English Language and Literature Commons^™

The Search For Pan: Difference And Morality In D. H. Lawrence’S St. Mawr And The Woman Who Rode Away, Ria Banerjee

Publications and Research

Both St. Mawr (1925) and The Woman Who Rode Away (1928) were written at the height of Lawrence’s fascination with New Mexico and demonstrate a continuum of thought about the position of the European and the Indian, but what is most interesting about these stories when read in conjunction is their attitude towards difference. Lou Carrington, the protagonist of St. Mawr, holds herself separate from other women of her class, from other men, from her mother and her Indian groom, finally finding a temporary peace in seeking affinity in a landscape; the woman who rides away from home and …

"An Image Comforting The Mind”: Emotion Theory And Tennyson’S In Memoriam, Melanie Pavao

English Student Scholarship

This paper examines Alfred Lord Tennyson’s poem In Memoriam A.H.H. through the lens of Cicero’s stoic theory of emotion. It critically reviews the manner in which Tennyson describes grief in the poem and how he uses the poem to deal with his own grief over the death of his best friend. It continues with a discussion of how the poem is useful for others in learning to deal with their own grief.

A Hierarchy Of Love: Myth In C.S. Lewis's Perelandra, Joseph Walls

Masters Theses

In C.S. Lewis's Perelandra, the transposed creature is drawn up into its "kindly stede" as a sacramental symbol of Christ through that fictional planet's unbroken relationship between meaning and form. Although Perelandra's "wheels-within-wheels" hierarchy may at first seem reminiscent of Catholicism's teachings on symbol, as a Protestant, Lewis believes that human beings cannot be truly sacramental symbols until the return of Christ. Lewis's optimistic depiction of a cosmic hierarchy is one of perfect love: superiors rule their subordinates with agape, and creatures who discover their submissive roles reciprocate with eros or adoring love. Every created being in Perelandra is part …

With This Ring, I Surrender: Politics, Religion, And Marriage In Shakespeare And Tudor England, Mara R. Berkoff

Honors College Theses

The ideas I wish to explore are the overarching themes of politics, religion, and marriage in the Turor period under the rule of King Henry VIII from 1509 to 1547. The popular opinion of the period on Henry VIII's behavior can be seen in William Shakespeare's The Taming of the Shrew, Measure for Measure, and Henry VIII.

Gender Politics In The Novels Of Eliza Haywood, Susan Muse

Dissertations (1934 -)

This study investigates how Eliza Haywood addressed ideological conflicts about gender produced by modernization in early eighteenth-century England. Expanding Michael McKeon's theory of the novel to include "questions of gender," I address a wide sample of novels in order to show how Haywood's writing developed during her long career. Her first preoccupation was the sexual double standard that defined "fallen women" as society's exiles. Influenced by the "she-tragedy" of the late seventeenth and early eighteenth century, Haywood wrote novels that elicited pity for fallen women and searched for reasons to explain their condition. Haywood's writing became overtly political with her …

Pamela: Or, Virtue Reworded: The Texts, Paratexts, And Revisions That Redefine Samuel Richardson's Pamela, Jarrod Hurlbert

Dissertations (1934 -)

This dissertation is a study of the revisions Samuel Richardson made to his first novel, Pamela, and its sequel, Pamela in Her Exalted Condition, published within his lifetime. Richardson, who was his own printer, revised Pamela eight times over twenty years, the sequel three times, and the majority of the variants have hitherto suffered from critical neglect. Because it is well known that Richardson responded to friendly and antagonistic "collaborators" by making emendations, I also examine the extant documents that played a role in Pamela's development, including Richardson's correspondence and contemporary criticisms of the novel. Pamela Reworded, then, is an …

Post-War Europe: The Waste Land As A Metaphor, Semy Rhee

Senior Honors Theses

This thesis analyzes the mindset of twentieth-century Europe through the perspective of a modern individual that T. S. Eliot creates in his poem The Waste Land. Although The Waste Land is the greatest modernist poem, it is often criticized for its esoteric nature. A thorough examination of the poem is useful in understanding and appreciating Eliot’s masterful demonstration of the modernist philosophy. This study analyzes the poem in light of the definition of modernism and the poem’s metaphorical nature. It also aims to reconcile the two most confusing elements of the poem—its allusive content and fragmented structure—to the design …

Review Of Poetry, Pictures, And Popular Publishing: The Illustrated Gift Book And Victorian Visual Culture 1855-1875 By Lorraine Janzen Kooistra, Katherine D. Harris

Faculty Publications, English and Comparative Literature

No abstract provided.

The Significance Of Silence: The Muted Voices Of Count Fosco And Laura Fairlie In The Woman In White, Melanie Page

Masters Theses

This thesis examines the intricacies of voice using narrative theory and reader-response theory with Wilkie Collins' The Woman in White. Since Collins first wrote this epistolary novel serially, he wrote aware of his audience as he printed segments with different narrators. This novel allowed Collins the opportunity to reveal an internal set of narrators' responses to other characters' voices--responses that sometimes conflict with and modify one another. At the same time, Collins' contemporary audience's responses to the novel reveal the role of characters' voices in shaping reactions of members of the novel's reading public. Two opposing figures--Laura Fairlie and Count …

Respect Des Fonds D'Archives: Theory And Application, Danielle Lee-Muma

Data and Test Instruments

This paper examines the principle of Respect des fonds, its history and reason for becoming a dominant principle, and what its aspects mean: interpreting original order as an internal arrangement, and discussing external arrangement in the principle of provenance. Case studies (both real world examples and hypothetical examples based on real fonds and archives) will be used to discuss how the twin principles of respect des fonds, original order and provenance can be put into practice. The case studies are used to discuss what problems can arise in the application of respect des fonds.

The Dangerous ‘New Woman’ In The Victorian Press: ‘Blind Alike To Maiden Modesty And Maternal Dignity, Danielle Nielsen

Faculty & Staff Research and Creative Activity

Present in photography, artwork, fiction, drama, and popular journalism, the New Woman was a familiar presence in late-Victorian Britain. By analyzing the journalistic portrayal of the New Woman and the construction of a negative femininity by those authors who opposed her and the values she represented, this essay draws from that popularity and presence. I argue that Victorians who disagreed with the political and social ramifications of the New Woman participated in discourse communities or communities of practice. These discourse communities portrayed the New Woman as one who was first, competitive rather than cooperative, and second, a mythical, unnatural creature. …

Orts 73, 2012, The George Macdonald Society

Orts: The George MacDonald Society Newsletter

Orts will soon join North Wind’s Online Digital Archive, thanks to the ongoing efforts of John Pennington, who teaches at Saint Norbert College in De Pere, Wisconsin. Dr. Pennington, one of the editors of North Wind: A Journal of George MacDonald Studies, previously oversaw the digitization of the academic journal. Jaena Manson, an editorial intern at the journal, is assisting in the process, a considerable task given that the archive will encompass the newsletter’s entire history, from the first issue published over thirty years ago in 1981 to the present edition. As with North Wind, the Orts archive will be …

"That's A Lotta Faith We're Putting In A Word": Language, Religion, And Heteroglossia As Oppression And Resistance In Comtemporary British Dystopian Fiction, Haley Cassandra Gambrell

MA in English Theses

Dystopian literature, in which writers imagine a chaotic, uncertain future, has become a trend in contemporary literature. Three recent British dystopian texts--Alan Moore and David Lloyd's graphic novel V for Vendetta , Patrick Ness's young adult novel The Knife of Never Letting Go , and China Miéville's detective novel The City & the City --reveal important themes of dystopian literature that transcend genre and stylistic convention. When a totalitarian regime governs the people, language and religion become commodities used by both government and citizens. First, I will explain the role of naming in establishing identity of both governing bodies and …

Carlyle, Arnold, And Wilde: Art And The Departure From Humanism To Aestheticism In The Victorian Era, Caitlin Larracey

Undergraduate Review

The Victorian era of British literature spanned almost an entire century and saw writers from Carlyle to Rossetti, Kipling to Barrett Browning, and Dickens to Tennyson. The fabric of London changed as industry and invention flourished, along with poverty and social decay. Significant changes in politics, science, and religious thinking emerged as well. As British society moved further away from its roots in agriculture and devout religion, British literature also moved further away from its roots in Renaissance humanism towards the decadence and aestheticism that characterize late nineteenth-century works. By tracing the shift of styles and use of rhetorical devices …

Stella’S Voice: Echo And Collaboration In Astrophil And Stella 57 And 58, Laura Kolb

Publications and Research

No abstract provided.

Wounded Women, Varied Voice, Kathryn Johnston

Undergraduate Review

Daphne du Maurier and Sylvia Plath both use voice as a tool in their respective pieces, “La Sainte-Vierge” and “Lesbos.” Through the implementation of varied voices, these women convey female interiors. Du Maurier’s use of a third-person narrative voice in her short story “La Sainte-Vierge” allows her to comment on the lives of the main characters through the eyes of an outsider. Du Maurier’s outsider reveals a naïve and delusional housewife, unhealthy in her denial within a failing relationship. Contrasting with du Maurier’s Marie is Plath’s first-person voice of a scorned, dissatisfied housewife in her poem, “Lesbos.” Plath’s use of …

Desert Islands: Europe's Atlantic Archipelago As Ascetic Landscape, Paul Siewers

Faculty Contributions to Books

A focus on early literatures around the Irish Sea as both archipelagic and ascetic in their engagement of the environment.

`The Only Beguiled Person?': Accessing Fantomina In The Feminist Classroom., Kate Levin

Publications and Research

This article explores how Eliza Haywood's 18th-century novella Fantomina serves as an allegory for the challenges of maintaining a feminist classroom.

Knowing Too Much: The Burden Of Omniscience In The Lifted Veil, Melissa Raines

The George Eliot Review Online, ISSN: 2831-5375

In the spring of 1859, not long after the success of her first novel, Adam Bede, George Eliot submitted a much shorter work to her publisher, John Blackwood, for his consideration. Blackwood's eventual letter in response to the piece arrived more than a fortnight later and had to be prompted by Eliot's partner, George Henry Lewes. Perhaps Blackwood's belated reply was somewhat understandable: he must initially have been thrilled by the prospect of another submission from the rising new author, but the strangeness of this undeniably macabre new tale unsettled him. A story of supernatural power and science that pushed …

Review Of Dorothea's Daughter And Other Nineteenth-Century Postscripts, Barbara Hardy

The George Eliot Review Online, ISSN: 2831-5375

This book is the fruit of many years of thought about nine great novels. Barbara Hardy does not present us with a series of sequels, though we do learn of things that happened after the action of the novels ended. Rather, she offers a set of conversations in which two (or, in some cases, three) characters from each novel reflect on the past. This formula allows her to focus on aspects of the stories that intrigue her, or that frustrate her wish to have a full understanding of fictional people who, it is clear, move and interest her as much …

Review Of The Life Of George Eliot: A Critical Biography, Nancy Henry

The George Eliot Review Online, ISSN: 2831-5375

The literary biographer's most difficult task is to find plausible, sophisticated ways of connecting a human life with the art that emerges from it. In the case of a major imaginative artist like George Eliot, the accumulated weight of previous biographies and critical studies only makes that task more challenging. Nancy Henry confronts this situation head-on in The Life of George Eliot. Her book is not just another re-telling of the familiar narrative, written as if it were starting anew. Instead, Henry has grappled with what a genuinely 'critical biography' might mean on a number of different levels. She interrogates …

Review Of George Eliot: Interviews And Recollections, K.K. Collins

The George Eliot Review Online, ISSN: 2831-5375

In his introduction to this fascinating collection of accounts and comments by those who met George Eliot, K. K. Collins points out that modem biographies draw on about forty recollections that have come to form a canon of reminiscence. To this canon his volume adds a large number of unfamiliar sources, arranging more than two hundred items in sections which follow the chronology of her career, with subdivisions for the years of her fame under headings such as 'Sunday Gatherings at the Priory' and 'Eton, Cambridge and Oxford', and with full and helpful annotation of names and details. Of the …

Review Of The Art Of Comparison: How Novels And Critics Compare, Catherine Brown

The George Eliot Review Online, ISSN: 2831-5375

This book is a defence of comparative literature in theory - if it has a theory - and in practice by concentrating on three novels - Daniel Deronda, Anna Karenina, Women in Love - which are structurally similar in various respects, most obviously in employing double plots focusing on two couples, and thematically related in terms of their interests and concerns. The book is clearly derived from a doctoral dissertation and has some obvious features of the genre: a thesis which it endeavours to make persuasive by argument and supporting evidence, reference to much previous criticism on the subject, a …

Review Of Modernizing George Eliot: The Miter As Artist, Intellectual, Proto-Modernist, Cultural Critic, K.M. Newton

The George Eliot Review Online, ISSN: 2831-5375

This distinguished work by a major Eliot scholar is the product of decades of reading, writing and reflection on her fiction and thought. It brings together in revised, homogenized form a series of essays from 1972 to the present day, including new material; and further, it engages with and amplifies two of Newton's earlier monographs on Eliot, as well as his collection of essays by other critics on Eliot utilizing modem literary theory. Despite dealing with complex philosophical ideas, Newton's writing is clear and lucid throughout, bringing to light new insights without the unnecessary jargon that occasionally taints modem criticism. …

The George Eliot Review: Journal Of The George Eliot Fellowship- 2012 No. 43, Beryl Gray, John Rignall

The George Eliot Review Online, ISSN: 2831-5375

CONTENTS

Notes on Contributors .............................................................. 5

ARTICLES Josh Moats: Deronda and the Tigress: Buddhism, Compassion, and National Consciousness in Daniel Deronda (Prize Essay)....................................................... 7

Joanne Shattock: Models of Authorship: Margaret Oliphant and George Eliot...................18

Marianne Burton: 'There is no such thing as natural barrenness in natural women': Childless Marriages in Silas Marner and The Lifted Veil..................... 31

Melissa Raines: Knowing Too Much: The Burden of Consciousness in the Lifted Veil ........................................................................................... 39

Andrew Lallier: 'The generations of ants and beavers': Classical Economics and Animals in The Mill on the Floss................................................................. .4 7

Peter A. Brier: From George Eliot to her …

Review Of Landscape And Gender In The Novels Of Charlotte Bronte, George Eliot, And Thomas Hardy: The Body Of Nature, Eithne Henson

The George Eliot Review Online, ISSN: 2831-5375

At the heart of Eithne Henson's book is a comment made by George Eliot when she reviewed Ruskin's Lectures on Architecture and Painting in 1854: 'To a certain degree, all artistic interpretation of Nature is conventional' (p. 75). Henson's concern is with the precise nature of the conventions on which Victorian novelists were able to draw in their representations of landscape, and the extent to which those conventions were gendered. But Henson also asks: who is looking? From what position or perspective? The result is a rich study of what we might call the 'painterly' eye of Victorian narrative. Henson …

Review Of The Business Of The Novel: Economics, Aesthetics And The Case Of Middlemarch., Simon R. Frost

The George Eliot Review Online, ISSN: 2831-5375

With excellent research available on the publication history of Middlemarch, including work by John Sutherland, N. N. Feltes, Carol Martin, David Finkelstein and others, it may seem surprising that an entire book has now been devoted to the topic. But as the title of Simon R. Frost's The Business of the Novel: Economics, Aesthetics and the Case of Middlemarch suggests, this book takes Middlemarch as a case study to illustrate and test some larger theoretical claims and methodological practices. In his introduction, Frost admits that most of the material on Middlemarch has been covered by other critics, but that he …

Review Of Silas Marner On Bbc Radio 4

The George Eliot Review Online, ISSN: 2831-5375

Unheralded in the Radio Times and elsewhere, Silas Mamer, dramatized by Richard Cameron, was broadcast as the Classic Serial on Radio 4 in two one-hour instalments on 16 and 23 October 2011. I was pleased that I spotted it. George Eliot has been favourably treated on radio and television, especially in the past twenty years or so. We've had televised versions of Silas Mamer, Middlemarch and Daniel Deronda. Adam Bede, The Mill on the Floss, The Lifted Veil and Daniel Deronda have all been serialized on the radio. Radio 7 recently repeated a broadcast of Silas Mamer with the late …

Deronda And The Tigress: Buddhism, Compassion, And National Consciousness In George Eliot's Daniel Deronda, Josh Moats

The George Eliot Review Online, ISSN: 2831-5375

Many scholars have written about George Eliot's treatment of Judaism in Daniel Deronda (hereafter DD), but no one has yet explored why George Eliot includes Buddhism in the novel. Eliot engages with Buddhism most explicitly in chapter thirty-seven when Mirah compares Deronda to the Buddha: 'Mr Hans said yesterday that you thought so much of others you hardly wanted anything for yourself. He told us a wonderful story of Bouddha giving himself to the famished tigress to save her and her little ones from starving. And he said you were like Bouddha. That is what we all imagine of you' …

Chairman's Annual Report 2011, Jphn Burton

The George Eliot Review Online, ISSN: 2831-5375

It was a good year for the Fellowship. Our membership numbers held their own, and although some older members have difficulty getting to events, we have attracted new members who have been enthusiastic in their support.

The theme for the year was Silas Mamer, which celebrated its 150th anniversary in 2011. The first event of the year was the AGM, which we had hoped to expand with a keynote lecture to start the year by Barbara Hardy. Unfortunately, Barbara had to cancel due to ill-health but undaunted, we arranged a review of the previous year and had useful discussions about …