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Articles 10231 - 10260 of 14799
Full-Text Articles in Fiction
Moon Snow, Linda Giacometti
Self-Portrait: September, Sandy Longhorn
William Eagle Feather Contemplates The Widow Burden, Robert Cooperman
William Eagle Feather Contemplates The Widow Burden, Robert Cooperman
Westview
No abstract provided.
The Wrong End Of The Knife, Celia Jeffries
They Never Were, Mary Diane Hausman
Wichita Mountains Wildlife Refuge, Oklahoma, Neal Rue
Green Mountain Falls, Sandy Longhorn
Contributors, Westview Staff
Continuing Education, Ronna Wineberg
Boston Common, Anna Harrington
Off The Reservation, Harvey Spurlock
The Place I Called Home, Janet Flora
Emptying The Mirror, Fred Alsberg
Paperweight, Fred Alsberg
The Mind That Binds, Kenneth O'Keefe
Wingspan, Taylor Graham
Today We Cut Down An Apple Tree, Ashley Martin
One More Lullaby, Christine Kravetz
Monday's Child, Barbara Eknoian
The Smithfield Boys, Dennis Ross
Roofing The Barn, Sandy Longhorn
Black Dirt Girls, Sandy Longhorn
The Widow Burden's Suspicions About John Sprockett, Robert Cooperman
The Widow Burden's Suspicions About John Sprockett, Robert Cooperman
Westview
No abstract provided.
The Widow Burden, After Her Second Interview With John Sprockett, Robert Cooperman
The Widow Burden, After Her Second Interview With John Sprockett, Robert Cooperman
Westview
No abstract provided.
Shattered Wholeness, Kassie D. Heisserer
Shattered Wholeness, Kassie D. Heisserer
Honors Capstones
Capstone submitted as a graduation requirement for the BSU Honors Program.
¡Escriba! ¡Write! Volume 4, June 2006, Hostos Community College Library
¡Escriba! ¡Write! Volume 4, June 2006, Hostos Community College Library
¡Escriba!
No abstract provided.
Doublures, Restes Et Rapports : Les Corps Entre Méconnaissances Et Mises, Jean-Godefroy Bidima
Doublures, Restes Et Rapports : Les Corps Entre Méconnaissances Et Mises, Jean-Godefroy Bidima
Présence Francophone: Revue internationale de langue et de littérature
If the body finds a place in our discourse, it is only to justify what we abhor and to provide us with alibis. However, some postcolonial discourses generate misunderstanding via two major omissions: on the one hand, they steer away from a critique of the political economy of the scholar’s own body and its relationship to economic power; on the other hand, they fail to explore what can be said about the body conceived as remains and as residue. One cannot properly conceive of the body as a substance but, rather, as a relation —a relation to what it is …
Le Système Des Personnages Dans Corruption De Pramoedya Ananta Toer Et L’Homme Rompu De Tahar Ben Jelloun, Magda Ibrahim
Le Système Des Personnages Dans Corruption De Pramoedya Ananta Toer Et L’Homme Rompu De Tahar Ben Jelloun, Magda Ibrahim
Présence Francophone: Revue internationale de langue et de littérature
A comparison of the character systems of Tahar Ben Jelloun’s The Broken Man and Pramoedya Ananta Toer’s Corruption (transmitter text) has made it possible to identify the same type of protagonist at the core of each novel. He is, in short, a mere functionary overburdened with social responsibilities, leading a cramped life and trying to live and breathe. But the portrayal of him in The Broken Man is more precise, and has greater depth. Moreover, the character systems as a whole is richer, more complex and subtle in this last novel, compared with that
Westview: Vol. 25, Iss. 1 (Spring/Summer 2006)
Reviving The Subject: A Feminist Argument For Mimesis In Literature., Messina Lyle
Reviving The Subject: A Feminist Argument For Mimesis In Literature., Messina Lyle
Electronic Theses and Dissertations
For centuries we have taken for granted Aristotle's assertion that fiction must encourage emotional identification by representing life realistically. With the development of a more pluralistic society, Postmodernist writiers have come to question that assumption. Having repudiated our ancestor's notions of identity, these writers create stories whose sole purpose is to comment on other stories. However, as some feminist critics have shown us, we must each have an identity in order to have the collaborative society that is the Postmodernist's goal. Therefore, the notion that a story must make a sensory impression on us and stand on its own as …