Fiction Commons^™

Alzheimer's, Amy E. Butcher

The Mercury

No abstract provided.

Rain, Geoffrey S. Calver

The Mercury

No abstract provided.

The Shadowlands, Geoffrey S. Calver

The Mercury

No abstract provided.

A Phoenix Rising, Alyssa M. Falcone

The Mercury

No abstract provided.

The Watermark: A Journal Of The Arts - Vol. 15 - 2006, University Of Massachusetts Boston

The Watermark: A Journal of the Arts (1993-ongoing)

No abstract provided.

The Game's Afoot: Images Of Infinite Games In Samuel Delany's Trouble On Triton, Marc R. Zaldivar

Reconstruction: Studies in Contemporary Culture

Games are frequently used in speculative literature as a metaphor for real-world activities. In Trouble on Triton, Samuel Delany uses several sorts of games in order to explore complex systems of modeling and interrelationships between fiction and reality, extending a tradition in science fiction of placing games at the very center of social reality. Zaldivar's essay seeks to define some of the concepts of game theory that can be used to understand this complex novel and its representation of human social life. In particular, Zaldivar explores finite and infinite games and their uses within a deconstructive theoretical framework. A …

Ashes To Ashes, Amanda Dier

Digressions: Literary & Art Journal

No abstract provided.

A Portrait Of The Artist As A Modern-Day Cowboy, Ben Brezner

The Messenger

No abstract provided.

Concordia, Diana Mergiotti

The Messenger

No abstract provided.

Lights And Shadows - 2006, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Role Playing Games As Interactive Fiction, John Miller

Reconstruction: Studies in Contemporary Culture

This chapter compares the experience of gaming and the experience of reading, and explores what that comparison might tell us about each. More specifically, it applies methods of literary analysis to the study of two narrative activities situated near the border of reading and gaming: Electronic hyperfictions and role-playing games. Miller first reviews literary theories of reader response and interactivity and notes how these have informed recent critical discussions of literary hyperfiction. He then critiques these discussions and the claims made for hyperfiction's liberating or empowering effect on readers: Contrary to the claims of some critics, such narratives generally fail …

Wigmore's Shadow, Annelise Riles

Cornell Law Faculty Publications

Riles relates how John H. Wigmore, professor and Dean of the Northwestern Law School, fanned her interest in legal and literary fiction. Wigmore provided dozens of examples of legal fictions bundled together in the singular, and seemingly straightforward technical device of modern collateral. From this premise, she analyzes the difference between a legal fiction and a literary fiction, and examines the factors that make legal fiction distinctively legal.

0749: Nelson Slade Bond Collection, 1920-2006, Marshall University Special Collections

Guides to Manuscript Collections

Nelson Slade Bond had a varied writing career that spanned 70 years. Primarily known for science fiction short stories, Bond also wrote plays, radio and television scripts, newspaper and magazine articles, poetry, public relations material, and books. The collection reflects the author's professional and personal lives consisting of writings, correspondence, business papers and financial records from 1925 to 2005. The collection was donated in four installments during and after Bond’s life from April 2006 to September 2007. The order in which the materials were received is maintained with only minor modifications. Input from Nelson Bond and his family members was …

There's Life In My Fruit Loops, Alaina Siminivosky

Digressions: Literary & Art Journal

No abstract provided.

Like Jane, Liz Harbaugh

Digressions: Literary & Art Journal

No abstract provided.

Refuge And Release, Calliope

Calliope

No abstract provided.

De L’Écriture Romanesque Comme Traversée Et La Maghrébinité, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

This essay explores how some “Maghrebian” novelists represent and problematize their relation to “Maghrebness” or “maghrebinité”. Using postcolonial theory and Réda Bensmaia's Alger ou La maladie de la mémoire, the author shows how problematic the concept of “Maghrebian literature” can be when one considers its transnational and transcultural poetics and its de-territorialization.

La Poétique Transgénérique De L’Oeil Et La Nuit D’Abdellatif Laâbi : Du Théâtral Au Filmique Dans Un Roman-Poème, Lucia Trifu

Présence Francophone: Revue internationale de langue et de littérature

The study proposes a re-reading, a new interpretation of the novel-poetry work L’oeil et la nuit by Moroccan writer Abdellatif Laâbi. In this literary text, the borders of writing are dismantled and new affinities are revealed between writing, performance, theatre and film; all of which aim to redefine the postcolonial

Entre Intertextualité Et Réécriture, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

Aesthetic practices have become more and more diversified in contemporary cultures. Although rewritings and adaptations are most common from literature to film, from myth/epic to novels, African filmmakers have recently been inaugurating novelization, that is the literary rewriting of a film. This essay examines the case of the Algerian filmmaker Merzac Allouache, who has written Bab el-Oued City, based on his film Bab el-Oued, in order to escape the technical and practical limitations of cinema. In doing so, he best expresses the challenges of contemporary Algeria, which is permanently threatened by violence and Islamic fundamentalism.

Problèmes Et Enjeux De L’Adaptation En Algérie, Mehana Amrani

Présence Francophone: Revue internationale de langue et de littérature

As in all postcolonial societies confronted with the question of illiteracy, in Algeria, film adaptations pose a political and cultural stake. Due to the phenomena of political and moral censure and self-censorship, only ten novels were carried over to the screen during one 36-year period. However, with the rebirth of Algerian cinema in the Nineties, screenwriters are once again interested in setting Algerian novels in images. These new adaptations, which are often done in co-production with France and Belgium, introduce the new problems of language. The audience for these films, which are expressed mainly in French, is thus likely limited …

Ahmadou Kourouma Et La Genèse Tragique L’Événement Postcolonial Dans En Attendant Le Vote Des Bêtes Sauvages Et Allah N’Est Pas Obligé, Étienne-Marie Lassi

Présence Francophone: Revue internationale de langue et de littérature

This article studies the birth and manifestations of the tragic in Ahmadou Kourouma’s fiction. It demonstrates how the tragic in Kourouma’s novels, far from being a metaphysical feeling, stems from social realities and is closely related to the postcolonial system. In these novels, tragedy goes beyond the realistic depiction of catastrophic events and is further articulated in the characters’ political attitudes, their social life and cultural behaviour.

Discours De La Sexualité Et Postmodernisme Littéraire Africain, Adama Coulibaly

Présence Francophone: Revue internationale de langue et de littérature

Representations of sex in the black Africa postcolonial novel often strike us because of their centrality and coarseness. Using examples from three texts (Cannibale; L'État honteux; Les naufragés de l'intelligence), this article examines the manifestation and mainly the motivation of what seems like inappropriate outbursts. In this transcultural approach (beyond the intertextual), the aggressiveness of the sexuality discourse allows the novel to be linked to the large movement of postmodernism. This strategy of “textual extravagance” represents a society that “lacks substance”, a society of pretence, in the � � Baudrillardian�

L’Écriture De La Femme Musulmane Dans Loin Demédine D’Assia Djebar, Yvonne-Marie Mokam

Présence Francophone: Revue internationale de langue et de littérature

Assia Djebar is one of the most important figures in contemporary African literature. Her views are structured around a critique of the misrepresentation of Muslim women. It is precisely this challenge that is undertaken in Loin de Médine (1991), in which Djebar challenges various stereotypes in order to offer a new image of Asian women.

The Lantern Vol. 73, No. 1, Fall 2005, Daniel Sergeant, Nathan Dawley, Katy Diana, Klaus Yoder, Brad Schutts, Trevor Strunk, Joshua Solomon, Patrick Roesle, Thomas Richter, Jennifer Mingolello, Nathan Dawley, Tori Wynne, Tracey Ferdinand, Natalie Rokaski, Katherine Jones, Elsa Budzowski, Brett Celinski, Ashley Higgins

The Lantern Literary Magazines, 1933 to Present

• Newspaper Clippings Found on the Wall of Giuseppe Luchenzo's Home When it was Raided by Police
• All the Time in the World
• The Man Who Would Win
• Souffle Suit
• A Day in the Mind
• Context
• Felicity / Awareness
• Frivolous
• Thank You Note to J.S.B.
• September 17, 2005
• Eight Ways of Looking at a Highway
• Dusty Glass Spreads Air Like Light
• Clockwork
• Rubber Band
• Outside Eye or I Am?
• A Mundane Mysticism
• Half Carat
• Things I Learned on My Trip to the Mutter …

Skunk River Review Fall 2005, Vol 17, Qi Zheng, Ann Hammen, Jodie Enos, Clayton Martens, Michelle Gullet, Vince Knoot, Deb Griffin, Pam Keenan, Alyssa Cunningham, Mary Haege, Doug Smith, Kim Spencer Kline, Dana Jordan, Joe Carrington

Skunk River Review

No abstract provided.

Fiction Fix 04, Melissa Milburn, Sarah Clarke-Stuart, Kristen Iannuzzi, Vanessa Wells, Nathan Holic, Joshua Kreis Mctiernan, Ron Perline, Tina Helvie, Gavin Lambert, Jamie Hughes, Tim Gilmore, April Fisher

Fiction Fix

No abstract provided.

Alien(Ating) Naturecultures: Feminist Sf As Creative Science Studies, Helen Merrick

Reconstruction: Studies in Contemporary Culture

“Alien(ating) Naturecultures” examines the potential of feminist science fictions to act as “cross-cultural” narratives in encounters between the humanities and sciences. Merrick argues that the conjunction of disciplines figured by the term “science fiction” bears re-examination as a resource for science studies, and a potential mediator in science-humanities dialogues.

Specifically, Merrick asks, when we are concerned with critiquing and unpacking technoscientific practices, cultures and knowledges, what can more creative forms such as science fiction (sf) offer? Such questions about “naturecultures” are intimately connected to the ways we construct and understand “life,” the “human” and difference in the discourses of Science. …

On Brian Attebery’S Decoding Gender In Science Fiction, C. Jason Smith

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The premise of Decoding Gender in Science Fiction is, as Brian Attebery states in the first chapter, that “Science fiction is a useful tool for investigating habits of thought, including conceptions of gender. Gender, in turn, offers an interesting glimpse into some of the unacknowledged messages that permeate science fiction” (1). What we have in Decoding Gender in Science Fiction is the most comprehensive analysis of gender tropes in Science Fiction from its origins in Gothic literature to today. Attebery states in his introduction that he was surprised to find there was no historical study of the development …

Contact: Little Orphan Ellie, Andrew Gordon

Reconstruction: Studies in Contemporary Culture

By featuring a woman scientist as protagonist, Contact (1997) is a welcome change in the largely male-dominated territory of American science-fiction film. The astronomer Dr. Ellie Arroway is an exceptional woman for recent SF film: a brilliant, dedicated visionary who defies the male scientific establishment, goes it alone, risks her career and life for her beliefs, and succeeds in the end by taking a dangerous journey to the stars to contact intelligent extraterrestrial life. Although the movie is largely faithful to the novel by Carl Sagan, it deviates from the novel in certain critical respects which end up making Contact …

On Justine Larbalestier’S The Battle Of The Sexes In Science Fiction, Joe Bisz

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Science Fiction, writes author Justine Larbalestier, has always told the tale of the battle between the sexes. The battle can be witnessed from afar, as in the grainy 1930’s letter columns in old sci-fi magazines like Astounding where quarrels over innate sexual differences were published and debated, or from up close in today’s literature. Larbalestier declares that the goal of her book is to illustrate how necessary and important this former, pre-70’s period of science fiction (1926 to 1973) is to contemporary feminist science fiction. The pre-70’s time period has been consistently ignored by critics, who fixate on …