Literature in English, British Isles Commons^™

Sisterly Bonds Beyond The Grave: The Ethical Implications Of Posthumously Publishing Jane Austen’S Persuasion, Ashleigh Jay

Honors Program: Senior Projects (Public)

By the time that Jane Austen died in 1817, she had only published four novels. After her death, her family retained her other writings. Later that year, they published one of Austen’s finished manuscripts which became the novel Persuasion. This act of posthumous publication invokes inquiries into whether the action was ethical. In order to better understand the ethics of publishing Persuasion posthumously, one can look at information from Jane Austen’s life and ideas around posthumous actions. Even though Persuasion by Jane Austen was published posthumously, Austen’s choice to leave the manuscript with her sister and her completion of …

“The Wonderful Improvement”: Landscape And Morals In Jane Austen’S Mansfield Park, Montanah Middleton

Honors Theses

This thesis examines how Jane Austen uses depictions of landscapes and estates in her novel Mansfield Park to explore questions of morality, comment on society, and explore humanity's relationship with the natural world. While previous scholarship has analyzed Austen's symbolic use of places like Sotherton and Mansfield Park itself, this study provides a more comprehensive investigation by closely reading the descriptions and judgments passed on two other estates featured in the novel not analyzed by the scholarship explored. Developing a nuanced definition of "landscape,” the analysis is grounded in Austen's verbal depictions that imbue the physical settings with moral significance. …

A Home For Literature, Elizabeth Kapsch

SPARK Symposium Presentations

1813 was a big year for Chatsworth, although no one living there knew it. In theory, it was a year like any other. William George Spencer Cavendish, the 6th Duke of Devonshire, had inherited the estate from his father two years prior, and just a year ago had made an impressive purchase of the entirety of the Bishop of Ely’s library–his book-adoring mother, of course, would be proud. William had no marital prospects, nor would he ever. In thirteen years, he would begin work with famous architect Joseph Paxton. Unbeknownst to twenty-three-year-old William, this partnership would result in some of …

Feminism And Female Identity In Adaptations Of Pride And Prejudice Throughout The 20th And 21st Centuries, Emily Suh, Emily Suh

Honors Theses

To many of her fans in the world, Austen is undeniably a feminist author, especially for her time in the nineteenth century. In a time where women were dependent upon male family members for their livelihoods, most of Austen’s heroines exhibit a sort of independence and strong will with a mind of their own, including in Pride and Prejudice. Elizabeth is the model for what an independent woman is, a woman who is not so concerned with the monetary value of matrimony and only falls in love because she wants to. Furthermore, female audiences tend to like Elizabeth more than …

Jane Austen And A Biographical Study Of The Historical Narrative Process, Serena Young

Electronic Theses, Projects, and Dissertations

Jane Austen, beloved national literary icon of Great Britain, is world-renowned for her fiction. Biographers have attempted to authentically piece together her life and often, try to connect her narrative to when and how her fiction was written, as well as point out circumstances within her personal life and speculate their influence on her work. Literary analysts and critics that have examined the historical narrative process, Hayden White and Kevin Gilvary, have found that the way in which a historical account is presented plays a significant role in how history is understood and perpetuated. When examining Jane Austen’s life, many …

Austen's Realist Feminine Icon, Sean Mcconnell

Student Works

No abstract provided.

The Impact Of Emma: Destroying Stereotypes Through Nuanced Characters In Text And Film, Julia Mccool

English MA Theses

This paper explores Jane Austen’s Emma as a response to stereotypes in 18th century novels and moral tales, and Autumn De Wildes’s Emma. from a feminist lens. Examining both of these works reveals that Emma was originally, and still is over 200 years later, transforming stereotypes in literature and film adaptations. The novel seems to be responding to a common stereotypical female villain found in many 18th century novels. In viewing Emma as a subversion of this stereotype, it is clear that Austen was responding to the sexist notions behind the character type, and writing a heroine more in line …

What, Then, Is The Walk?: Reflecting On Pedestrianism In Jane Austen’S Persuasion, Jasmine Redford

The Goose

Jane Austen’s Persuasion (1818) contains a surprising amount of social walking and leisurely walking parities undertaken by Anne Elliot and her upper-class compatriots. Viewed through an Austenian lens, a reflection of the walk highlights the similarities and differences between nineteenth-century and post-millennial walking for pleasure. What is the cultural history of nineteenth-century pedestrianism in England, and why was it so important in literature and polite society alike? What, then, is the walk? Why indulge in a stroll, a promenade, or a pastoral ramble? How does this sociocultural pedestrianism reinforce the distinction between the classes? Perhaps Austen’s walk, both an …

Chawton House And Its Library: Legacies And Futures, Kim Simpson

ABO: Interactive Journal for Women in the Arts, 1640–1830

In a review of Women’s Writing, 1660-1830: Feminisms and Futures, Paula Backscheider draws attention to “the miracle that is Chawton House, whose conferences nurtured these essays” in the collection. This essay will examine the legacy of this unique institution and explore the futures for the organization both as heritage site and as home to a substantial collection of women’s writing of the long eighteenth century. The community encouraged and nurtured by Chawton House since it opened to the public in 2003, as is so often the case with all things related to Jane Austen, complicates divisions between the academic …

A Close Analysis Into The Portrayal Of Female Protagonists Through The Lens Of Gendered Authorship: Specifically Looking Into The Works Of Jane Austen, Frances Burney, John Cleland, And Samuel Richardson, Isabella G. Beyloune

Honors Theses

I explore the difference in gendered authorship in 18th century English literature. Choosing to focus on authors such as Jane Austen, Frances Burney, John Cleland, and Samuel Richardson, I aim to see if gender of the author matters in giving a realistic portrayal of eighteenth century British female protagonists, and if there actually is a difference depending on that gender (male or female, specifically). To do this, I perform case study comparisons. All chapters include a close textual analysis of the authors’ use of dialogue and narrative style for depicting their characters. Chapter 1 focuses on the comparison between Austen’s …

"Concealing The Excess Of Her Pleasure": A Queer Reading Of Jane Austen's Northanger Abbey, Josie Anne Blubaugh

Cal Poly Humboldt theses and projects

This queer reading of Jane Austen's Northanger Abbey uses critical frameworks from queer theory, feminist theory, trans theory, and Black Romanticism to analyze female-female relationships between the characters in the novel as a product of the social norms, conventions, and discourses of Romantic-era Britain. By using literary analysis and close reading, I study the many ways in which Northanger Abbey can be read queerly, specifically where gender and sexuality intersect with race and ethnicity.

Though queer readings of this novel have been done in the past, my own analysis focuses on female-female relationships and takes race into consideration when I …

The Incurable Fanny Price: Disabled Perspective And Resistance To The Cure Narrative In Jane Austen’S Mansfield Park, Aurora C. Soriano

Dissertations and Theses

Improvement and cure are frequently on the minds of the characters in Jane Austen’s Mansfield Park. However, what happens when you introduce a chronically ill character like Fanny, who can’t ever be fully cured, into these curative plots? In order to better understand the ways Austen complicates curative discourse, this paper focuses on Fanny’s own perspective and embodied experience of chronic illness, in which she fatigues easily and experiences headaches and pain. Despite clear evidence in the novel of Fanny’s ill health, scholarship analyzing Fanny’s character has historically been fraught with ableist assumptions and subjective opinions. Ignoring the way …

Jane Austen: A Study On The Influences, World, And Character Of An Eighteenth-Century Novelist, Elisabeth Phillips

Bound Away: The Liberty Journal of History

Jane Austen is one of the most influential authors in history and her works are regarded as timeless classics. Her ability to harness the motif of the strong, independent woman in a time when society wanted women to have neither attribute is incomparable in contemporary works. This article examines Austen's life and the variety of factors (family, religious, intellectual, historical) that molded her mind and character and thus informed the characters she created and the stories she crafted.

Pride And Prejudice: A Modern, Queer Retelling For The Stage, Kate Isabel Foley

Theater Summer Fellows

In the course of studying LGBTQ topics in a queer drama class, I noticed that there was a glaring omission in our readings: the “B.” However, this lack of bisexual representation wasn’t due to a poor syllabus, but to a dismaying lack of bisexual representation in theatre as a whole. This observation, as well as my own experience as a bisexual woman, motivated me to use my love of writing and theatre to fill the void. After performing in Pride and Prejudice at Ursinus, I knew that Jane Austen’s story was the key to me bringing visibility to an underserved, …

Haunted Heroines: An Examination Of The Complication Of The Gothic Heroine, Molly S. Callison

Honors Projects

This undergraduate research thesis is an examination of two of the most significant evolutions of the literary figure of the Gothic heroine, focusing on innovations made by Jane Austen in Northanger Abbey (1817) and Charlotte Brontë in Jane Eyre (1847). It discusses the origins of the Gothic heroine, set up by Horace Walpole in The Castle of Otranto (1764), and examines the ways that Austen and Brontë make their heroines more internally complex, bringing not only realism to the Gothic heroine but a psychological depth to the feminine Gothic.

"Not What They Have Chapter And Verse For:" On Judgments, Assumptions, And Expectations In Austen And Eliot, Piper Dutton

Departmental Honors Projects

The nineteenth century left lasting impacts on our contemporary world, from political and economic developments to social and philosophical ones, and this extends to literature in the development of the novel as a major form. Jane Austen and George Eliot played integral roles in this maturation of the novel, as well as what Elizabeth Sabiston calls “the emerging female text and voice,” and thus both they and their art form merit continued reading and discussion (3). Novels are tools of social norms and revolution, and in the nineteenth century functioned as tools of the author in teaching their morals, worldviews, …

The Terrors Of Everyday Life: The Gothic Novel As A Woman's Conduct Guide To Survival, 1791-1817, Jessica Berg

Electronic Theses and Dissertations

The Gothic is often associated with the fantastical, with people and events that only take place within our darkest nightmares. In my thesis, I explore how, in the hands of Ann Radcliffe and Jane Austen, the Gothic exposes the hidden dangers of reality perpetuated by conduct literature. Within conduct manuals, thousands of regulations direct women’s behaviors and identify the perfect woman as one who exists passively within the safety of the domestic sphere. Radcliffe’s The Romance of the Forest (1791) and Austen’s Northanger Abbey (1817) engage in subterfuge against eighteenth-century conduct literature and expose the realities of the domestic sphere: …

Beyond What's Missing: Silence In Women-Authored Novels From Wollstonecraft To Shelley, Kelli Wilhelm

Graduate Theses, Dissertations, and Problem Reports (ETD)

This dissertation responds to and intends to subvert binary interpretations of silence, particularly women’s silences, as representing either submission or resistance to oppressive institutions and societal expectations. I examine five women-authored novels from British Romanticism. The first half of this dissertation focuses on three radical works of the 1790s, Mary Wollstonecraft’s The Wrongs of Woman, Mary Hays’s The Victim of Prejudice, and Charlotte Smith's The Old Manor House. The second half discusses two well-known early nineteenth-century novels, Jane Austen’s Sense and Sensibility and Mary Shelley’s Frankenstein (1818). Through examinations of these novels, I discuss how silence functions …

Race And Racism In Austen Spaces: Eroticizing Men Of Empire In Austen, Kerry Sinanan

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Story And Sorority: How Sisters Shape The Novels Of Jane Austen, Morgan Elizabeth Reid

Honors Theses

The purpose of this thesis is to examine the impact and use of sisters and sorority in the novels of Jane Austen, answering the question of how they are shaping the narratives of the stories. Focusing in particular on Pride and Prejudice, Persuasion, and Sense and Sensibility, I highlight the ways that Austen’s writing crafts plots that rely upon sisters to function. Austen also uses sister figures to reveal the characteristics of her main protagonists and to express the themes she is most concerned about within each story. I also show Austen’s pattern of affirming the value and importance of …

Visiting Jane: Jane Austen, Fan Culture, And Literary Tourism, Brianna Surratt

Senior Theses

People have been visiting sites associated with Jane Austen for two centuries now, and there have been fans of her work for even longer. Austen inspires unique devotion among her fans for an author about whose life we know very little. Furthermore, these fans have been fighting among themselves for as long as fans have existed over who loves her the right way – the academics or the amateurs? This work explores that unique fan culture in detail through the lens of literary tourism, going into detail about two sites in particular – Jane Austen’s House in Chawton, England, and …

Interiority And Narrative Temporality In Jane Austen’S Persuasion, Margaret Flahery

The Criterion

Jane Austen’s last completed work, Persuasion, explores protagonist Anne Elliot’s female agency through use of free indirect discourse and time shifts. In the novel, published in 1817, Austen mediates between different time periods — the present day and seven years prior — to demonstrate Anne’s maturity and the evolved perspective of a woman’s status in society. Anne’s shifting interiority reflects what it means to be a woman in the Regency era, and, perhaps, across time, as she breaks out of the mediated and subjective perceptions placed upon her by herself and other characters. The result is a revolutionary conception of …

Playing To Win: The Marriage Market In Jane Austen’S Northanger Abbey, Sense And Sensibility And Emma, Caroline Elizabeth Nall

Honors Theses

This thesis aims to analyze the implications of the marriage market in Jane Austen’s novels Northanger Abbey, Sense and Sensibility and Emma. In these books, the main focus will be on Isabella Thorpe, who is actively participating in the “game” of the marriage market, Charlotte Palmer, who has won the “game” of marriage, and Miss Bates, who has lost the “game” of marriage. The historical context of these situations, taking place in eighteenth and nineteenth century England, has been taken into account. Austen has created characters to demonstrate the many aspects of a female’s life and how it relates …

Societal Polyphony In Burney And Austen: Using Digital Tools To Invite Students Into The Conversation, Bethany Williamson

ABO: Interactive Journal for Women in the Arts, 1640–1830

How can we invite our students to experience the social wit and wisdom of the eighteenth-century novel, on an interactive level? Addressing challenges faced by those who teach eighteenth-century novels in General Education surveys or seminar classes, this essay offers two lesson plans--easily adapted for different texts and courses--that use digital technology to engage students' imaginations and cultivate skills of reading comprehension and interpretation. The first, "Evelina Tweet Fest," invites students to participate in a collaborative conversation on a simulated Twitter platform, translating the literary polyphony of Frances Burney's epistolary novel into the language of our own, status-conscious milieu. …

Is It ‘A Marriage Of True Minds’? Balanced Reading In Northanger Abbey And Persuasion, Lynda A. Hall

English Faculty Books and Book Chapters

Jane Austen often uses reading as a way to develop her characters. For instance, in Persuasion, Captain Benwick‘s melancholic disposition is revealed through his partiality for Romantic poetry, but Anne Elliot’s value for balance is expressed when she recommends moral essays. Other times, and not unfrequently, characters’ reading choice falls on the works of William Shakespeare—such as Hamlet, which Willoughby reads to Marianne Dashwood in Sense and Sensibility, and the excerpts from Elegant Extracts we learn that Northanger Abbey’s Catherine Morland has memorized.

Some of Austen’s characters read Shakespeare with seductive intent, but others show their …

Janeites And Their Benefactors: The Heritage Industry And The Commodification Of Nostalgia, Emma Swidler

Lawrence University Honors Projects

This project sets out to understand how Jane Austen's House Museum and Chawton House have told the stories of Jane Austen and British heritage over the course of the past 72 years. The two houses are nine minutes apart by foot, a walk taken regularly by Austen herself from her home at Chawton Cottage (now the Museum) to her brother’s home down the road (Chawton House). However, since the Museum’s establishment in 1947 and the House’s founding in 2003, the two houses have remained separate nonprofit cultural institutions with distinct purposes: the Museum preserves Austen’s home and legacy, and the …

Mansfield Park By Kate Hamill (And Jane Austen), Christopher Nagle

ABO: Interactive Journal for Women in the Arts, 1640–1830

This article reviews the world premiere of Kate Hamill's Mansfield Park directed by Stuart Carden and produced for the Northlight Theatre in Chicago in November and December 2018. Hamill’s bold new adaptation is notable for foregrounding the contexts of empire and the slave trade undergirding the novel, and in ultimately offering a feminist fairy-tale of radical self-assertion and self-determination for its heroine.

Jane Austen Camp, Devoney Looser

ABO: Interactive Journal for Women in the Arts, 1640–1830

Austen camp has become prevalent, even omnipresent, today, in visions and versions of her and her fiction, using them as a canvas for zombies, porn, or roller derby. Some of it may be kitsch, but it’s arguably camp. Investigating Austen as camp is a valuable way to understand her humor and her social criticism, as we now understand camp as a positive literary and social practice. But rather than asking if and when camp is “there,” for Austen or for her past readers, we might instead investigate what aspects or elements of her reputation or her writing we notice differently …

Beyond Marital Bliss: A Redemption Of Motherhood In Jane Austen, Destiny Cornelison

English MA Theses

Though the mother figures in Jane Austen’s novels are often written off as ridiculous or unlikeable, this thesis posits that the mothers of Pride and Prejudice, Sense and Sensibility, and Mansfield Park are written as they are in an intentional effort on Austen’s part to condemn the society that forced them into roles of ridiculousness or stinginess. Their inconsistencies highlight the unattainable standards placed on mothers by society as a whole and their eccentricities are the result of a lack of outlet for feminine energy. Character studies of the women of these novels illustrate that they are not …

Jane Austen's Hidden Bodies: Adaptation As Critical Commentary, Elizabeth Gilliland

LSU Doctoral Dissertations

Much of adaptation theory calls for a shift away from fidelity discourse, arguing that an adaptation does not need to be a faithful translation of the original, but should rather be viewed as literature in its own right. As such, adaptations are often studied separately from their source texts; yet even so, an unofficial hierarchy sometimes remains in deeming some types of adaptations more ripe for study than others. Further, in separating the adaptation from the original, some of the more radical alterations can be routinely dismissed as an “added” element to the text, rather than exploring what commentary these …