Literature in English, British Isles Commons^™

Demonic Pedagogy And The Teaching Saint: Voice, Body, And Place In Cynewulf's Juliana, Christina M. Heckman

Medieval Feminist Forum: A Journal of Gender and Sexuality

In Cynewulf’s Old English poem Juliana, the saint frames her encounters with her adversaries as pedagogical confrontations, refusing the lessons they attempt to “teach” her and ultimately adopting the identity of a teacher herself. These confrontations depend on three key tropes in the poem: Juliana’s voice, as a material manifestation of language deployed by the saint; her body, both as living body and as relic; and place, especially the place of the saint’s martyrdom and/or burial. Viewed through theories of material feminism, these tropes reveal diverse forms of agency in the poem, as both human and non-human agents make …

“A Drunken Cunt Hath No Porter”: Medieval Histories Of Intoxication And Consent, Carissa M. Harris

Medieval Feminist Forum: A Journal of Gender and Sexuality

This essay traces medieval representations of intoxication and consent and links them to contemporary cases, including Brock Turner’s 2016 rape trial and the 2017 slew of lawsuits filed against Baylor University. Through an examination of medieval texts from a range of genres, including the Biblical stories of Lot and Noah, the Digby Mary Magdalene play, proverbs, Geoffrey Chaucer’s Wife of Bath’s Prologue, the 1292 legal case of Isabella Plomet, and Robert Mannyng’s Handlyng Synne, this essay explores past views of gender, perpetrators, culpability, alcohol, and consent. It argues that victim-blaming those who have been assaulted while intoxicated has …

The Shapes Of Early English Poetry: Style, Form, History, Eric Weiskott, Irina Dumitrescu

Studies in Medieval and Early Modern Culture

This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual criticism. By combining and redirecting these traditional scholarly methods, as well as exploring newer ones such as object-oriented ontology and sound studies, these essays demonstrate how poetry responds to its intellectual, literary, and material contexts. The contributors propose to connect the small (syllables, words, and phrases) to the large (histories, emotions, faiths, secrets). In doing so, they attempt to work magic on the texts they …

The Unruly Womb In Early Modern English Drama: Plotting Women's Biology On The Stage, Ursula Potter

Late Tudor and Stuart Drama

This study provides an accessible, informative and entertaining introduction to women’s sexual health as presented on the early modern stage, and how dramatists coded for it. Beginning with the rise of green sickness (the disease of virgins) from its earliest reference in drama in the 1560s, Ursula Potter traces a continuing fascination with the womb by dramatists through to the oxymoron of the chaste sex debate in the 1640s. She illuminates how playwrights both satirized and perpetuated the notion of the womb’s insatiable appetite.

Early Modern Britain’S Relationship To Its Past: The Historiographical Fortunes Of The Legends Of Brute, Albina, And Scota, Philip M. Robinson-Self

Research in Medieval and Early Modern Culture

This volume considers the reception in the early modern period of four popular medieval myths of nationhood—the legends of Brutus, Albina, and Scota—tracing their intertwined literary and historiographical afterlives. The book is particularly timely in its dialogue with current investigations into early modern historiography and the period's relationship to its past, its engagement with pressing issues in identity and gender studies, and its analysis of British national origin stories at a time when modern Britain is considering its own future as a nation.

Blind Spots Of Knowledge In Shakespeare And His World, Subha Mukherji

Studies in Medieval and Early Modern Culture

A "blind spot" suggests an obstructed view, or partisan perception, or a localized lack of understanding. Just as the brain "reads" the "blind spot" of the visual field by a curious process of readjustment, Shakespearean drama disorients us with moments of unmastered and unmasterable knowledge, recasting the way we see, know and think about knowing. Focusing on such moments of apparent obscurity, this volume puts methods and motives of knowing under the spotlight, and responds both to inscribed acts of blind-sighting, and to the text or action blind-sighting the reader or spectator. While tracing the hermeneutic yield of such occlusion …

The Valiant Welshman, The Scottish James, And The Formation Of Great Britain, Megan Lloyd

Research in Medieval and Early Modern Culture

When James VI of Scotland and I of England proclaimed himself King of Great Britain, he proposed a merger of the English and Scottish parliaments, and he looked to Henry VIII’s Acts of Union of England and Wales (1536/43) as an example for English Scottish union under one king. On the London stage after 1603 many plays paid tribute to the new king and provided a predominantly English audience a means of accepting the not so palatable ideas of Scottish power, assimilation and unity. The Valiant Welshman is distinctive among these works, as no other extant early modern English drama …

Passion Through Slander: Saintliness, Deviance, And Suffering By Speech In The Book Of Margery Kempe, Connor Yeck

The Hilltop Review

A late medieval mystic prone to violent bouts of sobbing, Margery Kempe suffers a range of verbal abuse in her titular text, ranging from simple rumors, to outright accusations of heresy and possession. While we might accept such accusatory speech as indicative of the era and Margery’s controversial role as a public “holy woman,” further investigation reveals a narrative strongly driven by the notion of “suffering by slander,” and the weight attributed to the spoken word. The Book of Margery Kempe shows us an oral culture filled with “deviant speech,” and within its own rhetorical construction as a text, elevates …

Covetousness In Book 5 Of Confessio Amantis: A Medieval Precursor To Neoliberalism, Jeffery G. Stoyanoff

Accessus

In Book 5 of John Gower’s Confessio Amantis, Genius’s extended discussion of Covetousness demonstrates how this subtype of Avarice leads to the ruin of the networks of collectives that make up society. Interestingly, the process by which Covetousness damages the collectives that make up these networks looks a lot like the neoliberalism that has come to dominate a number of governments in the twentieth and twenty-first centuries. Gower’s tales trace the spread of this sin from the top of society to the bottom; from the highly public to the intimately personal. In all scenarios, Covetousness is a force of …

Elizabeth I, The Subversion Of Flattery, And John Lyly's Court Plays And Entertainments, Theodora A. Jankowski

Late Tudor and Stuart Drama

This study considers how John Lyly's characters who are allegorical representations of Elizabeth validate the queen, but at the same time raise troubling issues as to her true nature. Theodora Jankowski looks at both the light and the dark side of the Elizabeth character in each of Lyly's court plays, while at the same time considering how that allegory works in terms of the various issues Lyly debates within the plays. She reveals the fraught nature of John Lyly's relationship to Queen Elizabeth. He was not the first creative artist to introduce subversive undercurrents in entertainments designed to flatter the …

Questioning Gynocentric Utopia: Nature As Addict In “Description Of Cookeham”, Liberty S. Stanavage

Medieval Feminist Forum: A Journal of Gender and Sexuality

In her 1610 “The Description of Cookeham,” Amelia Lanyer presents Cookeham as a space in which women and nature exist in poetry-inducing harmony until the intervention of man. Lanyer’s poem highlights the deference of both the animals (who “sport . . . in her eye” and “attend”), and the landscape to Clifford: the hills “descend” to meet her footstep and then raise themselves again at her whim. This alignment frequently leads critics to describe Cookeham as a utopian feminist landscape that aligns women and nature against an antagonistic masculine influence.

However, this utopian vision dramatizes a landscape that is not …

Belligerent Mothers And The Power Of Feminine Speech In _The Owl And The Nightingale_, Wendy A. Matlock

Medieval Feminist Forum: A Journal of Gender and Sexuality

The Middle English poem The Owl and the Nightingale famously records the dispute between a hostile Nightingale and a bellicose Owl. Within that dialogue the birds reproduce themselves in word and egg, in rhetoric and body. Their digressions on bodies and scatology and on childbearing and childrearing become fertilizer that expands maternal authority into public, intellectual discourse. In addition to calling forth their own communicative powers, both characters aggressively recount narratives best known from the work of Marie de France, a voice feminist scholars have successfully restored to the canon, to condemn their foe. In this light, I argue, The …

“Compassion And Benignytee”: A Reassessment Of The Relationship Between Canacee And The Falcon In Chaucer’S “Squire’S Tale”, Melissa Ridley Elmes

Medieval Feminist Forum: A Journal of Gender and Sexuality

Among its many elements, Chaucer’s “Squire’s Tale” includes an emotionally-charged dialogue between two aristocratic female figures: the human daughter of a king, Canacee, and the wounded falcon she meets in the wood. Scholars have debated the nature of this relationship in interspecial, gendered, and specifically feminist and ecofeminist terms. This essay provides a brief retrospective on some of the most recent scholarship examining their relationship—van Dyke (2005); Kordecki (2011); Crane (2012); and Schotland (2012 and 2015)—leading into a reassessment in two parts: first, that the affinity- and experience-driven bond these female figures develop supports a reading of this scene that …

Spenser’S Narrative Figuration Of Women In The Faerie Queene, Judith H. Anderson

Research in Medieval and Early Modern Culture

Concentrating on major figures of women in The Faerie Queene, together with the figures constellated around them, Anderson's Narrative Figuration explores the contribution of Spenser's epic romance to an appreciation of women's plights and possibilities in the age of Elizabeth. The figures she highlights encompass the idealization of Una, humanized by parody; the historicized fixation of Belphoebe; the cross-dressed complexity of Britomart; and the psychological misery of Serena, a throwback to Amoret. They range from cartoons to a fullness sharing numerous features with the Shakespearean women salient in recent debates about character. The critical lens most revealing for each …

The Third Gender And Ælfric's Lives Of Saints, Rhonda L. Mcdaniel

Richard Rawlinson Center Series

In The Third Gender, McDaniel addresses the idea of the "third gender" in early hagiography and Latin treatises on virginity and then examines Ælfric's treatment of gender in his translations of Latin monastic Lives for his non-monastic audiences. She first investigates patristic ideas about a "third gender" by describing this concept within the theoretical frameworks of monasticism provided by the four Latin Doctors and illustrated in the early Latin Lives of Roman martyrs, revealing the importance of memory in the construction of the monastic "third gender." In the second section McDaniel turns to creating a historical and theological cultural …

The Gawain-Poet And The Fourteenth-Century English Anticlerical Tradition, Ethan Campbell

Research in Medieval and Early Modern Culture

In this fresh reading of the Gawain-poet's Middle English works (Cleanness, Patience, Pearl, and Sir Gawain and the Green Knight), Ethan Campbell argues that a central feature of their moral rhetoric is anticlerical critique. Written in an era when clerical corruption was a key concern for polemicists such as Richard FitzRalph and John Wyclif, as well as satirical poets such as John Gower, William Langland, and Geoffrey Chaucer, the Gawain poems feature an explicit attack on hypocritical priests in the opening lines of Cleanness as well as more subtle critiques embedded within depictions of …

Shakespeare, Antony And Cleopatra, And The Nature Of Fame, Robert A. Logan

Research in Medieval and Early Modern Culture

Shakespeare, Antony and Cleopatra, and the Nature of Fame is a characterological study, presenting new perspectives on Antony and Cleopatra, the most ambiguous of Shakespeare's plays. It offers fresh insights into Shakespeare's understanding of the attributes of fame, the process by which it occurs, and the significance of being famous—and into the origins and nature of the playwright's own imperishable fame. Inclusive and enlarging, the study considers a fresh method of dealing with the longstanding difficulties theater-goers and readers have had in responding to the characters of Shakespeare's plays, the seventeenth-century contexts of the play that the playwright …

Intersex And The Pardoner’S Body, Kim Zarins

Accessus

Most scholars today have retreated from reading into the Pardoner's body in favor of more figurative readings that emphasize his lack of masculinity, and such lack is then linked to his dejection and despair. Other, more affirming readings center the Pardoner's performance, which allows him to model any sort of body desired through figuration. While such positions dominate and older theories like Beryl Rowland's proposal of an intersex Pardoner are dismissed, in fact, an intersex reading might be a more life-affirming interpretation, not only in terms of reframing the Pardoner's body as manifesting variation as opposed to lack, but also …

Mechanized Identity: The Blood-Mill Of Richard Coer De Lyon, Andrew S. Thomas

The Hilltop Review

The seven-thousand-line Middle English romance, Richard Coer de Lyon, is not often read as a text fascinated with machinery. The semi-historical, superlative, titular character and his various marvelous and deeply disturbing deeds usually claim most attention, and not without reason. There is much to examine in the heroically cannibalistic Richard, who presents a complex and often troubling vision of the ways both Englishness and the Saracen Other can be constructed within romance. Alongside these well-studied qualities, however, is a strange attention within the text to sieges and siege engines. Richard’s army is accompanied by a large, named siege tower …

Glorious And Execrable: The Dead And Their Bodies In World War I Poetry, Rebecca E. Straple

The Hilltop Review

While many scholars of World War I poetry have identified aspects of soldier poets’ work that embody the change from enthusiastic support of the war to disillusioned criticism of it, in this paper I argue for an additional, and highly meaningful marker of this significant change: the use of the dead and their bodies in this poetry. The commonly held critical view of World War I poetry is that there is a clear divide between poetry of the early and late years of the war, usually located after the Battle of the Somme in 1916, where poetry moves from odes …

Invisible Injuries: The Salvific And Sacramental Roles Of Christina Mirabilis, Sarah Macmillan

Medieval Feminist Forum: A Journal of Gender and Sexuality

The Life of Christina Mirabilis depicts a series of self-inflicted torments which are seemingly unique in medieval devotional literature in that they leave no outward evidence on her body. This essay examines the self-healing nature of Christina's wounds and the importance of their invisibility in a culture which typically emphasises the visibility of the broken body. It considers the ways in Christina’s resurrected body (in both the Latin (c. 1232) and English (c. 1420) versions of her Life) contributes to thirteenth and fifteenth-century purgatorial and Eucharistic theologies, and suggests a correlation between the bodies of Christina and Christ which …

‘Mony Prowde Wordez’: Pronominal Speech Acts, Identity And Community In Sir Gawain And The Green Knight, Katharine Jager

Medieval Feminist Forum: A Journal of Gender and Sexuality

This paper examines distinctions between Middle English second person pronouns thou and you and argues that such distinctions provide an important measure by which to understand late medieval chivalric masculinity.

Something Is Rotten In The Unreal City: Hamlet In The Waste Land, Aimee Valentine

The Hilltop Review

T.S. Eliot’s poem of 1922, “The Waste Land,” lays philosophical and stylistic ground for the Modern literary movement in which human experience takes the performative shape of inner dialog (or soliloquy) for the benefit of the reader/audience. This essay will argue that Eliot’s poem is an existentialist work that is not merely informed by Shakespeare’s Hamlet (the earliest example of British existentialism), but is directly modeled after it, in Eliot’s attempt to rectify the play’s perceived failings. Existentialism as a key to unlocking the mood of Modern literature is overlooked by those critics who relegate existentialist literature to the …

Philosophical Romance: Figures Of Venus In “The Knight's Tale”, Caleb Molstad

The Hilltop Review

This essay examines Chaucer's use of the Roman goddess Venus in “The Knight's Tale.” It looks at the astrological, mythological, and allegorical meanings that he gives to the figure of Venus in the poem. The essay also considers imaginative techniques, including ekphrasis and allegory, that Chaucer uses to express philosophical ideas within a chivalric romance. Ultimately, it argues that Chaucer uses Venus in “The Knight's Tale” to imaginatively unfold the Boethian idea that love governs the world.

The Coventry Mysteries And Shakespeare's Histories, Clifford Davidson

Early Drama, Art, and Music

This study is a revision of a paper read at the Shakespeare Institute at Wheaton College and subsequently published in Shakespeare's Second Tetralogy: Some Christian Features, edited by Beatrice Batson (West Cornwall, CT: Locust Hill Press, 1989), 3-25.

The Peace Of The Waste Land And Understanding Eliot’S Two Readings, Luke J. Chambers

The Hilltop Review

There are two recordings of T.S. Eliot reading The Waste Land in existence today, one made in 1946 for the Library of Congress, and another from 1935, recorded at Columbia University. The later 1946 recording, being the only one published, is by far the more well known. The 1935 recording is of much inferior sound quality and is difficult to find. The younger Eliot recites at times with greater energy, a quicker tempo, and with markedly different phrasing and intonation. However, quite often Eliot’s recitation is nearly indistinguishable between the two recordings. The specific moments of difference reveal a great …

The Rhetoric Of Exile In The Preaching And Teaching Of The Anglo-Saxon Church: Glimpses Of The Cultural Ideology In Old English Homilies, Yi-Chin Huang

The Hilltop Review

Abstract.

This article explores how the early medieval vernacular homiletic discourse produced in Anglo-Saxon England strategically employs the rhetoric exile, a theme whose significance is also articulated widely in Old English poetry. As words denoting such similar ideas as exile, banishment, exclusion, casting/driving out, etc., recur significantly in the homilies of the Anglo-Saxon Church, including the homilies of Ælfric, Wulfstan, and the Blickling and Vercelli Codices, I propose an analysis of the instances in which the rhetoric about exile is used in preaching and theology in order to reveal not only the Church authors/teachers’ ability and effort to translate Latin …

Hamlet And Amleth, Princes Of Denmark: Shakespeare And Saxo Grammaticus As Historians And Kingly Actions In The Hamlet/Amleth Narrative, Megan Arnott

The Hilltop Review

Shakespeare played a decisive role in creating a Middle Ages for the generations that came after him. The two tetralogies, which include Richard II, Henry IV Part 1 and Part 2, Henry V, Henry VI Part 1-3 and Richard III, comprise the body of work that is commonly studied for medievalisms, and in these plays Shakespeare’s interpretation of the past demonstrates nation building, ‘Englishness,’ and a concern about the nature of power. A different kind of engagement with the medieval past is occurring in Hamlet, Prince of Denmark, though Hamlet is no less concerned with …

Civility And Gower's "Visio Anglie", Lynn Arner

Accessus

Deploying conventions from medieval courtesy manuals, Gower’s Visio Anglie assigned varied degrees of authority to Englishmen and women at the bodily level, a system of signification in which food, physical appearances, and overall comportment were key elements. Echoing courtesy manuals, the Visio constructed corporal marks of distinction, interpreted physical signifiers as indices of people’s inner character and value, and classified bodies into social groups accordingly. Offering understandings of civility that began with codes of bodily conduct and that expanded to claims about the cosmos, the Visio’s corporal regulatory system promoted particular understandings of citizenship and governance that sought to …

Old English Ecologies: Environmental Readings Of Anglo-Saxon Texts And Culture, Ilse Schweitzer Vandonkelaar

Dissertations

Conventionally, scholars have viewed representations of the natural world in Anglo-Saxon (Old English) literature as peripheral, static, or largely symbolic: a “backdrop” before which the events of human and divine history unfold. In “Old English Ecologies,” I apply the relatively new critical perspectives of ecocriticism and placebased study to the Anglo-Saxon canon to reveal the depth and changeability in these literary landscapes. Overall, this interdisciplinary study of Anglo-Saxon texts brings together literary and environmental sources and modes of inquiry to explore the place of humans (and non-humans) within the natural environments of Anglo-Saxon England, as well as the ways in …