English Language and Literature Commons^™

From George Eliot To Her 'Rabbi': An Epistolary Find, Peter A. Brier

The George Eliot Review Online, ISSN: 2831-5375

I cannot be easy without writing a word or two this morning for I am conscious that I made myself more disagreeable than nature obliges me to be by my hard quips to you. They were not warrantable by anything but a strong personal and impersonal interest in that sensitive being of yours, which holds what may be very precious things in its keeping. And even with that warrant it will be a proof of your fondness if you quite forgive me.

You look wretched - and I have now so much of that subtle misery which can be explained …

'There Is No Such Thing As Natural Barrenness In Natural Women': Childless Marriages In Silas Marner And The Lifted Veil., Marianne Burton

The George Eliot Review Online, ISSN: 2831-5375

'There is no such thing as natural barrenness in natural women' wrote the eminent French psychologist Eugene Becklard in the 1840s, and, in general, physicians agreed with him. Certainly in mid-nineteenth-century literature children were the sine qua non of a successful marriage; courtship novels rarely ended at the altar, happy endings demanded babies. Unlike lady novelists who wrote silly novels, George Eliot thought marriage, with its complications, compromises, and lack of easy exits, was quite as interesting as courtship, and childless marriages were generally more interesting than generative ones. The two childless marriages' in Silas Mamer and The Lifted Veil …

'The Generations Of Ant And Beavers': Classical Economics And Animals In The Mill On The Floss, Andrew Lallier

The George Eliot Review Online, ISSN: 2831-5375

Before any named characters find their way into The Mill on the Floss, the narrator introduces us to two sets of animals (aside from a human driver): white ducks dipping their heads into the stream and horses pulling a covered wagon. The ducks are characterized as being 'unmindful of the awkward appearance they make in the drier world above' (24). This characterization serves a comic purpose, indicating a disparity between the mentality of the unreflective animals and the implicit judgement of the narrator's gaze. By contrast, the horses seem to possess a surprisingly developed interiority (however conditioned by the narrator's …

Models Of Authorship: Margaret Oliphant And George Eliot, Joanne Shattock

The George Eliot Review Online, ISSN: 2831-5375

This article is about the profession of authorship in the nineteenth century. More specifically it is about the writing lives of two women novelists. Margaret Oliphant's (1828-1897) work is unfamiliar to most modem readers, apart from her Autobiography, one or two of her supernatural tales, and possibly the 'Chronicles of Carlingford', the series for which she was best known, novels and stories set in an English provincial town where life revolves around church and chapel. George Eliot (1819-1880) on the other hand, needs no introduction to today's readers.

In one of her many reviews of the works of her contemporaries, …

Review Of Women And Personal Property In The Victorian Novel, Deborah Wynne

The George Eliot Review Online, ISSN: 2831-5375

Dorothea Brooke was reluctant to accept the bequest of her mother's jewellery, but was George Eliot equally resistant to the allure of pretty things? Deborah Wynne thinks not. Wynne cites a letter from Eliot to her friend Elma Stuart in which the energizing pleasure of 'little joys' is a cause for celebration:

it is cheering to think that there are blue clocks as well as troubles in the world. There is another spiritual daughter of mine whom I should gladly see eager about some small delight - a china monster or a silver clasp - instead of telling me that …

Japanese Branch Report - 2011, Mizue Aida

The George Eliot Review Online, ISSN: 2831-5375

On Saturday 3 December 2011, the Fifteenth Annual Convention of the George Eliot Fellowship of Japan was held at Ferris University.

The morning session began with an opening address by Hidetada Mukai (Ferris University). Three papers were presented in the morning: the first two were introduced and commented upon by Hiroshi Ikezono (Yamaguchi University) and the third by Mie Abe (Shoin University).

The first paper 'Sensitivity and Materiality in "The Lifted Veil'" was presented by Mari Takumi (Tokyo University). She focused on Latimer and his supernatural ability to look into the minds of others and see the reality through his …

Review Of George Eliot, European Novelist, John Rignall

The George Eliot Review Online, ISSN: 2831-5375

On the opening page of this series of connected essays, John Rignall points out that 'George Eliot's readers and reviewers took it for granted that her novels belonged to a European tradition of fiction'. When Leavis conscripted her into his new canon after the Second World War, this dimension of her work was largely erased and has only recently begun to re-emerge thanks to the work of Rosemary Ashton, Elinor Shaffer and others - not least John Rignall himself. One reason for this neglect was no doubt intrinsic to the work: Rignall concedes that George Eliot's fictions are set overwhelmingly …

The Things That Remain: People, Objects, And Anxiety In Thirties British Fiction, Emily O'Keefe

Dissertations

This dissertation analyzes the appeal of things in thirties British literature. I argue that in a time in which a catastrophic and world-changing war seemed to be on the way, many writers saw seemingly unshakable material things as a source of comfort. Drawing on thing theory, I explore thirties writers' recognition of the duality of things, their alienness to human society even as people invest great significance in them. Therefore, I show that despite this frequent appeal to the material world as a place of stability and comfort, many of these writers also recognized conflicting aspects of things, knowing (and …

The Sacrament Of Violence: Myth And War In C.S. Lewis's Ransom Trilogy, Tanya Engelhardt

Electronic Theses and Dissertations

My primary aim for this study is to illuminate the Ransom trilogy's inherent psychological and spiritual themes, as well as demonstrate how these themes clarify Lewis's philosophical and political goals for the text. Specifically, by investigating Lewis's mythic imagery and suffering motifs in light of psychoanalytic and theological literary criticisms, I elucidate the reasoning behind Lewis's unique—and at times, horrific—portrayal of fear, violence, and death. I also investigate how Lewis integrates his theology with the horrors of personal and intrapersonal suffering, as well as how he utilizes imagination and myth to explicate the practical (or political) implications of his theodicy. …

Mediums Change, Fears Stay The Same, Lucy Wilhelms

Honors Theses

Although generally dismissed by scholars as being overly sentimental or superstitious, the gothic genre has survived for over four centuries and maintained significant cultural appeal, outlasting the sentimental novel and the travelogue as popular literature. What, then, makes this genre different? What is so special about the gothic?

In my thesis, I examine the evolving cultural appeal of the gothic genre that keeps it attractive and relevant for readers by tracing the gothic text, The Woman in Black by Susan Hill, through its initial inception and its subsequent adaptations. As a novel, The Woman in Black both repeats and revises …

Framing Jane: Film Adaptation And Jane Eyre, 1934-2006, Joy Wohlman Boyce

Masters Theses

No abstract provided.

Bound To Revenge: Multiple Revenge Tragedies In Shakespeare's Hamlet, Deirdra M. Shupe

Undergraduate Honors Theses

This paper will examine the notion of revenge, beginning with a history of the revenge tragedy genre (including its roots in the works of Seneca) as well as how the term was used to depict retribution during the Renaissance. A brief explanation of the differences between the different versions of Hamlet and why they are relevant to revenge accompanies the historical background. Using Shakespeare s Hamlet as one of the most famous examples of the genre, this thesis also explains multiple revenge tragedies occurring in the play and the common threads that unify them into a single piece of drama …

Aemilia Lanyer's Use Of The Garden In Salve Deus Rex Judæorum, Anna Brovold

All Graduate Theses, Dissertations, and Other Capstone Projects

Aemilia Lanyer used her collection of poetry, Salve Deus Rex Judæorum to redefine the way that women should look at themselves in the eyes of God. She began her collection with poems dedicated to women that she had deemed virtuous and worthy of individual attention. Her dedicatees were then presented to her readers as the true Disciples of Christ; an honor due to women because of their empathy for Christ's situation. Lanyer rewrote the biblical Passion story in order to include a feminized version of Christ, the rightful female Disciples of Christ and an additional trial presented to Pontius Pilate …

Clamor: Malefica, Protest, And The Occult Economy In Early Modern England, Charles Mock

Electronic Theses and Dissertations

This thesis attempts to figure witchcraft practices within a larger economic context whereby cursing and maleficent acts in general might be read as a means of political protest against the political and economic destabilization of comrights. By reading cursing and prophecy as epistemological weaponry, the thesis establishes a theory of early modern terror that corresponds to the effects of these tactics on local and national levels. Readings of traditional witchcraft literature and Shakespeare's Macbeth will hopefully allow for an understanding of witchcraft that is heavily concerned over the nature of agency within the period, particularly with regard to the ways …

Fearless Children And Fabulous Monsters: Angela Carter, Lewis Carroll, And Beastly Girls, Veronica L. Schanoes

Publications and Research

No abstract provided.

Wilde And Wonderful: The Ultimate Aesthete's Redefinition Of Individualism, As An Idealist, And Then As An Outcast, Anna Brill

CMC Senior Theses

Oscar Wilde redefined the relationship between Life and Art, and attempted to live in the style of the characters in his works: pursuing Beauty. His view of Life as imitating Art played a crucial role in his definition of Individualism. In his works, he explored how one develops one's personality and Individuality, and society's role in suppressing the Individual. He firmly believed that Life and ugliness were inextricably intertwined, and that society's moral structure was to blame. Popular in his time as an artist, he made it a point in his writing and in his work to stand apart from …

Producing Early Modern Space And The Mind In Public And Closet Drama, Megan M. Gallagher

Dissertations and Theses @ UNI

The construction of space has become such a common process for modernity that its culture would argue spatial experiences as intrinsic in nature. However, it is through the consideration of the experience of space and spatial boundaries one notices the cooperative nature of space. This thesis explores the early modem constructions of space and the development of the modem idea of the mind through the closet dramas of John Milton (Samson Agonistes) and Elizabeth Cary (The Tragedy of Mariam the Fair Queen of the Jewry), and the public dramas of William Shakespeare (Measure for Measure and Julius Caesar). Our notions …

Spinning Wheels, Weaving Words, And Cupbearing: The Wife's Lament And Female Power, Agency And Resistance In Anglo-Saxon England, Alison Leytem

Honors Program Theses

Looking through the lens of Anglo-Saxon womens' roles as peaceweavers, cupbearers, inciters or "whetting women" in their ability to practice and assert power, resistance and agency within conjugal bonds with husbands or lovers, we can better understand the ambiguous Old English poem The Wife's Lament. By exploring the poem, documents that history has left us, and previous foundational research, I will investigate whether the role women played in Anglo Saxon society mattered, and if either way, they had significant opportunity for agency.

Sway Of The Ottoman Empire On English Identity In The Long Eighteenth Century, Emily Kugler

Department of Literature and Writing Faculty Publications

Within popular culture of the seventeenth and eighteenth century, the intermingling of Islamic and English Protestant identity was a recurring topic of debate and anxiety in the English cultural imagination. Examining the shifting representations from Early Modern Era to nineteenth-century concepts of race, nation and empire, Sway presents the eighteenth century as a turning point in public perceptions, the moments when English subjects began to believe British imperial power was a reality rather than an aspiration. 

Spirits, Vitality, And Creation In The Poetics Of Tommaso Campanella And John Donne, Anthony P. Russell

English Faculty Publications

In discussions over the meaning of "genius" in the Renaissance, there is at the very least agreement that the term was associated with heightened powers of perception and creativity. Whether defined in terms of Neoplatonic notions of inspiration, Aristotelian/Galenic theories of the humors (and of melancholy in particular), or rhetorical theories of invention, ingegno is acknowledged as having denoted an unusual mental energy and flexibility which facilitated the creative process. It is the psychic mobility with which ingegno was consistently linked that I intend to emphasize here, and in particular its frequent identification with those volatile spirits that were centrally …

"The Poets Welcome": An Unrecorded Manuscript By Robert Burns, G. Ross Roy, Patrick G. Scott

Studies in Scottish Literature

Introduces, reproduces, and gives provenance for a previously-unrecorded autograph manuscript of Robert Burns's poem about the birth of his first-born child, and his mixed emotions of pride and some shame at her illegitimacy.

Rex Quondam, Rexque Futurus: Arthurian Legends As Indicators Of British National Identity Throughout History, Audrey Ellen Wimbiscus

Senior Independent Study Theses

By looking at the texts of Arthurian legends such as Sir Thomas Malory's Le Morte d'Arthur, T.H. White's The Once & Future King, and Marion Zimmer Bradley's The Mists of Avalon, one can gain a historical perspective of the time in which each work was written. Through this historical perspective and by looking at each author's personal life, a picture of Great Britain's national identity at the time of writing can be seen. As such, the Arthurian Cycle can be used to exemplify British national identity throughout history.

Contents, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Front Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Christian Influences On The Mabinogi, Josh Pittman

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 14 Fall 2012

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Literary Annual, Katherine D. Harris

Faculty Publications, English and Comparative Literature

No abstract provided.

Rudolph Ackermann, Katherine D. Harris

Faculty Publications, English and Comparative Literature

No abstract provided.

Sublime Beauty & Horrible Fucking Things - The Finer Worlds Of Warren Ellis, William James Allred

Graduate Theses and Dissertations

This work constitutes an in-depth discussion of the muted postmodern characteristics of contemporary comics writer and novelist Warren Ellis, highlighting his major long-form works within comics, Planetary, Transmetropolitan, StormWatch, and The Authority, as well as several shorter works such as Ocean, Orbiter, and Global Frequency. In addition, Ellis is situated within the British science fiction tradition, specifically, the British Boom movement which contains other comics writers such as Neil Gaiman and Alan Moore.