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Articles 13411 - 13440 of 57942
Full-Text Articles in Creative Writing
What Happened At The House On Colquitt Road, Savannah Barker
What Happened At The House On Colquitt Road, Savannah Barker
The Quatrain
Savannah Barker is a freshman from Shreveport, majoring in English with a concentration in creative writing. She has been writing poetry for about five years. She enjoys many forms of art such as painting, but Savannah’s biggest dream is to publish a poetry book someday.
Train Station Of The Afterlife, Alayna Juneau
Train Station Of The Afterlife, Alayna Juneau
The Quatrain
Alayna Juneau is a senior in interdisciplinary studies at Louisiana Tech University. She is passionate about telling stories through any medium. Her favorite things to do are pet cats, take naps, and play video games. She hopes to one day be a game developer, a writer, or a crazy cat lady.
Flash Flood Warning, Jenna Meadows
Flash Flood Warning, Jenna Meadows
The Quatrain
Jenna Meadows studies history and English with a concentration in creative writing at Louisiana Tech.
I Used To Call It Home, Annie Gremillion
I Used To Call It Home, Annie Gremillion
The Quatrain
Annie Gremillion is a senior majoring in speech-language pathology at Louisiana Tech University. Since Annie was young, she has made a hobby out of writing. Whenever she has the opportunity, she enjoys practicing prose and occasionally dabbling in poetry.
Becoming Lovely, Marijean Oldham
Becoming Lovely, Marijean Oldham
The Lindenwood Review: a journal of literary prose
No abstract provided.
Vol. Lviii, No. 3: Robert Duncan's The H.D. Book, Aram Saroyan
Vol. Lviii, No. 3: Robert Duncan's The H.D. Book, Aram Saroyan
The Hollins Critic
No abstract provided.
Collecting Seashells, Caitlin Upshall
Collecting Seashells, Caitlin Upshall
The Lindenwood Review: a journal of literary prose
No abstract provided.
Migration, Brian Wallace Baker
Migration, Brian Wallace Baker
The Lindenwood Review: a journal of literary prose
No abstract provided.
Perhaps Then, Stephanie Lamb
Perhaps Then, Stephanie Lamb
The Lindenwood Review: a journal of literary prose
No abstract provided.
Sepsis, Morgan Corona
Sepsis, Morgan Corona
The Lindenwood Review: a journal of literary prose
No abstract provided.
Review Of Girl In The Walls, Michael F. Russo
Review Of Girl In The Walls, Michael F. Russo
Faculty Publications
No abstract provided.
The Little House, Tracy Mann
The Little House, Tracy Mann
The Lindenwood Review: a journal of literary prose
No abstract provided.
The Season Of The Itch, Christopher Duggan
The Season Of The Itch, Christopher Duggan
The Lindenwood Review: a journal of literary prose
No abstract provided.
How To Make A Cup Of Tea, Rachel B. Moore
How To Make A Cup Of Tea, Rachel B. Moore
The Lindenwood Review: a journal of literary prose
No abstract provided.
A Beleaguered Wife Pleads With Her Husband About Icarus, Matthew J. Andrews
A Beleaguered Wife Pleads With Her Husband About Icarus, Matthew J. Andrews
The Lindenwood Review: a journal of literary prose
No abstract provided.
What Death Is, Laura Ohlmann
What Death Is, Laura Ohlmann
The Lindenwood Review: a journal of literary prose
No abstract provided.
Elegy For The Worst, Daniel Edward Moore
Elegy For The Worst, Daniel Edward Moore
The Lindenwood Review: a journal of literary prose
No abstract provided.
Three Months, Dorothy Barnhouse
Three Months, Dorothy Barnhouse
The Lindenwood Review: a journal of literary prose
No abstract provided.
Corvallis, Courtney Justus
Corvallis, Courtney Justus
The Lindenwood Review: a journal of literary prose
No abstract provided.
Epitaph, Caroline Mcenery Fleischauer
Epitaph, Caroline Mcenery Fleischauer
The Lindenwood Review: a journal of literary prose
No abstract provided.
Monday, Minnie Zhang
Monday, Minnie Zhang
The Lindenwood Review: a journal of literary prose
No abstract provided.
The Danger Of Landing, Johanna Bond
The Danger Of Landing, Johanna Bond
The Lindenwood Review: a journal of literary prose
No abstract provided.
Washing Day, Annika Cleland-Hura
Washing Day, Annika Cleland-Hura
The Lindenwood Review: a journal of literary prose
No abstract provided.
Recipe For The Girl Who Never Learned To Cook, Claire Caron
Recipe For The Girl Who Never Learned To Cook, Claire Caron
The Lindenwood Review: a journal of literary prose
No abstract provided.
Sometimes Picnickers Gaze Into The Heavens And See Large Ferocious Animals, Brett Thompson
Sometimes Picnickers Gaze Into The Heavens And See Large Ferocious Animals, Brett Thompson
The Lindenwood Review: a journal of literary prose
No abstract provided.
Lazarus, Zachary Barrett
Lazarus, Zachary Barrett
The Lindenwood Review: a journal of literary prose
No abstract provided.
A Dukedom Large Enough, Fletcher Bonin
A Dukedom Large Enough, Fletcher Bonin
The Lindenwood Review: a journal of literary prose
No abstract provided.
Crash Corner, Kelsey Askwith
Crash Corner, Kelsey Askwith
The Lindenwood Review: a journal of literary prose
No abstract provided.
Upon Learning My Uncle Doug Had Been Married And Divorced Before He Died: A Dialectic, Rachael Peckham
Upon Learning My Uncle Doug Had Been Married And Divorced Before He Died: A Dialectic, Rachael Peckham
English Faculty Research
The Waking is proud to nominate "Upon Learning My Uncle Doug Had Been Married and Divorced Before He Died: A Dialectic" for Sundress Publications' Best of the Net 2021 anthology.
Doug was married to a lady who didn't grow up on a farm. He met Beth in college, a real pretty girl with brown hair and brown eyes. Doug was broad-shouldered and blue-eyed, good-looking too. But Beth didn't get why he worked all the time, running from barns to the shop and back to the feedlot. She didn't know a thing about livestock. She didn't get it's not a job …
Writing Not Writing: Transdisciplinary Poetics, Institutional Critique, Miriam L. Atkin
Writing Not Writing: Transdisciplinary Poetics, Institutional Critique, Miriam L. Atkin
Dissertations, Theses, and Capstone Projects
This dissertation is an exploration of transdisciplinary creative practice as a means of institutional critique. The artists I have chosen as my primary focus—Robert Kocik, Eleni Stecopoulos, Zora Neale Hurston, Jimmie Durham, Leslie Scalapino and Lyn Hejinian—employ multiple mediums and fields of discourse to address the presumptions and exclusions that are structurally integral to the institutions that house them. They enact “architextural” interventions through their use of forms that move between the page and three dimensional space, incorporating architecture, sculpture, drawing, painting, film, performance, poetry and prose. My work aims at a renewed understanding of critique as such, and therefore—though …