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Notes On Contributors - 2009

The George Eliot Review Online, ISSN: 2831-5375

Lucy Amis is the daughter of Margaret Wolfit and currently works at the International Business Leaders Forum, a London-based educational charity which focuses on how global companies can conduct their business in ways that demonstrate respect for their workers and nearby communities.

Juliette Atkinson currently teaches at the Open University. Forthcoming works include the monograph Victorian Biography Reconsidered: a Study of Nineteenth-Century 'Hidden' Lives (OUP) and an edition of critical responses to George Eliot's novels that will appear as a volume in the series Bloom s Classic Critical Views (Facts on File, 2009).

Josie Billington teaches at the University of …

George Eliot's Middlemarch As A Translation Of Spinoza's Ethics, Miriam Henson

The George Eliot Review Online, ISSN: 2831-5375

In 1846 John Chapman of Newgate Street published a translation of David Strauss's Das Leben Jesu. Although no translator was accredited, this book was the result of two years' arduous work by Mary Ann Evans, the woman who would later achieve renown as George Eliot. Strauss's presentation of Jesus is that of a historical figure; he denies his divine status, and suggests that the miracles written about in the Gospels are mythic in nature. Although Mary Ann was distressed by Strauss's destruction of all the 'miraculous and highly improbable' elements of the Gospel, she too had, for some time, been …

Orchestrating Society: The Merging Of Language And Voice To Create Social Bonds In Romola, Jennifer Diann Jones

The George Eliot Review Online, ISSN: 2831-5375

George Eliot's Romola (1863) reflects her interest in using musical metaphor to explain how relationships are formed. She explores more fully than she has done before this point in her career how language and the human voice function as music; she theorizes the function of voice more explicitly than she had done before as she examines how it can possess the listener and incite people to action.

There are very few scenes of actual musical performance in Romola and in George Eliot and Music, Beryl Gray correctly observes that the few musical scenes we are given are unsatisfying. It is …

Japanese Branch Report- 2008, Miwa Ota

The George Eliot Review Online, ISSN: 2831-5375

On Saturday 29 November 2008, the twelfth Annual Convention of the George Eliot Fellowship of Japan was held at Kinki University.

The morning session began with an opening remark by Yosie Abe (Shoin University), followed by a welcome address by Itsuyo Shimizu (Kinki University). In the morning, we had three papers presented. The first two papers were introduced and commented upon by Chizuko Watari (Kanasai Gaidai University), and the third by Keiji Yata (Tokyo Kasei University). The first paper was 'Maggie's Struggle in The Mill on the Floss' by Muneaki Shinoda (the Graduate School of Osaka City University). He drew …

Review Of Private Sphere To World Stage From Austen To Eliot, Elizabeth Sabiston

The George Eliot Review Online, ISSN: 2831-5375

Elizabeth Sabiston's Private Sphere to World Stage from Austen to Eliot is a somewhat perplexing book. Ostensibly, Sabiston sets out to contribute to ongoing discussions about the difficulties faced by nineteenth-century women writers, who 'were confronted with the dilemma of effecting an elision of public and private spheres' (2). The first three chapters, on Persuasion and Northanger Abbey, lane Eyre, and Wuthering Heights, argue that the central protagonist of each novel offers an image of confident female authorship. Anne Elliot is presented as a heroine who 'against all odds ... strives for autonomy' (36), Jane Eyre moves from making amateur …

'The Stream Of Human Thought And Deed' In 'Mr. Gilfil's Love-Story', Melissa Raines

The George Eliot Review Online, ISSN: 2831-5375

In George Eliot: The Emergent Self, Ruby Redinger explains that it was through the demands of authorship that the woman Marian Evans 'evolved into another self, her writing self', essentially becoming George Eliot. Literary biographies of George Eliot in the last few decades have all, to varying degrees, focused on this transformation of the woman into the author. When considering George Eliot's first work of fiction, I think it significant that it is during the writing of the second 'scene' of Scenes of Clerical Life, 'Mr. Gilfil's Love-Story', that Marian Evans first chose to write and sign a professional letter …

George Eliot And The Female Tradition: A Little-Known Source, Lorna J. Clark

The George Eliot Review Online, ISSN: 2831-5375

In an essay published in the Westminster Review in 1856, George Eliot delivered a scathing indictment of 'Silly Novels by Lady Novelists' which (she claimed) lack verisimilitude, 'intellectual power' and 'moral qualities'. The skill of such a writer 'is in inverse proportion to her confident eloquence'; the picture of life that she draws is 'totally false'. Her motivation is merely 'the foolish vanity of wishing to appear in print' or 'busy idleness'. Finally, these hapless female novelists are likened to La Fontaine's ass. Not surprisingly, faced with such a sweeping condemnation, critics have found Eliot's relationship with gender issues and …

Idlers And Collaborators: Enter The Dog, Beryl Gray

The George Eliot Review Online, ISSN: 2831-5375

Both George Eliot and her older contemporary, Charles Dickens, introduced dogs into their fiction before introducing any into their homes. By the time Dickens was given the first of his many dogs he had invented Ponto, the sagacious pointer described by Jingle in The Pickwick Papers; Bull's-eye for Oliver Twist; and Jerry's performing dogs for The Old Curiosity Shop. Before George Eliot received her first dog - the Pug presented to her by her grateful publisher John Blackwood - the narrator of her first story, 'The Sad Fortunes of the Reverend Amos Barton', had justified in the following terms the …

Review Of Victorian Turns, Neovictorian Returns: Essays On Fiction And Culture, Penny Gay, Judith Johnston, Catherine Waters

The George Eliot Review Online, ISSN: 2831-5375

The inside of this volume offers exactly the pleasurable variety and range of interest promised by its outside (the beautifully reproduced cover image is Ernest Dudley Heath's Piccadilly Circus at Night, 1893). As its title suggests, the volume, divided into two sections, seeks to capture, in Part One, the diverse ways in which the Victorians explored in fiction the multiple 'turns' in new directions the age was taking, and, in Part Two, the imaginative updatings of these fictions, in literature, film and theatre, as well as in scholarship, in the burgeoning afterlife of Victorianism.

The editors note in their introduction …

Scenes Of Clerical Life: George Eliot's Own Version Of Conversion, Alain Jumeau

The George Eliot Review Online, ISSN: 2831-5375

Before the publication of Scenes of Clerical Life, few people would have thought that Miss Evans had all the qualities for writing fiction, or, what is more, that she would become a great novelist. She was in her late thirties when she came to fiction writing, although, at the approach of middle age, most novelists have already tried their hand at it. Yet, as she confessed in her Journal, when she started writing the first story of Scenes of Clerical Life, it marked a new beginning for her, because she had always dreamt of writing fiction: 'September 1856 made a …

Performing Masculinity In Paradise Lost, Kent Lehnhof

English Faculty Articles and Research

"In Female Masculinities, Judith Halberstam objects that critical and theoretical approaches to sex/gender systems have paid too much attention to anatomy. In particular, she faults studies of masculinity for focusing almost exclusively on the white male body and its effects. By delimiting masculinity in this way, Halberstam argues, we counterproductively confine ourselves to those manifestations of masculinity with which we are already intimately familiar. Urging an ampler vision, Halberstam calls for the examination of alternative masculinities, particularly those performed by agents who are not male by birth or biology.

When we read Milton with Halberstam in mind, we realize something …

No Reason Without Rhyme: Rhetorical Negotiation In Shakespeare, Cheryl Hogue Smith

Publications and Research

This article explores how Shakespeare uses slant rhyme and perfect rhyme as significant rhetorical plot devices in The Comedy of Errors, Titus Andronicus, and Romeo and Juliet.

Bloudy Tygrisses: Murderous Women In Early Modern English Drama And Popular Literature, Alexandra Hill

Electronic Theses and Dissertations

This thesis examines artistic and literary images of murderous women in popular print published in sixteenth and seventeenth-century England. The construction of murderous women in criminal narratives, published between 1558 and 1625 in pamphlet, ballad, and play form, is examined in the context of contemporary historical records and cultural discourse. Chapter One features a literature review of the topic in recent scholarship. Chapter Two, comprised of two subsections, discusses representations of early modern women in contemporary literature and criminal archives. The subsections in Chapter Two examine early modern treatises, sermons, and essays concerning the nature of women, the roles and …

Phantoms Of Old Forms: The Gothic Mode In The Dramatic Verse Of Tennyson And Browning, Michael E. Ackerman

Theses and Dissertations (Comprehensive)

My dissertation, “Phantoms of Old Forms: The Gothic Mode in the Dramatic Verse of Tennyson and Browning” situates Alfred Lord Tennyson and Robert Browning within a lineage of writers who experimented with the Gothic mode in dramatic and verse forms. This study is, in the first instance, an experiment in applying a specific strain of Gothic critical theory, one that addresses issues of gender, to canonical literary materials not ordinarily approached in that light. Definitions of the Gothic are notoriously elusive, and this project is not an assertion that the Gothic is always, in all of its manifestations, about gender. …

Contents, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Front Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

“The Liquor Is Not Earthly”: The Tempest And The Downfall Of Native Americans, Sally Shader

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Significance Of The Sublime In Thomas Gray’S “Ode On A Distant Prospect Of Eton College”, Sophie Condon

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Natives And Their Returns In Thomas Hardy’S The Return Of The Native, Jason Burger

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 11 Fall 2009

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

A Language Of Grief: Spectacular, Textual, And Violent Expression In Titus Andronicus, Connor Guy

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Mourning Eros: Hieroglyphic Love And Loss In H.D.'S Helen In Egypt, Shauna Karine Dorotich

Theses : Honours

H.D. and Lacan both articulate a philosophy of love that exists beyond the sexual relationship. This thesis highlights the concordance between their later writings on love, with a specific focus on Lacan's Book xx; On Feminine Sexuality, the Limits of Love and Knowledge, 1972 - 1973 (Encore), and H.D.'s Helen in Egypt. Initially, I address the paradox of erotic love to explicate the way fantasy results in the death of the woman within the sexual relationship. I then argue that a subject must experience a phase of mourning the fantasy of erotic love in order to progress to …

Erotics Of Textuality, Megan M. Gallagher

Honors Program Theses

In understanding the complex nature of textual studies, an important aspect, but often overlooked as just a part of the publishing process, is the different set of biases that each editor imposes on the text. What is often studied is the relationship of the author to the text and developing the enjoyment that one can experience in the exploration of what is referred to as authorial intent. This concept of authorship, however, is one that is distinct to the modem audience. When one considers a text in a modem literacy the single person responsible for what is thought of as …

Alexander In The Himalayas: Competing Imperial Legacies In Medieval Islamic History And Literature, Anna Akasoy

Publications and Research

In 1888, Rudyard Kipling published a collection of stories in a volume with the title The Phantom Rickshaw and Other Tales. The collection includes the short story The Man Who Would be King, in which Kipling's alter ego, a British journalist in India, makes the acquaintance of a pair of adventurers, Daniel Dravot and Peachey Carnehan, who demand his help as a fellow Mason. The two shady characters have set out to take advantage of divisions among the natives and are determined to install themselves as kings in Kafiristan, a remote region inhabited by pagans in the north of the …

A. Bristow And The Maniac: A Bio-Critical Essay, Katherine D. Harris

Faculty Publications, English and Comparative Literature

No abstract provided.

Gender Performativity In H.D.'S Sea Garden, Angela Sanigar

Theses : Honours

Sea Garden was the first book of poetry written by H.D. in 1916. Read through the lens of Judith Butler's theory of performativity, the book can be interpreted as an investigation of gender and identity in ways that challenge the confines of heteronormativity. Ultimately, I will argue that the poems work in ways close to Judith Butler's sense of 'queer', although as will become clear, my 'queer' reading of H.D.'s Sea Garden differs from the dominant queer readings of her work that currently exist. To this end, I will then discuss how Sea Garden operates as a community of different …

A Pure Woman, Archetypally Presented: Towards A Jungian Criticism Of Hardy’S Tess Of The D’Urbervilles, Bethany M. Gullman

Senior Honors Theses

Tess Durbeyfield is one of the most memorable characters in English literature. She is at once a working-class woman and a mythic figure. Abused by her superior and caught between classes, she represents the individual struggling for identity.

Tess of the d’Urbervilles appeals universally to the nature of the woman in literature. Her status as the natural or archetypal woman is clear throughout the novel. Hardy created Tess who cannot be defined by just one categorization. Tess certainly fulfills the limited idea of the fallen woman. However, Hardy is appealing beyond this narrow view of humanity to the more ancient …

Playing For His Side: Kipling’S ‘Regulus,’ Corporal Punishment, And Classical Education, Emily A. Mcdermott

Classics & Religious Studies Faculty Publication Series

Rudyard Kipling’s short story, “Regulus,” revolves around the flogging of a student who has let loose a mouse in the drawing classroom of a turn-of-the-century British public school. The first part of the story is devoted to a fifth-form Latin class’s line-by-line explication of Horace’s fifth Roman ode, in which the story’s title character is presented as a paradigm of manly virtue; the remainder is given over to narration of the mouse-miscreant’s progress toward punishment, in thematic counterpoint to the Regulus exemplum. Within that idiosyncratic framework, the story tackles as ambitious a topic as the purposes of education, with particular …

The Tractarians' Political Rhetoric, Robert Ellison

English Faculty Research

This article examines the political speaking and writing of John Keble, John Henry Newman, and other leading figures of the Oxford Movement. It argues that while they were essentially conservative in the pulpit, where they spoke as official representatives of the Established Church, they were more critical and outspoken in other works, where they enjoyed more of the freedom afforded to private citizens.