Creative Writing Commons^™

Horsepower, Joy Priest

Theses and Dissertations

Horsepower is a collection of poems curated to be a cinematic, black femme, escape narrative. The speaker, who is experiencing a self-imposed exile from her home, radically envisions waywardness as aspirational.

When We’Ve Left The Table, Lauren Rose Clark

Theses and Dissertations

When We’ve Left the Table is a collection of poems that explores personal identity as it relates to family and upbringing, as well as grief in its various forms.

En Quête D’Image(S) : L’Emploi Des Archives Pour La Construction D’Une Mémoire (Visuelle) Palestinienne, Charlotte Schwarzinger

Regards

By relying on the works of two Palestinian directors – one being a found-footage documentary and the other an experimental piece – this article examines the importance of archives in the elaboration of Palestinian visual memory. Through its complex cinematographic history and the “missing image / ‘invisibled’ image,” Palestinian creators today use the medium of film to bear witness to their presence. The author aims to think through the use of archives in this struggle against invisibility and toward the recognition of a history, a culture, and a memory that are constantly threatened by erasure. At the border between historical …

Iconoclasme, Blasphème Et Liberté De L’Art, Hassouna Mansouri

Regards

Based on two films – La Ricotta by Pier Paolo Pasolini and The Message by Mustapha Akkad – this paper examines the relationship between art and religion. At the core of this debate lies an opposition between two semiotic approaches, defined by Umberto Eco as in verbis and in factis. In dealing with works of art, I will highlight the connection between these two concepts and the idea of “The Open Work.” I will then argue that the conflict arises from a shift in the debate from aesthetics to politics, and thus revolves around a certain margin of tolerance …

الهامش باعتباره خياراً والتحلّي بالهشاشة مقابل العنف, Abdullah Al-Kafri

Regards

.قراءة في بعض ما يُقدَّم ضمن مشهد فنون الأداء في بيروت خلال عامي 2017 و2018

« Regards », Nouvelle Formule, Joseph Korkmaz

Regards

Après vingt ans d’existence, la revue Regards se métamorphose entièrement. D’une revue annuelle limitée à une diffusion interne et rédigée en grande partie par des enseignants et des étudiants de l’Institut d’Études Scéniques, Audiovisuelles et Cinématographiques (IESAV) de l’Université Saint-Joseph de Beyrouth (USJ), elle passe à une publication semestrielle et comprend désormais un comité scientifique et un comité de lecture internationaux. Elle s’ouvre également aux contributions de chercheurs et d’universitaires, aussi bien locaux qu’étrangers...

Mémoire Et Conflit Dans « Le Dernier Jour Du Printemps » (آخر يوم في الربيع" 2018") De Fidaa Zidan, Najla Nakhlé-Cerruti

Regards

Last Day of Spring (آخر يوم في الربيع" 2018") is a monodrama written and performed by Fidaa Zidan (فداء زيدان, b. 1989), premiered in July 2018 at the National Palestinian Theatre/El-Hakawati in Jerusalem. The play tells, in the first person, the story of a young girl from a Druze village in the Galilee who finds herself alone with her parents after the death of her brother during his military service in the Israeli army, compulsory for men of the Druze community in Israel since 1956, and who had been buried in a military cemetery. The sister wants to fulfil her …

La Mémoire Comme Ressource Et Enjeu De Lutte Dans Les Documentaires Syriens De L’Après 2011, Nicolas Appelt

Regards

In Syrian cinematographic creation – essentially documentary – which escapes the control of the regime, memory occupies an important place in the representation of the conflict that tears the country apart. Drawing from three Syrian documentary films shot after 2011 – Houses without Doors, 194, Us Children of the Camp and The Taste of Cement – we will put into perspective how the memory of one side is mobilized as a resource for representing the conflict, including after leaving Syria, and, on the other hand, how it is an issue in reclaiming the story of this conflict, in a …

De L’Historien Au Citoyen : Une Nouvelle Génération D’Artistes Libanais À La Conquête De La Réconciliation D’Après-Guerre, Joséphine Parenthou

Regards

Twenty-eight years after the ceasefire, the Lebanese civil war remains a constant theme for Beirut artworks and speeches, whereas society and institutions have made it a taboo. Art constitutes a fortunate entrance for apprehending the social world and its evolutions in a context of a long post-war period. The effectiveness of the reconciliation process, even its takeover by artworld actors, can be measured through unofficial paths. Moreover, the transformation of war social representations within the artworld, between a war generation and a post-war generation, reflects a redefinition of both the artist’s figure and function in its relationship to politics: formerly …

Decay As Political Metaphor In Ely Dagher's "Waves '98" And Mounia Akl's "Submarine", Joey Ayoub

Regards

Lebanese cinema serves as a useful tool with which to assess postwar dynamics given the dominance of the civil war in artistic production since 1990. As the first postwar generation reached adulthood, we have been witnessing the inevitable rise of a “second wave” of postwar Lebanese cinema – defined as the generation of filmmakers born towards the end of or after the civil war. This essay analyses two postwar Lebanese films, Ely Dagher’s 2015 Waves ’98 and Mounia Akl’s 2016 Submarine, as unique responses to a feeling of despair brought about by the city/nation, explored through the theme of …

Ya Omri (104 Wrinkles) De Hady Zaccak, Joseph Korkmaz

Regards

Elle est dure, la vieillesse. Simone de Beauvoir en sait quelque chose. Ici, l’âge de Henriette (104 ans), l’héroïne du film et grand-mère maternelle du réalisateur, ne laisse place à aucun euphémisme. Elle n’est pas une personne âgée, ni une femme d’un certain âge, mais bel et bien une vieille, et même une très vieille dame, car les stigmates des années vécues sont flagrants […]

Entretien Avec Hady Zaccak, Joseph Korkmaz

Regards

Pourquoi un film sur votre grand-mère ? Aviez-vous un rapport particulier avec elle ou vous vous êtes intéressé à elle parce qu’elle est un cas rare d’une centenaire encore alerte ? Quand est-ce que vous avez commencé à la filmer ?
Un film sur ma grand-mère car le documentaire est un moyen de lutter contre la mort et de préserver la mémoire de ceux qu’on aime […]

« Cinematheque Beirut » Entretien Avec Nour Ouayda, Yara Nashawaty

Regards

En juin 2018, Cinematheque Beirut, un projet dédié à la conservation de l’héritage cinématographique libanais, fut inauguré par l’association Metropolis Cinema. Ce dernier-né est sans doute son projet le plus ambitieux, car il résulte d’une multitude d’initiatives déjà mises en place par l’association et ne pourrait réellement évoluer qu’en s’inscrivant dans la durée. De plus, miser sur la préservation d’un héritage en danger relève d’une lourde responsabilité auprès d’un public souvent sceptique, témoin impuissant du bafouage, voire du sabotage, de son héritage culturel depuis le début de la guerre civile, puis durant la période dite de reconstruction dans les années …

Filming Against The System In North Africa: Pioneering Women Documentary Makers And Their Common Aesthetics, Stefanie Van De Peer

Regards

This article draws attention to the pioneering women of North African documentary making, and specifically their work in addressing the image of women on screen in rapidly changing societies. Highlighting the creativity of the filmmakers in defying the contemporary censor or addressing taboo topics such as women’s rights, the history of women contributing to politics, or women’s roles in the wars for independence, this article uncovers neglected “feminist” histories and the ways in which women documentary makers tackle audio-visually challenging topics. The films under discussion show their creative potential to address difficult themes through a poetics of permissibility. This is …

"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano, Raquel Sáenz-Llano

LSU Master's Theses

This thesis studies the evolution, ideology and use of the myth of La Llorona through time in the Hispanic World. Considering this myth as one of the most known traditional narratives of the American continent, I begin by providing visual, ethnohistorical and ethnographical insights of weeping in Mesoamerica and South America and the specific mention of a weeping woman in some Spanish chronicles to say how western values were stablished in “the new continent” through this legend. I suggest that during the postcolonialism the legend did not tell anymore about a mother that cries and search a place for their …

Fulkerson, Brenda (Fa 1272), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1272. Student folk studies project titled “[Rhymes, Legends, Beliefs and Proverbs of Ohio County],” which includes descriptions of local folk legends and beliefs in Ohio County, Kentucky. Descriptions may include title of the legend, date collected, and informant’s name and address. Note cards include rhyme, belief or proverb, date collected, and informant’s name.

How To Win Papers And Influence Professors: Creating Positive First Impressions Through Effective Titles, John Lamothe

Publications

By the time you finish reading this first sentence, you’ve already started forming a first impression about this article. In fact, you really started forming it after reading the title. With the words, “How to Win Papers and Influence Professors,” a spoof on the popular Dale Carnegie book, “How to Win Friends & Influence People,” I already began establishing a tone and setting up expectations for you, the reader. Whether you realized it or not, you had a reaction to that title. This shouldn’t come as a great shock. It’s human nature to form quick first impressions; we’ve all been …

Resume Headings, John Lamothe

Publications

This article serves as a guide to creating resume headings.

American Waste, Jason Allen Christian

LSU Master's Theses

American Waste is an interlinking story cycle told in the first person by a character called Rice. The stories follow Rice from his childhood (in rural Oklahoma) into adulthood, first when lives in a “punk house” with other young punk rockers in Oklahoma City, and later as he travels by freight train around the country. While he travels he reports on what he sees and experiences in the subculture that he is part of, whose members are called gutter punks and crusties. Theirs is a lifestyle bent on risk and adventure and also often plagued with drug and alcohol addiction. …

Creative Writers Festival 2019 Patron Counts, Department Of Theatre, Dance & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Creative Writers Festival 2019 patron counts

Saturday, March 23, 2019

Cheater, Daniel Jameson

Student Publications

A young man comes to terms with the decisions he has made regarding his love life.

Creative Writers Festival Sign Up Sheet, Department Of Theatre, Dance & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Creative Writers Festival sign up sheet

Saturday & Sunday, March 23-24, 2019

Nightmare, Maggie E. Burke

Student Publications

This poem is about the restlessness of overthinking at night and falling into a nightmarish dream state, similar to that of Alice in Wonderland, centered on frightful feelings of emptiness.

Milk Duds, Marleen S. Barr

Publications and Research

This is a satirical short story about Trump's immigration policy.

Naus, Justin Greene

LSU Master's Theses

A collection of poems and nonfiction vignettes, naus entails a navigation of my experience with Tourette Syndrome and, consequently, what it can mean to have a noisy body. Rather than situate noise as a negatively construed iteration of sound, I contend that, following the work of Michel Serres, it is instead a disruption within a system, a parasitical interception, an affective force that has the potential to alter the positions and orientations of a given constellation of bodies, human or otherwise. Similar to how sound, as a verb, can be understood as “to fathom” or “to make sense of,” naus …

The Lowly Ones, Cassie Meredith Benson Grillon

LSU Master's Theses

The Lowly Ones is a collection of short stories that interrogates the meaning of beatitudes written about in Luke 6:20–23 in the Bible. The characters in these stories navigate complex moral situations that examine the meaning behind the values presented in the beatitudes: mercy, sorrow, persecution, etc. These women face the challenges of faith in surprising ways, through the notoriety of a dead sister, the fascination with a lower-class neighbor, and the mysterious purchase of an exotic bird. This collection thoroughly erases the fictitious line religion and society draw between saints and sinners.

A Commentary On Narrative Platforms, Cinematic Universes, And Consumers Formerly Known As The Audience, Andreas Treske, Aras Ozgun

Markets, Globalization & Development Review

No abstract provided.

University Of Big Shoulders

DePaul Magazine

DePaul launched Big Shoulders Books to publish title by or about Chicagoans whose voices might not otherwise be heard. The press focuses on issues of social justice, and its books are distributed free of charge. And while professionals oversee the press, undergraduates and graduates from DePaul's Master of Arts in Writing and Publishing work intimately on every stage of manuscript preparation and publication.

Next Stop: Stevens Point

St. Norbert Times

• News
  • Next Stop: Stevens Point
  • SNC Graced with Film Festival
  • Herbs in the Dorm Room
  • ANAD Week with Delta Phi Epsilon
  • SNC Professor Speaks on Global Migration
• Opinion
  • Not Your Normal Girl
  • Presidential Precedent
  • We are Women
  • Free Speech on College Campuses
  • Stop! In the Name of Love
• Features
  • Maintaining Hope
  • SOS The Jonas Brothers are Back
  • Clowning Around at the GB Film Festival
• Entertainment
  • Junk Drawer: Favorite Movie Villain
  • Sudoku
  • Trivia
  • Book Review: “The Wicker King” by K. Ancrum
  • State of Music: Where are we going?
  • How To Train Your Dragon: Hidden World
  • Dorothy Never Got Down Like This …

Volume 65 Full Text, Toyon Literary Magazine

Toyon: Multilingual Literary Magazine

No abstract provided.