English Language and Literature Commons^™

Papacy In Paganism: The Great Schism Of Palamon And Arcite, Samantha Kathleen Diaz

Theses & Honors Papers

This thesis looks at Geoffrey Chaucer’s the Canterbury Tales in the historical context of the Great Schism of the Catholic Church, during which time Chaucer lived and was writing the Canterbury Tales. It compares this work with Giovanni Boccaccio’s Teseida Delle Nozze d’Emilia and analyzes the way in which the two literary works critique the conflict in the Catholic Church in that time period, as well as giving hints to Chaucer’s views on these events and of the Catholic Church as a whole.

King Of The Who? The Collective Unconscious And The Crafting Of National Identity In The Medieval Arthurian Tradition, Melissa Ridley-Elmes

Theses & Honors Papers

This thesis examines the ways in which British writers of old have attempted to create a sort of ideal, national, British identity through the archetypal image of King Arthur, the “once and future king.” Drawing from sources such as Malory, Laʒamon, and Geoffrey of Monmouth, this thesis suggests that these authors’ texts, along with the texts of others who have modified the myth throughout history, have helped change and develop the way in which Britons think of themselves and their nation over the course of time.

The Triumphant Tragedy Of King Lear, Erin Lamontage

English Student Scholarship

No abstract provided.

Making “Young Hamlet”, Matthew Harkins

English Faculty Publications

While youth’s subordinate position in Hamlet has played a vital role within the play’s critical tradition, this tradition has not questioned the ideological processes that create “youth” as a social category—that define what youth means, whom it includes, and why. Rather than portray an archetypal contest between the young and the old or portray Hamlet’s developmental progression from youth to maturity, the play examines the production and application of these categories as political phenomena. By exposing the circumscribed logic that produces these categories, Hamlet fractures the ideological justifications for early modern constructions of youth and age.

The Anachronistic Shrews, James J. Marino

English Faculty Publications

A single line in the Folio text of The Taming of the Shrew seems to point to dates decades apart. A performer identified by his speech heading as 'Sinklo,' the actor John Sincklo or Sincler, recalls a stage character named 'Soto,' presumably the character from John Fletcher's Women Pleased. Sinklo's name is used to argue for an early date for the play, sometimes as early as 1592, while the allusion to Soto suggests a date around 1620. Scholars intent on setting an early date for the 1623 text and on preserving its priority to the 1594 Taming of a Shrew …

To Die A Noble Death: Blood Sacrifice And The Legacy Of The Easter Rising And The Battle Of The Somme In Northern Ireland History, Anne L. Reeder

History Honors Projects

In 1916, under the pressurized conditions of the Great War, two violent events transpired that altered the state of Anglo-Irish relations: the Easter Rising and the Battle of the Somme. These events were immediately transformed into examples of blood sacrifice for the two fundamentally opposed communities in Northern Ireland: Nationalists and Unionists. In 1969, Northern Ireland became embroiled in a civil war that lasted thirty years. The events of 1916 have been used to legitimize modern instances of violence. This paper argues, through the use of cultural texts, that such legitimization is the result of the creation of mythic histories.

Chivalry In Malory: A Look At The Inconsistencies Of Lancelot, Gareth, And Tristram In Le Morte D’Arthur, Natalie Beals

Senior Honors Theses

Chivalry and its counterpart, courtly love, are indispensible to Sir Thomas Malory’s fifteenth century work on Arthurian legend, Le Morte d’Arthur. The three great examples of chivalry in this work are the knights Lancelot, Gareth, and Tristram, each of whom has a book dedicated to his story. Within these knights’ portrayals of chivalry, however, develop certain inconsistencies which seem out of place against their chivalrous backdrop. The purpose of this thesis is to propose that the reason for these contradictions of character and of chivalry is the close yet destructive relationship between chivalry and courtly love. What leads Lancelot, Gareth, …

From Dawn To Twilight: The Byronic Hero, Stephanie Mendoza

Undergraduate Research Conference

No abstract provided.

The Literary And Political Activity Of Manuscript Verse Collectors, Joshua Eckhardt

English Publications

Chapter One of Manuscript verse collectors and the politics of anti-courtly love poetry, by Joshua Eckhardt.

The book analyzes the distinctive contribution to literary history of early-seventeenth-century hand-written English poetry anthologies. Compiled by manuscript verse collectors, these anthologies preserved a number of pieces by major authors of the English Renaissance, yet they tended to surround them with unprintable verses on sex and politics.

'That Which Marreth All': Constancy And Gender In The Virtuous Octavia, Yvonne Bruce

English Faculty Publications

This article reports on the play "The Virtuous Octavia," by Samuel Brandon, and the role of women in it. The article discusses the play in relation to the feminine ideal of the Christian Stoic, noting its role as a model for women in literature and drama. Information is also provided on constancy, suffering, and verse.

The Search For Irishness (Chapter One Of Buffoonery In Irish Drama: Staging Twentieth-Century Post-Colonial Stereotypes), Kathleen A. Heininge

Faculty Publications - Department of English

Excerpt: "A striking feature in Irish culture since at least the late 19th century is an impulse to define what constitutes "Irish," seemingly to establish the qualifications of those who claim to be Irish. It is an impulse that manifests itself in literature as diverse as George Bernard Shaw's play, john Buff's Other Island, James Joyce's A Portrait of the Artist as a Young Man, or Seamus Heaney's Station Island. The same impulse is at work in the public lives of figures like Oscar Wilde, who while exiled created a fascinating persona for himself; Patrick O'Brian, who refashioned himself as …

Satire's Club: Reality, Reason, And Knowledge In Joseph Andrews, Heather Anne Law Davis

Theses Digitization Project

Satire has been credited with possessing the power to deconstruct the distinctions we make between opposing concepts and thus lead us to reevaluate established views. Structuralist Ferdinand de Saussure claimed that language relies on sets of opposites, or binary pairs, to create meaning. Building on this idea, deconstructionist Jacques Derrida explored the hierarchies he believed were inherent in all binary pairs, arguing that on concept in each pair occupies a superior position in our consciousness.

Gathering Leadership Momentum Across Great Distances: Creating An Online Community Of Practice, Erin Dini-Davis, Danielle Theiss-White

Library Faculty & Staff Publications

At the 2007 Mountain Plains Library Association Leadership (MPLA) Institute, held in New Mexico, USA, eight academic librarians formed an online multi-state, multigenerational community of practice. MPLA is a twelve-state library association within the United States. Using Google Groups™, the members formed an online environment called the MPLA Community of Practice for continuing development of the leadership skills presented at the Institute. These early-career librarians represent diverse educational backgrounds and work in libraries serving varied populations with differing disciplinary emphases. The group meets monthly with each member preparing and facilitating online discussions, complete with personal assessments, topical readings, and questions. …

Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway

Libraries

The marriage of archaeological referencing and picture Bibles in the nineteenth century resulted in an astonishing variety of guises worn by the court of Ahasuerus in Esther. Following the exhibition of Neo-Assyrian sculpture in the British Museum and the wide circulation of such images in various John Murray publications, British illustrators like Henry Anelay defaulted to Assyrian models for kings and rulers in the Old Testament, including the principal actors in Esther, even though authentic Achaemenid Persian art had been available for illustrative pastiche for decades. This curious adoptive choice echoed British national pride in its splendid British Museum collection …

The Fidelity Of The Fruit: A Psychology Of Adam’S Fall In Milton’S Paradise Lost, Bradford Vezina

Undergraduate Review

The passage above provides an apt image, with all its symbolic overtones, of Adam’s reaction to Eve’s mortal transgression—that is, her eating from the Forbidden Tree. The circular nature of the garland signifies perfection and permanence; the roses convey the delicacy, vitality, and bloom of life. The garland not only represents the perfection of a paradisal world, but the union between Adam and Eve. But Eve’s careless and wanton act shatters such a union. This leaves Adam with a choice: to eat the fruit thereby upholding his bond with and love for Eve (an act in defiance of God), or …

Celebrity And The Spectacle Of Nation, Jason N. Goldsmith

Scholarship and Professional Work - LAS

A decidedly promiscuous brand of renown, celebrity has a bad reputation. That reputation was characterised by Daniel Boorstin, who coined what has become a near-axiomatic definition of the celebrity as 'a person who is known for his well-knowness'.¹The tautological bent of Boorstin's definition seems to suggest the meretricious nature of celebrities, famous not because they have done anything to merit acclaim, but because their images have been widely publicised and promoted. According to this logic, celebrities are superficial personalities, bold-faced names, air-brushed faces; they are slick images manufactured for the moment. Celebrities signify all that is shallow about …

Note On Contributors- 2009 Special Issue

The George Eliot Review Online, ISSN: 2831-5375

Rosemary Ashton is Quain Professor of English Language and Literature at University College London. She is the author of acclaimed critical biographies of George Eliot (1996) and G. H. Lewes (1991). Her many publications on George Eliot include The Mill on the Floss: A Natural History (1990), and editions of Middlemarch (Penguin, 1994) and Selected Writings of George Eliot (World's Classics, 1992). Her most recent book is 142 Strand: A Radical Address in Victorian London (2006).

Beryl Gray is co-editor of the Review, the author of George Eliot and Music and of numerous articles on the novelist, and she has …

J.W. Cross Defends G.H. Lewes, Margaret Harris

The George Eliot Review Online, ISSN: 2831-5375

Early in 1881, John Cross, widowed after only seven months of married life, set about the task of preparing a biography of his famous wife. He faced a number of challenges. The most daunting were the various sensitivities inherent in the life story of the woman best known as George Eliot. Two events were particularly confronting: Mary Ann Evans's loss of faith in the 1840s, and Marian Evans's decision in 1854 to live with George Henry Lewes although they could not marry. For Cross, in effect George Eliot's second husband, the treatment of Lewes and her relationship with him was …

Conference Report George Eliot's Beginnings: Scenes Of Clerical Life Celebrated, Juliette Atkinson

The George Eliot Review Online, ISSN: 2831-5375

Over three dozen people from around the United Kingdom and beyond gathered on Saturday 1 November 2008 to celebrate the 150th anniversary of the publication, in volume form, of George Eliot's Scenes of Clerical Life. Barbara Hardy warmly welcomed the audience and presented the day's alluring programme. The conference promised to be both a celebration of the three short stories that marked Mary Ann Evans's fictional debut and an exploration of the personal and artistic influences that prompted her to change direction at the age of thirty-seven

Echoing the words of Eliot's famous journal entry with the title 'How George …

' Indications That I Can Touch The Hearts Of My Fellow Men': Reading Scenes Of Clerical Life From A Kleinian Psychoanalytic Perspective, Toni Griffiths

The George Eliot Review Online, ISSN: 2831-5375

George Eliot tentatively reflected in her journal that she might be touching the hearts of her fellow men in Scenes aj Clerical Life. In this short paper, I explore with the aid of Kleinian psychoanalytical ideas what might be involved in such a touching of the heart and attempt in the process to indicate that, despite their evident flaws, the Scenes are powerful harbingers of the later and mature works.

I have elsewhere detailed my argument that a literary text will evoke a strong emotional response in the reader in those cases where the powerful and contradictory sensations of the …

George Eliot Birthday Luncheon, 23 November 2008- The Toast To The Immortal Memory, John Rignall

The George Eliot Review Online, ISSN: 2831-5375

I have attended several birthday luncheons over the years and I am very pleased and honoured to have been invited this year to propose the toast. The fact that this is a birthday celebration has prompted me to wonder how George Eliot herself was wont to celebrate her own birthday, and from the evidence of the letters and the journals the answer to my wondering question seems to be that she was not inclined to celebrate it at all. Indeed, she was barely inclined even to acknowledge it. There is a revealing early letter to Maria Lewis, written she claims …

Review Of George Eliot. Novelist, Lover, Wife, Brenda Maddox

The George Eliot Review Online, ISSN: 2831-5375

The distorted cover-image of George Eliot with a strange pen and a very small writing book. and the mind-reading at the beginning which tells us that one glance at the newborn Mary Ann, already possessed of a 'large drooping nose, long chin, prominent jaw', told her parents that 'she would find it hard to fulfil a girl's primary task - to find a husband, she would have to make her own way in life' , are not ingratiating, and there are signs that Brenda Maddox is not exactly inward with the novels, but she has done something no other scholar …

A New George Eliot Holograph Letter, Jonathan Ouvry

The George Eliot Review Online, ISSN: 2831-5375

The letter reproduced above was written by George Eliot, then Mary Ann Evans, to Martha lackson and has been made available to The George Eliot Review by its present owner, Matthew Wilson, who inherited it from his mother, Shirley Wilson, who worked in publishing. Amongst her collection of autographs, letters and rare books were letters originally in the possession of the collector Henry Cunliffe, including this one. Large extracts from it were first printed in The Bookman, 3 (January 1893), and reprinted by Gordon Haight in the Yale edition of the George Eliot Letters, 1954 (I, 188-9)

Martha (or Patty) …

How George Eliot Came To Write Fiction, Rosemary Ashton

The George Eliot Review Online, ISSN: 2831-5375

We are celebrating one hundred and fifty years since the publication in volume form of George Eliot's first work of fiction, Scenes of Clerical Life, three stories printed first in Blackwood's Edinburgh Magazine between January and November 1857, and then in two volumes in January 1858. I will tell the story of how George Eliot came to write fiction by moving backwards from the Scenes themselves, via George Eliot's journal entry of 6 December 1857, 'How I Came to Write Fiction', to her literary criticism in the Westminster Review in the earlier 1850s, and finally to two letters, of 1849 …

Orphic Variations In Scenes Of Clerical Life, Kenichi Kurata

The George Eliot Review Online, ISSN: 2831-5375

This is from Orfeo's climactic aria, Che faro senza Euridice, in Gluck's opera, Orfeo ed Euridice (1762). That the tune may sound too graceful to suit the desperate words can be explained by Orfeo's awareness of the means he has ready to hand of being reunited with Eurydice: he can cross the river Styx again by killing himself. At the moment of this declaration, contrary to the original myth, personified Love intervenes and Orfeo recovers Eurydice for the second time.

What I would like to suggest in the following paper is that this myth of Orpheus' descent to the underworld …

Review Of Eliot's Middlemarch: Reader's Guide, Josie Billington

The George Eliot Review Online, ISSN: 2831-5375

This new 'Reader's Guide' successfully complements two preceding works that were written for the same purpose of providing information and interpretation for readers of Middlemarch in a compact form: those by Karen Chase for Cambridge University Press's 'Landmarks of World Literature' series, and by T. R. Wright for Harvester Weatsheaf, both published in 1991. The book is closer to Chase's in terms of the order and structure of the argument. After giving a brief biography of George Eliot and introducing the historical contexts of the novel in the first chapter (Contexts'), Billington goes on to provide close readings of passages …

The Thirty-Seventh George Eliot Memorial Lecture, 2008- George Eliot's Dorothea? 'That Fair Bright Useful Woman': Mrs. Nassau Senior In George Eliot's Life And Writing, Sybil Oldfield

The George Eliot Review Online, ISSN: 2831-5375

Who was Jeanie Senior before Octavia Hill introduced her to George Eliot in October 1866? Born Jeanie Hughes in 1828, the cherished daughter and only sister of seven brothers, she had started life as a happier Maggie Tulliver - keenly alive, with a questioning intelligence and an intense capacity for feeling. She could bum with indignation as well as overflow with impulsive generosity. Tall, golden haired and blue-eyed, she was also an exceptionally gifted musician with a marvellous singing voice, so it would have seemed that born into an affectionate, lively, well-to-do Squire's family, she had been allotted almost too …

Margaret Wolfit (1929-2008), Lucy Amis

The George Eliot Review Online, ISSN: 2831-5375

My Mum, Margaret Wolfit (Amis) passed away on 20th September. I wanted to write to reassure everyone that she didn't suffer for long and that 2008 was a decent year in many ways. As you may know, she'd been treated for breast cancer thirteen years ago and came through well for over twelve years, but in August 2007 was re-diagnosed, this time affecting her chest. At the time (August 2007) she had some fluid drained from her lungs and was more or less fine within about forty-eight hours - indeed she was performing only a few days later. The doctors …

Editors' Note- 2009 Special Issue

The George Eliot Review Online, ISSN: 2831-5375

The Conference on 'George Eliot's Beginnings' at the Institute of English Studies on 1 November 2008 was organized by Rosemary Ashton, Beryl Gray and Barbara Hardy. The publication in volume form of Scenes of Clerical Life in 1858 was the point at which Mary Ann Evans became 'George Eliot' and we think it appropriate to mark this event by publishing the proceedings of the Conference as a Special Issue.

Death And Recollection: The Elegiac Dimension Of Scenes Of Clerical Life, John Rignall

The George Eliot Review Online, ISSN: 2831-5375

Perversely, though perhaps appropriately for a paper on death, I want to begin at the end. George Eliot's last novel, Daniel Deronda, ends with a good death: that of Ezra Mordecai, dying with the arms of Mirah and Deronda around him, and feeling 'an ocean of peace beneath him'. The deaths that immediately precede it in her fiction, Grandcourt's drowning in the same novel, or the deaths of Featherstone, Casaubon and Raffles in Middlemarch are of a different order: those figures go more or less unlamented to their graves, and their passing may even be a form of liberation for …