English Language and Literature Commons^™

“The Delight Of Our Earlier Days”: Character, Narrative, And The Village School, Patrick C. Fleming

Faculty Publications

No abstract provided.

Dear Christopher, Abby Shelley

Common Reading Essay Contest Winners

Second Place

Wisdom From A Lost Friend To A New Friend, Veronica Murphy

Common Reading Essay Contest Winners

Third Place

The Caustic Pen Is Mightiest: A Tradition Of Female Satire In The Novels Of Jane Austen, Ivy Compton-Burnett, And Muriel Spark, Jaclyn Andrea Reed

Electronic Theses and Dissertations

Female satirists have long been treated by critics as anomalies within an androcentric genre because of the reticence to acknowledge women's right to express aggression through their writing. In Pride and Prejudice (1813), A House and Its Head (1935), and The Girls of Slender Means (1963), Jane Austen (1775-1817), Ivy Compton-Burnett (1884-1969), and Muriel Spark (1918-2006) all combine elements of realism and satire within the vehicle of the domestic novel to target institutions of their patriarchal societies, including marriage and family dynamics, as well as the evolving conceptions of domesticity and femininity, with a subtle feminism. These female satirists illuminate …

Review Of "Of Love And War" By Judy Hayden, Karen Gevirtz

Department of English Publications

No abstract provided.

Acting, Integrity, And Gender In Coriolanus, Kent Lehnhof

English Faculty Articles and Research

Shakespeare's Coriolanus... anticipates and corroborates modern-day analyses emphasizing the sociopolitical dimensions and determinants of antitheatrical discourse. In the present essay, I would like to shift my focus from questions of class/status to questions of sex/gender, endeavoring to trace the links between Coriolanus’s antiperformative zeal and his ultra-masculine identity. For though it is true that Coriolanus opposes the dissimulation of others on political grounds (i.e., it creates social confusion), what causes him to reject play-acting in his own person is the sexualized fear that it will unman him (i.e., turn him into a squeaking virgin or crying boy). In this manner, …

Dialogue, Selection, Subversion: Three Approaches To Teaching Women Writers, Karen Gevirtz, Martha Bowden, Jonathan Sadow

Department of English Publications

No abstract provided.

The Counterfeit Child, Steven Bruhm

Data and Test Instruments

No abstract provided.

Surviving The City: Resistance And Plant Life In Woolf’S Jacob’S Room And Barnes’ Nightwood, Ria Banerjee

Publications and Research

In Jacob’s Room (1922) and Nightwood (1936), Virginia Woolf and Djuna Barnes use plant life to express a profound ambivalence about the masculine-inflected ordering functions of art and morality. They show that these processes codify lived experience and distance it from the feminine and sexual. To counter this turn towards the urban inauthentic, both novels depict non-urban spaces to upend conventional notions of usefulness. They fixate on evanescent flowers, wild forests, and untillable fields as sites of resistance whose fragility and remoteness are strengths. In Jacob’s Room, I argue that the eponymous protagonist is destroyed by his conventional education …

"Something Old And Dark Has Got Its Way": Shakespeare's Influence In The Gothic Literary Tradition, Natalie A. Hewitt

CGU Theses & Dissertations

This dissertation examines Shakespeare’s role as the most significant precursor to the Gothic author in Britain, suggesting that Shakespeare used the same literary conventions that Gothic writers embraced as they struggled to create a new subgenre of the novel. By borrowing from Shakespeare’s canon, these novelists aimed to persuade readers and critics that rather than undermining the novel’s emergent, still unassured status as an acceptable literary genre, the nontraditional aspects of their works paid homage to Shakespeare’s imaginative vision. Gothic novelists thereby legitimized their attempts at literary expression. Despite these efforts, Gothic writers did not instantly achieve the type of …

Courtroom And Classroom Across The Curriculum: The Strange Case Of Dr. Jekyll & Mr. Hyde, Jason N. Goldsmith

Scholarship and Professional Work - LAS

The Strange Case of Dr. Jekyll and Mr. Hyde draws on Robert Louis Stevensons intimate knowledge of Victorian legal culture knowledge Stevenson acquired while studying law at the University of Edinburgh. (Although he was called to the Scottish bar in 1875, he abandoned the legal profession and never practiced it.) Its trace can be found in the work's title, main characters, and narrative structure: the title suggests a legal action; Mr. Utterson is the legal representative of Henry Jekyll, who is himself both a doctor of law (LLD) and a doctor of Civil laws (DCL); and the final two chapters …

Frankly Speaking, "The Men That Is Now Is Only All Pallaver And What They Can Get Our Of You": Migration And White Slavery In Argentina In Joyce's "Eveline", M Laura Barberan Reinares

Publications and Research

This article analyzes James Joyce’s “Eveline” (1904), looking at the moral panic about “white slavery” in Europe and South America. The article especially focuses on Argentina, the foremost recipient of trafficked women between 1880 and 1930 (and, of course, Joyce’s destination choice for Eveline). By looking at Frank, the sailor who intends to take Eveline to Buenos Aires, this article explores the possible links between Joyce’s story and the sex trafficking industry thriving in Buenos Aires through the Jewish criminal association Zwi Migdal. Frank’s representation allows us to draw this connection because his behavior with Eveline coincides with the seduction …

Dreading He Knew Not What: Masculinities, Structural Spaces, Law And The Gothic In The Castle Of Otranto, Pride And Prejudice, And Wuthering Heights, Samantha E. Morse

Pitzer Senior Theses

This essay investigates the integral linkages between Gothic spaces and Gothic masculinities in three texts: Horace Walpole’s The Castle of Otranto (1764), Jane Austen’s Pride and Prejudice (1813), and Emily Brontë’s Wuthering Heights (1847). At the core of this examination is architecture, or more specifically, the physical constructions and built environments that comprise a man’s property. I explore how a man uses his property to construct, legitimize, and perform his identity. In the Female Gothic, the home is a place of anxiety for women, where patriarchal dominance and violence reign to constrain female agency. I argue that the home is …

Reading Austen's Lady Susan As Tory Secret History, Rachel K. Carnell

English Faculty Publications

No abstract provided.

George Eliot's Brazilian Critical Fortune And The Case Of Romola, Jaqueline Bohn Donada

The George Eliot Review Online, ISSN: 2831-5375

I would like to begin this paper with a comment by Professor Felicia Bonaparte about George Eliot's novels. In an introductory reflection, she once observed that

We have found nothing yet that Eliot did not deliberately put in her novels; [ ... ]. Indeed, the fact is we have not yet read in these novels all that Eliot wrote. We have not yet, for example, looked carefully at what Eliot had to say about women in society. Eliot was a great feminist, and her novels, although they never stoop to mere propaganda, urge a relentless war against the conditions by …

'And Her Wings Fall From Her And She Drops To The Ground': Reading Eliot's Mr Casaubon Through Benjamin Jowett's Phaedrus, Royce Best

The George Eliot Review Online, ISSN: 2831-5375

In the scene describing Casaubon 's pathetic mental state prior to his heart attack in Chapter XXIX of Middlemarch, the narrator makes an enigmatic reference: 'Doubtless some ancient Greek has observed that behind the big mask and the speaking-trumpet, there must always be our poor little eyes peeping as usual and our timorous lips more or less under anxious control'.' It seems odd to conclude this powerful passage, long read as a telling example of the hazards of over-study without meaningful application, with a reference to ancient Greek drama. Yet, perhaps not enough attention has been given to the indebtedness …

Review Of Heathen And Outcast: Scenes In The Life Of George Eliot, Robert Muscutt

The George Eliot Review Online, ISSN: 2831-5375

This fictionalized version of George Eliot's life between 1841 and 1854 takes as its starting point Edith Simcox's account of visiting the Midlands after the novelist's death and collecting material for a biography which, in the end, was never written. Thus the first section of four chapters is titled 'From Conversations with Maria Lewis' and is written in the latter 's voice, while the second section of two chapters follows the same pattern and is narrated by Charles Bray. The Simcox framework of posthumous interviews falters in the final section of eight chapters since here the narration is taken over …

The Two Felixes: Narrational Irony And The Questions Of Radicalism In Felix Holt And 'Address To Working Men, By Felix Holt', Helen Kingstone

The George Eliot Review Online, ISSN: 2831-5375

In this characterization of Dorothea by the narrator of Middlemarch (1871-2), the 'Great' Reform Act of 1832 is posited as a dividing line between two phases of history, so distinct as to have separate spheres of interest and judgements of normality. George Eliot flatters her mid-Victorian reader by insinuating that only the 'modem' mind of their shared present could understand the zeal of a humanistic 'exalted enthusiasm' that took its source of energy from within. In this passage, therefore, 'reform' seems to be the key to historical, social and personal change. The issue of reform - of society, of institution …

Review Of George Eliot In Society: Travels Abroad And Sundays At The Priory, Kathleen Mccormack

The George Eliot Review Online, ISSN: 2831-5375

This is a welcome and wholly worthwhile extension of the author's George Eliot's English Travels: Composite Characters and Coded Communication (2005), a densely written and stimulating examination of places and people in Eliot's life which have some resonance, in varying degrees of coding, from the seemingly casual to the subtly integrated, in her published work. McCormack there defined three categories of place identification. These range from 'absolute certainties' through 'pretty good cases' to 'alluring, probable, but irretrievably speculative suppositions', categories certainly applicable to herpresent study, in which her dedication and saturation in George Eliot, the works, the life, and a …

The Golden Gates Are Passed, Robert Muscutt

The George Eliot Review Online, ISSN: 2831-5375

There have always been attempts not just to conceal knowledge of George Eliot's life but also to manipulate it into conformity with a preconceived profile. In the Preface to his edition of The George Eliot Letters in nine volumes, Gordon Haight revealed that those pages of her Journal from immediately after her father's death in 1849 until shortly before she went to Weimar with Lewes in 1854 were tom out and presumably destroyed, probably by Cross. Charles Lewes, George Eliot's main literary executor, also seems to have destroyed nine of his father 's journals, the first volume extant beginning in …

'The Antigone And Its Moral': George Eliot's Antigonean Considerations, Kathryn Brigger Kruger

The George Eliot Review Online, ISSN: 2831-5375

As early as 1856 with the publication of the essay, 'The Antigone and Its Moral' ,1 George Eliot turned her literary attention to the Sophoclean figure of Antigone. Scholars such as Gerhard Joseph' and David Moldstad' have enumerated Eliot's multiple references to Antigone, and they have argued that Eliot makes Antigone a relevant figure for '"modern" life' (Joseph, 27) and an example of 'the continuity of man's elemental self, concerned in all ages with similar needs and problems, though moral codes have come and gone' (Moldstad, 531). Where Joseph traces the specific Antigone references in Eliot's fiction - especially in …

Review Of Reading For Our Time: 'Adam Bede' And 'Middlemarch' Revisited, J. Hillis Miller

The George Eliot Review Online, ISSN: 2831-5375

As his sub-title indicates, J. Hillis Miller is returning in his latest book to the study of George Eliot, bringing to bear on Adam Bede and Middlemarch the insight and erudition acquired in a long and distinguished career as a scholar and critic. He pursues a similar line to his wellknown articles from the 1970s on 'Narrative and History' and 'Optic and Semiotic in Middlemarch', subjecting that novel to a close and tenacious deconstructive reading that brings out the sophisticated self-qualifying nature of George Eliot's fiction. This is preceded by a shorter discussion of Adam Bede which shows how its …

Japanese Branch Report- 2012, Shinsuke Hori

The George Eliot Review Online, ISSN: 2831-5375

On Saturday 1 December 2012, the Sixteenth Annual Convention of the George Eliot Fellowship of Japan was held at Kansai University of Foreign Studies.

The morning session started with an opening address by Chizuko Watari (Kansai University of Foreign Studies). Three papers were presented in the morning session. The first two were commented upon by Midori Niino (Kobe University of Foreign Studies) and the third by Masayuki Kato (Kobe University).

The first speaker was Ayako Tani (Fukuoka University), whose subject was 'The Idea of a Double in Daniel Deronda: Grandcourt's Death and Gwendolen's Rebirth'. Grandcourt's death has been often criticized …

The Forty-First George Eliot Memorial Lecture, 2012- Romola's Artists, Leonee Ormond

The George Eliot Review Online, ISSN: 2831-5375

2012-2013 marks the one hundred and fiftieth birthday of Romola. Originally published in the Comhill Magazine from July 1862 to August 1863, it later appeared in a three volume edition in 1863. An illustrated edition followed in 1865.

George Eliot had begun work on the novel in 1861, when she was forty-one. She had recently published Silas Mamer, and The Mill on the Floss, preceded by Adam Bede, had come out not long before that. The genesis of Romola came in May 1860 when George Eliot and George Henry Lewes spent two weeks in Florence. Lewes noted that, …

Review Of Form And Feeling In Modern Literature: Essays In Honour Of Barbara Hardy, Isobel Armstrong, William Baker

The George Eliot Review Online, ISSN: 2831-5375

Does criticism move in circles and cycles? Perhaps, like a Yeatsian gyre, it progresses by revolving and rotating. If times have changed utterly since the appearance of Barbara Hardy's first book, The Novels of George Eliot (1959), then it is also hard to ignore how some new directions in criticism appear to be rediscovering matters close to this great critic's heart. Form and feeling, certainly, are both back. Professor Hardy used these two unfussy terms to describe, respectively, literature's structured way of happening and its potential to arouse or enrich a reader's felt experience; now, in the more modish guises …

George Eliot, Marcel Proust, And The Logic Of Desire, Kenichi Kurata

The George Eliot Review Online, ISSN: 2831-5375

The influence of George Eliot's fiction on Marcel Proust's In Search of Lost Time has often been discussed. For instance, L. A. Bisson drew attention in 1945 to 'the possibility, even the likelihood, of[ ... ] [an] immediate and sympathetic suggestion' by Eliot, citing Proust's claim in 1910 that 'II n'y a pas de litterature qui ait sur moi un pouvoir comparable a la litterature anglaise ... deux pages du Moulin sur la Floss me font pleurer.'2 Bisson goes on to suggest that three specific passages in The Mill on the Floss have their counterparts in Proust's work, the …

Chairman's Annual Report 2012, John Burton

The George Eliot Review Online, ISSN: 2831-5375

The year began in March with an introduction to Romo/a for the Nuneaton George Eliot Study Group which was attended by nearly forty local members. This was followed up by more in depth sessions on Romola at Bedworth Almshouses after Easter. These sessions were aimed at those going to Florence in November, to walk in Romola's footsteps. Numbers were constant throughout the sessions and we ended the ten sessions by watching the 1924 silent film version of the book. The study notes for these sessions will be made available to members worldwide on the website

Following the AGM that same …

Review Of The Ladislaw Case, Inke Thormahlen

The George Eliot Review Online, ISSN: 2831-5375

We live in an age of prequels and sequels either in book form or in television serials, with nineteenth-century novelists providing the majority of the material for contemporary writers to develop or elaborate. It was perhaps only a matter of time before one of George Eliot's novels was to form the basis for such treatment. In this case the novel is probably her greatest, Middlemarch, and the sequel, The Ladislaw Case, is the first major work of a young Swedish graduate of Lund University, Imke Thormahlen.

Twelve years after the conclusion of Middlemarch, Will Ladislaw, now married to Dorothea (Brooke, …

George Eliot, Scientific Materialism And Literary Form: Some Relfections On Felicia Bonaparte's Will And Destiny, K.M. Newton

The George Eliot Review Online, ISSN: 2831-5375

Felicia Bonaparte's study of Eliot's fiction, Will and Destiny: Morality and Tragedy in George Eliot's Novels, was published in 1975. I read it rather quickly towards the end of the 1970s because at the time I was working on a study of Eliot of my own and inevitably my attention was somewhat focused on whether there was going to be any overlap with my book. Since Bonaparte's book argued strongly that Eliot was intellectually committed to empiricism and scientific rationality and mine attempted to bring out her relation to aspects …

Employment Relations And The Failure Of Sympathy In Hardy’S Desperate Remedies And The Mayor Of Casterbridge, Lauren Hoffer

Faculty Publications

No abstract provided.