Literature in English, British Isles Commons^™

“The Deepest Blush”: Bodily States Of Emotions In Jane Austen’S Novels, Nadya Abdelfattah

ETD Archive

During the eighteenth-century, philosophers gave primacy to rationality specifying that reason could and should control emotions; they observed a friction between thought and feeling, rational and irrational, emotion and cognition, mind and body, which competed and united in a way that influenced the eighteenth-century and nineteenth-century thought and experience on many sides. As an early nineteenth-century novelist, Jane Austen explores the relationship between emotion and cognition. I argue that Austen shows the importance of bodily experience of emotion in moral development. Deploying affect theory will illuminate Austen’s depiction of emotions as a mode of understanding of how the body becomes …

Practical Christianity: Religion In Jane Austen's Novels, Erin R. Toal

Senior Honors Theses

A beloved English novelist of the late eighteenth century, Jane Austen captures the attention and emotion of readers through timeless insights into the inner workings of the human heart as characters navigate society, family life, and love. Her novels’ attention to practical morality but reticence toward explicitly religious subject matter raises conjecture concerning the religion behind her values; however, Austen’s Christian upbringing, Anglican practice, and Christian values suggest a foundation of faith from which the morality in her novels emanates. In Sense and Sensibility, Pride and Prejudice, and Mansfield Park, Austen demonstrates her eighteenth-century Anglican worldview in …

Review Of Kathryn E. Davis, Liberty In Jane Austen's Persuasion, Stephanie Russo

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Sense And Sensibility: A Sermon On Living The Examined Life, Sarah J. Mejias

University of New Orleans Theses and Dissertations

Jane Austen’s novels remain an essential component of the literary canon, but her first published novel, Sense and Sensibility, is frequently neglected. However, in Sense and Sensibility is the genesis of Austen’s technique through which her major characters cultivate and reveal a strong inner life, demonstrated through the character of Elinor Dashwood. This technique is a characteristic she incorporates in each of her succeeding novels. Her approach to literature centers on the interiority of her characters and their ability to change, but it her first novel Austen takes a unique approach. Following the structure of an eighteenth-century sermon, Austen …

Review Of Mansfield Park: An Annotated Edition, Lynda A. Hall

English Faculty Articles and Research

A review of Mansfield Park: An Annotated Edition, edited by Deidre Shauna Lynch.

Religion In Sense And Sensibility, Erin R. Toal

The Kabod

Jane Austen’s first major novel that was published, Sense and Sensibility, exemplifies the shifting perspectives in religion during the Georgian period by exploring the virtues of its title through the lenses of the Anglicanism of Georgian England. This paper argues that Sense and Sensibility reflects Jane Austen’s worldview and identifies how it stems from the Neoclassical and Romantic fusion present in her religious belief.

Exposing The “Shadow Side”: Female-Female Competition In Jane Austen’S Emma, Melissa M. Lyman

University of New Orleans Theses and Dissertations

Many critics have examined the shifting nature of female friendship in Jane Austen’s Emma from cultural and historical angles. However, a comprehensive scientific analysis of female-female alliance and competition in the novel remains incomplete. The Literary Darwinist approach considers the motivations of fictional characters from an evolutionary perspective, focusing primarily on human cognition and behaviors linked to reproductive success, social control, and survival. While overt physical displays of male competition are conspicuous in the actions of the human species and those of their closest primate relatives, female aggression is often brandished psychologically and indirectly, which makes for a much more …

The Said And The Unsayable : Silence In Jane Austen's Sense And Sensibility, Mansfield Park, And Persuasion, Laura Evelyn Thurber

Theses, Dissertations, and Projects

No abstract provided.

The Anti-Hero And The Wallflower Heroine: Moll Flanders And Mansfield Park In Dialogue, Alex Valin

Oglethorpe Journal of Undergraduate Research

Daniel Defoe’s 1722 novel Moll Flanders and Jane Austen’s Mansfield Park, published ninety years later, retain many narrative similarities. The protagonists of both novels find themselves born poor, symbolically adopted by a well-to-do family, whom they are Othered from to a certain degree, and eventually marry one of the sons of said family. However, no reader of literature could say that Moll Flanders and Fanny Price are the same character. Rather, the differences in their characters come from the amount of agency afforded to them by the respective novel. Ultimately, these two characters form prototypes of characters to be ingrained …

Review Of Barbara K. Seeber, Jane Austen And Animals, Lucinda Cole

ABO: Interactive Journal for Women in the Arts, 1640–1830

In this review of Barbara K. Seeber's Jane Austen and Animals (Ashgate, 2013) Lucinda Cole summarizes this foundational book and emphasizes the role of animal studies scholars in linking feminism and environmental issues.

Mansfield Park Comes To Life: Teaching And Staging Elizabeth Inchbald’S Lovers’ Vows In An Austen Course, Misty Krueger

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay discusses how I incorporated readers theatre into a senior seminar on Jane Austen and her contemporaries. The article recounts how my students read Elizabeth Inchbald’s 1798 drama, Lovers’ Vows, and Austen’s 1814 novel, Mansfield Park, and then were inspired at the end of the seminar to take part in a readers theatre production of the play. In order to set up this pedagogical example, the essay addresses the theatrical episode of Mansfield Park, the controversies surrounding Lovers’ Vows, and the ways in which I edited the play and prepared students to create a “little …

Jane Austen's Heroines--And Some Others, Neda H. Jeny

South East Coastal Conference on Languages & Literatures (SECCLL)

Jane Austen’s Heroines--and Some Others

Jane Austen is the earliest English novelist whose novels are still widely read today; in fact, they are becoming more popular all the time.

Of course, there are good reasons for this popularity. Apart from Austen’s creation of unforgettable characters, and her exquisite irony and sense of humor, there is one other thing I’d like to discuss today: her heroines could be called, in a sense, brilliant (and often unorthodox) adaptations of universally recognized types. For example, Elizabeth Bennet is so remarkable a character because she is, at the same time, a sort of Cinderella …

Love At First Sight? Jane Austen And The Transformative Male Gaze, Rachel S. Grate

Scripps Senior Theses

In this thesis, I claim that the gaze is central to the courtship process in Austen’s novels. I also propose that an analysis of the gaze is crucial to understanding the gendered power dynamics that are central to these relationships. We tend to think of male gazers as having all the power, but one of Austen’s subversive arguments is that women can also be subjects of the gaze and transform through it. However, limits exist to their power. As I will argue, while men are able to simply project their transformative gaze, women must first use their gaze to perceive …

In Defense Of Marianne Dashwood: A Categorization Of Language Into Principles Of Sense And Sensibility, Ashley Bonin

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Setting A Good Example In Pride And Prejudice, Joanna L. Colmery

The Kabod

Although most readers of Pride and Prejudice think that the book centers on the romance between Mr. Darcy and Elizabeth Bennet, I argue that the central message is a warning about romantic fulfilment gone awry as illustrated through Lydia and Wickham. I compare the two suits and identify Austen’s cautionary tale that only through honorable and sincere means in courtship can two people be ensured a happy, satisfying marriage.

Gothic Sense And Sensibility, Stephanie Abigail Taylor

The Kabod

It is well known that Jane Austen's Northanger Abbey is a parody of the Gothic genre, and this paper supports that reading. However, this paper analyzes the novel through the use of Austen’s identification of the terms “sense” and “sensibility” that she constructs in Sense and Sensibility to explain specifically how and why Austen parodies Gothic novels that were all the fashion in her day.

Beyond The Pages: The Significance Of The Social Self Proposed In Jane Austen's Persuasion, Veronica Grupico

Seton Hall University Dissertations and Theses (ETDs)

This paper focuses on Austen's novel Persuasion and how she rejects the Romantic notion of the self defined by individualism, which leads to the breakdown of society. Instead of the Romantic self, with its emphasis on self-examination, retrospection, and emotion, Austen advocates for an older notion of the self, a view based in eighteenth-century notions of social networks, mutual responsibility, and the moral function of emotion. Persuasion links Romanticism’s self, which was popular at the time that Austen was writing, with the breakdown of society, arguing that not just social stability but much-needed social vitality depends on the interdependence and …

Review Of Enit Karafili Steiner, Jane Austen's Civilized Women: Morality, Gender, And The Civilizing Process, Sarah Raff

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

You’Re An Austen Heroine! Engaging Students With Past And Present, Caroline Breashears

ABO: Interactive Journal for Women in the Arts, 1640–1830

In my senior seminar on Jane Austen, I seek to engage students in multiple ways. On one hand, I want them to connect with Austen’s world and to reflect on what it means to them; on the other hand, I want them to understand the very real differences of that world and how they inform her novels. One strategy for engaging students in these ways is through interactive games. Studies have shown that many modern games have features similar to those stressed by engaged learning, so game design can be adapted for pedagogical purposes. I discuss the purposes, design, and …

Marriage: A Formative Institution, Joanna S. Anderson

Senior Honors Theses

Pride and Prejudice, by Jane Austen, features five main marriages that demonstrate the eighteenth century companionate marriage model in varying degrees. Many of the societal changes in the eighteenth and nineteenth century contributed to the rise of the companionate marriage, and these many changes are reflected in the rising genre—the novel. Specifically, Jane Austen’s Pride and Prejudice incorporates the major themes of the novel as a genre, specifically, the rise of the individual and equality of souls, to show that the companionate model of marriage makes marriage a formational platform for two individuals. Austen clearly sets apart Elizabeth and …

A Love That Lasts: Jane Austen’S Argument For A Marriage Based On Love In Pride And Prejudice, Katlin A. Berry

Senior Honors Theses

During the period of Regency England, a woman’s life was planned for her before she was born, and her place in society was defined by her marital status. Before she was married, she was her father’s daughter with a slim possibility of inheriting property. After she was married, legally she did not exist; she was subsumed into her husband with absolutely no legal, political, or financial rights. She was someone’s wife; that is, if she was fortunate enough to marry because spinsters had very few opportunities to earn enough money to live on alone. Therefore, it was imperative that women …

What Jane Saw, Kate Singer

ABO: Interactive Journal for Women in the Arts, 1640–1830

Review of Professor Janine Barchas' "What Jane Saw?" a website that reconstructs Joshua Reynolds's 1813 retrospective art exhibit, which Jane Austen attended, with particular attention to the Regency social and cultural history depicted in Austen's novels.

Matters Of Fact In Jane Austen: History, Location, And Celebrity, By Janine Barchas, Laura E. Thomason

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Review Of Everybody's Jane: Austen In The Popular Imagination, Lynda A. Hall

English Faculty Articles and Research

Book review of Everybody's Jane: Austen in the Popular Imagination, by Juliette Wells.

Conforming To Conventions In Jane Austen's Northanger Abbey, Pride And Prejudice, And Emma, Veronica Olson

Masters Theses

A major part of Jane Austen's novels consists of a critique of the societal conventions that were prevalent in Regency England. Through a study of Northanger Abbey, Pride and Prejudice, and Emma, it can be seen that Austen marginalizes those characters who chose conformity to social conventions. Contrariwise, the characters who exhibit a greater degree of autonomy within their patriarchal culture become the focus of the narrative. In looking at societal conventions concerning money, gender roles, and class status in conjunction with Austen's portrayal of various characters in the three novels, Austen's own views about conformity to societal conventions are …

Jane Austen’S Anglicanism By Laura Mooneyham White, Andrew O. Winckles

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Digitally Reconstructing The Reynolds Retrospective Attended By Jane Austen In 1813: A Report On E-Work-In-Progress, Janine Barchas

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Reading Jane Austen, By Mona Scheuermann (2009) ; Reading Jane Austen, By Mona Scheuermann (2012) ; Why Jane Austen?, By Rachel M. Brownstein, Karen Gevirtz

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Jane Austen, The Prose Shakespeare, Daniel Pollack-Pelzner

Faculty Publications

This essay explores the connection between Shakespearean drama and the novel’s representation of interiority. Jane Austen’s celebrated use of free indirect discourse, I argue, is linked to Charles Lamb and Mary Lamb’s Tales from Shakespeare, which turned dramatic soliloquies into prose narration, rendering a character’s thought and idiom in a third-person voice. Heralded as a “prose Shakespeare” by nineteenth-century critics, Austen also developed an inverse free indirect discourse, the infusion of the narrative voice into characters’ dialogue. Scenes from Mansfield Park, Emma, and Persuasion offer mini-Shakespearean plays of attention, for Shakespearean technique and quotation script Austen’s dramas of reading.

Performing Literacy: How Women Read The World In The Late Eighteenth-Century British Novel, Amy Hodges

Graduate Theses and Dissertations

This dissertation explores the intersection of sensibility, Social identity, and literacy practices among representations of women readers in four late eighteenth-century British novels. Through an analysis of the authors' use of identity constructs which shaped and were shaped by reading practices, this study documents the rise of Social identity formation as mutually constitutive with the history of reading. The first chapter reveals how Charlotte Lennox's The Female Quixote uses Arabella's follies as education for readers about the corresponding processes of reading their society and reading novels. The second chapter argues that Frances Burney's Evelina considers women's ability to read others …