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Creative Writing Commons

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2003

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Articles 511 - 540 of 694

Full-Text Articles in Creative Writing

Any Second, Mark Foti Jan 2003

Any Second, Mark Foti

The Angle

In lieu of an abstract, below is the essay's first paragraph.

"There is rarely any warning, and when there is, it is never enough. Nobody plans an accident. They just happen. Sometimes, they change everything, right when it all seems safely written in stone."


Nothin' But Time, Imecca E. Rodriguez Jan 2003

Nothin' But Time, Imecca E. Rodriguez

The Angle

No abstract provided.


Long Have I Chased, Wishing, Jamie Bird Jan 2003

Long Have I Chased, Wishing, Jamie Bird

The Angle

No abstract provided.


Clockwork, Geoffrey Potter Jan 2003

Clockwork, Geoffrey Potter

The Angle

No abstract provided.


Soundtrack, Tom Rowe Jan 2003

Soundtrack, Tom Rowe

The Angle

No abstract provided.


One Night Stand, Jonathan C. King Jan 2003

One Night Stand, Jonathan C. King

The Angle

No abstract provided.


Regrets In Storage, Chelsea Beatty Jan 2003

Regrets In Storage, Chelsea Beatty

The Angle

No abstract provided.


An Appropriate Number Of Ways Of Looking At An Egg, Alyssa Osinski Jan 2003

An Appropriate Number Of Ways Of Looking At An Egg, Alyssa Osinski

The Angle

No abstract provided.


Amsterdam, Patrick Powers Jan 2003

Amsterdam, Patrick Powers

The Angle

No abstract provided.


Critical Paper, Maggie Cassella Jan 2003

Critical Paper, Maggie Cassella

The Angle

No abstract provided.


In Venice, Jodi Rowland Jan 2003

In Venice, Jodi Rowland

The Angle

No abstract provided.


Celebration, Dee (Geraldine) Hogan Jan 2003

Celebration, Dee (Geraldine) Hogan

The Angle

No abstract provided.


The Diner, Catherine Agar Jan 2003

The Diner, Catherine Agar

The Angle

In lieu of an abstract, below is the essay's first paragraph.

"I was in high school when I started waiting tables at The Diner; it was my first "real" job after several years of regular babysitting. The Diner was owned by a Greek man who had a pregnant wife and two toddlers. I have heard that Greeks only come in big families, but all we ever saw were those four, going-on-five people, who came in once a week, took the biggest booth, ordered enough food for all the relatives, and left forty percent of it on the floor."


Shelter, Jamie Bird Jan 2003

Shelter, Jamie Bird

The Angle

No abstract provided.


Full Issue, No Author Jan 2003

Full Issue, No Author

The Angle

No abstract provided.


Telling God’S Sanction : Storytelling In The Narrative Journalism, Memoirs, And Creative Nonfiction Of Rick Bragg, Jennifer Nicole Sias Jan 2003

Telling God’S Sanction : Storytelling In The Narrative Journalism, Memoirs, And Creative Nonfiction Of Rick Bragg, Jennifer Nicole Sias

Theses, Dissertations and Capstones

Self-described paid-storyteller and Pulitzer-Prize-winning-narrative-journalist, Rick Bragg has used the storytelling techniques he learned from his people to write two best-selling memoirs that redefine the boundaries of the genres of memoir and creative nonfiction. His speakerly texts combine the voices of the working class of the Alabama foothills of Appalachia, his own voice as a member of this culture, and his narrative journalistic voice. In his works, Bragg has managed not only to carve a place for the voice of the working class, but also to celebrate and preserve the oral culture, history, and beautiful language of his people, the working …


Establishing An Elsewhere In Contemporary American Women's Autobiography, Jennifer Alena Gingerich Jan 2003

Establishing An Elsewhere In Contemporary American Women's Autobiography, Jennifer Alena Gingerich

Theses, Dissertations and Capstones

“Establishing an Elsewhere in Contemporary American Women’s Autobiography” explores women’s self-writing and the ways in which it offers another story or an elsewhere in the genre of autobiography. This elsewhere is distinct from traditional or conventional autobiography or, more specifically, how traditional autobiography has come to be understood. The project outlines various ways contemporary American women autobiographers deal with the issues of fragmentation (the lack of a coherent self), truth and lying (the self as a construction), and interconnectedness with others (the self as communal) when they write about themselves. It is both an analytical and creative thesis in which …


St. Michael's Cemetery, Peter Blair Jan 2003

St. Michael's Cemetery, Peter Blair

Birmingham Poetry Review

p. 6


Chameleon, David James Callan Jan 2003

Chameleon, David James Callan

Birmingham Poetry Review

p. 8


Sister Anna Has It Up To Here, David Catron Jan 2003

Sister Anna Has It Up To Here, David Catron

Birmingham Poetry Review

p. 9


Tonight's Performance, David Catron Jan 2003

Tonight's Performance, David Catron

Birmingham Poetry Review

p. 10


Largo Pulse, Jeanette Clough Jan 2003

Largo Pulse, Jeanette Clough

Birmingham Poetry Review

p. 11


The Flood Of 1913 Returns To Dayton, Ohio, Terence Culleton Jan 2003

The Flood Of 1913 Returns To Dayton, Ohio, Terence Culleton

Birmingham Poetry Review

p. 13


In Rodin's House Of Bronze, William Preston Jan 2003

In Rodin's House Of Bronze, William Preston

Birmingham Poetry Review

p. 39


Mappa Mundi, Carolyn Elkins Jan 2003

Mappa Mundi, Carolyn Elkins

Birmingham Poetry Review

pp. 8-9


Ursa Minor When Jesus Went To Lapland, Stephen Glosecki Jan 2003

Ursa Minor When Jesus Went To Lapland, Stephen Glosecki

Birmingham Poetry Review

p. 15


Birmingham Poetry Review 27 (Front Matter), Birmingham Poetry Review Staff Jan 2003

Birmingham Poetry Review 27 (Front Matter), Birmingham Poetry Review Staff

Birmingham Poetry Review

pp. -2


Crossing My Fingers, Alan Peterson Jan 2003

Crossing My Fingers, Alan Peterson

Birmingham Poetry Review

p. 33


Midnight Ride, William Rushton Jan 2003

Midnight Ride, William Rushton

Birmingham Poetry Review

p. 35


If You Wait Long Enough, It Won't Matter Anymore, Erin Gartska Jan 2003

If You Wait Long Enough, It Won't Matter Anymore, Erin Gartska

Birmingham Poetry Review

p. 11