Fiction Commons^™

The Blind Man, Helen E. Hughes

Manuscripts

I know you as you walk among my rooms,
Your head turned thus, your shoulders moving so,
Your hands made busy with the sound of brooms,
The many little tasks that women know.
Dear brilliant lady, as you come and go,
Is light lent to my days. In you I find
A roof against the rain-let winter blow!
Look on me, love, with kindness; for my mind,
My heart, my searching hands that clasp you-are
not blind.

Tradition, Mary M. Schortemeter

Manuscripts

Katherine Schneider Sat in the large, ugly, black leather chair that stood by the parlor window. She touched the worn chair arms with hesitant, reverential fingers. This had been Papa's chair, and now he was gone. All she had left was the square oil portrait so faded from the suns of many years that she could scarcely define the stern lines of his German face.

She lifted her eyes to Papa's picture and saw how stubborn was his chin, how coldly keen were his eyes. He always looked just that same way, she knew. He never changed anything. He never …

Greek And Latin In College Curricula, John E. Ross

Manuscripts

One of the changes in college curricula has been the lessening emphasis upon the study of the classics in literature and language. R. Freeman Butts discusses the historical setting of this change in his recent book The College Charts Its Course. Mr. Butts places an emphasis upon two aspects of this condition in education: "the origins of the traditions that a liberal education should be predominantly linguistic and literary in character," and "the rapidly changing social and intellectual conditions of the nineteenth century weakened this conception of a liberal education in the American college and gave rise to many innovations …

They, Inc., Jeanne Gass

Manuscripts

"Well, look who's here. Our new tenderfoot himself." Abby eased gently into the big wine-colored chair.
The man across the room scowled and fiddled with his hands and looked at the floor.
Emmie sighed ever so slightly. "I told them we could handle this assignment ourselves."
The man muttered. "Well. This was an important case."
Abby sniffed delicately. Emmie put her hand up' to her mouth and whispered, "It's all right, Abby. They probably had to give him something to keep him busy. He won't hurt anything."
"Mustn't have professional jealousy, you know," the man added defensively.

After Diana, Mary Wiley

Manuscripts

The clink of coffee-cups is pleasant here.
See, I have drawn the curtains fast, and shut
The moon's distracting light from our bright hearth.
Your grave brown warmth is heightened so
And I do not remember with such pain how sweet
The star's carress falls on the traveller's face,
When first he lifts it up to worship them.

The Concert, Joseph Berry

Manuscripts

The small, quiet man sat before a great sparkling mirror and swore quietly as he rubbed prodigious quantities of rouge onto his sallow complexion. He surveyed his rosy cheeks in the glass, stood erect and made a mocking bow, very deeply, very slowly.

"And you also, you ass? I'm extremely delighted to hear you say so. Really, you're too kind. Really. Why, it couldn't have been that fine, you're just flattering me. You fool, you wouldn't know a bow from a mute. All you ever look at is my shoes. 'Performance in proportion to square of brilliance.' Is my tie …

Volume 9, Issue 1: Full Issue

Manuscripts

Full issue of the March 2014 issue of Manuscripts. Includes work by: Joseph Berry, Mary Wiley, Jeanne Gass, John Ross, Mary Margrette Schortemeier, Helen Hughes, Jean Pastor, Marijane Badger, Hariet Bishop, Jack Kilgore, Jean Bowden, Dean Wildman, Elizabeth Clark, Rachel Whelan, Robert L. Harris, Ed McNamara, Frances Shemelson, Josephine Rosenfeld, Geraldine Staley, Tom Wagle, Keith White, Betty Lee Snyder, James Hawekotte, Riley Sullivan, Ardath Weigler, John Rock, and Jim Mitchell.

Front Matter

Manuscripts

Front Matter includes: front cover, table of contents, and masthead

The Laureate, Nicole Burchette

Honors Theses

The Laureate’s mission is to provide undergraduate students at Western Michigan University a place in which to publish their works of fiction, poetry, non-fiction, and other creative works. The Laureate strives to be a professional and engaging journal that appeals to all. The opportunity to serve as Editor-in-Chief for the thirteenth edition of the The Laureate has been an honor and a privilege. Along the way I have worked with a variety of team members to select and build the collection. Working close with my fellow editors, this edition of The Laureate came together as the result of much hard …

The Pen Is Mightier Than The Coop Board's Borg Queen: A Sf/Memoir, Marleen S. Barr

Publications and Research

This is a short story.

Hair Trigger 36, Columbia College Chicago

Hair Trigger

An anthology, edited by students, featuring the fiction, prose and creative non-fiction work of students, alumni, and staff. Editors: Virginia Baker, Justic Bostian, Caitlin Brodie, Rene Cousineau, Catlin Jimenez, John Keefe, Matt Martin, Kathryn Morrill, Sahar Mustafah, Cassie Sheets, Laura Uhl, Will Villacres. Cover photograph: Judy Natal. 238 pages.

Santa Clara Review, Vol. 101, No. 2, Santa Clara University

Santa Clara Review

No abstract provided.

The Lantern, 2013-2014, Isabella Esser Munera, Rayna Nunes, Blaise Laramee, Chukyi Kyaping, Bobbi Stone, Erica Gorenberg, Anne Rus, Dana Kluchinski, Arthur Robinson, Emily Duffy, Jane Lee, Leah Garrity, Brian Thomas, Michele Snead, Melanee Piskai, Chloe Kekovic, Kevin Moore, Codey Young, Dominick Knowles, Richard Schulz, Quinn Gilman-Forlini, Collin Takita, Amanda Sierzega, Mara Koren, Epiphany Summers, Caitlin Jackson, Benjamin Jones, Joshua Hopkins-Desantis, Rebecca Galarza, Kelsey Knowles, Aubrey Atkinson, Michael Heimbaugh, Sophie Zander, Kendal Conrad, Nora Sternlof, Henry Willshire, Elijah Kineg, Joshua Hoffman, Maxwell Bicking, Andrew Tran, Arthur Robinson, Nicolas Shandera, Grace Buchele Mineta, Meaghan Geatens, Nina Petry, Sean Dolan, Kayla Sallada '17, Sam Cermignano

The Lantern Literary Magazines, 1933 to Present

• Strikes
• Pietro di Venezia
• To the Lover of Small Things
• Jim's Big Day
• Akademiks
• Redamancy
• A Love Poem for Arctia Caja
• Mother River
• The Lyrics to Your Song
• Nerves
• Gemini Season
• White Interface
• The Last Time I Played with Dolls
• The Mechanic
• My Goldfish
• Put Down Your Hammer
• Strip
• Hollywood
• Identity
• The Grey Zone
• Sophia
• When I Became a Poet
• Unbroken
• The Veteran Aeronaut
• I Have Running Water but They had the Stars
• Not …

Satori 2014, Winona State University

Satori Literary Magazine

The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.

2014 Spring Quiz & Quill Magazine, Otterbein English Department

Quiz and Quill

No abstract provided.

The Molloy Student Literary Magazine Volume 11, Damian Hey Ph.D., Kenneth Bornholdt, Kristin Cardino, Annie Darcy, Brianne Schieffer, Caitlin Breen, Angie Elkaray, Charisma Karnavar, Joseph Ostapiuk, Ryan Roberts, Roger Smith, Lauren Spotkov

The Molloy Student Literary Magazine

The Molloy Student Literary Magazine, sponsored by Molloy College’s Office of Student Affairs, is devoted to publishing the best previously unpublished works of prose, poetry, drama, literary review, criticism, and other literary genres, that the Molloy student community has to offer. The journal welcomes submissions, for possible publication, from currently enrolled Molloy students at all levels. All submitted work will undergo a review process initiated by the Managing Editor prior to a decision being made regarding publication of said work. Given sufficient content, The Molloy Student Literary Magazine is published twice annually in Spring and Fall. Interested contributors from the …

New Tricks (2014), John Nelson, Katie Miller, Stacey Berry, Deana Hueners, Ashley Geditz, Brianna Prill, Ashley Rieger, Mary Metzger, Sarah Sproul, Dillon Dwyer

New Tricks

It is an exclusive secret if one knows a muse and it is an even more exclusive ability if said person is able to channel her beauty. For most people, seducing a muse is no easy task. It takes a special kind of creative mind to attract the personification of art. Frequently, the rigorous process of invoking one of the muses often involves a set of rituals that resemble courtship displays. Muses demand undying attention and affection from their vessel before they will allow themselves to flow through a mortal instrument and onto a medium of art. In those rare …

Minor Characters With Major Impacts : Examining Giovanelli’S Role In Henry James’ Daisy Miller 2014, Zachary Lang

Master's Theses

Henry James’s first journey into the world of the American girl came in the form of one of his most read novellas, Daisy Miller. Through the eyes of Frederick Winterbourne, the reader begins a study of Daisy Miller, a character whom James uses to showcase many of the issues that were prevalent at the time including the role of women, societal standards, and class mobility. Winterbourne and Daisy are the principal characters, and as such they are given the most attention from readers and critics alike. The minor character Giovanelli, however, has received little critical attention. Despite being a minor …

Out Of Reach [Short Story], Kathleen Fowler

English Faculty Publications

No abstract provided.

Volume 9, Issue 2: Full Issue

Manuscripts

Full issue of the January 1942 issue of Manuscripts. Includes work by: Joan Fuller, Jack Kilgore, Fred W. Michel, Betty Murnan, Isadore Camhi, Mary Wiley, Jeanne Gass, Alfred Brown, Ione Colligan, Jack Retherford, Catherine Cunningham, R. Gordon Moores, Alice J. Fisher, Norma Jackson, Thelma De Boer, Betty Lee Snyder, John Gumerson, Richard Jowitt, William Hickson, Bob Harris, Rachel Whelan, Edward N. Redfield, Anshelm Schultzberg, Willard L. Metcalf, and John Bundy.

Excerpts

Manuscripts

Excerpts of unknown authorship.

Dictator, Rachel Whelan

Manuscripts

We stood between the giant columns of the mighty triumphal arch high above the riotous crowd of rejoicing people. Three of us, the spokesman, Comrade Jones, and I, stood on the decorated platform waiting for the cheering to cease, for the bands to stop playing, for some semblance of order so that the ceremony might begin.

Soliloquy At Dusk, Bob Harris

Manuscripts

Turn low the lights

Half shut the shutters

Seek out the comfort

Of your favorite easy chair

And there

In the intermingled mists

Of lights and shadows

I shall relate to you

The Story

Of Robert Lee

Pity The Poor Artists, William E. Hickson

Manuscripts

Sometime, when I have a few years to spare, I am going to run down the fable that has grown up around artists. I always wondered just when and where the idea started that artists were a people set apart, not just a section of our race in general. Being an artist myself, I resent both the idealism and the degradation that the world has endowed upon this simple everyday man who has chosen art as a profession.

Flames Along The Thames, Richard H. Jowitt

Manuscripts

A thousand flames ascend on high;

A thousand voices shouting cry,

"Oh, God, why must you now deny

our homes!"

Memory Picture, John Gumerson

Manuscripts

It is a delicate, fragile picture - that first memory. It must be handled carefully like an important aged document lest it crumble to dust. Swiftly, silently it must be viewed, for too much revealing of it fades into an obscure mist which defies definite outline. Yet transparent it stands - that Christmas of my fourth year.

The Life Of A Pledge, Betty Lee Snyder

Manuscripts

Rush week, came, and after the whirl

I emerged a sorority girl

(Oh no-I mean a potential one--

My year as a pledge has just begun).

Lights Out, Thelma De Boer

Manuscripts

One night two lightning bugs were resting on the same twig. The first lightning bug introduced himself and started the conversation.

The Feel Of The Soil, Norma Jackson

Manuscripts

When we arose, the sun had not yet begun to send its warmth through the rich brown earth of this southern Indiana farm. However, we were to plant potatoes and had a big day ahead. Soon the equipment was ready, and off I ran beside the horses, loving every particle of soft, red dust that played between the toes of my bare, brown feet. The road to the field was covered with this powdery, fine dust. It was my childhood obsession to make footprints, handprints, and pictures in it.

Woodland, Northern Michigan, John Bundy

Manuscripts

Illustration by John Bundy courtesy of the John Herron Art Museum.