Literature in English, British Isles Commons^™

"Things That Were, Things That Are, And Things That Yet May Be": The Matter Of Time In The Faërie Realms Of Tolkien's The Lord Of The Rings, Noelia Ramos

Journal of Tolkien Research

Tolkien’s feelings and relationship to Celtic themes are more nuanced than a simple binary of aversion versus passion. As he professed to Stanley Unwin—"Needless to say they are not Celtic!" (Letters #19)—his stance encompassed both resistance and fascination. His essay On Fairy-Stories, originally delivered as the Andrew Lang Lecture in 1939, can be seen as an early foundation for concepts later developed in The Lord of the Rings (1954–1955). In this context, the concept of fiction and the secondary world—particularly regarding the nature of time—is notably prominent, drawing parallels to the Celtic Otherworld.

This study aims to analyze …

Beowulf And Théoden: Differing Teaching Methods Of Hrothgar And Gandalf, Ali Mirzabayati

Journal of Tolkien Research

Most studies on the character of Théoden in The Lord of the Rings center on Germanic heroic themes like courage and oath-keeping, often emphasizing his renewal by Gandalf at Meduseld and his death at the Battle of Pelennor Fields. This perspective overlooks Théoden's growth in wisdom and hope between these events. During this period, Théoden learns about the various forces in Middle-earth and contemplates his role in the broader world, leading to a profound sense of humility. Building on Tolkien's inspiration from Beowulf, this paper compares Théoden and Beowulf to explore their learning processes and heroic outcomes. This comparison …

Bilbo's Boethian Heroism, Wendy Marie Hoofnagle

Journal of Tolkien Research

Tolkien’s Boethian heritage has been amply explored, particularly for The Lord of the Rings and The Silmarillion, but little scholarly attention has been paid to his development of Boethian ideals in The Hobbit, especially in regard to Bilbo’s heroic arc and the importance of luck on his journey. I argue that Tolkien develops Bilbo’s heroic identity and his famous “luck” as the actions of Fortune on behalf of Fate and divine Providence, interpreting the influential theology from Boethius’s The Consolation of Philosophy as a new kind of heroism that fulfills the teachings of Lady Philosophy.

Perceiving The Perceiver: “Viewing” Sauron Through The Gestalt Theory Of Perception, Cameron Bourquein

Journal of Tolkien Research

This paper uses Gestalt theory, the Gestalt laws of perception, and the reception theory of Wolfgang Iser to elucidate the character “Sauron” as he appears in The Lord of the Rings, The Rings of Power, and Tolkien’s wider legendarium. It argues firstly that Sauron’s high degree of indeterminacy and ambiguity suggests he can be read as a gestalt entity, one the reader creates by mentally constructing a whole from (seemingly) disparate parts. Building on the semiotics work of Nagy (2013), it argues that Sauron in The Lord of the Rings can be read as gestalt across the spatial, …

"You Know The Rules": A Dramatic Experiment In Aromantic Literary Theory, April Chronowski

English

This paper proposes a new literary theory framework based on the zine "an aromantic manifesto" by yingchen and yingtong, as well as the work of Erving Goffman, using theater as a device to examine romantic relationships. Blending English and sociology, I focus each chapter on a different literary period and examine two plays each: early modern (Christopher Marlowe's Doctor Faustus and William Shakespeare's Much Ado About Nothing), modern (Edward Albee's Who's Afraid of Virginia Woolf? and Djuna Barnes' "To The Dogs"), and contemporary (Caryl Churchill's Cloud 9 and Margaret Edson's W;t). In tandem with analysis of formal elements---like …

“More Than What [They] Made Us To Be”: From Passing To Perception In Victorian And Modern Vampire Media, Lauren Sieberg

English (MA) Theses

Throughout Victorian Gothic horror fiction, vampires function as deviant figures, maneuvering within social confines of passing until their status quo-threatening identity is exposed. Of the popular vampires from this period, most gradually fail to maintain status as social insiders—as demonstrated with Bram Stoker’s Count Dracula or Sheridan Le Fanu’s Carmilla, who possess the temporary capacity to pass until their hidden monstrosity is revealed over time. Even if Gothic monsters are confined to a limited space and time far from society, this is still not enough; in accordance with the Victorian culture of morality policing by dominant groups, the vampiric Other …

Double, Double, Toils And Troubles: Analyzing The “Magical” Relationships Between University Leaders’ Personality Traits And Their Self-Efficacy In Leadership Situations, Fay Ludvine Boudreaux

University of New Orleans Theses and Dissertations

This present study investigated the relationship between higher education leaders’ personality traits and their self-efficacy in leadership situations. A total of 151 leaders employed across the nine institutions within the University of Louisiana System completed a survey that prompted them to identify their personal values, traits, and skill sets, as derived from the online Pottermore quiz, the official Harry Potter Hogwarts House sorting instrument. This niche personality metric was chosen to cater to higher education’s evolving landscape, as it welcomes an influx of Millennials into leadership positions. Participants’ responses were eventually recoded to “sort” them into their respective Houses: Gryffindor, …

“The Atmosphere That Supports Life On Earth”: An Ecocritical Approach To Tolkien’S Arda, Elizabeth Anne Turello

Seton Hall University Dissertations and Theses (ETDs)

Ecocriticism speaks to the relationship between the environment and literature, a progressively vital topic of discussion. What is often overlooked, however, is the necessity of the theory’s applicability to stories of speculative fiction; that is, ones existing outside the realm of the real world or, as is the case with the father of modern-day fantasy J.R.R. Tolkien, a mythology set in the ancient days of our world (“Arda”). At first, it may seem contradictory to learn about our surroundings through fictionalized ones seemingly irrelevant to Earth’s own; this apparent contradiction is not valid, though, as the relationship between humans and …

Wizard, Demon, Cat; Reformer, Satanist, Bureaucrat: A Diachronic Analysis Of Three Modes Of Sauron In The Legendarium In Light Of The Book Of Lost Tales, Cameron Bourquein

Journal of Tolkien Research

This paper argues that Sauron is a metatextual shape-shifter. Through diachronic analysis it identifies and charts three distinct “modes” of Sauron coexisting in Tolkien’s legendarium. While Sauron’s most robust First Age appearance (in the tale of Beren and Lúthien) remained relatively unchanged from his introduction in the 1920s until Tolkien’s death, Sauron’s role in the Legendarium expanded significantly across Tolkien’s lifetime as Sauron became the primary antagonist of two additional Ages of Middle-earth. Some of the evolutions that accompanied this expansion are not retroactively reflected in the tales already written, hence these “modes” of Sauron could be said to remain …

He Is The Master Of Wood, Water, And Hill: Is Tom Bombadil The True Key Keeper Of The Old Forest?, Noelia Ramos

Journal of Tolkien Research

Tom Bombadil, with his iconic singing―”Hey! Come merry doll! Derry doll and merry-o!―has captivated scholars worldwide, due to the enigmatic nature Tolkien intentionally left unexplained. This deliberate mystery has fuelled extensive debate, leading many to explore possible mythological and cultural frameworks that might decode Bombadil’s origins. Among these hypotheses, a Celtic interpretation has often been dismissed despite its potential relevance. This paper, thereby, seeks to analyse Bombadil’s function within the Old Forest and his interactions with the hobbits during their forest episode, presenting fresh insights into his role as a Celtic-inspired guide and druidic figure.

To support this analysis, primary …

Reading, Rending, And Queering The Web Of Story With The Lenses Of “Con-Creation” And Process Theology, Cameron Bourquein, Nick Polk

Mythopoeic Society Seminar Proceedings

“Sub-creation” within Tolkien’s narrative and extra-narrative works is routinely exhibited not as monolithic but rather as (literally and figuratively) polyphonic. In this joint paper Bourquein proposes that the Legendarium can be read through the lens of “con-creation” (total, continuous, collective, creative activity) both internally (as events in the Secondary World) and externally (as both a text and a pseudohistory in the Primary World). This approach levels the playing field between all actors in—and readers of—“The Drama,” providing a queer approach to interpretive-creative activity when compared to “orthodox” doctrines of creation. Polk further argues that con-creation resonates with process theologies of …

The Nameless Enemy: How Do You Solve A Problem Like “Mairon”?, Cameron Bourquein

Journal of Tolkien Research

This paper analyzes Sauron’s “original” name, “Mairon,” in its various contexts (textual, temporal, and linguistic) and then applies it to a reading of the character in order to produce a “capsule characterization” or “minimyth” for the Lord of the Rings himself. The name “Mairon” appears only in a note to a single entry in a list of Eldarin roots, not published until 2007 in the journal Parma Eldalamberon. This niche location suggests one of the many ways in which this name is marginal: typographically, linguistically, narratively, and historically (as in the Secondary World). The name appears to have been …

The Enduring Enigma Of Tom Bombadil: From Riddlic Styling To Metaphorical Encounter, Derek Simon

Journal of Tolkien Research

Conversationalists and critics alike continue to take delight in Tom Bombadil, yet remain perplexed by his enduring enigma. Interpretive positioning appears to be determined by the semantics of the term enigma deployed and how it intersects with any of the several textual standpoints adopted. The primary contention of this article is that the enigma is intentionally both a riddle (noun) and a riddling (verb). Reading the enigma through literary features of the Old English riddle-song can yield an alternate interpretation of Tom Bombadil that has received scant attention in critical commentary. In support of this contention, I propose to read …

The Vision Of The Inklings: Mythopoeia And Modern Christian Literature, Emmalene Sotomayor

Senior Honors Theses

The Inklings wrote with the intention to convey truth through myth. C. S. Lewis and J. R. R. Tolkien and their friends developed stories to point readers to something greater—very often God. Christian creators now can look to their example while writing their own works of art. Currently, Christian fiction is in a sad state, known for mediocre romance novels that hardly portray faith in a moving or truthful manner. Believers can use the wisdom of Tolkien and Lewis to develop their own excellent works. Lewis and Tolkien’s beliefs in myth pointing to God, hope against adversity, and good resisting …

Science Fiction, Eng 2420, Syllabus And Course Outline, Jason W. Ellis

Open Educational Resources

This Science Fiction, ENG2420 syllabus and course outline was written for an online, asynchronous class taught in the Department of English at the New York City College of Technology, CUNY. It was designed to compliment the OER Yet Another Science Fiction Textbook (YASFT) and have a Zero Textbook Cost (ZTC) approach with readings and viewings found primarily through the Internet Archive. The course follows a historical approach to the science fiction genre covering the Origins of Science Fiction, Mary Shelley’s Frankenstein, Proto-SF, Pulp SF, SF Film Serials, Golden Age SF, SF Film Through the 1950s, New Wave …

“And Each Day After They Did Likewise.” Looking At Life Together As The Fulcrum Of Éowyn’S And Faramir’S Love Story, Christian S. Trenk

Journal of Tolkien Research

The love story between Éowyn and Faramir in Tolkien's The Lord of the Rings is sometimes misunderstood as a patriarchal submission of the Rohirric shieldmaiden. This paper contradicts such interpretations, exploring instead how Tolkien subtly constructs their love as a liberating experience for Éowyn. In the looks they cast separately, at each other, as well as together, Éowyn's inner healing is expressed, enabling the love to Faramir, and both their eventual wholeness.

Do Androids Dream Of Bad Tv?: Un/Originality In Neil Burger’S Voyagers, Tom Ue, Callum M. Mcnutt

Proceedings from the Document Academy

Critics did not take kindly to Neil Burger’s Voyager (2021). On Rotten Tomatoes, the film scored a dismal 25%, and the consensus is that it’s a trip best not taken: “It has a game cast and a premise ripe with potential, but Voyagers drifts in familiar orbit rather than fully exploring its intriguing themes.” This article seeks neither to reclaim the film as an unjustly neglected cinematic masterpiece nor to assert its importance in the canon of dystopian works. Rather, it treats Voyagers as a test case for exploring our own critical investment in the genre. Our aims are …

Ekphrasis: An Exploration Of Poetry Inspired By Art, Caitlin Cacciatore

Dissertations, Theses, and Capstone Projects

“Ekphrasis: An Exploration of Poetry Inspired by Art” is an Open Educational Resource (OER) that occupies the underdeveloped niche of freely available teaching and learning materials about the interdisciplinary poetic medium of ekphrasis. Ekphrastic poetry is a form dating back to Book XVIII of the Iliad, experiencing a revitalization in the latter half of the 18^th century, when demand for written descriptions of paintings was in high demand, and again taking on a new, modern meaning in the early 19^th century, with poems like John Keats’ 1819 “Ode on a Grecian Urn.” Ekphrasis is …

“No One To Show Us The Way:” Assessing The Contemporary Relevance Of The Gay Male Bildungsroman, Matthew Lemas

English (MA) Theses

The gay male bildungsroman can trace its origins to E.M. Forster’s posthumously published Maurice (1971) and Edmund White’s A Boy’s Own Story (1982), among other examples. While nested under the umbrella category of the queer bildungsroman (and, more broadly, the bildungsroman), the gay male iteration particularly explores integrational challenges related to the extant tensions between hegemonic masculinity and the male protagonist’s sexuality and gender identity. The subgenre—often conflated with the “coming out novel”—has faced a range of criticism in its roughly half-century existence. Scholars have accused it of banality, often relying on a limited range of well-trodden tropes; lacking diversity, …

Gentleman Death In Silk And Lace: Death And The Maiden In Vampire Literature And Film, Emily Wilson

Electronic Theses and Dissertations

This thesis contains an examination in the psychosocial significance of Hans Baldung Grien’s “Death and the Maiden” art motif, created during the Renaissance period following the Black Death, and its resurgence in the vampire fiction genre of both literature and film. I investigate the motif in Bram Stoker’s Dracula (1897) and Anne Rice’s Interview with the Vampire (1976) as well as their film adaptations by Francis Ford Coppola (1992) and Neil Jordan (1994), respectively. By examining the presence of the motif in art, literature, and film, I found that the common threads across all investigated works were the dominant social …

"My Hideous Progeny": Complicating Preconceived Notions Of Monstrous Beings In "Frankenstein" And "Jurassic Park", Megan Engstrom

English

This project examines and complicates preconceived notions of the monstrous in Frankenstein and Jurassic Park. By engaging with monster theory, I interrogate how the creators are destructive beings and their creations are only trying to fit into their made bodies. I also complicate the ideas of family when interacting with monsters or monstrous places – specifically looking at how isolation/creation of them will affect people. These ideas are questioned to confront a normalized perception of monsters as the villains. By examining the monstrous in Frankenstein and Jurassic Park, I am questioning the very idea of how a monster is created …

“Young In Deed”: Feminine Affect And Agency In Young Adult Shakespeare Adaptations, Juliana Hall

English

Approaching the cultural behemoth that is Shakespeare can be daunting, especially for young audiences; the language is antiquated and can be difficult to understand, and, due in part to the age of these works, the content is often rooted in bigoted ideologies. Young adult (YA) novel adaptations have begun reintroducing readers to Shakespeare, not only significantly enhancing the narratives, but encouraging readers to play with Shakespeare’s language in new, accessible, and exciting ways. By looking at two twenty-first century YA novel adaptations of Shakespeare’s original plays alongside the accompanying source material, I analyze how female protagonists engage with their emotions …

Queering The Family In Zoraida Córdova’S Labyrinth Lost, Rebekah Rendon

Online Midwinter Seminar (OMS)

Labyrinth Lost by Zoraida Córdova focuses on Alex Mortiz, a Mexican-American bruja and her journey to a fantastical otherworld to rescue her family. Alex begins to understand the love and unity that exists in her own blood family, while forging new relationships, thereby creating a found family, or queered family. The topic of this paper addresses queerness and found family dynamics in Labyrinth Lost. While many scholars have written on themes in fantasy and magical realism texts by Latino/a and Hispanic authors, these genres tend to be under-researched in literature for young adults. My argument analyzes Labyrinth Lost as emblematic …

Queen's Pride: A Queer Reading Of Star Wars Character Padmé Amidala, Madeleine Loewen

Online Midwinter Seminar (OMS)

Ever since Luke Skywalker and Han Solo first appeared onscreen together in 1977, LGBTQ+ Star Wars fans have harnessed the power of queer reading to write themselves back into a galaxy far, far away, despite Lucasfilm’s long-term disapproval of such practices. Nonetheless, there exists little scholarly literature on queerness in the franchise, and even less on the potentially sapphic characters. Queen Padmé Amidala, first introduced onscreen in Episode I: The Phantom Menace, proves a surprising—but no less salient—queer figure in Star Wars. From her intimate relationships with her handmaidens, to her experimentation with gender performativity, to her quiet yet intense …

Queerness In Hirohiko Araki's Jojo's Bizarre Adventure, Minna Nizam

Online Midwinter Seminar (OMS)

This paper will explore Queerness in the series Jojo's Bizarre Adventure. The presentation/paper will dive deep into the queer aspects of Jojo's Bizarre Adventure, examining tropes throughout the series and its LGBTQIA+ representation. We will be delving into queer protagonists, queer side characters, and LGBTQIA identities present throughout the anime/manga. We will explore the relationships each main character of the franchise has with side characters, to analyze queerness and queer subtext. Quotes and posts/comments made by the series creator, Hirohiko Araki will be used as evidence to prove that the series is in fact Queer with its LGBTQIA …

Queer Paths Toward Home: Kinship In Speculative Fiction, Audrey Heffers

Online Midwinter Seminar (OMS)

How are we related? Queer(ed) families—typically framed through terms such as Found Family, Chosen Family, or Family of Choice—are more often formed by agency and voluntary participation than they are by legal or genetic connections. For the purposes of this paper, kin will be defined by affect, behavior, and declaration. The three fictional texts—Are You Listening? by Tillie Walden, Life of Melody by Mari Costa, and I Keep My Exoskeletons to Myself by Marisa Crane—will serve as a basis to illustrate how kinship is defined, particularly in queer speculative narratives. Speculative fiction allows for particular metaphors of power. These metaphors …

Introduction To Eleanor Arnason, Works & Reception, David Lenander

Online Midwinter Seminar (OMS)

Eleanor is a guest of honor at next summer’ s Mythcon 53, and I’ve been reading her work for many years. I think her novel, and the associated short stories of Hwarhath Stories, provide a fine set of texts for your purpose. There are also queer aspects to many of Eleanor’s other books and stories, for instance in To the Resurrection Station, and some of her shorter fiction. I would certainly review the existing critical literature, and also present some critical comments and reflections on reception of Arnason’s work, and suggestions for further study.

The Gay Bat Of Gotham: Depictions Of Common Queer Stereotypes And Tropes In The Dc Comics Character Batwoman, Tim Lenz

Online Midwinter Seminar (OMS)

Expansive superhero comic book universes can be thought of as collective, accretional works of Mythopoeia, generating modern mythologies of fantastical characters while also drawing inspiration from ancient myths of the primary world. The DC Comics’ character Batwoman was initially introduced in 1956 as a love interest of Batman/Bruce Wayne, in part to combat scandalous allegations of Batman’s homosexual tendencies towards his young male sidekick Robin. In 2006, writers Greg Rucka, Grant Morrison, Geoff Johns, and Mark Waid reinvented the Batwoman character for modern audiences as the alter ego of ‘Kate Kane,’ Bruce Wayne’s cousin, who was a lesbian of Jewish …

Queering The Problem: Destabilizing Normative Tropes In Jonathan Stroud’S Lockwood And Co. , William Thompson

Online Midwinter Seminar (OMS)

Holly Munro, the office assistant come agent in Jonathan Stroud’s young-adult series Lockwood and Co., is the sole character in the five books to hint at living in a queer relationship. Lockwood and Co. is a small agency in London, fighting against the Problem, the nightly recurrence of ghosts and specters. In The Empty Grave, the final book in the series, Holly and Lucy Carlyle are crouched in the kitchen at 35 Portland Row, waiting for an attack of a group of thugs on the house. Holly and Lucy are nervously exchanging confidences, and Holly makes the point that Antony …

“Foul In Wisdom, Cruel In Strength”: Gendered Evil In Tolkien’S Legendarium, Alicia Fox-Lenz

Online Midwinter Seminar (OMS)

In “The Feminine Principle in Tolkien,” Melanie Rawls creates a framework for reading masculine and feminine drives in the characters of Tolkien’s legendarium. Feminine characteristics are inward-facing, focused on the self and inner life, whereas masculine characteristics are outward-facing, focused on affecting the wider society. Shelob and Sauron are used as two examples of the negative expression of these gendered drives: Shelob being so inwardly focused she only devours, and Sauron being so outwardly focused he cares only for world domination. However, other than his outward focus, Sauron doesn’t neatly align with the other negative masculine traits — he is …