, the point of view of an oppressed woman is more easily seen and can therefore be better understood. Women among Woolf and Chopin, for example, Carrie Chapman Catt helped move along the passing of the 19th Amendment with assistance from the NAWSA. Once women got the ball rolling …

Overcoming More Than Physical Borders: The Challenges Gender Creates For Hispanic Immigrants, Guadalupe Esquivel

Nebraska College Preparatory Academy: Senior Capstone Projects

An analysis of T. Coraghessan Boyle’s The Tortilla Curtain and Sandra Cisneros's “Woman Hollering Creek” shows the measures that Mexican women take to find their identity after immigrating. Facing discrimination on the basis of both race and gender, this task is more difficult for females than for their male counterparts. It is a challenge that continues for many women today as they balance two worlds and are expected to fully carry the roles of both. This is a focus on the main characters of the above texts, Americá Rincón and Cleofilas, respectively, as well as personal essays written by first …

Father Of All Destruction: The Role Of The White Father In Contemporary Post-Apocalyptic Cinema, Felicia Cosey

Theses and Dissertations--English

Since September 11, 2001 a substantial number of English-language, post-apocalyptic films have been released. This renewed interest in the genre has prompted scholars to examine the circumstances within western society that make post-apocalyptic films appealing to audiences. The popularity of these films derives from a narrative structure that reinforces conservative notions of good and bad and moral absolutism. The post-9/11, post-apocalyptic film typically features a white male hero who, in one way or another, reestablishes the pre-apocalyptic social order through proclamations of mandatory and prohibitive laws that must be adhered to by the survivors. The hero of post-apocalyptic film does …

"Casting Aside That Ficticious Self.": Deciphering Female Identity In The Awakening 2015, Anne L. Dicosimo

Master's Theses

Kate Chopin’s female protagonists have long since fascinated literary critics, raising serious questions concerning the influence of nineteenth-century female gender roles in her writing. Published in 1899, The Awakening demonstrates the changeability of the various representations of woman. In the nineteenth century, the subject of women may be divided into two categories: the True Woman and the New Woman. The former were expected to “cherish and maintain the four cardinal virtues of piety, purity, submissiveness and domesticity” (Khoshnood et al.), while the latter sought to move away from hearth and home in order to focus on education, professions, and political …

Daisy And Frederick: An Exploration Of Innocence And Its Consequences In Henry James' Daisy Miller: A Study 2015, Mark Andrew Meyer Ii

Master's Theses

No abstract provided.

Discreet Feminism: Neil Gaiman’S Subversion Of The Patriarchal Society In American Gods, Christopher P. Thompson

LSU New Orleans Theses and Dissertations

Neil Gaiman’s use of a hyper-masculine American culture in American Gods sheds light upon the multiple issues surrounding a misogynistic society in which women are treated as sexual objects and punished for their independence as sexual beings. Gaiman’s efforts at highlighting these issues are discreet and hidden under layers of patriarchal expectations, but through the use of his protagonist, Shadow, Gaiman is able to provide an alternative to the society he represents. While he successfully illustrates this more “ideal” society, his endeavors fall short and are almost imperceptible throughout his novel. Gaiman’s work in American Gods, while lacking in its …

Representation Of The Mother’S Body As A Narrative Conduit For Wartime Themes In Saga, Bess Pallares

Student Research Symposium

“Representation of the Mother’s Body as a Narrative Conduit for Wartime Themes in Saga” examines how both diagetic and extradiagetic art creates a visual syuzhet to convey themes of interdependence and transgenerational memory in the comic book series Saga. My method of research was a narrative analysis of volumes 1-4 of Saga, particularly focusing on the artistic representation of two mothers’ bodies within the narrative and on covers of the books, as related to the themes and story. As a result, I found in the artistic syuzhet that the representation of two characters’ bodies as they interact …

Setting Fires: Literary Women Blazing Trails For Contemporary Women, Laura Salinas

Senior Honors Projects

“Above all, be the heroine of your life, not the victim” — Nora Ephron

Literature has always provided an outlet for writers to express their commentary on society tracing from Shakespeare’s plays in the 1600’s to Jane Austen’s classic novels to the modern literary narrative. These writings are often more than just tales to entertain a crowd or a reader; they create dynamic characters that call into question the standards and expectations that society deems acceptable.

Stieg Larsson’s Millennium trilogy has created an iconic and dynamic character that resists and challenges what it means to be a woman in terms …

Dark Matter: Susan Howe, Muriel Rukeyser, And The Scholar's Art, Stefania Heim

Dissertations, Theses, and Capstone Projects

Instead of describing poetry as a set of constraints or history of practices, Muriel Rukeyser calls it "one kind of knowledge." Dark Matter heeds Rukeyser's call, theorizing a poetics of the "scholar's art," in which documentary investigation, autobiographical exploration, and formal innovation are mutual, interwoven concerns. The dissertation pairs American poets Susan Howe (b. 1937) and Muriel Rukeyser (1913-1980), reading their hybrid works not through the received categories of American poetry, or through common generic and disciplinary divisions, but using an inductive methodology that takes its lead from the poets. Understanding Howe and Rukeyser's literary experiments as serious interventions in …

The American Aspasia: The Woman Lecturer In American Women's Rights Fiction, 1839-1915, Angela Ridinger-Dotterman

Dissertations, Theses, and Capstone Projects

This dissertation is the first comprehensive study of the figure of the woman lecturer/speaker that appeared in American women's rights fiction in the period between 1839 and 1915. I argue that examining the figure of the woman lecturer/ speaker in a wide variety of texts and over an extended period of history reveals that the figure served as a dynamic vehicle for women writers to advance a broad range of social and political interests; writing in a social and historical context that discouraged women's participation in public speech, women authors used fiction as a rhetorical space to articulate different visions …

Journey With No Maps: A Life Of P.K. Page By Sandra Djwa, Mckay Mcfadden

The Goose

Review of Journey With No Maps: A Life of P.K. Page by Sandra Djwa.

Finding Aid To The Collection Of Elizabeth Akers Allen Materials, Elizabeth Akers Allen, Colby College Special Collections

Finding Aids

This collection includes correspondence, manuscripts, and first publications of Maine writer, Elizabeth Akers Allen. The bulk of the collection consists of manuscripts and published writings written by Allen between 1846 and 1906. The collection also contains correspondence, an Autograph book, clippings, and a few photographic prints. Elizabeth Akers Allen grew up in Farmington, Maine, and first published a volume of poems under the pen name Florence Percy. She traveled through Europe as a journalist reporting for the Portland Transcript and Boston Evening Gazette, and was later a regular contributor to Atlantic Monthly.

Finding Aid To The Collection Of Sarah Orne Jewett Materials., Sarah Orne Jewett, Colby College Special Collections

Finding Aids

This collection includes correspondence, manuscripts, and first publications of 19th-century Maine writer, Sarah Orne Jewett. The bulk of the collection consists of letters written by Jewett to various correspondents between 1879 and 1908. The collection also contains manuscript items of varying length, an Anecdote Book, clippings, published writings, and a few photographic prints. Sarah Orne Jewett (1849-1909) of South Berwick, Maine achieved note as an author and poet. The daughter of Dr. Theodore Jewett, she was educated at Berwick Academy, though her studies were frequently interrupted by illness. She never married and lived most of her life in her home …

Expanding The Literary Enterprise: How We Experience The Texts Of The Advanced Placement English Literature And Composition Curriculum, Molly Ostrow

Honors Theses

How we read the texts of the Advanced Placement English Literature and Composition curriculum.