English Language and Literature Commons^™

Queering The Sublime: Virginia Woolf, Sexology, And Sexuality, Emily Whitmore

Masters Theses

Using Virginia Woolf's novels, The Voyage Out, Mrs. Dalloway, To the Lighthouse, and Orlando, I begin to explore moments where the characters experience the sublime as defined by Edmund Burke. Woolf uses the traditional sublime, but complicates the concept beyond its initial intention. The moments that mimic the sublime, but include the body, the natural world, and artistic creativity grows into what I will call the "queer sublime," which is new for both Woolf scholarship and for the sublime. Woolf's experimentation with the term and part of the "queer sublime" also helps to create a different …

Pubs, Temperance, And The Construction Of Irishness In James Joyce's Ulysses, Leslie Sweet Myrick

Masters Theses

Ulysses can be read as a bar crawl; three episodes and part of a fourth are set in public houses, while various characters walk to and from drinking activities and establishments throughout the day. However, Ulysses' main character, Leopold Bloom, is an extremely moderate drinker and not considered "a regular" patron at any public house. His practicing of temperance is one example of how Bloom does not embody the typical Irish masculinity. However, the drinking culture in Ulysses has not been fully explored in context of the temperance movement which was an ongoing cause in 1904 Dublin despite Guinness's Brewery …

Kings Of Infinite Space: Cartography And Identity In Literature, 1599 - 1914, Caroline Mills

English Honors Papers

Mapping and writing are both attempts to describe some truth about the human experience. While maps may seem utilitarian, or at best art objects with aesthetic value, I believe that the maps we create for ourselves also function as maps of ourselves. I am primarily concerned with the places where maps and literature intersect — where literature employs the logic and rhetoric of cartography, and maps have narrative value. Where the two overlap, ideas of national identity and individual identity merge. Formally, there is a distinct difference between the “God’s-eye view” that a map provides and the linear nature of …

Liminal Leda: A Conversation About Art, Poetry, And Vague Translations Of Sex, Molly Pistrang

English Honors Papers

My paper explores the idea that Leda has been used throughout recent history as a vehicle through which artists and poets talk non-explicitly about sex. After presenting her undetermined mythical origins in chapter one, I explore different identities assumed by Leda during the half century prior to Yeats. In chapter two, I focus on Leda as universal woman, explicit character, and one who looks. In chapter three, I move to Leda's larger roles as liminal figure and portrait, and discuss the changing role of exterior versus interior perspective. Chapter four is a detailed study on Yeats' sonnet that develops into …

Pedagogy And Identity In "The Night Lessons" Of Finnegans Wake, Zachary Paul Smola

Electronic Theses and Dissertations

This thesis explores chapter II.ii of James Joyce's Finnegans Wake (1939)—commonly called "The Night Lessons"—and its peculiar use of the conventions of the textbook as a form. In the midst of the Wake's abstraction, Joyce uses the textbook to undertake a rigorous exploration of epistemology and education. By looking at the specific expectations of and ambitions for textbooks in 19th century Irish national schools, this thesis aims to provide a more specific historical context for what textbooks might mean as they appear in Finnegans Wake. As instruments of cultural conditioning, Irish textbooks were fraught with tension arising from their investment …

Generative Space: Embodiment And Identity At The Margins On The Early Modern Stage, Sallie Anglin

Electronic Theses and Dissertations

In "Generative Space: Embodiment and Identity at the Margins on the Early Modern Stage," I argue that the early modern stage provides a space in which emerging, marginal and unsanctioned identities can be shaped through the physical interactions between characters and their environments. Spaces that are marginalized on the stage, set apart from the main action of the play, or considered culturally or environmentally offensive, harbor figures that are not socially accepted or alloto exist legitimately outside of those spaces. This is in some ways liberating to the characters, but at the same time their identities are contingent upon the …

Hysteria, Sexuality, And Their Influence On Male Authority In "Carmilla" And "Good Lady Ducayne", Rachel Walls

Undergraduate Honors Theses

No abstract provided.

Trapped In The "Shadow-Space": Woman's Struggle To Become Round In George Eliot's Middlemarch, Katelyn Pfaff

Undergraduate Honors Theses

No abstract provided.

Othello's "Malignant Turk" And George Manwaring's "A True Discourse": The Cultural Politics Of A Textual Derivation, Imtiaz Habib

English Faculty Publications

A critique is presented of the play "Othello" by William Shakespeare, focusing on a reference from Othello's final speech to an incident in Aleppo, Syria that the author attributes to the manuscript essay "A True Discourse" by George Manwaring, a companion of English adventurer Sir Anthony Sherley. Early 17th century British history, Robert Devereux, Earl of Essex, and Queen Elizabeth I are mentioned, as well as references in the works to Turks and the censorship of English literature.

Anticipating The Neoliberal Nation: Philip Larkin And The Displacement Of Englishness, Graham Macphee

English Faculty Publications

No abstract provided.

A New Way Of Living: Bioeconomic Models In Post-Apocalyptic Dystopias, Margaret A. Wells

Theses and Dissertations--English

The objective of this thesis is to explore the relationship between moralities and bioeconomies in post-apocalyptic dystopias from the Victorian era to contemporary Young Adult Fiction. In defining the terms bioeconomy and biopolitics, this works examines the ways in which literature uses food and energy systems to explore morality and immorality in social orders and systems, including capitalism and our modern techno-industrial landscapes. This work examines science fiction portrayals of apocalypses and dystopias, including After London: Or, Wild England and The Hunger Games, as well as their medieval and contextual influences. These works are analyzed in light of genre …

From Russia With Love: Souvenirs And Political Alliance In Martha Wilmot’S The Russian Journals, Pamela Buck

English Faculty Publications

Although virtually unknown in literary studies today, Martha Wilmot's The Russian Journals remains an important text on the material circulation of things in an increasingly global eighteenth-century world.The Russian Journals describes her stay in Russia from 1803 to 1808 with family friend and powerful political figure Princess Dashkova. In particular, the souvenirs that she exchanges with Princess Dashkova shed light on how cultural and political connections were formed between Russia and Britain as well as how national identity was redefined on a more global scale.

Front Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Contents, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

A Multifarious Approach To Understanding Rhetorical Fragmentation In Vladimir Nabokov’S Lolita, William S. Tucker

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 15 Fall 2013

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Epitome And Portrait Of Modern Society: Ouida As Social Barometer Of The Victorian Era, Lorraine Michelle Dubuisson

Electronic Theses and Dissertations

The Victorian Era was one of great social flux; tremendous advances in science and technology called into question deeply held religious beliefs while the changing legal status of women threatened to undermine traditional views of gender roles. Industrialization and the driving economic force of capitalism led to rapid urbanization as well as contributing to shifting class boundaries. In addition, the purpose and responsibilities of the Artist/Poet and, indeed, of art itself were closely scrutinized and hotly contested. Most frequently, historians and scholars of literature have looked to authors such as Charles Dickens, George Eliot, Oscar Wilde, and Alfred, Lord Tennyson …

"It Is The Business Of The Artist To Follow It Home To The Heart Of The Individual Fighters": D.H. Lawrence, The Great War, And The Trajectory Of His Novels, Samantha Lauren Mathews

Seton Hall University Dissertations and Theses (ETDs)

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Staged Magic: Performing Witchcraft In Macbeth, Kristin M.S. Bezio

Jepson School of Leadership Studies articles, book chapters and other publications

The three witches who initiate William Shakespeare's (1564 - 1616) Macbeth (1606) are the play's primary figures of theatrical spectacle, their bodies and actions the products of the 'magic of the theatre.' While much critical attention has been paid to the interpretive significance of the witches in Macbeth, much less has focused on the practical physicality of the witches' presence and the methodology of their theatrical presentation. The witches' entrance open Macbeth and is central to understanding their role within Macbeth's Scotland. The 'magic' that appears on stage is acknowledged by its audience as a series of illusions that …

A Single Day: Isolation And Connection In Virginia Woolf’S Mrs. Dalloway And Christopher Isherwood’S A Single Man, Hannah Williams

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Reality And Imagination: The Authorial Decisions Of May Welland Archer And Emma Woodhouse, Melinda R. Vetter

EWU Masters Thesis Collection

The ideal woman of the eighteenth and nineteenth centuries was the "Angel in the House"-a woman who was sweet, shy, and modest. She lived to please the men in her life. She was also the child-woman who was sheltered from the knowledge of the world because it would be too painful and heavy for her fragile shoulders to endure. Edith Wharton, in The Age of Innocence, and Jane Austen, in Emma challenge this ideal picture by creating their respective heroines, May and Emma, to be the exact opposite of it. Though May constantly acts like the ideal woman mentioned earlier, …

[Introduction To] Leadership And Elizabethan Culture, Peter Iver Kaufman

Bookshelf

Bringing together contributions from political, cultural, and literary historians, Leadership and Elizabethan Culture identifies distinctive problems confronting early modern English government during the reign of Queen Elizabeth I.

This diverse group of contributors examines local elites and church leadership, explores the queen, her councillors, as well as her struggles with Mary Stuart and Robert Devereux, earl of Essex, raises questions about Elizabeth's leadership, and the advice she received as well as the advice she rejected.

Selected, influential works by Shakespeare, Marlowe, Jonson, Sidney, and Bacon are put in their Elizabethan and contemporary critical contexts, rounding off the study of Elizabethan …

Jane Austen, The Prose Shakespeare, Daniel Pollack-Pelzner

Faculty Publications

This essay explores the connection between Shakespearean drama and the novel’s representation of interiority. Jane Austen’s celebrated use of free indirect discourse, I argue, is linked to Charles Lamb and Mary Lamb’s Tales from Shakespeare, which turned dramatic soliloquies into prose narration, rendering a character’s thought and idiom in a third-person voice. Heralded as a “prose Shakespeare” by nineteenth-century critics, Austen also developed an inverse free indirect discourse, the infusion of the narrative voice into characters’ dialogue. Scenes from Mansfield Park, Emma, and Persuasion offer mini-Shakespearean plays of attention, for Shakespearean technique and quotation script Austen’s dramas of reading.

Risk Characteristics Of Healthcare Workers That Decline Voluntary Influenza Vaccination, Caroline Epler

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

Frankenstein: A Seminal Work Of Modern Literature, Traci K. Damron

Master of Liberal Studies Theses

Although Mary Shelley’s Frankenstein; or The Modern Prometheus, published in 1818, is assigned to the Romantic period of literature, it surpasses her contemporaries by its complexity of themes, philosophies, and social commentary embedded deep within. This paper contends that the novel should be considered one of the seminal works of modernity by closely examining the following elements of Modern literature as they apply to Frankenstein: the beginnings of speculative fiction found within the novel, science vs. religion, dark aspects of the psyche, disenchantment with the world, and the isolation/emptiness of the individual. Additionally, Mary Shelley’s own life and the influences …

Cultural Intelligence In Foreign Language Classes, Daniela Báez

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

Archiving Joyce & Joyce's Archive: Ulysses, Finnegans Wake, And Copyright, Jessica Michelle Lucero

UNLV Theses, Dissertations, Professional Papers, and Capstones

"Archiving Joyce and Joyce's Archive: Ulysses, Finnegans Wake, and Copyright" investigates the ways in which James Joyce's Ulysses and Finnegans Wake incorporate archival institutions and archival modes such as gossip into its composition. For example, this work explores how both works, at times, present institutions such as the National Library of Ireland, and, at other times, enact archiving in its collection and preservation of historical personages relevant to Irish literature and history. Additionally, Joyce was involved in the construction of his own archive, and thereby becomes the curator of his own history as well as that of Ireland.

Importantly, this …

The Medieval Dark Horse: Challenge And Reward In The Middle English Lyric, Andrew S. Marvin

English Faculty Publications

“The Medieval Dark Horse: Challenge and Reward in the Middle English Lyric” explores the genre’s history and literary merits while addressing the question of why this valuable and extensive body of literature has largely gone untapped by scholars.

The introductory sections detail the historical and modern contexts of the lyric, including the state of scholarship, manuscripts, editions, dating issues, purpose, audience, types of lyrics, and themes. This background informs a discussion of the genre’s difficulties and offers solutions with which to counter them. Close readings of eight poems are included to exemplify the lyric’s thematic range, stylistic diversity, and literary …

"When The Eternal Can Be Met": Bergsonian Time In The Theologies Of C.S. Lewis, T.S. Eliot, And W.H. Auden, James Corey Latta

Dissertations

C. S. Lewis, T. S. Eliot, and W. H. Auden all converted to the Christian faith and, upon conversion, turned to the theme of time in their post-conversion works. Interestingly, these Christian authors employed the secular philosophical framework of Henri Bergson’s theory of duration to construct their theologies of time. As texts fostered by Bergson’s ideas of intuition, the dualistic self, and durative force, Lewis’s The Great Divorce, Eliot’sFour Quartets, and Auden’s “Kairos and Logos” are theological works that depict time as an agent.