Creative Writing Commons^™

Untitled, Vern Swansen

Intertidal

No abstract provided.

Moonrise, Krista Speicher Sarraf

Intertidal

No abstract provided.

Jacob Wrestles With An Angel, Lillie Turinsky

Intertidal

No abstract provided.

Calm For Now, Elizabeth Perhach

Intertidal

No abstract provided.

A Family History, Sofia Joyner

Intertidal

No abstract provided.

New Old Things, Emily Middleton

Intertidal

No abstract provided.

Big Eyes, Diana Boboc

Intertidal

No abstract provided.

Post-Credit Scene, Kaylin Alder

Intertidal

No abstract provided.

Living Narrative, Logan W. Cody

Critical and Creative Thinking Capstones Collection

This unconventional synthesis project uses the frameworks of communication studies and critical theory to explore questions of subjectification and identity. This paper uses a research-based approach to discussing my original piece of art known as autofiction. Simultaneously, this paper tries to use the techniques of art to communicate its meanings to you. I have chosen this style of writing for my research paper precisely because my research (and creative work) deals with narrative, identity, and ideas which cannot be said in words; ideas which have been made impossible to communicate through the official, traditional channels. To that end, in order …

Narrative Roots - What We Inherit, What We Tell, What We Become: Intergenerational Storytelling, Meaning-Making, And Mental Health, Adam Sholder

Critical and Creative Thinking Capstones Collection

This capstone synthesis explores how the family stories we inherit and the stories we tell across generations shape who we become, with particular attention to their impact on identity and mental health. Drawing on narrative identity theory, reflective practice, and relational understandings of family life, it introduces the Recursive Narrative Integration Model, which positions intergenerational storytelling as both a method of inquiry and a mechanism of meaning-making. Informed by a recursive process of creative and reflective writing, this synthesis approaches storytelling not only as an object of study, but as a lived and generative practice through which experience and narrative …

Cadencias, No. 10 (2023)

Cadencias

The full issue of Cadencias from the 2022-2023 academic year, including poetry, essays, and art.

Cadencias, No. 9 (2022)

Cadencias

The full issue of Cadencias from the 2021-2022 academic year, including poetry, essays, and art.

Cadencias, No. 8 (2021)

Cadencias

The full issue of Cadencias from the 2020-2021 academic year, including the sections:

• Escrituras Selectas
• Dimensión Poética

Cadencias, No. 7 (2020)

Cadencias

The full issue of Cadencias from the 2019-2020 academic year, including poetry, essays, and art.

Cadencias, No. 6 (2018)

Cadencias

The full issue of Cadencias from the 2017-2018 academic year, including the sections:

• Relatos Breves
• Expresiones Poéticas

Cadencias, No. 5 (2017)

Cadencias

The full issue of Cadencias from the 2016-2017 academic year, including the sections:

• Relatos Breves
• Expresiones Poéticas

Cadencias, No. 4 (2016)

Cadencias

The full issue of Cadencias from the 2015-2016 academic year, including the sections:

• Relatos Breves
• Expresiones Poéticas

Cadencias, No. 3 (2014-2015)

Cadencias

The full issue of Cadencias from the 2014-2015 academic year, including the sections:

• Hojas breves: Recuerdos, anécdotas y visiones nuevas
• Expresiones poéticas—Poetic expressions

Pregnancy And Motherhood In Residency, Je'vana Taylor

Journal of Wellness

No abstract provided.

Reviving Revive. Is The Notion Of An Independent Artist An Outdated Concept?, Richard C. Moore Mr

Staff Scholarship - Australia & Dubai

This article published in Spectator Magazine - online - is a reflection on whether or not a cultural policy is a means of controlling the artistic community and whether there is still such a being as an independent Australian artist. It was published as the 2026 submissions for an update to Australia's cultural policy REVIVE -  were closing.

Tùn-Scene And A-Futurism: Biomythography, Opacity, And Posthuman Imagination, Minglu Du

Masters Theses

Grounded in the author’s position as a Chinese feminist, this thesis examines how East Asian women, as well as East Asian-coded femininity more broadly, are objectified and othered within futurist visual culture in the age of artificial intelligence. Through an engagement with ornamentalism, techno-Orientalism, and posthumanism1 , it argues that the persistent figure of the feminized humanoid cyborg continues to reproduce colonial and patriarchal structures of desire, rendering marginalized bodies as fetishized and violable surfaces. In response, the thesis develops Tùn-Scene, a biomythographic artistic framework and the first experiment in what the author provisionally names A-Futurism. Drawing on Donna Haraway’s …

Recombobulation- Taking The Bad With The Good, Gregory T. Kmieciak

Masters Theses

Recombobulation, a play on the word discombobulated (completely disoriented and utterly confused), is intended as a joke.  In the lore of the Milwaukee airport, the Recombobulation Area is located between the TSA check point and the boarding area, or likewise right after you land and before you are heading out of the airport. It's an area to regroup, get your bearings, or if you're anything like me, have a beer.

I've chosen this made-up word as a thesis title, both for its informal tone and to pay homage to my home town. It offers an air of lightness to otherwise …

My Mother The Mountain, Ricky Vasan

Masters Theses

Teach me How to Write a Love Song

I catch a glimpse of my mother sitting on her bed in her bedroom from the bathroom mirror. What a rare occurrence! One I am not fortunate enough to witness as often as I would like. A moment that I know —even before it has occurred—will one day become my dearest desire for wanting to turn back time. This moment is a mirage. Once I return to my senses, after the passing of a twelve-hour lag, it will already be too late.

This is the place where I wish to work from. …

Auxiliary Damage, Aiyi Cheng

Masters Theses

AuxiliarY DamagE asks what happens to pain when it is moved outside the body and given material form. Pain is not treated here as an image to be represented, but as something processed through repetition, pressure, exposure, and care. It is handled. Washed. Arranged. Pulled out. Swallowed back in.

Hair became the material that allowed this question to stay unstable. While attached to the body, it is intimate and ordinary. Once detached, it becomes residue, evidence, discomfort, value, and loss. In the studio, I washed collected hair, untangled it, threaded it through metal, placed it near flame, held it in …

1, 2, 2, 1, 1, 2, 1, 2, 2, 1, 2, 2, 1, 1, ..., Annemarie Torresen

Masters Theses

1

I invite you to see it and feel it and sit in it and breathe it in and

hold it in your lap. Art isn’t too scary, and neither is math.

2

bouncing between bounds of a binary

bippity boppity! let’s break brains and bread

balance or belly flop, what’s mine is yours:

bumptious and bumbling and barely able

i offer it broken and let you like it that way

Commodity Beyond Price: A Visible Database Of Free Objects, Yifei Cai

Masters Theses

This thesis explores how value is constructed and circulated outside of traditional monetary exchange systems. During two years of living in Providence, I collected hundreds of "free objects." For each item, I wrote a brief description detailing its physical characteristics, provenance, or emotional significance, and measure it according to four parameters: price, cost, weight, and value. Of these, "value" is subjectively defined by memories, emotional attachments, and it presented as relational equivalencies established within the collection itself.

It presented as an open-ended archive, this project functions simultaneously as an installation, an exchange system, and a visual database. The thesis proposes …

Until The Ground Breaks, Annie Hu

Masters Theses

Until the Ground Breaks explores the complex relationship between personal memory, embodied experience, and internalized "archival logic." By examining long-term cross-cultural diasporic experiences and the shifting dynamics of family narratives—including the sensory experiences and fading memory of a grandmother, a father's correspondence that acts as a textual record of emotional logic, and the continuous revision of family history—this thesis dissects the psychological tremors that occur when the illusion of a singular, stable memory archive collapses. This research rejects the view of memory as a static container of truth, revealing it instead as a dynamic, unstable, and constantly rewritten living system. …

41.82379°N, 71.38497°W, Xiaotong Cai

Masters Theses

I, Xiaotong Cai, have known an abandoned bridge was lifted and stuck at 64-degree from 1976. I have walked and bent down towards it for over 60 times, each paralleling a journal entry. The visits and 27,351 words (up until May 5th) are the living proof: observation, encounters, correspondence, collectively and personally. It’s been nine months since it emerged in flux. Two flesh. A moving outsider and a still bridge. How can an Unused giant activate a human body? Who is the attractor and intervener?

Here, my solution is to conduct a series of small gestures. I say, interpreting without …

Landscape Repositories: Mapping Post-Mining Narratives In Asbestos, Qc Val-Des-Sources, Qc, Rasha Lama

Masters Theses

Landscape Repositories: Mapping Social Narratives in Asbestos, QC Val-des-Sources, QC proposes the ‘landscape repository’ as a tool for landscape literacy and cultural legitimacy that integrates histories, geographies, and social narratives to inform grounded and place-based post-mining futures.

Val-des-Sources, Québec (formerly Asbestos, QC) is a place whose extraction legacies and material histories are deeply interwoven into its contemporary economy and cultural landscape. The centre of town is the Jeffrey Mine, once the world’s largest open-pit asbestos mine that is deep enough to hide the Eiffel Tower entirely. Ceased in 2012, the 130-year-old Jeffrey Mine and sixty-one other Québec asbestos sites once …

Care Ecologies Between Knots, Eliza R. Marris

Masters Theses

Discarded fibers like raw wool behave the way harm reduction does. Harm reduction resists stigma and works to move beyond assumptions and oversimplifications of substance use and addiction. Wool is irregular, complicated, and emotionally charged. It resists compression and maintains its own being even when pulled apart. Working with raw wool is in relationship with complexity, as is harm reduction.

At its core, harm reduction is grounded in thoughtfulness and empathy towards people, their lived experience, and its nuances. It is a witness to lives, memories, and imprints, acknowledging the entangled realities of addiction. Our detachment from fiber remainders, materials …