English Language and Literature Commons^™

Carceral Dreams: Punishment In Contemporary Utopian Fiction, Amandine Faucheux

LSU Doctoral Dissertations

This dissertation argues that the representation of legal violence—punishment—is an essential definitional axis to utopian literature. Utopian scholarship tends to position the political or economic system that a text imagines as the key determinant of that text’s identity as a Utopia, a dystopia, or an anti-Utopia. I propose instead that the propensity of the imaginary society to inflict violence in a legal or official context defines its utopian or dystopian quality. Through an analysis of twentieth and twenty-first century Anglophone utopian novels and stories by George Orwell, Octavia E. Butler, James Tiptree Jr. (Alice Sheldon), Adam Roberts, and Kelley Eskridge, …

‘Some Foods Are Considered Aphrodisiac Because They Resemble Sexual Organs’: On Isabel Allende’S Aphrodite, Anke Klitzing

Articles

At the age of 56, well into her second marriage and a grandmother herself, novelist Isabel Allende decided to find out whether aphrodisiacs are all they are made out to be. She wrote Aphrodite: The Love of Food and Food of Love after extensive research into erotic literature across some centuries and continents, and this foundation of age-old wisdom also means that the book, while published in 1998, remains a timeless source of inspiration and enjoyment.

Between The Living And The Dead, Laura Henriksen

Dissertations, Theses, and Capstone Projects

Throughout my studies at the Graduate Center, I have attempted to deepen my understanding of how some people, such as myself and my family, came to be white, and what that means, and how it can be undone. This question of whiteness has pushed me further back ontologically, or deeper down, to include how some people came to be human, and then even further, how some matter came to be living. In my thesis project I attempt to participate in dismantling one of the most fundamental binaries in binary thinking — the strict and uncomplicated division between the living and …

Sylvia Plath And "The Bigger Things": War, History, And Modernism At Midcentury, Reagan Lothes

Dissertations, Theses, and Capstone Projects

Sylvia Plath and “the bigger things” explores the ways in which Plath’s “confessionalism”—so often read as antithetical to T. S. Eliot’s notion of “impersonality”—constituted not a break from modernism but rather a negotiation of its transatlantic legacy. In doing so, it works against a long-standing critical tradition that has defined Plath, who was living in England as she composed her Ariel poems, as nonetheless a distinctly American poet and one focused uniquely—and, as some have claimed, even pathologically—on the self. An examination of Plath’s published work, including interviews, statements of poetics, journal entries, and letters, in the context of a …

You Are Here: Mapping The World System Of Mohsin Hamid’S Fiction, Terrie Akers

Dissertations, Theses, and Capstone Projects

Mohsin Hamid’s novels—Exit West, How to Get Filthy Rich in Rising Asia, The Reluctant Fundamentalist, and Moth Smoke—offer fecund ground for thinking through globalization and the changing world system. Bruce Robbins articulates a working definition of the “worldly” or global novel as one that “encourage[s] us to look at superstructures, or infrastructures, or the structuring force of the world capitalist system." Following on Robbins’s argument, Leerom Medovoi has written that Hamid’s work belongs to a body of literature that “is not so much of or by, but for Americans”—which he terms “world-system literature,” a literary application …

The Shape Of Knowledge: The Postwar American Poet's Library, With Diane Di Prima And Charles Olson, Mary Catherine Kinniburgh

Dissertations, Theses, and Capstone Projects

On the shelves of any collection of books, or what we might deem “a library,” is material evidence that generates multiple vectors of meaning. After D. F. McKenzie's “sociology of the text,” our ability to read books requires that we not just know their contents, but understand the networks in which they are built, distributed, interpreted, and used. In this capacity, books are a prime way of answering a political and epistemological question: how does knowledge take material form? And how is this process politically shaped at different points in time, by the types of knowledge that are privileged, siloed, …

Multicultural Women Writers, Nashieli Marcano, Jennifer Jacobs

Research Guides & Subject Bibliographies

No abstract provided.

The Phenomenology Of It All, Justin M. Campbell

2019 Symposium

Who is consumed when we read? Does the reader consume the text or does it consume us? This essay explores the complex and possibly parasitic relationship between reader and text. This unique exchange of knowledge and ideas between reader and texts during this relationship is the phenomenology of reading. During this, the text is transformed via the consciousness of the reader from a passive, inanimate object to an active living breathing immortal entity that transcends both space and time. In doing so, the unhuman text becomes an active consumer of the human reader in the same way the reader believes …

Gwendolyn Brooks: Tragedies That Led Her To The Black Consciousness, Diana Gonzalez '20, Samantha Lazcano '20, Esha Dani '20

Distinguished Student Work

Gwendolyn Brooks was a black poet who initially conformed to the writing expectations set by white poets during the 1930s. Specifically, her writing resembled that of Euro-American poets, making black audiences reluctant to read her work. However, in 1967, Brooks had a literary awakening that led her to the black consciousness: the belief that black artists should be writing for black audiences through the expression of black experiences. Brooks used her gift as a talented poet to resonate with the black youth in Chicago, instead of focusing on white audiences. She took the many tragedies, such as discrimination and racism, …

The Study Of Free Will In The East And The West, Nicholas J. Colecio

Honors Undergraduate Theses

The purpose of this thesis is to understand the origins of the enduring differences between the Eastern and Western interpretations of free will and determinism. In my piece, I work to determine the roots of these differences and to what degree these differences have been challenged and disrupted in the 20^th century. In this pursuit, I analyze the different philosophies of free will in the East and West and then apply these philosophies to the literature of both regions. For the eastern scholarship, I am using Yukio Mishima's The Sailor Who Fell from Grace with the Sea and Motojirō …

Spiteful Houses, Sweet Homes: Analyzing Denver's Traumatic Space In Beloved, Tyler Dick

Honors Undergraduate Theses

This thesis aims to explore and evaluate the traumatic space of Denver in Toni Morrison's Beloved. Currently, a lack of critical discourse exists to link together Denver, trauma, and theories of spatiality. This thesis evaluates three types of trauma that inform and develop Denver's traumatic space: direct, indirect, and insidious trauma. Paired with spatial theories, the origins of Denver's trauma are mapped throughout the various places of the novel. The result of this analysis reveals a complex and layered traumatic space, with lasting ramifications on Denver's sense of safety, identity, and stability in a post-slavery United States.

Wallaceward The American Literature Survey Course Takes Its Way, Ralph Clare

English Literature Faculty Publications and Presentations

Finding a comfortable fit for David Foster Wallace's work in the American literature survey is a challenge that raises a host of questions regarding Wallace and American literature itself. Wallace criticism has tended to situate his oeuvre in relation to postmodernism in general and, more specifically, to postmodern metafiction. This is an important critical task, to be sure. Like many, I have taught Wallace's stories, essays, and novels in an array of courses, including twentieth-century American literature, postmodernist literature, and the single author course, all formats in which I had a luxurious amount of time to get students acquainted with …

Reanimation (Afterlife Rebellion Book 1), Nicole A. White

Open Access Theses & Dissertations

Reanimation (Afterlife Rebellion Book 1) is the first book in a young adult science fiction and fantasy duology about a group of ghosts and a teenage necromancer who must come to terms with a corrupted afterlife. The overarching goal was to craft an accessible fantasy, with its characters being unfamiliar with genre conventions so that readers who were as well could have an entry point into the category, and familiar readers could enjoy new interpretations of the canon. Traditional character archetypes and stereotypes that have been proven to impede representation in the genre and deter new readership are subverted or …

All That You Say Is Beautiful: Stories, Omaria Sanchez Pratt

Theses and Dissertations--English

From the city of High Point to New York City, this collection portrays a certain black experience. Through a sociological lens, the stories in All That You Say is Beautiful study intersections of class, race, family, and sexuality by bending forms, expectations, and seeks to understand what it means to be human when your experience is not that of mainstream American culture.

A Repurposed Narrative: Mary Rowlandson’S Narrative And Pre-Revolutionary Sentiment, Steven F. Thomas

Theses and Dissertations--English

Leading into the American Revolution, Puritan captivity narratives gained a resurgent popularity as nationalized sentiment burned towards political upheaval. Mary Rowlandson’s Narrative (1682) was reprinted six times between 1770-1776, signifying an incredible interest in Puritan stories that seemed to antithetically inspire a progressive and radical revolution against England. The Sovereignty and Goodness of God or A True History of the Captivity and Restoration of Mrs. Mary Rowlandson enhanced an already fervent revolutionary sentiment, transforming a seemingly straightforward captivity narrative into a totem meant to represent the oppressive struggle between England and her most coveted colony.

Such a literary revival taps …

“I’Ve Known Rivers:” Representations Of The Mississippi River In African American Literature And Culture, Catherine Gooch

Theses and Dissertations--English

My dissertation, titled “I’ve Known Rivers”: Representations of the Mississippi River in African American Literature and Culture, uncovers the impact of the Mississippi River as a powerful, recurring geographical feature in twentieth-century African American literature that conveys the consequences of capitalist expansion on the individual and communal lives of Black Americans. Recent scholarship on the Mississippi River theorizes the relationship between capitalism, geography, and slavery. Walter Johnson’s River of Dark Dreams: Slavery and Empire in the Cotton Kingdom, Sven Beckert’s Empire of Cotton: A Global History, and Edward Baptist’s The Half Has Never Been Told: Slavery and the …

Modern Charity: Morality, Politics, And Mid-Twentieth Century Us Writing, Matt Bryant Cheney

Theses and Dissertations--English

Scholars over the past two decades (Denning, Szalay, Edmunds, Robbins) have theorized the different ways literature of the Mid-Twentieth Century reflects the dawn of the liberal US welfare state. While these studies elaborate on the effect rapidly expanding public aid had on literary production of the period, many have tended to undervalue the lingering influence on midcentury storytelling of private charity and philanthropy, those traditional aid institutions fundamentally challenged by the Great Depression and historically championed by conservatives. If the welfare state had an indelible impact on US literatures, so did the moral complexity of the systems of charity and …

But What Has Helga Crane To Do With The West Indies? Plantation Afterlives In The Black Atlantic, Rachel Mckenzie Carr

Theses and Dissertations--English

“But What Has Helga Crane to Do with the West Indies? Plantation Afterlives in the Black Atlantic” situates the emergence of the southern gothic in modernist American and Caribbean works as a response to the shifting cultural narrative of the plantation in the twentieth century. In this project, I argue that the plantation seeps out of its place and time to haunt landscapes it may never have touched and times in which slavery is long over. While the plantation system is broadly recognized as a literary, political, and cultural force in nineteenth-century literary studies, I conceive it is also a …

Ghosts Of Madmen: A Generational Tale, Kristen Leigh Olin

Open Access Theses & Dissertations

A family story depicting an immigrant family that must deal with the horrors of the past while delving through the psyche of the present. One woman's look into the deepest reaches of her American family and their generations of alcoholism and abuse and her resolution to the ghosts that haunt the family's women.

Sleight Of Hand: Gender, Performance, And (In)Sincerity In E. D. E. N. Southworth’S The Hidden Hand, Samantha Martin

Scripps Senior Theses

One of the many cultural anxieties that existed during the nineteenth century in antebellum America centered on the dubious status of authenticity of one’s emotions, gender expression, or socioeconomic class. The fluctuating socioeconomic landscape of antebellum America destabilized the logic of categorization, rendering it an ineffectual means by which to evaluate others’ identities. In her novel The Hidden Hand, or, Capitola the Madcap, E. D. E. N. Southworth explores instead of censures the transformative properties of the self, specifically in terms of gender and class. Her interest in this lack of authenticity, or transparency regarding one’s self and intentions, …

Contents, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Illegitimacy And The Power Of The Mother In The Lais Of Marie De France, Claudia Mccarron

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Reflecting Identity Through Glass Windows In Charles Dickens’S Tom Tiddler’S Ground, Ryder Seamons

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Earth And The Portrait: A Comparison Of Dostoevsky’S Alyosha Karamazov And Prince Myshkin, Callaghan Mcdonough

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

When Life Imitates Art: Aestheticism In The Importance Of Being Earnest, Drake Deornellis

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Front Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Looking Through, At, And Beyond In Thelma And Louise, Mercer Greenwald

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Of Undergraduate Research And Criticism In The Discipline Of English: Volume 21 Fall 2019, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Under The Sign Of Suicide, Theodore Emmanuel Prassinos

Wayne State University Dissertations

“Under the Sign of Suicide,” examines modernist writers’ intense and sustained preoccupation with and representations of suicide. Beyond numerous essays on the topic, we also find many fictional characters such as Fyodor Dostoevsky’s Svidrigailov and Kirilov both taken by gunshot, Stavrogin and Smerdyakov both by hanging. We also find Franz Kafka’s George Bendemann who takes his life by drowning, and Virginia Woolf’s Septimus Smith by impaling, Her character, Rhoda, dies off a cliff. In American literature, we find Edna Pontellier, Quentin Compson, Clare Kendry, Semour Glass, Teddy McArdle, Willy Loman, Tod Clifton, and on and on. This list is surely …