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Articles 1291 - 1320 of 58118
Full-Text Articles in Creative Writing
« Voi(E)X De L’Exil, Formes De La Pensée » : Le Cinéma-Essai De Borhane Alaouié », Elie Yazbek, Farah Alhashem
« Voi(E)X De L’Exil, Formes De La Pensée » : Le Cinéma-Essai De Borhane Alaouié », Elie Yazbek, Farah Alhashem
Regards
This article offers a comprehensive study of Borhane Alaouié’s work, a central figure in modern Lebanese cinema, situating it within the tradition of the essay film. Through an analysis of Lettre d’un temps d’exil, À toi où que tu sois and Khallas, it examines how exile, wounded memory, and fragmentary thought shape the filmmaker’s aesthetic and ethical approach. Exile is explored not only as a geopolitical condition but as an interior state, a persistent uncertainty that structures voices, narratives and images. The study highlights the importance of voice-over, fragmentation, memory-driven editing and epistolary address, while positioning Alaouié’s work …
The Personal Is Collective: Egyptian First-Person – Documentary Cinema As Post-Revolution Diary, Eman Elharmeel
The Personal Is Collective: Egyptian First-Person – Documentary Cinema As Post-Revolution Diary, Eman Elharmeel
Regards
The 2011 Egyptian revolution marked a watershed moment in the reconfiguration of individuality, autonomy and self-expression within Egyptian society. Challenging long-standing collectivist frameworks, the revolutionary moment opened new spaces for individual agency and subjective reflection. This paper examines how these shifts intersect with the rise of first-person documentary cinema as a powerful medium for articulating post-revolutionary subjectivity in Egypt.
Focusing on The Past Will Return (2015) by Dina Hamza, Happily Ever After (2016) by Nada Riyadh and Ayman El Amir, and Little Eagles (2016) by Mohamed Rashad, the paper analyzes how filmmakers negotiate personal desires, familial pressures and collective belonging …
Triste Souvenir Et Sombre Avenir, « Lettre À Ma Sœur » (2006) De Habiba Djahnine, Boualem Khelifati
Triste Souvenir Et Sombre Avenir, « Lettre À Ma Sœur » (2006) De Habiba Djahnine, Boualem Khelifati
Regards
This article explores how Letter to My Sister (2006), a film by director and poet Habiba Djahnine dedicated to her sister Nabila, a democratic and feminist activist who was murdered by Islamist terrorists in Tizi Ouzou in 1995, revisits the fate of the direct and indirect victims of Algeria’s dark decade of the 1990s and the repressive religious and state policies towards women. It employs a narrative structure that combines several film genres – film-letter, film-journey, film-poem, and film-archive – showing situations in which memories and pain are shared, as well as the necessary perpetuation of a struggle that is …
Beyrouth 1978-1982 : Le Fonds Photographique De Monica Maurer – Une Collection Contre L’Oubli Et La Destruction, Aude Fourel
Beyrouth 1978-1982 : Le Fonds Photographique De Monica Maurer – Une Collection Contre L’Oubli Et La Destruction, Aude Fourel
Regards
It was while searching for unused film footage on the Palestinian struggle for a documentary essay that I discovered the filmography of German director Monica Maurer and her work restoring and preserving Palestinian films. For the past four years, we have been working together to digitise and catalogue the photographs and documents she still keeps at home.
I reflect on the paths opened up by the writing of a film in the making, on the formatting of Monica Maurer’s photographic collection, and on the initial prospects for visual and historical studies of this material in the particular context of the …
Sonorisation De L’Anarchive Ou La Palestine Comme Projet Politique – À L’Écoute De « A Fidai Film » De Kamal Aljafari Et De « Partition » De Diana Allan, Judith Abensour
Sonorisation De L’Anarchive Ou La Palestine Comme Projet Politique – À L’Écoute De « A Fidai Film » De Kamal Aljafari Et De « Partition » De Diana Allan, Judith Abensour
Regards
Kamal Aljafari’s A Fidai Film draws on Palestinian archives confiscated by Israel in Beirut in 1982. Diana Allan created Partition using archives from Mandatory Palestine held at the Imperial War Museum in London. The film notebook not only refers to a type of fragmentary editing, but also allows us to revisit the relationship between sound and image, thus offering an exercise in remembrance in the present. By adding sound to images, the two filmmakers question the contradictions inherent in archives, their erasure or their resistance to authoritative or propagandistic discourse. Thus, under the guise of sensory and sound anthropology for …
Videotracts For Palestine : Images Et Contre-Images, Lola Maupas
Videotracts For Palestine : Images Et Contre-Images, Lola Maupas
Regards
This article examines the political and aesthetic gesture of Videotracts for Palestine, a collective founded on Instagram in November 2023 in the context of the Israeli offensive in Gaza. Heirs to the ciné-tracts of 1968 and, more broadly, to international militant cinema, these very short anonymous films also mobilize contemporary digital tools and produce what might be called a counter-visuality of resistance. The study highlights how the collective situates itself within a tradition of images as weapons of struggle while inventing its own forms, shaped by the massive circulation enabled by the Internet and social media. The videotracts deconstruct …
Des Sons Pour L’Histoire. Correspondance Avec Mohammed Yaghi, Aude Fourel
Des Sons Pour L’Histoire. Correspondance Avec Mohammed Yaghi, Aude Fourel
Regards
Sounds for History. Correspondence with Mohammed Yaghi
Mohammed Yaghi was born in 1992 and trained in sound engineering in Gaza. He has worked for UNRWA television and collaborated with Palestinian and international documentary film production companies.
These sound recordings for films, educational programs and interviews were the first step in the sound diary that he has kept on building on a daily basis.
[...]
Résumé
Mohammed Yaghi est né en 1992 et s’est formé aux métiers du son à Gaza. Il a travaillé à la télévision de l’UNRWA et collaboré avec des maisons de productions palestiniennes et internationales de films …
Killer Whales, River Alsalihi
Killer Whales, River Alsalihi
The Lindenwood Review: a journal of literary prose
No abstract provided.
Lighthouse, Andie Brynn Weaver
Lighthouse, Andie Brynn Weaver
The Lindenwood Review: a journal of literary prose
No abstract provided.
The Tellers, Kevin Loughrin
The Tellers, Kevin Loughrin
The Lindenwood Review: a journal of literary prose
No abstract provided.
Adhesive, Thomas Lowery
Adhesive, Thomas Lowery
The Lindenwood Review: a journal of literary prose
No abstract provided.
Paper Ship Dreams, Adam Coulter
Paper Ship Dreams, Adam Coulter
The Lindenwood Review: a journal of literary prose
No abstract provided.
Bruises, C. Z.
Bruises, C. Z.
The Lindenwood Review: a journal of literary prose
No abstract provided.
“Alaskan Salmon”, Robert Terentieff
“Alaskan Salmon”, Robert Terentieff
The Lindenwood Review: a journal of literary prose
No abstract provided.
Right-Handed, Ashley Greenhouse
Right-Handed, Ashley Greenhouse
The Lindenwood Review: a journal of literary prose
No abstract provided.
Keeping Time By Crickets, Dara Laine
Keeping Time By Crickets, Dara Laine
The Lindenwood Review: a journal of literary prose
No abstract provided.
Dream Journalese, Chris Clemens
Dream Journalese, Chris Clemens
The Lindenwood Review: a journal of literary prose
No abstract provided.
Episode In Which I Outrun The News, Colette Parris
Episode In Which I Outrun The News, Colette Parris
The Lindenwood Review: a journal of literary prose
No abstract provided.
At Dusk, Carol L. Gloor
At Dusk, Carol L. Gloor
The Lindenwood Review: a journal of literary prose
No abstract provided.
Everything Else You Left Behind, Anna Kate Daunt
Everything Else You Left Behind, Anna Kate Daunt
The Lindenwood Review: a journal of literary prose
No abstract provided.
My Father’S War Story, Denis Bell
My Father’S War Story, Denis Bell
The Lindenwood Review: a journal of literary prose
No abstract provided.
Trembling Leaf, Heart In A Cage, Tatiana Chaterji
Trembling Leaf, Heart In A Cage, Tatiana Chaterji
The Lindenwood Review: a journal of literary prose
No abstract provided.
When The Streetlights Come On, Bob Kelsoe
When The Streetlights Come On, Bob Kelsoe
The Lindenwood Review: a journal of literary prose
No abstract provided.
Look At Yourself, Martha Krausz
Look At Yourself, Martha Krausz
The Lindenwood Review: a journal of literary prose
No abstract provided.
Conversation With My Dead Mother, Carroll Ann Susco
Conversation With My Dead Mother, Carroll Ann Susco
The Lindenwood Review: a journal of literary prose
No abstract provided.
Times At The Drive-In, Brian C. Petti
Times At The Drive-In, Brian C. Petti
The Lindenwood Review: a journal of literary prose
No abstract provided.
Lunchtime, Judith Shapiro
Lunchtime, Judith Shapiro
The Lindenwood Review: a journal of literary prose
No abstract provided.
Red Snow Day, Jon Michael Johnson
Red Snow Day, Jon Michael Johnson
The Lindenwood Review: a journal of literary prose
No abstract provided.
A Dead Camel In The Road, Or How I Lost My Girlfriend, Craig Loomis
A Dead Camel In The Road, Or How I Lost My Girlfriend, Craig Loomis
The Lindenwood Review: a journal of literary prose
No abstract provided.