Fiction Commons^™

Homage To Montale, Baron Wormser

Bryant Literary Review

This morning

The hummingbird's

Pure zigzag

Surprises you.

The indifference to

The long steps

Of your mood.

The Widow Of War, Jon Mccolgan

Bryant Literary Review

Before allure began to pour

out of her sore onto the floor

she stored the door to her heart's core

beneath the boards of her store's floor.

The Boys Of Night Winter, Paul Sohar

Bryant Literary Review

Their puffy winter jackets lifting their

faces high above the horizon

the boys troop in from the snow

The Hills Of Laura, Billy Lombardo

Bryant Literary Review

It is true that I hated Hucker Norton. But I did not mean to crush his thumb.

He wasn't one of us, really. Even his name told you he was from some other place. We were Petey and Tommy and Davy and Matty, and he was Hucker.

A Persistent Error, Dorinda Clifton

Bryant Literary Review

My-Hundred-Year-Old Window

I live on the second floor of an old building. One room, one window. Having only one window keeps me focused on the life I can see within its perimeter.

Touching My Reflection, Michele Heather Pollock

Bryant Literary Review

I peer into a mirror
of last night's rain

In A Field Near Sardis Dam, Louis Bourgeois

Bryant Literary Review

Silence. A scarecrow flickers in the wind.

The corn is dead. Geese speckle the horizon,

followed by crows and herons.

Dress Rehearsal For Utopia, Karen Donovan

Bryant Literary Review

We're glad they made Clear Falls.

The white rocks love the water,

the water loves its splash and brim.

The Wounded, Dave Cappella

Bryant Literary Review

The one-legged pigeon understands

the loneliness of the man.

Hobbling under the patio table

behind a chair, the bird waits

for a morsel from the stranger.

The Snow Moon, Rebecca Lilly

Bryant Literary Review

A full moon sheared the tip of a pine. Lying in bed, a woodsman and

his wife saw it one December night. "Something must be done," said

his wife. "I know it's a sign."

Contributors

Bryant Literary Review

No abstract provided.

In Oxford Cemetery, Louis Bourgeois

Bryant Literary Review

You thought because

the trees moved

and the stones didn't

The Watermark: A Journal Of The Arts - Vol. 11.5 - 2004, University Of Massachusetts Boston

The Watermark: A Journal of the Arts (1993-ongoing)

No abstract provided.

Sojourn, Kate Seferian

The Messenger

No abstract provided.

[Introduction To] Vision’S Immanence: Faulkner, Film, And The Popular Imagination, Peter Lurie

Bookshelf

William Faulkner occupied a unique position as a modern writer. Although famous for his modernist novels and their notorious difficulty, he also wrote extensively for the "culture industry," and the works he produced for it—including short stories, adaptations, and screenplays—bore many of the hallmarks of consumer art. His experiences as a Hollywood screenwriter influenced him in a number of ways, many of them negative, while the films turned out by the "dream factories" in which he labored sporadically inspired both his interest and his contempt. Faulkner also disparaged the popular magazines—though he frequently sold short stories to them.

To what …

The Messenger, 2004

The Messenger

No abstract provided.

Lights And Shadows - 2004, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Valley Of The Wave, Alissa Dian Burger

Dissertations and Theses @ UNI

Valley of the Wave is a novella about friendship, loss, and letting go. Anna and Samantha are best friends when Anna commits suicide, and the story follows Sam as she struggles to learn the truth behind her friend's death. This is a project I have been working on for several years, through several forms and formats, and it holds a special place in my heart.

Block, Christie Bailey

Digressions: Literary & Art Journal

No abstract provided.

Ummm…, Fabian Molina

Digressions: Literary & Art Journal

No abstract provided.

The Plan, Mike Collins

Digressions: Literary & Art Journal

No abstract provided.

Visions Must Be Re-Visioned : Gender Politics In Earthsea, Audrey Barton

Theses : Honours

This thesis analyses Ursula Le Guin's interpretation of gender and genre in her Earthsea novels, A Wizarf of Earthsea (1968) and Teha1111 (1990). Examining Le Guin's assertion for the need to "re-vision" her former work with the latter, I interrogate the ways in which she attempts to "break free" from the ideologies that impose themselves upon her work. Part one explores the mode of the hero quest used in A Wizard of Earthsea and examines the significance of this in terms of "gendering" the text. Part two examines the revisioned text Tehanu and the ways in which the …

The Albanian And An Accompanying Exegesis : Place And Form In The Albanian, Donna J. Mazza

Theses: Doctorates and Masters

This thesis takes the form of a novel titled The Albanian and an exegesis, “Place and Form in The Albanian". The novel spans the period from October 1989 to the end of 1991 and is set against a backdrop of Eastern European change and its effect on a small group of Albanian refugees and Rosa, a young woman from Western Australia. Rosa narrates the tale in first person, present tense. The novel begins with her arrival in Dubrovnik, where she meets a young Albanian man on the verge of exiling himself in order to survive ethnic persecution. He fascinates Rosa, …

Discours Préfaciels Et Réception En Littérature Africaine De Langue Française, Sélom Komlan Gbanou

Présence Francophone: Revue internationale de langue et de littérature

Decisive instance between the text and its reader, the preface plays an important role in the reception of the literary work, as Gerard Genette emphasizes in his essay Seuils (1987). The present analysis proposes a reading of the stategies used in the prefaces of francophone African Literature from colonial times to the present. Who introduces whom? Why and how? These are a few of the questions this article deals with.

Westview: Vol. 23, Iss. 1 (Fall/Winter 2003)

Westview

No abstract provided.

Y2k, J. Morris

Westview

No abstract provided.

Thirst, Kevin Revolinski

Westview

No abstract provided.

Don Malo Prunes His Guayaba In Late Autumn, Virgil Suárez

Westview

No abstract provided.

Medicine Man, Michael L. Johnson

Westview

No abstract provided.

All The Rage, Barb Lundy

Westview

No abstract provided.