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Articles 31 - 60 of 393
Full-Text Articles in Literature in English, British Isles
Sam's Song In The Tower: The Significance Of 'Merry Finches' In J.R.R. Tolkien's _Lord Of The Rings_, Jane Beal Phd
Sam's Song In The Tower: The Significance Of 'Merry Finches' In J.R.R. Tolkien's _Lord Of The Rings_, Jane Beal Phd
Journal of Tolkien Research
In The Lord of the Rings, Samwise Gamgee climbs the Tower of Cirith Ungol to try to rescue his master and friend, Frodo Baggins, who has been taken captive by Orcs. When Sam is near despair because he cannot find Frodo, Sam sings a song that makes reference to “merry finches.” What is the significance of this phrase in his lyrics? To answer this question, my essay first explores J.R.R. Tolkien’s ornithological knowledge, especially of finches in England, which is readily demonstrated from a letter he wrote to his son, Christopher Tolkien (July 7, 1944), about his observations of bullfinches …
"Tolkien's Eagles: Aves Ex Machina", Deidre Dawson
"Tolkien's Eagles: Aves Ex Machina", Deidre Dawson
Journal of Tolkien Research
Many studies of Tolkien’s Eagles have emphasized their role as a narrative device (the deus ex machina) or spiritual symbol and have focused primarily on their intervention in The Hobbit and The Lord of the Rings. This essay argues for a more comprehensive interpretation, and demonstrates that the Eagles function as essential characters throughout Tolkien’s legendarium, beginning with the earliest stories. The importance of eagles in mythology, folklore and literature is highlighted to show how Tolkien combined his deep knowledge of these subjects with his attention to the biology and anatomy of actual eagles to create his own …
Introduction To The Special Issue On Tolkien's Animals, Kris Swank
Introduction To The Special Issue On Tolkien's Animals, Kris Swank
Journal of Tolkien Research
Introduction to the Special Issue on Tolkien's Animals
Æthelflæd, Lady Of The Mercians, And Women In Tenth-Century England, Rebecca Hardie
Æthelflæd, Lady Of The Mercians, And Women In Tenth-Century England, Rebecca Hardie
Richard Rawlinson Center Series
Æthelflæd (ca. 870–918), political leader, military strategist, and administrator of law, is one of the most important ruling women in English history. Despite her multifaceted roles and family legacy, however, her reign and relationship with other women in tenth-century England have never been the subject of a book-length study. This interdisciplinary collection of essays redresses a notable hiatus in scholarship of early medieval England. Æthelflæd, Lady of the Mercians, and Women in Tenth-Century England argues for a reassessment of women’s political, military, literary, and domestic agency. It invites deeper reflection on the female kinships, networks, and communities that give meaning …
Likeness In Utopia: Situation And Metaphor From Thomas More To Edward Bellamy, Sage Rachmiel Bard Gilbert
Likeness In Utopia: Situation And Metaphor From Thomas More To Edward Bellamy, Sage Rachmiel Bard Gilbert
Electronic Theses and Dissertations
As a literary genre, utopia is notably didactic. It seeks to teach desire and to educate hope. As such, utopia provides a unique site to examine the way metaphor and imagination enable one to be convinced, and the way those same elements facilitate misunderstanding. Following the theorization of Ernst Bloch, the goal of critiquing these literary utopias is not to reject hope but, rather, to educate our own daydreams, to learn and move forward. These chapters examine didacticism and the development of colonial metonymy in Thomas More’s Utopia, the way metaphor operates through time in Edward Bellamy’s Looking Backward: …
The Hen That Laid The Eggs: Tolkien And The Officers Training Corps [Expanded], Janet Brennan Croft
The Hen That Laid The Eggs: Tolkien And The Officers Training Corps [Expanded], Janet Brennan Croft
Journal of Tolkien Research
J.R.R. Tolkien, sharing an experience with many young men of his class and education, participated in the Officers Training Corps while at King Edward’s School. Because of this program, Tolkien and many of his fellow junior officers in the Great War were already familiar with the procedures of drill and camp and with basic tactics of war games in all kinds of weather. The atmosphere of the training camps of World War I would not have taken them entirely by surprise, but would have been somewhat reminiscent of the great summer encampments of OTC units from around the country—though of …
“Fruit Of The Poison Vine”: Defining And Delimiting Tolkien’S Orcs, Sara Brown
“Fruit Of The Poison Vine”: Defining And Delimiting Tolkien’S Orcs, Sara Brown
Journal of Tolkien Research
Fantasy author NK Jemisin has commented that “Orcs are fruit of the poison vine that is human fear of ‘the Other’.” Indeed, we would have every reason to fear Tolkien’s Orcs and their difference. Every way in which they are presented, including the etymology of their species name, the fear and horror they evoke, even the food that they consume, denotes their alterity. Their skin colour, their language, and their behaviour all encourage a reading that is rooted in racialism and essentialism; embedded stereotypes invite a conclusion that this species possesses a definable set of attributes essential to its identity, …
I Was Crazy Once: An Examination Of Elizabethan Insanity In Shakespeare’S Work, Hope L. Kobus
I Was Crazy Once: An Examination Of Elizabethan Insanity In Shakespeare’S Work, Hope L. Kobus
[Archive] Belmont University Research Symposium (BURS)
William Shakespeare wrote numerous works, diving into the common motifs of love, revenge, power, but most importantly, madness. While Elizabethan audiences were more accustomed to seeing madness as a ploy for comedy, Shakespeare changed the appeal through shows such as King Lear, Hamlet, and Macbeth. He presents the power and ambition of women, as well as the failings of the upper-class, but he disguised them through the idea of insanity. At a time when the public had little understanding of mental health, it was easy to blame madness on gender, social status, and even the supernatural. Through …
Her Precious White Body/Her Tender Black Flesh: The Gothic Link To Black Women's (Mis)Treatment In Real Life And On The Page, Madisty R. Thomas
Her Precious White Body/Her Tender Black Flesh: The Gothic Link To Black Women's (Mis)Treatment In Real Life And On The Page, Madisty R. Thomas
English Theses & Dissertations
As a work in progress, this thesis explores the interplay between historical and contemporary devaluation of and violence against Black women, materially and discursively, including visual mediums and written text. Specifically, I focus on the gothic novel to illuminate the impact race-based inventions such as chattel slavery and human exhibitions, as well as the generic tropes of the Gothic, have had on Black women’s representation and lived experience via a wide-ranging introduction and close examination of Richard Marsh’s The Beetle. Additionally, the conclusion attempts to suggest how Black women and girls might survive in this antiblack world, thus escape …
Does Shakespeare Believe In Sudden Conversions For His Villains?, Robert B. Pierce
Does Shakespeare Believe In Sudden Conversions For His Villains?, Robert B. Pierce
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
“My All The World”: Constance, Motherhood, And Petrarchanism In Shakespeare’S King John, Anne Mcilhaney
“My All The World”: Constance, Motherhood, And Petrarchanism In Shakespeare’S King John, Anne Mcilhaney
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
“Hell Is Empty And All The Devils Are Here”: Westworld’S New Prospero And His Isle Of Calibans, Jared S. Johnson
“Hell Is Empty And All The Devils Are Here”: Westworld’S New Prospero And His Isle Of Calibans, Jared S. Johnson
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
A Double Time In Romeo And Juliet: Juliet’S Rapid Maturity, David George
A Double Time In Romeo And Juliet: Juliet’S Rapid Maturity, David George
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
“She Never Yet Was Foolish That Was Fair”: Whiteness As Erasure In William Shakespeare’S Othello, Kathryn Croft
“She Never Yet Was Foolish That Was Fair”: Whiteness As Erasure In William Shakespeare’S Othello, Kathryn Croft
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Introduction, Emily Isaacson
Introduction, Emily Isaacson
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Ambivalent Scales: Methods For Reading Scenes Of Sexual Violation, Natalie Ruby
Ambivalent Scales: Methods For Reading Scenes Of Sexual Violation, Natalie Ruby
Dissertations, Theses, and Capstone Projects
The importance of unveiling rape in the #MeToo era has unintentionally obscured encounters that lack the clarity of “yes” or “no.” However, desire can be ambiguous even in unambiguous cases of assault. Feminist activists and scholars have started to address ambiguity by arguing for a new epistemology of rape, what Linda Alcoff calls “grey rape.” In this thesis, I interrogate the “grey” embedded in ordinary sexual encounters by looking at ambivalence as an example of everyday desire evident across the seduction plot and the novel tradition. Rather than seeking to make consent more inclusive to oppressed groups, I read between …
A Difference Of One's Own: Race, Sex, Modernism, Ryan L. Tracy
A Difference Of One's Own: Race, Sex, Modernism, Ryan L. Tracy
Dissertations, Theses, and Capstone Projects
“A Difference of One’s Own” demonstrates that deconstructive conceptions of race lie at the heart of the modernist canon’s experimental representations of selfhood. Drawing on recent and canonical scholarship in Modernist Studies, Black Studies, Deconstruction, Queer Theory, Critical Theory, and Feminist Studies, I look at moments in modernist-era literature where the need to represent racial blackness, whether as a descriptor that defines one’s self-identity or the identity of another person, fails to draw a coherent line of difference between people, communities, selves, and importantly, the literatures that are thought to adhere to hard and fast racial distinctions. “Part I: …
Colonial Investments: The Global Coordinates Of The English Political Imaginary, 1628–1668, Nathan D. Nikolic
Colonial Investments: The Global Coordinates Of The English Political Imaginary, 1628–1668, Nathan D. Nikolic
Dissertations, Theses, and Capstone Projects
The main question my dissertation attempts to address is: what role did the expansion of English colonial trades play in the transformation of English society and government between the Petition of Right and the early years of the Restoration (1628-1668)? My thesis is that during this period, colonial expansion rose to the level of a general national interest and that many early seventeenth-century texts index the complexities and tensions of this development. As a small but very organized group of merchants, peers, and MPs mobilized the military and financial technologies of colonization to support Parliament’s war against Charles I, their …
The Confounding Body: Female Corporeality, Androgyny, And Disgust In The Work Of Virginia Woolf And Zinaida Gippius, Yelizaveta Shapiro
The Confounding Body: Female Corporeality, Androgyny, And Disgust In The Work Of Virginia Woolf And Zinaida Gippius, Yelizaveta Shapiro
Dissertations, Theses, and Capstone Projects
The Confounding Body: Female Corporeality, Androgyny, and Disgust in the Work of Virginia Woolf and Zinaida Gippius examines how the discourses of degeneration, eugenics, and sexology shaped representations of women’s bodies in British and Russian modernist literature. Focusing on the writing of Zinaida Gippius (1869-1945) and Virginia Woolf (1882-1941), I challenge the longstanding argument that both authors attempted to escape the material body by resorting to androgynous tropes. I argue that the material female body takes center stage in both Gippius’s and Woolf’s work and functions as a powerfully paradoxical entity: one that generates disgust and enables oppression while housing …
Marriage Stories: Legal Reform And The Novel In France And Britain, 1780–1860, Tatiana Nunez-Bright
Marriage Stories: Legal Reform And The Novel In France And Britain, 1780–1860, Tatiana Nunez-Bright
Dissertations, Theses, and Capstone Projects
“Marriage Stories” analyzes connections between novelistic form, marriage law reform, and portrayals of virtue in texts by, among others, Stéphanie de Genlis, Mary Wollstonecraft, Sophie Cottin, Claire de Duras, Jane Austen, Honoré de Balzac, Sophie Doin, George Sand, Anne Brontë, and Gustave Flaubert. I argue that the novel was less concerned with abolishing or even critiquing marriage than it was with delineating “good” from “bad” unions, which in turn reflects contemporary discussions about marriage’s role in response to burgeoning social movements. My first chapter considers the epistolary novel in relation to the idea of spouses existing as “one body” culturally …
Translating The Hobbit (2023) By Mark T. Hooker, Arden R. Smith
Translating The Hobbit (2023) By Mark T. Hooker, Arden R. Smith
Journal of Tolkien Research
Book review, by Arden R. Smith, of Translating The Hobbit (2023) by Mark T. Hooker
Shakespeare’S Prince Of Denmark: Political Pandering In Hamlet, Moriah Theriault
Shakespeare’S Prince Of Denmark: Political Pandering In Hamlet, Moriah Theriault
Criterion: A Journal of Literary Criticism
Shakespeare's Hamlet contains frequent cultural ties and insights into Danish tradition that depict intentional effort to represent Danish culture. These accuracies can be seen in the description of the castle in Elsinore, the deep-seated conflicts between Christian forgiveness and revenge, and the traditional cannon salutes featured in Hamlet. Shakespeare created these connections to Danish culture for a political maneuver to win the favor of King James and his wife, the Royal Queen Anne of Denmark.
Exploring The Matriarchal Past To Forge A Modern Identity: Maternal Origins In Woolf And Ihimaera, Kirsten W. Burningham
Exploring The Matriarchal Past To Forge A Modern Identity: Maternal Origins In Woolf And Ihimaera, Kirsten W. Burningham
Criterion: A Journal of Literary Criticism
Though the writings of Virginia Woolf and Witi Ihimaera are “incommensurable” in many ways, I find “commesurablilities”––the kind of commensurabilities the Susan Stanford Friedman seeks out across the planetary landscape of modernism––in the way they negotiate a new creative identity in a modern environment with the bang clash of history and present ringing in their ears. I see this commensurability in at least three key features: 1) Woolf and Ihimaera each gave birth to new literary movements: Woolf was mother to high British Modernism with experimental techniques such as free indirect discourse and the relegation of plot to the background; …
Henrietta Maria: Royalist Women’S Representations Of The French Catholic Queen, Kim Hansen
Henrietta Maria: Royalist Women’S Representations Of The French Catholic Queen, Kim Hansen
Criterion: A Journal of Literary Criticism
By the mid-15th century, the royal marriage of King Charles and Queen Henrietta Maria incited enough conflict to spark civil war, as the English struggled to reconcile between the long-established image of female English domesticity and a pervasive cultural expectation for equality between marriage partners. Any form of equality in the royal marriage called the absolute power of the king into question, as it would imply that his actions had included her direct involvement, and even at times were more representative of her, not his, views. Letters captured at the Battle of Naseby confirmed fears that the queen …
Paradise And Paradiso: Echoes Of A Fortunate Fall, Kathryn Alley
Paradise And Paradiso: Echoes Of A Fortunate Fall, Kathryn Alley
The Kabod
Presented at the National Collegiate Research Conference at Harvard University, January 2023.
Frights And Forests: The Hellish Landscape Of The Dark Forest, From Sleepy Hollow To The Forest Of Arden, Minna Nizam
Frights And Forests: The Hellish Landscape Of The Dark Forest, From Sleepy Hollow To The Forest Of Arden, Minna Nizam
Online Midwinter Seminar (OMS)
This paper seeks to explore forest settings in fantasy, and its hellish landscapes. From the headless horseman in Washington Irving’s The Legend of Sleepy Hollow, to the frights and horrors of mythical creatures in fantasy settings placed in forests. The purpose of this study is to dive deep into the fear of the forest, its early days in storytelling, to more modern renditions. Sources used will be primarily books, and texts within books, such as The Legend of Sleepy Hollow, The Lord of the Rings, and much more.
Mythopoeic Awards Discussion, David Lenander, David Emerson
Mythopoeic Awards Discussion, David Lenander, David Emerson
Online Midwinter Seminar (OMS)
No abstract provided.
Seven Minutes In Hell: Hells In Fantasy Games, Nyssa Gilkey
Seven Minutes In Hell: Hells In Fantasy Games, Nyssa Gilkey
Online Midwinter Seminar (OMS)
Join Nyssa Gilkey on a tour through several different fantasy video game depictions of hell. We’ll spend about seven (-ish) minutes looking around each hell or underworld before moving on, touring Helheim in God of War and God of War: Ragnarok, Hades and Elysium as portrayed in Assassin’s Creed: Odyssey DLC, and the Duat of ancient Egypt in Assassin’s Creed: Origins DLC. With sufficient time and interest, we can tour other fantasy depictions of hell. Participants will be able to ask questions and discuss throughout the journey.
The Image Of Satan In Evangelical Children’S Fantasy, Melody Green
The Image Of Satan In Evangelical Children’S Fantasy, Melody Green
Online Midwinter Seminar (OMS)
Over the last few decades, niche publishers have presented several children’s fantasy series marketed as being “in the tradition of Lewis and Tolkien.” These publishers, however, are neither British, nor are they Anglican or Catholic. They are instead American Evangelical organizations, providing a space for faith-informed stories that wander somewhere between allegory and parable. Within the pages of these texts can be found not only the expected Christ-figures, but there are also Satan-figures and hellish landscapes much more likely to reflect concepts from Dante, Milton, and medieval witch-hunting guides than from the Bible, the text that evangelicals claim to be …
Hell As An Exploration Of Sin: A Comparison Of Alan Moore’S Providence To Dante’S Inferno, Zachary Rutledge
Hell As An Exploration Of Sin: A Comparison Of Alan Moore’S Providence To Dante’S Inferno, Zachary Rutledge
Online Midwinter Seminar (OMS)
In Alan Moore’s graphic novel Providence, Robert Black travels Lovecraftian New England and suffers a series of horrifying encounters—each an allusion to a Lovecraft story. These encounters contain direct references to various sins and taboos, thereby making explicit much of the sublimated sexuality in Lovecraft’s works. Therefore, Black’s journey constitutes not only a trip through Lovecraft’s mythology but also reads as a cataloguing of sins reminiscent of Dante’s passage through the levels of sin in Inferno. This paper identifies and explores the similarities between Dante and Black as examples of those who descend to the underworld along with a …