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Articles 1261 - 1290 of 58118
Full-Text Articles in Creative Writing
Full Issue, Courageous Cuentos
Full Issue, Courageous Cuentos
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Emigration Of Our Great Colossus, Sterling Imago
Emigration Of Our Great Colossus, Sterling Imago
Landshark Literary Review
A short poem on the emigration of The Great Colossus (Statue of Liberty) due to her view of the soceioeconomic state of The United States of America.
Confess To Me, Jenna M. Hood
Confess To Me, Jenna M. Hood
Landshark Literary Review
A persona poem from the point of view of a person close to someone who seems to be experiencing abuse, but refusing to talk about or confess the truth to the "me" in the poem. The speaker is fixated on desperate and increasingly disturbing thoughts about what should happen regarding the suspected tormentor.
Yon Whistle, Quade H. Beasley
Yon Whistle, Quade H. Beasley
Landshark Literary Review
A story told about an old man's experience with a whistle in the woods, and the thing that makes it.
Mermaid Hurricane, Benjamin Tabor Jr.
Krohn Headed, Benjamin Tabor Jr.
Meredith Anderson, Meredith J. Anderson
Meredith Anderson, Meredith J. Anderson
Landshark Literary Review
No abstract provided.
More Than Any Thing Or Any One, Baylie E. Rice
More Than Any Thing Or Any One, Baylie E. Rice
Landshark Literary Review
These sister poems "more than any thing" and "more than any one" were written as an exploration of how we tend to romanticize people we are involved with romantically. After they break our hearts or hurt us in some way, we begin to see them as they truly are, for better or worse. "more than any thing" is the process of viewing someone through rose colored glasses, while "more than any one" is looking back on the relationship and wishing you had spent more time learning to love yourself.
Hot Ears, Anna Thomas
Hot Ears, Anna Thomas
Landshark Literary Review
A short creative non-fiction piece about the daily battle of living with depression. This work explores the diagnosis of depression through a singular moment in time, taking a scene and expanding it into it's higher meaning. This piece also develops part of the support system an individual with depression relies on, as well as an intimate relationship between college students.
Between The Posts, Avery Smith
Who Does The Killing?, Jesse A. Parkman
Who Does The Killing?, Jesse A. Parkman
Landshark Literary Review
No abstract provided.
Sidewalk Pheromones, Jesse A. Parkman
Old Dogs, Jesse A. Parkman
Disciple, Jesse A. Parkman
To My Love, Gabriel M. Navarro
To My Love, Gabriel M. Navarro
Landshark Literary Review
It is a gothic romance about a person in the distant past that had nothing but his relationship with one person. He reflects on it and wishes to find a way to remember it.
This Anger Has No Home, Lamarcus M. Lenoir Jr.
This Anger Has No Home, Lamarcus M. Lenoir Jr.
Landshark Literary Review
This poem was written because of my frustrations with the media and how the Palestinian genocide is being portrayed. I wanted to combat the way people try to use religion to in a way justify these horrific acts.
Right Of Passage, Benjamin Tabor Jr.
Rub Your Eyes, Benjamin Tabor Jr. Jr.
Landshark Literary Review, Hanny Zermeno
Landshark Literary Review, Hanny Zermeno
Landshark Literary Review
The poems of this selection delve into the complexities of familial relationships as well as the internal battles of insecurities brought on by the complications of a lack of harmony and love primarily displayed in families. Other poems in this selection describe the love between two people and the physical and emotional effects of yearning and their human connections.
Freezer Bride, Chris M. Woodry
Sigma Tau Delta Fraternity-Theta Delta Chapter Dinner, Florence State Teachers College
Sigma Tau Delta Fraternity-Theta Delta Chapter Dinner, Florence State Teachers College
Documents
Sigma Tau Delta Fraternity -Theta Delta Chapter at Florence State Teachers College Dinner Program--April 29, 1950
*Theta Delta Chapter was organized in February 1936. *
The Survival, Blue Pencil Club
The Survival, Blue Pencil Club
Documents
The Survival Magazine-as stated at the beginning, "Into this magazine was to go something from the pen of each member-something of her own choice..."
Simulating Rewriting Style: Algorithmic Reproduction Of Camus’S Literary Voice In Machine-Generated Texts, Peter Akongfeh Agwu Ph.D
Simulating Rewriting Style: Algorithmic Reproduction Of Camus’S Literary Voice In Machine-Generated Texts, Peter Akongfeh Agwu Ph.D
Department of French Studies Graduate Student Association Conference
Virtual Presentation
An Ascendant In Scorpio: Dark Tourism In The Kingdom Of Cambodia, A Travelogue, Brenton Rossow
An Ascendant In Scorpio: Dark Tourism In The Kingdom Of Cambodia, A Travelogue, Brenton Rossow
Research outputs 2022 to 2026
An eight-legged dark tourist with a freshly starched pith helmet, Sydney’s travels in Cambodia take him to the small town of Skuon, where people snack on fried tarantulas. The trip to Skuon, however, becomes more than just a tropical dark tourist tick box; instead, transforming into a sweaty pilgrimage into the crevices of Sydney’s ravaged psyche. During Syd’s journey, he must embrace his fears and ingest the beast within or forever wallow in the purgatory of his shadow self and its eternal torments. Caught in a web of vampiric arachnids, he must be careful not to become prey, tempted by …
Des Arbres Comme Des Lignes De Vie – Pascale Cassagnau Et Suhaib Gasmelbari En Conversation, Pascale Cassagnau, Suhaib Gasmelbari
Des Arbres Comme Des Lignes De Vie – Pascale Cassagnau Et Suhaib Gasmelbari En Conversation, Pascale Cassagnau, Suhaib Gasmelbari
Regards
As part of a study day organized in September 2025 at the University of Grenoble Alpes in partnership with the Centre National des Arts Plastiques entitled “The Loss of Images: Research and Creative Narratives,” Pascale Cassagnau and Suhaib Gasmelbari discussed his film Talking about Trees (2019), focusing on the film’s sources and structure, the history of Sudanese cinema that it reveals within the film itself, and the metaphors of trees and plants as lifelines and living archives at a time when images have disappeared.
Résumé
Dans le cadre d’une journée d’études organisée en septembre 2025 à l’Université Grenoble Alpes en …
Introduction – Carnets Filmiques, Carnets Sonores : Des Essais Intimes Et Collectifs, Robert Bonamy, Aude Fourel, Eve Le Fessant Coussonneau
Introduction – Carnets Filmiques, Carnets Sonores : Des Essais Intimes Et Collectifs, Robert Bonamy, Aude Fourel, Eve Le Fessant Coussonneau
Regards
Le sens à attribuer à la notion de carnet filmique ou de carnet sonore suscite quelque indécision, en raison du caractère composite et mouvant des cas envisagés. L’enjeu principal ne paraît ainsi pas ici celui d’une définition serrée d’un objet, mais plutôt une attention accordée à des tentatives de réalisation. De surcroît, si la forme-carnet permet à peu près tout, elle n’interdit donc véritablement rien : l’esquisse, le brouillon, l’approximation, voire l’échec et l’interruption.
[...]
Du Journal De Deuil À L’Œuvre De Sépulture : « Lo » (Thanassis Vassiliou, 2021-2025), Marie Martin
Du Journal De Deuil À L’Œuvre De Sépulture : « Lo » (Thanassis Vassiliou, 2021-2025), Marie Martin
Regards
After his mother’s death in 2017, Thanassis Vassiliou returned to Greece and began filming. The instinctive act of recording aimed both to come to terms with the now definitive absence in places still filled with memories, and to document his own reactions, attempting to preserve them even if he could not fully understand them. These filmic notes could perhaps, later on, allow another perspective, according to the dynamic that Antoine Compagnon aptly analyzed as paradoxical in relation to Barthes’s Mourning Diary: “mourning and narrative are antinomic, but [...] only narrative [...] is capable of expressing the experience of mourning, …
« From Ground Zero » Et « Letters » : Carnets Polyphoniques En Quête D’Intersubjectivité, Eve Le Fessant Coussonneau
« From Ground Zero » Et « Letters » : Carnets Polyphoniques En Quête D’Intersubjectivité, Eve Le Fessant Coussonneau
Regards
The two polyphonic films From Ground Zero (2025, produced by Rashid Masharawi) and Letters (2025, produced by Josef Khallouf) bring together, in response to the war in Gaza, unique short films, letters and chronicles that address collective questions. How do these films take charge of the urgent need to problematize, aesthetically and politically, the relationship between subjectivity and the collective? From the Palestinian enclave or neighboring Lebanon, they seek irreducible singularities and intersubjective connections in the face of the horror of genocide. Caught in a complex combination of places and times, their address to our spectatorial gaze thus reveals the …
Le Vent Du Sud, « La Nuit Et L’Enfant » – Récit D’Une Vidéo-Correspondance Avec Zoheir Mefti, David Yon
Le Vent Du Sud, « La Nuit Et L’Enfant » – Récit D’Une Vidéo-Correspondance Avec Zoheir Mefti, David Yon
Regards
Entre 2011 et 2012, Zoheir Mefti et David Yon ont entretenu une correspondance autour de la réalisation filmique. A travers leurs échanges, ils questionnent la nécessité de l’image. Zoheir Mefti travaille un geste filmique de l’urgence, tandis que David Yon prépare un film en Algérie dans un temps plus long. Après les mots, ils partagent des images et des sons, tels des carnets filmiques, dans lesquels ils donnent leurs positions et interrogent les liens entre la vie et le cinéma.
Carnets De Bord. Tables D’Orientation « Tariq Teguia », Pascale Cassagnau, Tariq Teguia
Carnets De Bord. Tables D’Orientation « Tariq Teguia », Pascale Cassagnau, Tariq Teguia
Regards
This interview by Pascale Cassagnau with Tariq Teguia puts into perspective the Algerian filmmaker’s work notebooks, which are both autonomous objects and working documents, linked to the film itself. A medium for thought, the notebook is a space for language, a score and a cartographic space that gives shape to the writing of the film in a graphic way. A discursive space parallel to the space of scriptwriting, the notebook accompanies the development of the film from its inception, collecting the writing of thought in no particular chronological order.
Résumé
Cet entretien de Pascale Cassagnau avec Tariq Teguia met en …