English Language and Literature Commons^™

Developing Consecutive Interpreter’S Communicative Skills Of Emotive-Empathic Interaction, Jameela Abduganieva Researcher

Philology Matters

Consecutive interpretation is a special form of oral communication between people speaking different languages, representing different cultures, and it is carried out in any situation of intercultural communication in order to exchange thoughts, information, knowledge, labor results, products, emotions, values, relationships in the process of interaction.
A consecutive interpreter is a mediator of intercultural communication, and the development of emotive-empathic interaction skills of an interpreter promotes the successfullness of such communication.
Interpreters’ communicative skills of emotive-empathic interaction within consecutive interpretation may be defined as a communicative and speech act in a foreign language communication implemented independently and in an optimal …

Importance Of Showing Colorful Pictures And Images In Abdulla Kadiri’S Novel “The Days Gone By”, Madina Kholmurodova Phd Student

Philology Matters

Abdulla Kadiri’s novel, “The Days Gone By” reveals a wide range of universal themes and problems. Therefore, it is very difficult to define its all features unambiguously. Nevertheless, it can be argued that, having laid the foundation of the work for a beautiful love story, the author was able to touch upon the complex problem of the confrontation between God and the devil, light and darkness in the density of mankind. The novel reflects the social and political life of the power and trade strata of the then feudal society. The writer, based on his own progressive views, reveals a …

The Necessity Of Foreign Language Curriculum Revision, Mukhamadavas Irisqulov Associate Professor

Philology Matters

The article deals with the effect of the curriculum objectives on the most important factors to meet the language learning goals. Implementing the goals of the curriculum, teachers will have opportunities to share successful classroom activities, guide the trainers, obtain good knowledge of the language theory and practice, maintain high expectation in the classrooms, encourage students, motivate them, foresee the ways to overcome setbacks. The overall aim of curriculum is - to improve the effective communicative competence in different life situations. The article presents a practical overview of the different activities for developing an effective national language program. Both teachers …

Linguoculturological Aspect Of Translating Realias, Shoira Isaeva Independent Researcher

Philology Matters

This article examines the specificity of translation of realias – linguistic units reflecting national life, which are generally studied in linguoculturology. Cultural linguistics as a branch of linguistics was formed in the 1990s at the intersection of linguistics and cultural studies and explores the manifestations of the culture of people, which are reflected and entrenched in the language. The idea that language and culture are interrelated and culture manifests itself in language, in general, belongs to V. von Humboldt, but only in recent years, linguoculturology began to develop actively, and its terms such as the linguistic picture of the world, …

Syntactic And Semantic Analysis Of Cognate Word Combinations In The English And Uzbek Languages, Mukhtorjon Bakhtiyarov Senior Teacher, Department Of English Language Translation Theory And Practice

Philology Matters

This article describes the derivational potential of root word combinations belonging to the noun, adjective and verb groups in the English and Uzbek languages and their grammatical functional features on the basis of comparative-typological, comparative and distributive methods at the lexical and syntactic levels of the language. Structural models of derivation of verbs, nouns and adjectives in the English and Uzbek languages and their features are considered based on component analysis, as well as morphological factors that ensure the completeness of derivation, their distinctive and similar features in both languages, the role and importance in the formation of verbal compounds …

Linguistic Status Of Address: Address As A Syntactic Unit, Zebo Yovkacheva Phd Student

Philology Matters

This article discusses the linguistic aspect of address. The syntactic category of address attracted the attention of Russian linguists for a long time. The object of their study was address, the natural condition for the existence of which was oral and written forms of dialogical speech. A multilateral analysis of the essence and functioning of circulation in the Russian language was first presented in the works of A.A. Shakhmatova and A.M. Peshkovsky. In modern syntactic works and academic grammars, the methods of expression and distribution of addresses in oral and written dialogical speech, their bridges in the utterance, the nature …

Analysis Of Information Genres In National Journalism Of Colonial Turkestan (Uzbekistan), Khalim Saidov Candidate Of Philological Sciences, Associate Professor, Theory And Practice Of International Journalism Department

Philology Matters

The foundation of periodicals in Turkestan during the Tsarist Russia, the role of Jadid journalists in disseminating information, the tasks of the press in Uzbekistan during the rule of Bolsheviks, the essence of authoritarian, totalitarian views (theories) on information and their consequences have been analyzed in the article. The item entitled “Short Stories from the Life of Russian Tsars, Local and Other Types of Information” pointed out in the charter of newspaper “Turkiston Viloyatining Gazeti” (Newspaper of Turkestan Region) is considered to be the first official source on the theory of authoritarian publications in the current research, with particular emphasis …

Covid-19 Brings Campus Changes

St. Norbert Times

News

• COVID-19 Brings Campus Changes
• Remembering George Floyd
• SNC Students March for Veterans
• SNC Launches Respect Initiative
• Norbert’s Ninth Semester
• So Long, Farewell: Commencement 2020

Opinion

• Reading Five Pages A Day
• SNC Parent Facebook Page
• Police Brutality: What Can We Do?
• Dear Everyone

Features

• Behind the Mask: New Staff at SNC
• “CHIP”: An SNC Inspired Novel

Entertainment

• Student Spotlight
• Weeb Corner: “The God of High School”
• Why You Should Watch “Pose”
• Book Review: “Normal People” by Sally Rooney
• Top Three Reads of the Summer
• Coming Soon to Netflix
• Upcoming Events
• Junk Drawer: Favorite Movie Watched During Quarantine

Sports

• CANCELLED: Dan …

"Making Every Word Count": A Chat With David Galef, Author Of Brevity: A Flash Fiction Handbook, David Galef, Chuck Augello

The Review Review

The first draft of this Introduction had reached 300 words when I remembered I was writing about a book titled Brevity, proof enough that shorter forms can be just as challenging as longer works. An entertaining mix of instruction, exercises, and fiction from a diverse slate of writers, Brevity: A Flash Fiction Handbook is a much-needed guide to writing flash fiction. David Galef, who directs the Creative Writing Program at Montclair State University, has written an insightful and useful new book for teachers and writers of flash. Galef shared his thoughts in a recent interview.

From Pen To Print: 8 Tips For Getting Published In Literary Magazines, Becky Tuch

The Review Review

1. Be professional. You have done the first part of your homework by visiting this site. Next, take the time to visit the individual sites of lit mags that you are interested in. Read their guidelines. For some reason, people often consider themselves exempt from rules. You're not. You must play by the rules like everyone else. It doesn't make you boring. It makes your writing accessible.

"Where Emerging Talent Knows They Can Find A Home": A Chat With Briony Bax, Editor Of Ambit, Briony Bax, Euan Monaghan

The Review Review

Ambit is a quarterly literary and arts magazine created in London, published in the UK, and read internationally. It’s available by subscription, and in bookstores and libraries worldwide. Despite having published such luminaries as J.G. Ballard, Carol-Ann Duffy, Fleur Adcock and David Hockney since it was founded in 1959, the magazine’s website states, “We look at everything that is sent to us, and give no preference to well-known writers over the newest artistic talents."

"Nigerian Literature Is A Very Important Part Of World Literature": A Chat With Wale Owoade, Editor Of Expound, Wale Osoade, Sanjeev Sethi

The Review Review

Wale Owoade’s energy and enthusiasm percolates to every segment of EXPOUND Magazine. He has a gifted team that sharpens his vision and helps him curate a first-rate literary journal. In its short run, the journal has caught the attention of poets, writers and serious contributors the world over who look forward to its juried issues.

The New Yorker Rejects Itself: A Quasi-Scientific Analysis Of Slush Piles, David Cameron

The Review Review

It began as the kind of logical argument that seems airtight to anyone who has never studied logic. If the New Yorker is the most desirable literary magazine in the world, and if the New Yorker can have any short story the New Yorker wants, then whatever story the New Yorker gets would—logically—be so intrinsically desirable that all lesser literary pubs (e.g., everyone) would pine for it. Just like the prettiest girl at the dance: the guy she picks is the guy chicks dig. Basic deduction 101.

"We’Ll Always Publish A Good Story": A Chat With Grant Faulkner, Editor Of 100 Word Story, Grant Faulkner, Leslie Cauldwell

The Review Review

For writers who need a warm-up exercise, Grant Faulkner’s got a challenge for you: In 100 words, try to capture a “frisson, a shard, and a tiny moment.” Officially, Grant Faulkner is a recent runner-up for The Southwest Review's 2010 David Nathan Meyerson Fiction Prize. His stories have appeared in The Southwest Review, The Rumpus, Gargoyle, The Berkeley Fiction Review, Word Riot, The Big Ugly Review, Used Furniture Review, Ink, and Transfer. He's currently the managing editor at the National Writing Project and founding editor of 100 Word Story. He's …

The Submitter's Dilemma: Choosing The Right Literary Magazine For Your Work, Becky Tuch

The Review Review

There are over 600 print and online literary magazines today, not to mention dozens of new journals starting up all the time. If you are new to submitting your work, the sheer quantity of literary magazines can be quite terrifying. How do you even begin to sort through the wealth of offerings? How do you know a prestigious journal from a less established one? How do you find the journals that feature the sort of work you like to write? What are your odds of being accepted in one journal over another? Do literary agents read literary magazines, and if …

"Stories Can Offer A Reader A Very Good Time": A Chat With April Gray Wilder, Editor Of Flock, April Gray Wilder, Noah Friedman

The Review Review

Flock was founded by author, musician, artist, and UNF faculty member Mark Ari, and UNF students in 2002. The journal seeks to publish all varieties of fiction (traditional, experimental, and everything in between) and is based on the premise of literature as an addictive experience. Since its inception, the journal has been a part of a growing literary community in North East Florida and has attracted authors from across the United States and world. Flock is used in UNF literature courses, has showcased author readings, and has hosted its own workshops. Current editor April Gray Wilder was kind enough to …

The Seven Habits Of Successful Writers, Leslie Greffenius

The Review Review

One of the thrilling but daunting tasks of becoming a better writer is that you have to design your own curriculum. Sure, you can participate in helpful writing workshops taught by admired authors or read various experts' books on craft, but you still have to choose for yourself which courses to take and what books to read. Even if you attend an MFA program, you have to decide what to write and how, whether or not to outline, how to undertake revisions, when and where to submit your work and so on. In many ways, writers are their own teachers, …

Working With An Editor… And Learning How To Learn, James Scott

The Review Review

Question: I had a story accepted and the editor wants me to make changes. This is my story. I’m torn… What should I do? —Brian First of all, congratulations, Brian. Take some time to enjoy your success. I’ve been thinking about this question a lot lately. Or, rather, I’ve been thinking about editors a lot lately with the tragic passing of Jeanne Leiby on April 19. Jeanne was the editor of the Southern Review, the Florida Review before that, the fiction editor at Black Warrior Review before that, and a crossbow aficionado always. (What does that have to do …

Hidden Gems: Publishing Novel Excerpts, Dell Smith

The Review Review

Are you too busy working on a novel (or blog post) to devote time to revising and sending out that stack of unfinished short stories? Fear not: You may already have a few almost-ready-for-publication stories sitting idle on your hard drive and not even know it.

“A Good Editor Is Such A Fantastic Learning Experience”: A Chat With Memoirist Jean Harper, Jean Harper, Tanya Perkins

The Review Review

Jean Harper is the author of, most recently, Still Life with Horses, a memoir (Howling Bird Press, 2017). Her other writings have appeared in The Iowa Review, North American Review, Florida Review, and elsewhere. She is a recipient of a National Endowment of the Arts Fellowship in Prose, and has been in residence at Yaddo, MacDowell, and the Virginia Center for the Creative Arts. She teaches writing at Indiana University East. More at www.jeanharper.org.

Prioritizing Language, Voice, And Authenticity: An Interview With James Mcnulty And Jerrod Schwarz, Editors Of Driftwood Press, James Mcnulty, Jerrod Schwarz, Sanjeev Sethi

The Review Review

Driftwood Press is a bi-annual literary magazine founded in Tampa, FL in 2013. The editors search for "artists who care about doing it right, or better." The magazine publishes fiction, poetry, photography, graphic narrative, and interviews, but the editors are also open to experimental and hybrid forms. James McNulty is the fiction editor; Jerrod Schwarz is the poetry editor.

Revise In Haste; Repent At Leisure, Randy Susan Meyers

The Review Review

Just when you think you’re done with revision, guess what? There’s room to do one more (or maybe two, or three.) The smartest thing my agent did for me recently (uh, except for selling my book) was suggesting that one more revision on my current work-in-progress would be beneficial. (Her words were a little more pointed, actually. But that’s why I love her.) I don’t know about you, but I read books with an eye towards how well they were revised. Not just well written, but well revised, because it’s between the first flashes of imagination and the last comma …

On False Notes And Forced Endings, Ron Maclean

The Review Review

Sometimes you have to force it. Sometimes you have to fly in the face of your principles and do the things you advise your students—and yourself—never to do. It's the craziest part of being a writer: even the best advice isn't the best advice every time. Sometimes you've got to break your own rules.

Koalas, Blowback And Ick Factor: Finding Ways To Write From The Heart, Chris Abouzeid

The Review Review

At a reading many years ago, Tobias Wolff (award winning author of In the Garden of the North American Martyrs and This Boy’s Life) talked about the fear factor in writing. Good writing, he said, the best writing, should make the author nervous. Actually, he didn’t use the word nervous. He said “scared”—as in, “Do I really want to know this about myself? Do I want the world to know this about me? Oh my god, is it too late to buy up all the copies and burn them?!”

"We Prefer Pieces With A Stronger Energy": A Chat With Jobeth Mcdaniel, Editor Of The Rush, Jobeth Mcdaniel, Laura Moretz

The Review Review

The Rush attracted submissions from all over the world for its first issue and paid each writer. Based in Los Angeles, the title and aesthetic are based on the idea of the Gold Rush and the fast pace of life in L.A. JoBeth McDaniel, a member of the magazine’s editorial team, took The Review Review’s questions.

Pain Cannot Destroy Us, Annie Neugebauer

The Review Review

I haven’t written any fiction or poetry in almost three months. There, I said it. That’s a hard confession to make, for someone who considers herself a full-time writer. I haven’t been doing my job (or at least the most important part of it) in a quarter of a year. Oh, I’ve been blogging, editing, reading, submitting, networking, etc. But we all know that the most important part of being a writer is writing. The rest is just playing dress-up without it. I haven’t told this to anyone until now. I am ashamed. And the worst part? It’s not writer’s …

The Risk-Taking Writer Is The Successful Writer, Susan Tepper

The Review Review

Years ago, maybe fifteen, or more, at a writing workshop in NYC, a guest editor from The New Yorker made the following statement. She said: I read the first line. If I like it, I read the second line. And, so on. Her statement shook my world.

"Where Language Breaks Down": A Chat With Jason Thayer And Aaron Reeder, Editors Of Blue Mesa Review, Jason Thayer, Aaron Reeder, Matt Broderick

The Review Review

Jason Thayer is an MFA student at the University of New Mexico and the Co-Editor-in-Chief of Blue Mesa Review. This year, his fiction and non-fiction pieces were published in Hobart and the Rumpus. In the past, his stories have won contests judged by Antonya Nelson and Bret Lott, respectively. He is currently knee-deep in writing a memoir. When he isn't writing, he is recording and performing bleak and unusual hip hop. Twitter: @jasoncthayer Aaron Reeder writes from Albuquerque and is an MFA student of poetry at The University of New Mexico. His poems have appeared or are forthcoming …

The Diagnostic & Statistical Manual Of Main Characters, Chris Abouzeid

The Review Review

You put your heart and soul into your main character. You present him/her to your workshop or agent or editor, and you get: “He just isn’t likeable,” “I couldn’t picture her,” “Didn’t seem very believable.” Aaaah! That character was you, or some version of you, or just a character you happen to really, really like. How could people think he’s a jerk? How could they think she was vague, inconsistent, unbelievable? Yes, you could put bricks in your pockets and walk into the nearest river. But before you go all Quentin (Compson, not Tarantino) on us, consider this. Your character …

Politically Oriented Lit Mags: A Resource List, Lauren Rheaume

The Review Review

In honor of the Occupy movements that have sprung up in past months, in honor of anyone who has ever been angry, skeptical, or scared, in honor of writers who dare to express their views...here are some politically oriented literary magazines.